{"id":2486,"title":"Holy Hauruck","date_begin":"2016-02-19T00:00:00.000+01:00","date_end":"2016-05-29T00:00:00.000+02:00","location":{"readable":"Antwerpen","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/749/large/KatiHeck.jpg?1455550240","poster_credits":"(c)Roger Verlinden"},"translations":[{"locale":"en","name":"Holy Hauruck","short_description":"","description":"\u003cp\u003eKati Heck (b. 1979, D\u0026uuml;sseldorf) uses a greatly diverse visual vocabulary to give artistic expression to the world as she experiences and perceives it. By combining a variety of styles on a single canvas, Heck\u0026rsquo;s paintings often have something of the collage about them. Often with a humorous bent, her hyperrealistic images seamlessly overflow in sketches and stylistic references to art history. From out of her interest in \u0026lsquo;the everyday\u0026rsquo;, Heck mainly finds inspiration from her own life experience, and refers to popular culture with nods to comic strips, films and pornography. Her purpose is not to provide easy solutions to crack the codes of her presentations. Premium is placed on the imaginative power of the work. \u0026ldquo;The more I tell, the more the viewer\u0026rsquo;s eye is \u0026lsquo;directed\u0026rsquo; and the less he or she can see.\u0026rdquo;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eSELF-PORTRAITS\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eIn many of her self-portraits, Kati Heck presents the viewer with a serious look. In this regard \u003cem\u003eFrau Heck, jetzt mal im Ernst\u003c/em\u003e comprises, as the title intimates, no exception. With swollen eyes and a look tinged with regret, the artist holds a tiny, finely adorned coffin in her hands. Just the perfect size for the little bird perched on her shoulder. Below, a cavalcade of figures and animals pierce the melancholic atmosphere. The idea for \u003cem\u003eZum Teufel, Positionen!\u003c/em\u003e came to Heck in a dream. In this self-portrait she seems as hypnotized, staring apparently absently before her. The figurative painter, in the likeness of Heck herself, tries to make peace with the conceptual artist. \u003cem\u003eDer herrliche Selbstbetrug \u003c/em\u003econcerns painting\u0026rsquo;s limitations in terms of one\u0026rsquo;s learning about oneself from this exercise. In \u003cem\u003eFig.5 - Pfuiti Bergauf\u003c/em\u003e Heck leans back lazily. A fierce-eyed bird drinks coffee and oversees the artist\u0026#39;s to-do list.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eBABYDETEKTIVCLUB\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eFrom out of the necessity for action and debate, in 2012 Kati Heck founded the \u003cem\u003eBabydetektivclub\u003c/em\u003e in order to bring together all those who she admires. And, because you can look up to the departed as well as to the living, a letter offering membership was also sent off to Herman Hesse!\u003cem\u003e\u0026ldquo;To hell with all definitive ideologies! The shy, yes almost shameful ignorance is my hot spring, my deception. The sensical and the non-sensical. I came to the decision, that it is high time to open the \u003c/em\u003eBabydetektivclub\u003cem\u003e for once and for all! Expect the unexpected, for this is no traditional club. Fear not \u0026ndash; let us do what has to be done! NOTHING IS CERTAIN!\u0026rdquo;\u003c/em\u003e declares the \u003cem\u003eBabydetektivclubmanisfesto\u003c/em\u003e. Various works refer to the club: from the photograph \u003cem\u003eBabydetektiv mit Sekret\u0026auml;rin\u003c/em\u003e to the graphic works \u003cem\u003eAus dem Tagebuch eines Babydetektivs\u003c/em\u003e, from the installation \u003cem\u003eBabydetektivb\u0026uuml;ro\u003c/em\u003e to the film \u003cem\u003eDer springende Punkt\u003c/em\u003e.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eNEW FRIENDS\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eA new installation of cloth dolls represents the artist and the artist\u0026rsquo;s muse. Another life-sized installation titled \u003cem\u003eNeue Freunde (The Band)\u003c/em\u003e consists of a guitar-playing brown bear, a drumming turkey and a marionette on the keyboard. The rock group \u003cem\u003eNuevos Amigos\u003c/em\u003e (as we can read on the drum kit) amazes the public with a performance that is as absurd as it is melancholic. The threatening \u003cem\u003ePiece \u003c/em\u003eis one of the many pigeons that inhabit Heck\u0026rsquo;s work.