Ensemble
Susana Pilar Delahante Matienzo, Pase. Acceso ilimitado [Come In, Unlimited Access], 2003. Installation, ink, paper, 18 x (40 x 30 cm), 2 x (51 x 40 cm).
Els Dietvorst, Stigmata, 2018. Drawing, red-black ink on simili japon, 16 x 11.9 cm.
Michèle Matyn , Home Town Story, 2005. Photography, colour photography, plexiglass, 150 x 112,5 cm.
Jan De Lauré, Untitled, 2015. Painting, oil on paper, 156.1 x 106 cm.
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he