[{"id":4487,"title":"Zonder titel (1)","dimensions":"280 x 440 cm","date_begin":"1994-01-01","material":"Cardboard, gouache, aquarel","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1994-01-01","reference":"BK6867_A","stream_count_app":32,"permalink":"zonder-titel-1--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/546/medium_500/Bruyckere__Berlinde__De_Zonder_Titel__A_1994_.jpg?1355128169","cached_actor_names":"Berlinde De Bruyckere","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/546/large/Bruyckere__Berlinde__De_Zonder_Titel__A_1994_.jpg?1355128169","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":4502,"title":"Zonder titel (16)","dimensions":"393 x 275 mm","date_begin":"1994-01-01","material":"Cardboard, gouache, aquarel","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK6867_P","stream_count_app":12,"permalink":"zonder-titel-16","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/547/medium_500/Bruyckere__Berlinde__De_Zonder_Titel__P_1995.jpg?1355128573","cached_actor_names":"Berlinde De Bruyckere","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/547/large/Bruyckere__Berlinde__De_Zonder_Titel__P_1995.jpg?1355128573","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":5816,"title":"Berlinde De Bruyckere - en alles is aanééngenaaid","dimensions":"50 x 34,5 cm, loose-leaf publication, language : Dutch, English, publisher : Museum van Hedendaagse Kunst Antwerpen, ISBN : 90-72828-3024","date_begin":"2000-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Artist publication ; Artist catalogue ; Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1997/623","stream_count_app":12,"permalink":"berlinde-de-bruykere-en-alles-is-aaneengenaaid","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/289/large/__Photo_M_HKA__110.jpg?1458553536","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eForeword : Florent Bex, Director MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Yonah Fonc\u0026eacute;, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable in the M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eForeword : Florent Bex, Director MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Yonah Fonc\u0026eacute;, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVerkrijgbaar in de M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eForeword : Florent Bex, Director MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eText : Yonah Fonc\u0026eacute;, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisponible dans le M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":4495,"title":"Zonder titel (9)","dimensions":"390 x 270 mm","date_begin":"1994-01-01","material":"Cardboard, gouache, aquarel","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK6867_I","stream_count_app":12,"permalink":"zonder-titel-9","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/551/medium_500/Bruyckere__Berlinde__Zonder_Titel__I_1994.jpg?1355130114","cached_actor_names":"Berlinde De Bruyckere","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/551/large/Bruyckere__Berlinde__Zonder_Titel__I_1994.jpg?1355130114","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":454,"title":"Spreken [To Speak]","dimensions":"200 x 140 x 80 cm","date_begin":"1999-01-01","material":"metal, wood, blankets, polyester, polyurethane","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1999-01-01","reference":"BK7198_M213","stream_count_app":62,"permalink":"spreken-to-speak","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/001/medium_500/Berlinde_De_Bruyckere__Spreken_1999_collection_M_HKA.JPG?1465990019","cached_actor_names":"Berlinde De Bruyckere","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/001/large/Berlinde_De_Bruyckere__Spreken_1999_collection_M_HKA.JPG?1465990019","poster_credits":"(c)image: Syb'l. S. - Pictures","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eIn a series of drawings called \u0026lsquo;dekenvrouwen\u0026rsquo; (blanket women), Berlinde De Bruyckere introduces the human figure in her work in 1994. Sculptures follow this series of drawings, amongst others \u003cem\u003eSpreken \u003c/em\u003e(Speaking). The sculptures are life-sized figures with realistic arms and legs, while the rest of the body is hidden under blankets. The bodies have been modelled in wax. The blankets form a kind of second skin \u0026ndash; they function as a fur. These are pictures that include the duality of protection and suffocation, security and anxiety, safety and confusion, life and death. The blankets refer to the security of childhood, but at the same time to current pictures of the refugee camps.