\u0026nbsp; Other animals too (sometimes in a slightly tipsy state, e.g. \u003cem\u003eTier mit Bier\u003c/em\u003e) pass in review.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eSTAYING STILL\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eFor group portraits Kati Heck often uses her own family and friends as subjects. In the near-theatrical setting of her studio, she has the models (usually appointed with bizarre costumes and accoutrements) pose for the camera. These images are subsequently worked into paintings that also often bear absurd words or phrases. Usually the presented figures aren\u0026rsquo;t doing anything, nothing happens, and they even appear seemingly unaware of each other\u0026rsquo;s presence. \u003cem\u003eMuse kommt fl\u0026ouml;ten... (saftiger Freund Pegasus) \u003c/em\u003eis based on the 17th-century painting \u003cem\u003ePegasus \u003c/em\u003eby Jacob Jordaens. Pegasus now has in part acquired human form. Against a storm-ridden background, six ecstatic personages complete the canvas, one of whom literally takes root in the foreground.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePORTRAITS\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eFor her portraits, as well, Kati Heck calls on persons from her own circle. In this connection, Heck has a particular fascination for older men and the intriguing stories they tell, what they\u0026rsquo;ve been through. The heroic tales that she gets to hear about Leon \u0026ndash; grandfather of gallerist Tim Van Laere \u0026ndash; inspires her to include him as subject. In her painting \u003cem\u003eO Leon\u003c/em\u003e, he stares with wise calm into the distance. Her protagonists are portrayed with an enormous feeling for detail, with backgrounds rather abstract and with some components even sculpted, as in \u003cem\u003eHopfen, Malz, Hermann erhalt\u0026rsquo;s\u003c/em\u003e.\u003c/p\u003e"},{"locale":"nl","name":null,"short_description":"","description":"\u003cp\u003eKati Heck (1979, D\u0026uuml;sseldorf) gebruikt een grote verscheidenheid aan beeldtalen om uitdrukking te geven aan haar persoonlijke belevingswereld. Door zeer uiteenlopende stijlen op \u0026eacute;\u0026eacute;n doek te combineren, hebben de schilderijen van Heck vaak wat weg van collages. Met veel zin voor humor laat Heck hyperrealistische beelden naadloos overlopen in schetsen en stilistische referenties aan de kunstgeschiedenis. Vanuit haar interesse voor het alledaagse put Heck vooral inspiratie uit haar eigen ervaringen en refereert ze met verwijzingen naar strips, films en pornografie aan de populaire cultuur. Het is niet de bedoeling dat de codes van haar voorstellingen meteen gekraakt worden. Het gaat haar in de eerste plaats om de verbeeldende kracht van het werk. \u0026ldquo;Hoe meer ik vertel, des te meer wordt het oog van de toeschouwer gedirigeerd en des te minder hij of zij kan zien.\u0026rdquo;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eZELFPORTRETTEN\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eIn veel van haar zelfportretten kijkt Kati Heck de toeschouwer ernstig aan. \u003cem\u003eFrau Heck, jetzt mal im Ernst\u003c/em\u003e vormt hier, zoals de titel al laat vermoeden, geen uitzondering op. Met gezwollen ogen en een blik vol spijt houdt de kunstenares een prachtig versierde doodskist in haar handen. Perfect op maat gemaakt voor de vogel op haar schouder. Een carnavaleske stoet van mensen en dieren doorbreekt de melancholische sfeer. Het idee voor \u003cem\u003eZum Teufel, Positionen!\u003c/em\u003e kreeg Heck in een droom. Op dit zelfportret lijkt ze gehypnotiseerd en staart ze afwezig voor zich uit. De figuratieve schilder, in de gedaante van Heck zelf, probeert vrede te sluiten met de conceptuele kunstenaar. \u003cem\u003eDer herrliche Selbstbetrug \u003c/em\u003egaat over de onmogelijkheid om door middel van een schilderij iets bij te leren over jezelf. In \u003cem\u003eFig.5 - Pfuiti Bergauf \u003c/em\u003eleunt Heck lui achterover. Een wreed ogende vogel drinkt koffie en overloopt Hecks to do-lijst.