{"id":3125,"name":"","email":"ensembles@muhka.be","language_id":1,"permalink":"agency-of-singular-investigations-stanislav-shuripa-anna-titova","deleted":false,"legal_status_id":null,"url_1":"http://asi.moscow/index-eng.html","twitter":null,"category_id":47,"date_of_birth":"2014-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"","lastname":"The Agency of Singular Investigations (Stanislav Shuripa, Anna Titova)","annotation":"","url_2":"","url_3":"","cached_name":" The Agency of Singular Investigations (Stanislav Shuripa, Anna Titova)","date_of_death":null,"cached_name_asc":"The Agency of Singular Investigations (Stanislav Shuripa, Anna Titova), ","stream_count_app":17,"gender":"other","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/337/large/ASI_portrait_new.jpg?1520929020","poster_credits":"MCA Garage; Artwin Gallery","media_count":1,"items_count":3,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u003cem\u003eThe Agency of Singular Investigations\u003c/em\u003e (Stanislav Shuripa, Anna Titova) is an artistic research platform established by Anna Titova (born 1984) and Stanislav Shuripa (born 1971) in 2014. Their projects are constructed situations in which fiction becomes fact through documents. The agency employs the language of bureaucracy and takes it to the point of absurdity by building a\u0026nbsp;hierarchy and scrupulous fictional institutionality, by turning artists into agency \u0026lsquo;employees\u0026rsquo; and by relying on\u0026nbsp;the archive as the main form which literally substitutes all other artistic practices. Their \u003cem\u003eDystopia Park\u003c/em\u003e (2015) draws on\u0026nbsp;a recently\u0026nbsp;found archive of an unknown institution to prove that present-day\u0026nbsp;Moscow is, in fact, all new construction in the crater of a giant meteorite that had apparently destroyed the original city. In \u003cem\u003eDark Matter. Political Philosophy of a Brushstroke, Social History of Fear \u003c/em\u003e(2016) the agency in collaboration with the Centre for Secret History Studies examines the Moscow\u0026nbsp;Museum of Modern Art collection, approaching art works as indicators of societal emotions. Addressing corporate aesthetics and conspiracy theories, the agency creates a framework for the development of a new branch of knowledge across pseudoscientific disciplines and humanitarian subjects. These borrowings and juxtapositions allow the singularity of an art work to show through and bring into focus the artistic language in relation to its context. (Elena Ishchenko)\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":""},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eАгентство Сингулярных Исследований (Анна Титова, Станислав Шурипа)\u003c/span\u003e\u003c/span\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eАгентство Сингулярных Исследований (Анна Титова, Станислав Шурипа) \u0026mdash; платформа для художественных исследований, организованная Анной Титовой (р. 1984) и Станиславом Шурипой (р. 1971) в 2014 году. Их проекты \u0026mdash; это сконструированные ситуации, где вымысел обретает форму документа и факта. Агентство использует доведенный до абсурда язык бюрократии: выстраивает иерархию и строгую фиктивную институциональность, превращает самих художников в \u0026laquo;сотрудников\u0026raquo; агентства, использует форму архива, которая фактически заменяет другие художественные практики. \u0026laquo;Парк \u0026ldquo;Дистопия\u0026rdquo;\u0026raquo; (2015), используя найденный архив неизвестной институции, доказывает, что современная Москва \u0026mdash; это новострой, тогда как реальный город был уничтожен гигантским метеоритом. В проекте \u0026laquo;Темная материя. Политическая философия мазка, социальная история страха\u0026raquo; (2016) АСИ вместе с Центром изучения тайной истории анализируют предметы из коллекции Московского музея современного искусства как индикаторы общественных эмоций. Обращаясь в своих работах к корпоративной эстетике и конспирологии, АСИ создает платформу для поиска новых форм знания на стыке псевдонаучных дисциплин и гуманитарных специальностей. И именно в ситуации подобных заимствований и сопоставлений выкристаллизовывается сингулярность художественного произведения и как проблема ставится сам художественный язык в его связи со средой. (Елена Ищенко)\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"RU","place":"Moscow","category":{"en":"Works in","nl":"Werkt in ","fr":"Travaille à"}}]}