Lives in Antwerp (BE), born in Mechelen (BE).
Narcisse Tordoir (°1954, Mechelen, Belgium) starts his career with experimental performances, alternative actions and spatial installations. Gradually, he elaborates a genre that might be called 'spatial painting', in which he plays with the potential to break through the painting's plane.
In the 1980s, Tordoir integrates pictorial and three-dimensional components to enhance the overall effect: paintings hung together at right angles, voids between painted panels, small objects and mirrors that reflect fragments of images in the works. Tordoir plays visual games, often borrowing strategies from art history. A recent example is the series with large-scale tableaux vivants that combine stage photography and painting and in which he refers to the 'empty' allegory of Giambattista Tiepolo (1696-1770).
In these and other works by Tordoir, time and memory play an important role. They are visual puzzles that evoke a multitude of associations and possible interpretations.
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The collection XXXII – Pe...
07 December 2012 - 21 April 2013.
2013 was the ‘year of the collection’. Two large exhibitions and an extensive book put the contents of the M HKA collection on the map and po
The collection XXXIII – T...
07 June 2013 - 22 September 2013.
The character of a collection reflected the current priorities of the M HKA collection: the evaluation of Antwerp’s avant-garde tradition; th
Narcisse Tordoir – The Pi...
13 March 2014 - 25 May 2014.
In the exhibition The Pink Spy, artist Narcisse Tordoir (°1954, Mechelen) tells stories in an intuitive and associative way about the existen
Narcisse Tordoir – MQ
15 September 2019 - 05 January 2020.
This archival presentation comprises of a selection of scale models by Narcisse Tordoir (Mechelen, 1954). These scale models – made between 1
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Collectie Vlaamse Gemeens...
The M HKA holds works on permanent loan that were acquired with the budget of the Vlaamse Commissie voor Beeldende Kunst (Flemish Visual Art
Aanwinsten 2015 [Acquisit...
In 2015, several major works by Belgian, European, African, Asian and South-American artists were purchased. In shaping the M HKA collection,