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eBABYDETEKTIVCLUB\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eVanuit de noodzaak voor actie en discussie richt Kati Heck in 2012 de \u003cem\u003eBabydetektivclub \u003c/em\u003eop om alle mensen die ze bewondert samen te brengen. Omdat je natuurlijk niet alleen naar levenden, maar ook naar doden kan opkijken, krijgt ook Herman Hesse een brief om lid te worden. \u003cem\u003e\u0026ldquo;To hell with all definitive ideologies! The shy, yes almost shameful ignorance is my hot spring, my deception. The sensical and the non-sensical. I came to the decision, that it is high time to open the \u003c/em\u003eBabydetektivclub\u003cem\u003e for once and for all! Expect the unexpected, for this is no traditional club. Fear not \u0026ndash; let us do what has to be done! \u003c/em\u003e\u003cem\u003eNOTHING IS CERTAIN!\u0026rdquo;\u003c/em\u003e luidt het \u003cem\u003eBabydetektivclubmanisfest\u003c/em\u003e. Verschillende werken verwijzen naar de club: van de foto \u003cem\u003eBabydetektiv mit Sekret\u0026auml;rin\u003c/em\u003e, over de grafische werken \u003cem\u003eAus dem Tagebuch eines Babydetektivs \u003c/em\u003etot de installatie \u003cem\u003eBabydetektivb\u0026uuml;ro\u003c/em\u003e en de film \u003cem\u003eDer springende Punkt\u003c/em\u003e.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eNIEUWE VRIENDEN\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eEen nieuwe installatie van stoffen poppen verbeeldt de kunstenaar en zijn muze. Een andere levensgrote installatie \u003cem\u003eNeue Freunde (The Band)\u003c/em\u003e bestaat uit een gitaarspelende bruine beer, een drummende kalkoen en een marionet aan het keyboard. De rockgroep \u003cem\u003eNuevos Amigos\u003c/em\u003e (zoals we op het drumstel kunnen lezen) verrast het publiek met een even absurd als melancholisch optreden. Het dreigende \u003cem\u003ePiece \u003c/em\u003eis een van de vele duiven die het werk van Heck bevolken. Ook andere dieren passeren (al dan niet in licht beschonken toestand, \u003cem\u003eTier mit Bier\u003c/em\u003e) te pas en te onpas de revue.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eSTILSTAAN\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eVoor groepsportretten gebruikt Kati Heck vaak haar eigen familie en vrienden. In de haast theatrale setting van haar atelier laat ze de modellen (meestal voorzien van bizarre attributen en kostuums) poseren voor de camera. Deze beelden worden vervolgens tot een schilderij verwerkt en vaak nog voorzien van absurde woorden of zinssneden. Meestal doen de personages niets, gebeurt er niets en lijken ze zich zelfs nauwelijks bewust van elkaars aanwezigheid. \u003cem\u003eMuse kommt fl\u0026ouml;ten... (saftiger Freund Pegasus) \u003c/em\u003eis gebaseerd op het werk \u003cem\u003ePegasus \u003c/em\u003evan Jacob Jordaens. Pegasus heeft een menselijk lichaam gekregen. Tegen een stormachtige achtergrond vervolledigen zes extatische personages het doek, \u0026eacute;\u0026eacute;n van hen schiet wortel op de voorgrond.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePORTRETTEN\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eOok voor haar portretten gebruikt Kati Heck personen uit haar omgeving. Zo fascineren oudere mannen Heck omdat ze uitstekende verhalenvertellers zijn en veel hebben meegemaakt. De heldenverhalen die ze over Leon, de grootvader van galeriehouder Tim Van Laere, te horen krijgt, inspireren haar om hem te portretteren. Op \u003cem\u003eO Leon\u003c/em\u003e staart hij rustig en wijs in de verte. De personages worden met een enorme zin voor detail weergegeven, achtergronden eerdere abstract en sommige onderdelen van de portretten worden zelfs gebeeldhouwd, zoals in \u003cem\u003eHopfen, Malz, Hermann erhalt\u0026rsquo;s\u003c/em\u003e.