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eIn 1994 introduceerde Berlinde De Bruyckere de menselijke figuur in haar werk in een serie tekeningen van \u0026lsquo;dekenvrouwen\u0026rsquo;. Na de reeks tekeningen volgden beelden, waaronder \u003cem\u003eSpreken\u003c/em\u003e. De sculpturen zijn levensgrote figuren waarvan armen en benen levensecht zijn, terwijl de rest van het lichaam schuilgaat onder de dekens. De lichamen zijn gemodelleerd in was. De dekens vormen een soort van tweede huid, functioneren als een pels. Het zijn beelden waarin de dualiteit van bescherming en verstikking, geborgenheid en benauwdheid, veiligheid en verwarring, leven en dood zit vervat. De dekens verwijzen naar de geborgenheid van de kindertijd, maar tegelijk ook naar actuele beelden van vluchtelingenkampen. Met deze dekenvrouwen introduceert de kunstenares een nieuw archetype: de naakte rechteloze, die zich met een deken tracht te beschermen tegen de blik van de medemens en tegen de natuurelementen. De beelden van De Bruyckere nemen verschillende vormen aan. Dikwijls staan ze alleen, als in gedachten verzonken of als in een wanhopige poging om zich voor vreemde ogen te verbergen [als ik hen niet zie, kunnen ze mij ook niet zien]. Soms benaderen ze elkaar, zoals in *Spreken*, alsof ze steun zoeken bij lotgenoten.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eEn 1994, Berlinde De Bruyckere a introduit la figure humaine dans son travail dans une s\u0026eacute;rie de dessins de \u0026laquo;\u0026nbsp;femmes de couverture\u0026nbsp;\u0026raquo;. Apr\u0026egrave;s la s\u0026eacute;rie de dessins, des sculptures suivaient, dont *Parler*. Les sculptures sont des figures grandeur nature dont les bras et les jambes sont r\u0026eacute;alistes, tandis que le reste du corps est cach\u0026eacute; sous les couvertures. Les corps sont model\u0026eacute;s en cire. Les couvertures forment une sorte de seconde peau, fonctionnent comme une fourrure. Ce sont des scultupres qui contiennent la dualit\u0026eacute; de la protection et l\u0026rsquo;\u0026eacute;touffement, de la chaleur et la d\u0026eacute;tresse, de la s\u0026eacute;curit\u0026eacute; et la confusion, de la vie et la mort. Les couvertures se r\u0026eacute;f\u0026egrave;rent \u0026agrave; la s\u0026eacute;curit\u0026eacute; de l\u0026rsquo;enfance, mais aussi aux sculptures actuelles des camps de r\u0026eacute;fugi\u0026eacute;s. Avec ces femmes de couverture, l\u0026rsquo;artiste introduit un nouvel arch\u0026eacute;type\u0026nbsp;: le nu sans droit, qui tente de se prot\u0026eacute;ger avec une couverture contre le regard de son prochain et contre les \u0026eacute;l\u0026eacute;ments de la nature. Les sculptures de De Bruyckere prennent diff\u0026eacute;rentes formes. Ils sont souvent seuls, comme ils sont perdus dans leurs pens\u0026eacute;es ou comme\u0026nbsp; dans une tentative d\u0026eacute;sesp\u0026eacute;r\u0026eacute;e de se cacher des yeux \u0026eacute;tranges [si je ne les vois pas, ils ne peuvent pas me voir]. Parfois, il se rapprochent, comme dans *Parler*, comme ils cherchent du soutien aupr\u0026egrave;s de leurs compagnons d\u0026rsquo;infortune.\u003c/p\u003e\r\n"}]},{"id":4503,"title":"In Flanders Fields","dimensions":"variable dimensions","date_begin":"2000-01-01","material":"horse skin, polyester, metal, plastic, blankets","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Horse","publishing_process_id":1,"annotation":"\u003cp\u003eFrom the start, De Bruyckere experiments with different materials such as malleable lead, wax and straw, with which she creates an idiosyncratic beauty that always has an air of fatality about it. The blankets protect and suffocate, the lead roses seduce and poison, the flower carpets refer to growth and decay. This ambiguity is also present in her installation \u003ci\u003eIn Flanders Fields\u003c/i\u003e from 2000, a collection work of the M HKA, with which she refers to the horror of the First World War.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003eVan bij aanvang experimenteert de kunstenares met afwijkende materialen zoals kneedbaar lood, was en stro, waarmee ze een eigenzinnige schoonheid cre\u0026euml;ert die altijd iets fataals heeft. De dekens beschermen en verstikken, de loden rozen verleiden en vergiftigen, de bloemtapijten getuigen van bloei en verval. Die dubbelzinnigheid zet zich voort in haar installatie \u003cem\u003eIn Flanders Fields\u003c/em\u003e uit 2000, waarmee ze refereert aan de verschrikking van de Eerste Wereldoorlog. Drie paardenlijven liggen verspreid op de grond als gigantische mismaakte wezens. We zien een glanzende paardenvacht maar geen hoeven, lange manen maar geen snuit. De dieren liggen in een ongemakkelijke, verwrongen houding, een been steekt hulpeloos de lucht in. Het is gruwelijk, zielig en tegelijk heel mooi. Het is een tafereel waar je liefst omheen loopt, hetzij om te kijken, hetzij om niet te kijken.