M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: 2022

During 2020, with the corona crisis in mind, the focus of these acquisitions was on young artists. In 2021, substantial attention was paid to core artists of Antwerp galleries, more specifically artists who are a symbol for a gallery's programming. The multi-year plan provided for substantial attention in 2022 for artists who indicate the international dimension of Antwerp, with historical efforts to make up for shortages in the public heritage. The majority of the available resources were spent on this. They may be international artists, whether or not they live or work in Antwerp does not matter. Evenness in the distribution of purchases between actors is not a hard criterion, but a certain degree of spread across the many galleries that make Antwerp such a vital scene is a point of attention. The exercise that started in 2021 will be continued. Various members of the collection working group selected a long list of galleries that are then visited, in order to formulate and negotiate proposals, resulting in a short list from which purchases can follow. Basic criteria are: the extent to which an artist can be seen as a reference for the gallery, and the extent to which an artist is important within the collection image of M HKA, as formulated in the collection policy plan. Finally, a budget was also provided for work by younger artists within the scene who can be seen as a potential reference point for the future.

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Works

>Raoul van den Boom, Yayoi Kusama, Kusama’s studio (New York), 1967.Photography, print on baryta, 65 x 207.5 cm.

>Marcel Broodthaers, Ma collection, 1971.Collage, assemblage en collage op beide zijden van twee panelen, panel: 100 × 65 cm.

>Walter Swennen, Zij die van hier zijn zijn van hier, 2006.Painting, acryl op doek, 40 x 50 cm.

>Martin Margiela, Vanitas, 2019.Installation, silicone, natuurlijk en kunstmatig geverfd haar, 90 × 255 × 50 cm.

>Özge Akarsu, Being with the Other, 2020.Video, music by sugar plum fairy - pjotr ilyich tchaikovski bycyrille mercadier and david gould., 00:03:27.

>Nikolay Karabinovych, Even Further, 2020.Video, videoinstallatie, video (kleur en geluid) en metalen muziekdoos, 00:06:22.

>Hana Miletić, Materials, 2021.Assemblage, textielkunst, handgeweven textiel (gebleekt rood organisch cottoline, rode organische ruwe wol, rode organische cottoline, raffia van rode zijde en witte organische cottoline), 54 x 37 x 1,5 cm.

>Hana Miletić, Materials, 2021.Assemblage, textielkunst, handgebreid en handgeweven textiel (zwarte melkwol, zwart gerecycleerd nylon, beige melkvezel, bruin-grijze organische ruwe wol, diervriendelijke zijde en blauw-zilver metaalgaren), 30 x 6 x 3 cm.

>Hana Miletić, Materials, 2022.Assemblage, textielkunst, handgeweven en gevilt textiel (lichtgrijs eucalyptus garen, bleke gele ruwe wol, zilvergrijs gemerceriseerd katoen, zilver metaalgaren, zilver diervriendelijk zijde en veelkleurige ruwe wol), 78 × 58 × 2 cm.