\u003c/p\u003e"},{"locale":"fr","name":null,"short_description":"","description":"\u003cp\u003eKati Heck (\u0026deg;1979, D\u0026uuml;sseldorf) fait appel \u0026agrave; une grande diversit\u0026eacute; de langages visuels pour traduire son monde int\u0026eacute;rieur. En combinant des styles tr\u0026egrave;s divergents sur une m\u0026ecirc;me toile, les tableaux de Heck rev\u0026ecirc;tent souvent un caract\u0026egrave;re de collages. Images hyperr\u0026eacute;alistes, \u0026eacute;bauches et r\u0026eacute;f\u0026eacute;rences stylistiques \u0026agrave; l\u0026rsquo;histoire de l\u0026rsquo;art s\u0026rsquo;encha\u0026icirc;nent, non sans humour, dans un fondu parfaitement harmonieux. De par son attention pour le quotidien, Heck puise surtout son inspiration de ses propres exp\u0026eacute;riences et renvoie \u0026agrave; la culture populaire, par le biais de r\u0026eacute;f\u0026eacute;rences \u0026agrave; la bande dessin\u0026eacute;e, au cin\u0026eacute;ma et \u0026agrave; la pornographie. Elle ne cherche pas tant \u0026agrave; voir d\u0026eacute;crypter au plus vite les codes de ses repr\u0026eacute;sentations, mais se pr\u0026eacute;occupe avant tout de la force imaginative de l\u0026rsquo;\u0026oelig;uvre. \u0026laquo;\u0026nbsp;Plus je raconte, plus l\u0026rsquo;\u0026oelig;il du spectateur est dirig\u0026eacute;, moins il peut voir.\u0026nbsp;\u0026raquo;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eAUTOPORTRAITS\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDans bon nombre de ses autoportraits, Kati Heck fixe le spectateur d\u0026rsquo;un regard tr\u0026egrave;s s\u0026eacute;rieux. Comme son titre le donne \u0026agrave; penser, \u003cem\u003eFrau Heck, jetzt mal im Ernst\u003c/em\u003e ne fait pas exception. Les yeux cern\u0026eacute;s, le regard rempli de regret, l\u0026rsquo;artiste tient dans ses mains un cercueil joliment d\u0026eacute;cor\u0026eacute;, confectionn\u0026eacute; sur mesure pour l\u0026rsquo;oiseau sur son \u0026eacute;paule. Un cort\u0026egrave;ge carnavalesque d\u0026rsquo;humains et d\u0026rsquo;animaux en bas de la toile rompt l\u0026rsquo;atmosph\u0026egrave;re m\u0026eacute;lancolique. L\u0026rsquo;id\u0026eacute;e de l\u0026rsquo;\u0026oelig;uvre \u003cem\u003eZum Teufel, Positionen!\u003c/em\u003e lui est venue dans un r\u0026ecirc;ve. Sur cet autoportrait, Heck, le regard absent et dans le vide, para\u0026icirc;t hypnotis\u0026eacute;e. Sous les traits de Heck en personne, la peintre figurative tente de se r\u0026eacute;concilier avec l\u0026rsquo;artiste conceptuelle. \u003cem\u003eDer herrliche Selbstbetrug\u003c/em\u003e traite de l\u0026rsquo;impossibilit\u0026eacute; d\u0026rsquo;apprendre \u0026agrave; mieux se conna\u0026icirc;tre \u0026agrave; travers un autoportrait. \u003cem\u003eFig.\u0026nbsp;5 \u0026ndash; Pfuiti Bergauf\u003c/em\u003e montre l\u0026rsquo;artiste oisive, \u0026agrave; moiti\u0026eacute; allong\u0026eacute;e, tandis qu\u0026rsquo;un oiseau \u0026agrave; l\u0026rsquo;air cruel boit du caf\u0026eacute; et passe en revue sa liste de t\u0026acirc;ches.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eBABYDETEKTIVCLUB\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026Agrave; partir de la n\u0026eacute;cessit\u0026eacute; d\u0026rsquo;action et de discussion, Kati Heck fonde en 2012 le \u003cem\u003eBabydetektivclub\u003c/em\u003e pour r\u0026eacute;unir toutes les personnes qu\u0026rsquo;elle admire. Puisqu\u0026rsquo;on n\u0026rsquo;\u0026eacute;prouve pas seulement de l\u0026rsquo;engouement pour des vivants, mais pour des morts aussi, Hermann Hesse a \u0026eacute;galement re\u0026ccedil;u une lettre le conviant \u0026agrave; adh\u0026eacute;rer au club. \u0026laquo;\u0026nbsp;\u003cem\u003eTo hell with all definitive ideologies! The shy, yes almost shameful ignorance is my hot spring, my deception. The sensical and the non-sensical. I came to the decision, that it is high time to open the \u003c/em\u003eBabydetektivclub\u003cem\u003e for once and for all! Expect the unexpected, for this is no traditional club. Fear not \u0026ndash; let us do what has to be done! \u003c/em\u003e\u003cem\u003eNOTHING IS CERTAIN!\u003c/em\u003e\u0026raquo;, affirme le manifeste du \u003cem\u003eBabydetektivclub\u003c/em\u003e. Diff\u0026eacute;rentes \u0026oelig;uvres font r\u0026eacute;f\u0026eacute;rence au club\u0026nbsp;: de la photographie \u003cem\u003eBabydetektiv mit Sekret\u0026auml;rin\u003c/em\u003e aux \u0026oelig;uvres graphiques \u003cem\u003eAus dem Tagebuch eines Babydetektivs\u003c/em\u003e en passant par l\u0026rsquo;installation \u003cem\u003eBabydetektivb\u0026uuml;ro\u003c/em\u003e et le film \u003cem\u003eDer springende Punkt\u003c/em\u003e.