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eTekst: Hans Willemse\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eFive sculptures consisting of polyester forms, covered with animal skins. Three bases (horse I, II, IV); one fixed element (1); twice two pares of trestles (II, IV); blankets belonging to I, II and V: I and II mounted on base; V loose in accompanying sack.\u003c/p\u003e\r\n","date_end":"2000-01-01","reference":"BK7276_M235","stream_count_app":65,"permalink":"in-flanders-fields","description_ru":"","description_de":"\u003cp\u003eDie Installation In Flanders Fields (2000) von Berlinde De Bruyckere zeigt ein naturalistisches Bild eines ausgestopften Pferdes, das f\u0026uuml;r immer in einer ungew\u0026ouml;hnlichen Pose im Raum des White Cube-Galerieraums \u0026nbsp;eingefroren ist. Das Pferd, das in der klassischen Kultur normalerweise f\u0026uuml;r Mut, St\u0026auml;rke und Sch\u0026ouml;nheit steht, wird in diesem Fall buchst\u0026auml;blich auf den Kopf gestellt und zu einem Objekt ohne \u0026nbsp;die \u0026uuml;blichen Eigenschaften.\u003cbr /\u003e\r\nDer Titel des Kunstwerks, In Flanders Fields, bezieht sich auf das gleichnamige Gedicht, das der kanadische Arzt Oberstleutnant John McCrae w\u0026auml;hrend des Ersten Weltkriegs schrieb. Sp\u0026auml;ter wurde das Werk zu einem der meistzitierten Gedichte \u0026uuml;ber den Krieg und inspirierte zur Verwendung der im Gedicht erw\u0026auml;hnten roten Mohnblumen als Symbol des Gedenkens. Obwohl das Gedicht vor mehr als 100 Jahren geschrieben wurde, hat es leider nichts von seiner Aktualit\u0026auml;t eingeb\u0026uuml;\u0026szlig;t und k\u0026ouml;nnte leicht als Spiegelbild der Ungerechtigkeit des Krieges verstanden werden, die sich gerade jetzt \u0026nbsp;abspielt:\u003cbr /\u003e\r\n\u0026nbsp;\u003cbr /\u003e\r\n\u0026nbsp; \u0026nbsp; \u0026#39;... Wir sind die Toten. Kurze Tage zuvor\u003cbr /\u003e\r\n\u0026nbsp; \u0026nbsp; Wir lebten, f\u0026uuml;hlten die Morgend\u0026auml;mmerung, sahen den Sonnenuntergang leuchten,\u003cbr /\u003e\r\n\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;liebten und wurden geliebt, und nun liegen wir,\u003cbr /\u003e\r\n\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; in Flanderns Feldern...\u0026#39;\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026mdash; John McCrae, 1915\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/776/medium_500/vlaanderen.jpg?1465914440","cached_actor_names":"Berlinde De Bruyckere","hide_from_json":false,"prev_platform_id":null,"description_uk":"\u003cp\u003eІнсталяція \u0026laquo;В полях фламандських\u0026raquo;, створена Берліндою де Брьойкере у 2000 році, являє собою опудало коня, назавжди застигле у неприродній позі. Кінь, тварина, що в класичній скульптурі втілює хоробрість, силу та красу, постає в цій роботі буквально перевернутим догори ногами та перетворюється на об\u0026rsquo;єкт, позбавлений своїх звичайних властивостей.\u003c/p\u003e\r\n\r\n\u003cp\u003eНазва роботи відсилає до вірша, написаного канадським лікарем, підполковником Джоном Мак-Креєм, під час Першої світової війни. Пізніше цей твір став однією з найбільш цитованих поезій про війну. Саме з нього походить образ квітки маку, що використовується в якості символу пам\u0026rsquo;яті про жертв збройних конфліктів. Попри те, що вірш було написано понад сто років тому, він, на жаль, досі зберігає актуальність і може прочитуватись як висловлювання про несправедливу природу війни, що триває просто зараз:\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026ldquo;...\u003c/em\u003e\u003cem\u003eБо ми, полеглі в цих полях,\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eМи, що кохали, нині \u0026mdash; прах,\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eЖили \u0026mdash; і прийняли удар\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eВ полях фламандських\u0026hellip;\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026mdash; Джон Мак-Крей, 1915 р.