Born in Brussels (BE), lives in Antwerp (BE).
Charif Benhelima was born in Brussels in 1967. He studied photography at the LUCA School of Arts in Brussels, HISK in Antwerp and the International Centre of Photography in New York. His photographs deal with identity, more specifically what it is to feel you’re an outsider. They reflect Benhelima’s own background: son of a Moroccan father and a Belgian mother. Following his father’s deportation and his mother’s death, he was placed in a children’s home and later fostered to a succession of families in the province of West Flanders. Benhelima works in series. His first series, Welcome to Belgium (1990–99), focuses on people who find themselves ‘outside society’: asylum seekers, illegal immigrants, prostitutes and homeless children in cities like Charleroi, Brussels and Antwerp. They are classic black and white documentary photos shot in 35mm. Benhelima spent time in Harlem between 1999 and 2002, where he produced a large series of Polaroid portraits titled Harlem on my Mind. The subjects of the portraits were mainly drawn from Harlem’s black community, whose experience of racism and discrimination confronted Benhelima with his own identity. ‘I was a bona fide alien in NYC, but for the first time I also felt completely Belgian. It was as if we had switched places. I was at home, even though I was no longer there physically, and it was these African-Americans who weren’t at home.’ He took his Polaroid experiments a step further in his photo series Black-Out, which Benhelima produced during his residency at the Künstlerhaus Bethanien (2005–06) in Berlin. The everyday objects he photographs – a pigeon, a basketball, a row of trees – are heavily overexposed but still just barely visible.
Items View all
Charif Benhelima, Playtime, 2005. Photography, cibachroom, aluminium, plexiglas, 120 x 122 cm.
Charif Benhelima, Diggings, 2005. Photography, cibachroom, aluminium, plexiglas , 50 x 52 cm.
Charif Benhelima, Permanent Address, 2006. Photography, cibachroom, aluminium, plexiglas, 120 x 122 cm.
Charif Benhelima, Minus Two, 2006. Photography, cibachroom, aluminium, plexiglas, 120 x 122 cm.
Events View all
Kunstwerk van de maand 2015
01 January 2015 - 31 December 2015.
January: Jan Vercruysse – Fontaine/Lustre, 1991. February: Jan Fabre – Het fonteintje, 1980. March: Charif Benhelima – Minus two, 2006. April
Urgent Conversations Athe...
31 October 2016 - 05 February 2017.
Urgent Conversations: Athens – Antwerp is the first temporary exhibition in the long overdue public unfolding of the Greek National Museum of
28 April 2017 - 31 December 2021.
For the first time, the M HKA will be able to present a permanent collection exhibition with iconic masterpieces from Flemish and internation
Ensembles View all
Luc Tuymans, David Claerbout, Charif Benhelima, Thomas Ruff, Cindy Sherman, Marlene Dumas, Craigie Horsfield, Vlad Monroe, Sergey Bratkov, N.
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
LIMINAL DIFFERENCE This title came to our mind when pairing the works of Charif Benhelima, Nina Papaconstantinou and Francis Alÿs. Wh