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eNOUVEAUX AMIS\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eUne nouvelle installation de poup\u0026eacute;es de chiffon repr\u0026eacute;sente l\u0026rsquo;artiste et sa muse. Une autre installation grandeur nature \u003cem\u003eNeue Freunde (The Band) \u003c/em\u003ese compose d\u0026rsquo;un ours brun \u0026agrave; la guitare, d\u0026rsquo;une dinde aux percussions et d\u0026rsquo;une marionnette au clavier. Le groupe de rock \u003cem\u003eNuevos Amigos\u003c/em\u003e (comme on peut le lire sur la batterie) surprend le public avec un concert aussi absurde que m\u0026eacute;lancolique. Le mena\u0026ccedil;ant \u003cem\u003ePiece\u003c/em\u003e est l\u0026rsquo;un des innombrables pigeons qui peuplent l\u0026rsquo;\u0026oelig;uvre de Kati Heck, qui est par ailleurs truff\u0026eacute;e d\u0026rsquo;autres animaux encore (parfois en l\u0026eacute;ger \u0026eacute;tat d\u0026rsquo;\u0026eacute;bri\u0026eacute;t\u0026eacute;, \u003cem\u003eTier mit Bier)\u003c/em\u003e.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eIMMOBILES\u003c/strong\u003e\u003c/p\u003e\u003cp\u003ePour les portraits de groupes, Kati Heck prend souvent comme mod\u0026egrave;les des membres de sa famille ou des amis. Dans le d\u0026eacute;cor quasi th\u0026eacute;\u0026acirc;tral de son atelier, elle leur demande de poser devant l\u0026rsquo;objectif (souvent affubl\u0026eacute;s de v\u0026ecirc;tements bizarres et dot\u0026eacute;s d\u0026rsquo;attributs \u0026eacute;tranges). Ces images sont ensuite retravaill\u0026eacute;es en tableau et souvent encore \u0026eacute;maill\u0026eacute;es de mots ou de phrases absurdes. En g\u0026eacute;n\u0026eacute;ral, les personnages ne font rien, il ne se passe rien autour d\u0026rsquo;eux et ils paraissent \u0026agrave; peine conscients de leur pr\u0026eacute;sence respective. \u003cem\u003eMuse kommt fl\u0026ouml;ten\u0026hellip; (saftiger Freund Pegasus)\u003c/em\u003e s\u0026rsquo;inspire du tableau \u003cem\u003eP\u0026eacute;gase\u003c/em\u003e de Jacob Jordaens. Sur fond de temp\u0026ecirc;te, six personnages extatiques compl\u0026egrave;tent la toile, dont un qui, au premier plan, prend racine.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePORTRAITS\u003c/strong\u003e\u003c/p\u003e\u003cp\u003ePour ses portraits, Kati Heck se sert \u0026eacute;galement de personnes de son entourage. Ainsi, les hommes \u0026acirc;g\u0026eacute;s la fascinent, parce qu\u0026rsquo;ils sont d\u0026rsquo;excellents conteurs et ont une longue exp\u0026eacute;rience de vie. Les r\u0026eacute;cits h\u0026eacute;ro\u0026iuml;ques qu\u0026rsquo;elle a entendus \u0026agrave; propos de L\u0026eacute;on, le grand-p\u0026egrave;re de son galeriste Tim Van Laere, lui ont inspir\u0026eacute; le portrait qu\u0026rsquo;elle a r\u0026eacute;alis\u0026eacute; de lui. Sur le tableau \u003cem\u003eO Leon\u003c/em\u003e, il regarde au loin avec s\u0026eacute;r\u0026eacute;nit\u0026eacute; et sagesse. Les personnages sont repr\u0026eacute;sent\u0026eacute;s avec un remarquable sens du d\u0026eacute;tail, alors que les fonds sont souvent abstraits. Certaines composantes des portraits sont m\u0026ecirc;me sculpt\u0026eacute;es, comme dans \u003cem\u003eHopfen, Malz, Hermann erhalt\u0026rsquo;s\u003c/em\u003e.\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":1152,"name":"Kati Heck","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/020/large/opstellen6_12.jpg?1365514937","poster_credits":"(c)image: M HKA"}}],"items":[{"id":6791,"title":"Neue Freunde (Hot Hot Spatzi) [New Friends (Hot Hot Birdie)]","date_begin":"2011-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/881/large/Kati_Heck_Neue_Freunde_Hot_Hot_Spatzi.jpg?1367493658","poster_credits":"(c)image: ","actors":"Kati Heck"},{"id":13573,"title":"Der herrliche Selbstbetrug","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/723/large/Kati_Heck_Der_herrliche_Selbstbetrug_14266.jpg?1455533046","poster_credits":"Private Collection, Bilbao, Spain - Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13574,"title":"Muse kommt flöten... (saftiger Freund Pegasus)","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/722/large/Kati_Heck_Muse_kommt_floten_saftiger_Freund_Pegasus_26684.jpg?1455532945","poster_credits":"Courtesy