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eПереклад Оксани Самари\u003c/em\u003e\u003c/p\u003e\r\n","short_description_uk":"","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/776/large/vlaanderen.jpg?1465914440","poster_credits":"(c)image:  M HKA, Collection M HKA / Flemish Community","translations":[{"locale":"en","description":"\u003cp\u003eThe installation \u003cem\u003eIn Flanders Fields\u003c/em\u003e, 2000 by Berlinde De Bruyckere presents a naturalistic picture of a stuffed horse that is forever frozen in an unusual pose within the space of the white cube gallery space. The horse, which in classical culture usually stands for courage, strength, and beauty, in this case is literally turned upside down and becomes an object devoid of its usual qualities.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe title of the artwork, \u003cem\u003eIn Flanders Fields,\u003c/em\u003e refers to the eponymous poem written during the First World War by Canadian physician Lieutenant-Colonel John McCrae. Later the piece became one of the most cited poems about war and inspired to use of red poppies, mentioned in the poem, as a symbol of remembrance. Even though the poem was written more than 100 years ago, sadly it remains actual and could be easily perceived as a reflection of the manifestations of the injustice of war, that are unfolding right now:\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026lsquo;... We are the dead. Short days ago\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp; We lived, felt dawn, saw sunset glow,\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Loved and were loved, and now we lie,\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; In Flanders fields.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"margin-left:144.0pt;\"\u003e\u003cem\u003e\u0026hellip;\u0026rsquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026mdash; John McCrae, 1915\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eD\u0026egrave;s ses d\u0026eacute;buts, l\u0026rsquo;artiste a exp\u0026eacute;riment\u0026eacute; des mat\u0026eacute;riaux atypiques comme du plomb mall\u0026eacute;able, de la cire et de la paille avec lesquels elle cr\u0026eacute;e une beaut\u0026eacute; singuli\u0026egrave;re qui rec\u0026egrave;le toujours quelque chose de funeste. Les couvertures prot\u0026egrave;gent et \u0026eacute;touffent, les roses en plomb s\u0026eacute;duisent et empoisonnent, les tapis de fleurs t\u0026eacute;moignent de la floraison et du fl\u0026eacute;trissement. L\u0026rsquo;ambivalence se prolonge dans son installation \u003ci\u003eIn Flanders Fields\u003c/i\u003e de 2000, une \u0026oelig;uvre de la collection du M\u0026nbsp;HKA qui fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; l\u0026rsquo;horreur de la Premi\u0026egrave;re Guerre mondiale.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"}]},{"id":4497,"title":"Vrouw in Boom","dimensions":"390 x 270 mm","date_begin":"1995-01-01","material":"Cardboard, gouache, aquarel","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1995-01-01","reference":"BK6867_K","stream_count_app":17,"permalink":"vrouw-in-boom","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/070/731/medium_500/De_Bruyckere__Berlinde__Vrouw_In_Boom___K_1995_CollectionMHKA_VlaamseGemeenschap_V2.jpg?1617179931","cached_actor_names":"Berlinde De 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Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK6867_B","stream_count_app":24,"permalink":"zonder-titel-5","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/070/332/medium_500/Bruyckere__0005_Berlinde__De_Zonder_Titel___1995_photo_Syb%27l.S.pictures.jpg?1616406539","cached_actor_names":"Berlinde De Bruyckere","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/070/332/large/Bruyckere__0005_Berlinde__De_Zonder_Titel___1995_photo_Syb'l.S.pictures.jpg?1616406539","poster_credits":"image: (c) Syb'l.S.pictures","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":4488,"title":"Zonder titel (3)","dimensions":"445 x 285 mm","date_begin":"1994-01-01","material":"Cardboard, gouache, aquarel","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1994-01-01","reference":"BK6867_C","stream_count_app":31,"permalink":"zonder-titel-2--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/549/medium_500/Bruyckere__Berlinde__De_Zonder_Titel__B_1994_.jpg?1355129592","cached_actor_names":"Berlinde De Bruyckere","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/549/large/Bruyckere__Berlinde__De_Zonder_Titel__B_1994_.jpg?1355129592","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":29984,"title":"Zonder titel (5)","dimensions":"44 x 28 cm","date_begin":"1994-01-01","material":"Gouache, watercolour, cardboard","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collectie Vlaamse 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