M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: MONOCULTURE – Das Wunder des Lebens

image: © M HKA

Das Wunder des Lebens was a propaganda exhibition organised to promote the racial ideology of the Nazis. It was shown in Berlin at the Kaiserdamm and the Deutsches Hygiene-Museum, Dresden, in 1935, and later travelled to other locations. Organised by Bruno Gebhard (1901-1985), a professional physician who was known as a curator of several renowned propaganda exhibitions, including Die Frau in Familie, Haus und Beruf (1933) and Deutsches Volk-Deutsche Arbeit (1934), the exhibition Das Wunder des Lebens introduced new representations on the theme of ‘Der Mensch' (‘The Human’). The major aspects of this extensive show were 'Die Lehre vom Leben' (‘The Teachings of Life’) with its highlight being the transparent sculpture of man, 'Der Träger des Lebens' (‘The Bearer of Life’) featuring the German family, and 'Die Erhaltung des Lebens' (The Preservation of Life), dedicated to the health system in Germany. Pictorial material presented in the exhibition included healthy 'Aryan' types, different images of Jewish people, images of physically or mentally disabled people, and representations of other 'undesirable' categories who, according to Nazi ideology, were considered to be a threat to German public health. The elaborate avant-garde design of the catalogue of the exhibition was created by renowned designer Herbert Bayer (1900-1985). Neither Gebhard nor Bayer, despite being involved in the organisation of the most significant and popular Nazi propaganda exhibitions, belonged to the Nazi party themselves and had to flee to the US in the following years.

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Works

>Das Wunder des Lebens, 1935.Book, ink, paper, 21 x 20 cm.

>Aus der Austellung Das Wunder des Lebens Berlin 1935, 1935.Postcard, 14 x 9 cm.

>Der glaeserne Mensch, 1935.Postcard, postcard, 9 x 14 cm.

>Wunder des Lebens, 1936.Book, ink, paper, 22.5 x 30.5 cm.