Stichting ‘De Arend’ - Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13575,"title":"Zum Teufel, Positionen!","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/724/large/KH_Zum-Teufel-Positionen.jpg?1455533528","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13576,"title":"Frau Heck, jetzt mal in Ernst","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/721/large/Kati_Heck_Frau_Heck_jetzt_mal_im_Ernst_fee23.jpg?1455532192","poster_credits":"Private collection - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13577,"title":"Keine Antwort unter dieser Nummer","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/725/large/KH_keineAntwort_01.jpg?1455534203","poster_credits":"Private collection, Brussels - Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13582,"title":"Gipfeltreff auf der Schamkette","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/726/large/KH_Rauf_01_Gipfeltreff.jpg?1455613965","poster_credits":"Courtesy Private collection, Brussels - Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13583,"title":"Danke, das wär dann alles","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/727/large/Kati_Heck_Danke_das_war_dann_alles_1327f.jpg?1455541707","poster_credits":"Private collection, Brussels - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13584,"title":"Classic I","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/728/large/Kati_Heck_Classic_I_cc17b.jpg?1455539294","poster_credits":"Private collection, Belgium - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13585,"title":"Indiz (O Buni)","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/729/large/Kati_Heck_Indiz_O_Buni_c8951.jpg?1455541666","poster_credits":"Collection Gert Voorjans, Antwerp  - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13586,"title":"Holy Hauruck - Der Maler und ihre Muse","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/831/large/Heck_Photo_M_HKAclinckx8.jpg?1455791712","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13587,"title":"O Romain","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/730/large/Kati_Heck_O_Romain_8d1ea.jpg?1455541569","poster_credits":"Private Collection, Antwerp - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13589,"title":"The Band","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/733/large/Heck_Photo_M_HKAclinckx10_13.jpg?1455897273","poster_credits":"(c) M HKA - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13590,"title":"Piece","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/734/large/Kati_Heck_Piece_33350.jpg?1455541406","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13591,"title":"Babydetektivbüro","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/735/large/Heck_Photo_M_HKAclinckx10_14.jpg?1455897210","poster_credits":"(c) M HKA - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13592,"title":"Chefsache töterötö","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/736/large/KH4.jpg?1455817058","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":""},{"id":13593,"title":"Zu Befehl","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/737/large/KH3.jpg?1455816978","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13594,"title":"Im nu","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/738/large/KH_01_Im_nu.jpg?1455550934","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":""},{"id":13595,"title":"Hopfen, Malz, Hermann erhalt’s","date_begin":"2007-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/739/large/Heck_Photo_M_HKAclinckx4.jpg?1455816882","poster_credits":"Courtesy Galerie Michael Haas, Berlin","actors":"Kati Heck"},{"id":13596,"title":"Tier mit Bier","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/740/large/KH_CAC12_Tier_mit_Bier.jpg?1455550641","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13598,"title":"Babydetektivclubmanifest","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/741/large/KH_04_Babydetektivclub.jpg?1455613879","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13599,"title":"Futterbewegungszwiespalt","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/742/large/KH_Futter_02.jpg?1455550579","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13600,"title":"Mass?","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/743/large/KH_Mass_01.jpg?1455613833","poster_credits":"Private