M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: TEKENINGEN [DRAWINGS]

Els Dietvorst's drawings are a way of communicating the continuous flow of her impressions. She not only records daily reality, but also thoughts and dreams, which she merges into one drawing, in so doing creating connections between reality and fiction. Dietvorst describes her drawings as an intuitive process in which she tries to correct one misstep with another. For her drawings, the artist always uses a mixture of white, black and red ink, resulting in warm shades of brown. The compositions, often with human figures or animals in the lead, usually have a surrealistic streak. By omitting personal characteristics, Dietvorst creates universal characters who embrace the absurdity of existence and celebrate life, with death as its perspective.

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Works

>Els Dietvorst, Zonder titel [Untitled], 1998.Drawing, ink on paper, 14.8 x 10.2 cm.

>Els Dietvorst, Zonder titel [Untitled], 1998.Drawing, ink on paper, 15.8 x 12.0 cm.

>Els Dietvorst, Zonder titel [Untitled], 1998.Drawing, ink on paper, 15.8 x 12.0 cm.

>Els Dietvorst, Zonder titel [Untitled], 2002.Drawing, red ink on paper, 24 x 32.3 cm.

>Els Dietvorst, Mandrake, Manhole, Bunker, Trou, 2003.Drawing, red-black ink on simili japon, 16 x 12.5 cm.

>Els Dietvorst, Zonder titel [Untitled], 2004.Drawing, red ink on paper, 24.2 x 32.3 cm.

>Els Dietvorst, Zonder titel [Untitled], 2004.Drawing, red ink on paper, 24.6 x 32.3 cm.

>Els Dietvorst, Mandrake, Manhole, Bunker, Trou, 2004.Drawing, red-black ink on simili japon, 16.1 x 12 cm.

>Els Dietvorst, Crying Tree, 2004.Drawing, red-black ink on simili japon, 23.7 x 32.1 cm.

>Els Dietvorst, Crying Tree, 2004.Drawing, red-black ink on simili japon, 32 x 24 cm.

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>Els Dietvorst, Crying Tree, 2004.Drawing, red-black ink on simili japon, 12 x 16.6 cm.

>Els Dietvorst, Crying Tree, 2004.Drawing, black ink on paper, 12 x 16.3 cm.

>Els Dietvorst, The Pheasant Plucker's Wife, 2010.Drawing, red-black ink on simili japon, 16 x 12.2 cm.

>Els Dietvorst, The Pheasant Plucker's Wife, 2010.Drawing, red-black ink on simili japon, 16.1 x 12.2 cm.

>Els Dietvorst, The Pheasant Plucker's Wife, 2011.Drawing, red-black ink on simili japon, 23.9 x 32.2 cm.

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>Els Dietvorst, Zonder titel [Untitled], 2013.Drawing, red ink on paper, 15 x 12 cm (framed; 47.5 x 39.5 cm).

>Els Dietvorst, The Pheasant Plucker's Wife, 2014.Drawing, red-black ink on simili japon, 16.1 x 12.1 cm.

>Els Dietvorst, Fox , 2014.Drawing, red-black ink on simili japon, 16.9 x 12.3 cm.

>Els Dietvorst, Stigmata, 2018.Drawing, red-black ink on simili japon, 16 x 11.9 cm.

>Els Dietvorst, Ur / C'est de la Babylone, 2019.Drawing, red-black ink on simili japon, 16.7 x 12.3 cm.

>Els Dietvorst, Ur / C'est de la Babylone, 2019.Drawing, red-black ink on simili japon, 16.5 x 12.3 cm.