M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Zes foto's van verschillende performances 1982 - 1988 [Six photographs of various performances 1982 - 1988], 1989

Photography, 6 x (40 x 50 cm).

©Ria Pacquée

Collection: Collection M HKA, Antwerp (Inv. no. BK005760_002).

These photographs are images of performances in which the artist reveals fragments from the life of ‘Madame’. ‘Madame’ is a character brought to life by Ria Pacquée in 1981, and played by herself. Photographs are made of her comings and goings, and then printed on canvas. In her first apparitions, ‘Madame’ cut a rather pathetic figure; a housebound woman addicted to television, sherry and valium. The photograph of ‘Madame’ in a dilapidated interior strewn with empty beer bottles is typical of this period.

As the years go by, however, ‘Madame’ grows into a lonely ‘folk-woman’ with gray hair and thick spectacles. From here on, she becomes active outside the house, and takes part in all sorts of activities. She is in constant search of something, something that may in one way or another complete her – a sweetheart, a husband or just company. She tries to become part of a crowd, but doing so she is only further confronted with her loneliness. So, for example, she sells ‘souvenirs of the man I’ve loved’ at some little market stall, or plays the toilet attendant in a public institution, or has herself photographed in a tasteless interior decorated with canine portraits.

The photographs of ‘Madame’ offer us a glimpse into the world of a woman of few means and bereft of social contacts. Pacquée combines tragedy with a certain sense of humor, but without ever being hurtful. And although humor plays its part, the photographs speak to us of the endless loneliness of individuals who do their best to make it through their daily lives in a somewhat satisfying way.

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> Ria Pacquée.

Exhibitions & Ensembles

> Exhibition: The collection XXXIII – The Collection as a Character. M HKA, Antwerpen, 07 June 2013 - 22 September 2013.

> Exhibition: EXTRA MUROS: Visite Herzele – Beyond words. M HKA, Herzele, 03 April 2015 - 03 May 2015.

> Exhibition: The Collection XIX – A Story of the Image (Jubilee). MuHKA, Antwerpen, 31 May 2007 - 19 August 2007.

> Exhibition: The collection XVII – En Double . MuHKA, Antwerpen, 25 November 2006 - 11 February 2007.

> Exhibition: Museum E!: Els Vanden Meersch – Storyboard. WZC Immaculata, Edegem, 28 January 2017 - 25 February 2017.

> Ensemble: humor & tragedie [humour & tragedy].

> Ensemble: NUCLEUS.

> Ensemble: Collectie Vlaamse Gemeenschap.

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> Ensemble: Photographs of Various Performances.

Related Items

>Ria Pacquée, Waiting for my man who lost the war, 1989.Photography, colour photograph, 106.5 x 150 cm.