M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: Office Baroque: History of the Project

“The rings accidentally left behind on a drawing by a teacup, gave me the idea to organize the whole around two semi-circles of slightly different diameters. This began at ground level and formed the constant motif that would cut through the floors and through the roof. Where the circles crossed each other, a strange, rowboat-like form was created, and this mutated according to the supporting beams and the available floor space. In this project – that got the title Office Baroque - the ordering of the space (large, open office-space downstairs, smaller adjoining rooms on upper floors) determined how the formal elements changed from continuous round discs to shrapnel-like pieces and chunks of the original form where these ‘collided’ against walls and partitions.”

In 1977, the ICC invited Gordon Matta-Clark to realize a project in an empty office-building located across from ‘het Steen’ (an Antwerp landmark on the river Scheldt), right in the middle of the historic town center, just behind city hall. Collectors Jo Goldberg and Silvain Perlstein put their shoulders to the wheel from the outset. This work was to be part of his series of so-called ‘cuttings’, the cut-out removal of parts of buildings, whereby Matta-Clark would blow new life and movement, if only briefly, into abandoned derelict buildings and forgotten neighborhoods. After the original project had to be fundamentally altered, because no building permit was accorded, the work was entirely carried out in the building’s interior.

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Themes & Categories

>Demolition.

>'Office Baroque': the process.

>Foundation Gordon Matta-Clark.

Works

>Gordon Matta-Clark, Letter from Gordon Matta-Clark to Florent Bex, 8.11.76, 1976.Letter.

>Gordon Matta-Clark, Letter from Gordon Matta-Clark to Florent Bex, 28.7.76, 1976.Letter.

>Florent Bex, Gordon Matta-Clark, Registered letter of Marcel Peeters nv to ICC, 29.7.1977, 1977.Letter, ink, paper.

>Florent Bex, Gordon Matta-Clark, Letter to Marcel Peeters by Florent Bex, 4-10-1977, 1977.Letter, ink, paper.

>Florent Bex, Gordon Matta-Clark, Letter of the Belgian Association of Art Critics with reward of Best Exhibition, 1977.Letter, ink, paper.

>Gordon Matta-Clark, Advertisement [Advertentie], 1977.Miscellaneum, ink, paper.

>Gordon Matta-Clark, Letter from Gordon Matta-Clark to Florent Bex, 11.9.77, 1977.Letter.

>Gordon Matta-Clark, Florent Bex, Letter from Gordon Matta-Clark to Florent Bex, 25.7.77, 1977.Letter.

>Gordon Matta-Clark, Stichting Gordon Matta-Clark, advertisement, 1979.Article, ink, paper.

>Gordon Matta-Clark, Office Baroque: sketches.Drawing, ink, paper.