Collection, Antwerp - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13601,"title":"Fig. 5 – Pfuiti Bergauf","date_begin":"2015-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/744/large/Kati_Heck_Fig5_-_Pfuiti_Bergauf_3adb2.jpg?1455550463","poster_credits":"Collection particulière - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13602,"title":"Babydetektiv","date_begin":"2011-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/745/large/Kati_Heck_Babydetektiv_49ae6.jpg?1455550536","poster_credits":"Verzameling Philippe Leeman, Antwerpen - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13603,"title":"O Tina","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/746/large/KH_O-Tina_01.jpg?1455550412","poster_credits":"Private Collection, Antwerp - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13604,"title":"O Rik","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/747/large/KH_O-Rik_01.jpg?1455550368","poster_credits":"Private collection, Belgium - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13605,"title":"Check","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/748/large/Kati_Heck_check_b7eb0.jpg?1455550065","poster_credits":"Private collection, Belgium - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13606,"title":"Aus dem Tagebuch eines Babydetektivs (Traum, Alptraum, Krieg, Detektive, Spinner, Tod)","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/820/large/KH_CAC10.jpg?1455614438","poster_credits":"Collection Rinus Van de Velde - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13607,"title":"Bompa in de oorlog – Opa im Krieg","date_begin":"2011-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/751/large/Kati_Heck_Bompa_in_de_oorlog_Opa_im_Krieg_d395f.jpg?1455551432","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13608,"title":"Der Meinungsmacher","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/752/large/Kati_Heck_Der_Meinungsmacher_18cc9.jpg?1455552442","poster_credits":"Privé collectie - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13609,"title":"BDC-Mentor mit Bierchen","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/753/large/KH_03_BDC-Mentor_mit_Bierchen__2012.jpg?1455553350","poster_credits":"Private Collection, Brugge - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13610,"title":"Sturmtrio Teil Drei","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/754/large/KH_02_Sturmtrio_teil_Drei.jpg?1455553612","poster_credits":"Collection Mauro Poponcini, Antwerp, Belgium - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13611,"title":"Du schon wieder!","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/755/large/KH_03_Du_Schon_Wieder.jpg?1455553768","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13612,"title":"Tresen","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/756/large/Tresen.jpg?1455553909","poster_credits":"Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13613,"title":"Babydetektiv mit Sekretärin","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/757/large/Heck_Photo_M_HKAclinckx18.jpg?1455897107","poster_credits":"Image: (c) M HKA - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13614,"title":"\u003e\u003eBälck\u003c\u003c","date_begin":"2011-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/758/large/Kati_Heck_Balck_9aa64.jpg?1455554236","poster_credits":"Elke Segers, Antwerp - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13615,"title":"Fuge eins","date_begin":"2015-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/759/large/Kati_Heck_Fuge_eins_af162.jpg?1455554387","poster_credits":"Private Collection, Antwerp - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13616,"title":"O Leon","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/760/large/KH_O-Leon_01.jpg?1455555023","poster_credits":"Tim Van Laere Collection, Antwerp - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"},{"id":13617,"title":"O Wir","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/761/large/Kati_Heck_O_wir_2014.jpg?1455613917","poster_credits":"Collection Jason Poirier dit Caulier - Courtesy Tim Van Laere Gallery, Antwerp","actors":"Kati Heck"}]}