{"id":14178,"title":"Le (ou la) Poïpoïdrome à espace-temps Réel, prototype 00","dimensions":"4.9 x 17.3 x 17.3 cm ","date_begin":"1963-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Musée d’art contemporain de Lyon","cached_tag_list":"mixed media","publishing_process_id":1,"annotation":"","date_end":"1975-01-01","reference":"","stream_count_app":19,"permalink":"le-ou-la-poipoidrome-a-espace-temps-reel-prototype-00","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Sculpture","nl":"Sculptuur","fr":"Sculpture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/356/large/2016_Filliou_4_14.jpg?1476370815","poster_credits":"(c)image: M HKA, Courtesy Collection Musée d’art contemporain de Lyon.","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eThe force that drives Filliou\u0026rsquo;s work and thought is Permanent Creation. He helps to establish various Centres of Permanent Creation, such as the Po\u0026iuml;po\u0026iuml;drome and the \u003ca href=\"http://ensembles.org/items/la-ceduille-qui-sourit?locale=nl\"\u003eSmiling Cedilla\u003c/a\u003e. As an alternative to the notion of the avant-garde, he proposes the \u003ca href=\"http://ensembles.org/items/eternal-network?locale=nl\"\u003eEternal Network\u003c/a\u003e, also known as \u0026lsquo;La f\u0026ecirc;te permanente\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExcerpt of the conversation between Robert Filliou (RF) and Irmeline Lebeer (IL), Flayosc, France, August 1976.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRF:\u003c/strong\u003e \u0026lsquo;P\u0026rsquo;. Now, that should be easy: \u0026lsquo;Po\u0026iuml;po\u0026iuml;drome\u0026rsquo;. Because we have two fundamental documents about it: the inception of the project, as described in \u003cem\u003e\u003ca href=\"http://ensembles.org/items/teaching-and-learning-as-performing-arts-lehren-und-lernen-als-aufdrfuhrungkunste?locale=nl\"\u003eTeaching and Learning as Performing Arts\u003c/a\u003e, \u003c/em\u003ewith the whole project of the optimal Po\u0026iuml;po\u0026iuml;drome, and the catalogue of the prototype, which you also have. From those we could take enough material.\u003cbr /\u003e\r\n\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; So there should be three entries: the first would be the optimum Po\u0026iuml;po\u0026iuml;drome from 1963, taken directly from \u003cem\u003eTeaching and Learning\u003c/em\u003e \u003cem\u003eas Performance Arts\u003c/em\u003e. The second would be \u003cem\u003ePo\u0026iuml;po\u0026iuml;drome \u003c/em\u003e\u003cem\u003e\u0026agrave;\u003c/em\u003e\u003cem\u003e espace-temps r\u003c/em\u003e\u003cem\u003e\u0026eacute;\u003c/em\u003e\u003cem\u003eel, prototype 00 \u003c/em\u003e(\u003cem\u003ePo\u003c/em\u003e\u003cem\u003e\u0026iuml;po\u0026iuml;drome in Real Space-Time, Prototype 00\u003c/em\u003e) in Brussels in 1975, with some photos. The third would be documentation from Budapest [in 1976]. That\u0026rsquo;s be interesting, because there it will be \u003cem\u003ePo\u0026iuml;po\u0026iuml;drome \u003c/em\u003e\u003cem\u003e\u0026agrave;\u003c/em\u003e\u003cem\u003e espace-temps r\u003c/em\u003e\u003cem\u003e\u0026eacute;\u003c/em\u003e\u003cem\u003eel n\u003csup\u003eo \u003c/sup\u003e1 \u003c/em\u003e(\u003cem\u003ePo\u0026iuml;po\u0026iuml;drome in Real Space-Time No.1\u003c/em\u003e)\u003cem\u003e. \u003c/em\u003eIt will no longer be the prototype. We have documentation for all these.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIL: \u003c/strong\u003eWhy do you call it optimum?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRF: \u003c/strong\u003eYes, we call it \u0026lsquo;optimum\u0026rsquo;. It means it\u0026rsquo;s the real one, while the others are in real space-time.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe drijvende kracht achter het werk en het denken van Filliou is de Permanente creatie. Filliou helpt bij het oprichten van verschillende centra voor permanente creatie, zoals de Po\u0026iuml;po\u0026iuml;drome en \u003ca href=\"http://ensembles.org/items/la-ceduille-qui-sourit?locale=nl\"\u003eLa C\u0026eacute;dille qui Sourit\u003c/a\u003e, en stelt voor de historische avant-garde te vervangen door het \u003ca href=\"http://ensembles.org/items/eternal-network?locale=nl\"\u003eEternal Network\u003c/a\u003e, ook bekend onder de naam F\u0026ecirc;te permanente.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eLa force motrice derri\u0026egrave;re l\u0026rsquo;\u0026oelig;uvre et la pens\u0026eacute;e de Filliou est la Cr\u0026eacute;ation permanente. Filliou a fond\u0026eacute; diff\u0026eacute;rents centres de cr\u0026eacute;ation permanente, comme Po\u0026iuml;po\u0026iuml;drome et \u003ca href=\"http://ensembles.org/items/la-ceduille-qui-sourit?locale=nl\"\u003eLa C\u0026eacute;dille qui Sourit\u003c/a\u003e, et a propos\u0026eacute; de remplacer l\u0026rsquo;avant-garde historique par l\u0026rsquo;\u003ca href=\"http://ensembles.org/items/eternal-network?locale=nl\"\u003eEternal Network\u003c/a\u003e, \u0026eacute;galement connu sous le nom de F\u0026ecirc;te permanente.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":52,"name":"Robert Filliou","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}