M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: Natuur / Nature / Nature / Natur

©SABAM België, 2017 - scan: M HKA, 2017

From a very early age, Joseph Beuys was fascinated by nature, obsessively busy cataloguing the fauna and flora in his living environment. At the same time, he delved deep into mythology and folklore, and so we might understand that Beuys’ method for investigating nature as combining rational thinking with cultural and mystical projection. He associated nature with complex psychological processes and the desire for a higher consciousness, and thus wanted to fuse the natural and the cultural world. As well as the recurring motif of animals such as hares and bees in his work, Beuys also depicted the landscape such as mountainous regions as a way to represent borderlessness and freedom. The protection and respect for nature was also central to his work for the Die Grünen (the Greens) in Germany.

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Works

>Joseph Beuys, Berg in Slowenien, 1951-1954.Drawing, pencil on handmade paper, edges regularly torn, 31.6 x 31.9 cm / 50 x 53 cm.

>Joseph Beuys, Verlassener Druidentempel, 1962.Object, oil on plywood, 64.2 x 93.5 cm.

>Joseph Beuys, Evervess II, 1968.Multiple, wooden box, glass bottles, 27 x 16.5 x 9.5 cm.

>Joseph Beuys, Rückenstütze eines feingliederigen Menschen (Hasentypus) aus dem 20. Jh. p. Chr., 1972.Multiple, iron, 15 x 96 x 43 cm.

>Joseph Beuys, Rose für Direkte Demokratie, 1973.Multiple, graduated glass cylinder, with inscription, 33.5 x ø 5 cm.