M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: Chapter 1: Stone and Paper, 1958–1967, New York-Kyoto / Hoofdstuk 1: Steen en Papier / Chapitre 1: Pierre et papier

©image: M HKA

Stone and Paper
1958–1967
New York / Kyoto


Byars’s earliest works were mostly large, minimal ink drawings and paintings on paper, ritually unfolded during performances. In Kyoto, where he studied art, philosophy and Japanese, he was attracted to traditional Noh plays and Shinto rituals where paper and unhewn stone play important roles. Like the composer John Cage, Byars was also inspired by the Ryoanji rock garden in Kyoto.

The stones resonate in his enthusiasm for the thinkers Einstein, Stein and Wittgenstein. Gertrude Stein’s writings were a particularly strong influence on his word play. Byars supported himself by teaching English at Kyoto University and would read sentences from Stein, written on a long strip of paper. When his students liked a sentence he would tear it off and hand it to them. Byars’s first group action was 100 students standing in a circle, reciting 100 lines by Stein.

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Works

>James Lee Byars, The Black Stone, 1958-1959.Object, laquered stone, 12.5 x 26 x 24 cm.

>James Lee Byars, Untitled, 1959.Other, ink on japanese paper on scroll, 317.5 x 251.5 cm.

>James Lee Byars, If you don’t wash your own you stay dirty, 1960.Print, typewritten on japanese note paper, 25 x 17.5 cm.

>James Lee Byars, A White Paper will Blow Through the Streets, 1967.Multiple, offset lithograph printed in black on a white circular paper sheet, Ø 63 cm.

>James Lee Byars, The Pink Silk Airplane, 1969.Sculpture, silk, wooden showcase, 560 x 250 cm, 175 x 150 x 50 cm.