Ensemble
Arnulf Rainer, Van Gogh als Adler, 1977-1980. Mixed Media, oil on photography, 60 x 50 cm.
Tinka Pittoors, Lifestyle Storage, 2014-2017. Mixed Media, 260 x 500 x 450 cm.
Marlene Dumas, Blind Joy, 1996. Drawing, aquarel on paper, 125 x 70 cm.
Cindy Sherman, Untitled No 120 A, 1983. Photography, photo, paper, 55 x 89 cm.
It seems clear that in the case of Dymphna, the sting – t.i., the violence – is in the tail of her story, in the beheadings and the flickerin
It's a crazy story, that of Dymphna, and a story full of madness. The devil lurks around every corner. But what is the core of the madness he
Dymphna escaping over sea with her confidant Gerebernus to mainland Europe is a key example of migration, a story in which many refugees will
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need