{"id":12333,"title":"Coagulations","dimensions":"23 x 33 x 33 cm (box closed), 25 x 75 x 75 cm (box opened)","date_begin":"2013-01-01","material":"metallic paint, paper, black sand, iron oxide, rope, chains, keys, locks, barons, two leporello books, two notebooks and folder with two drawings","art_status_id":13,"legal_status_id":12,"category_id":72,"platform_id":1,"deleted":false,"asset_count":21,"stream_count":0,"collection":"Courtesy Alexander Gray Associates, New York © Ricardo Brey/Artists Rights Society (ARS), New York ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2014-01-01","reference":"","stream_count_app":64,"permalink":"coagulations","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/433/medium_500/IMG_4654_copy.jpg?1420103730","cached_actor_names":"Ricardo Brey","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Object","nl":"Object","fr":"Objet"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/433/large/IMG_4654_copy.jpg?1420103730","poster_credits":"(c)photo: Isabel Brey, Ghent - Courtesy Alexander Gray Associates, New York © Ricardo Brey/Artists Rights Society (ARS), New York ","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u0026quot;[...]Brey makes a compact with the very properties of the boxes, in the process erasing the distinction between the personal and the social, private and public, even inside and exterior. This is not to suggest that they somehow cancel each other out; to the contrary, they are elements of a dialectic that refuses to surrender to synthesis, so that things that could or should be opposite embrace their antitheses in gestures of uncritical co-presence.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp\u003e(Welchman, J., Que le importa al Tigre una\u0026nbsp;Raya M\u0026aacute;s: The Futility of Good Intentions, 2014, p.52.)\u003c/p\u003e\r\n\r\n\u003cp\u003eThis work was made using iron oxide and sand from different deserts.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u0026quot;[...]Brey gaat een pact aan\u0026nbsp;met de eigenschappen zelf van de dozen en wist hierbij\u0026nbsp;het onderscheid tussen het persoonlijke en het sociale,\u0026nbsp;het private en publieke, zelfs tussen binnen en buiten. Ik\u0026nbsp;wil hiermee niet suggereren dat ze elkaar op de een of\u0026nbsp;andere manier opheffen. Integendeel, het zijn elementen\u0026nbsp;van een dialectiek die weigert zich over te geven aan de\u0026nbsp;synthese, zodat dingen die tegenstellingen zouden kunnen\u0026nbsp;of moeten zijn, elkaars antitheses omarmen in een\u0026nbsp;beweging van onkritische co- aanwezigheid.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp\u003e(Welchman, J., Que le importa al Tigre una Raya M\u0026aacute;s: Op de bodem van de hemel, 2014, annex p.15.)\u003c/p\u003e\r\n\r\n\u003cp\u003eDit werk werd gemaakt met ijzeroxide en zand uit verschillende woestijnen.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":608,"name":"Ricardo Brey","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}