Ana Torfs

° 1963

Born in Mortsel (), lives in Brussels ().

Visual artist Ana Torfs was born in Belgium in 1963. The relation or tension between text/language and image plays a central role in Torfs' work, and with it all the related processes of visualisation, interpretation and translation. She enables a topical and authentic perception of the scattered remains from our cultural and political history. Existing texts and/or images are often used as a starting point for her poignant works, which condense into precisely composed collages or montages, suffused with elliptical allusions. In her installations, Torfs uses a variety of media, ranging from slide projections, sound, photography, and film to xerography, off-set printing, Jacquard weaving, and silkscreen. Solo shows of Torfs' work include exhibitions at Generali Foundation in Vienna (2010), at K21 Kunstsammlung Nordrhein-Westfalen in Düsseldorf (2010), at Sprengel Museum in Hannover (2008), at argos centre for art and media in Brussels (2007), at daadgalerie, Berlin (2006), at GAK Gesellschaft für Aktuelle Kunst in Bremen (2006), and at Palais des Beaux-Arts in Brussels (2000). She has also developed a web project for Dia Art Foundation in New York (2004). Among her many group exhibitions, Torfs participated in the Sharjah Biennial 11 (2013), Manifesta 9 Genk, Belgium (2012), Montreal Biennial 2 (2000) and Lyon Biennal 3 (1995). A Prior Magazine dedicated an issue to Torfs' work in 2004. Torfs was awarded a DAAD scholarship (Berlin) in 2005. Ana Torfs studied communication science at the University of Leuven (1981-1986) and film & video at the Sint-Lukas University College of Art and Design in Brussels (1986-1990). She lives and works in Brussels. [More](www.anatorfs.com)

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About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.