M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Bert De Beul

©image: Patrick De Coninck

° 1961

Lives in Antwerp (Belgium), works in Antwerp (Belgium), born in Ghent (Belgium).

Bert De Beul grew up with painting, but chose to first study art history, after which he worked for M HKA for a few years as responsible for the collection. He was continuously painting, but only in 1992 did he show his work in public. After this debut De Beul has dedicated himself fully to painting.

His oeuvre has developed consistently and in characterised by considerable unity. A ‘typical De Beul’ is a rather blurry image: clearly figurative, but at the same time distant. The paintings are based on real life, but without framing reality. They do not believe in the possibility of objective perception, and even less in the representation of the world around us. Our gaze is always influenced by previous experience. Not just the depiction of an object but also the choice of it is an act coloured by subjectivity. De Beul taps into his own memories or uses randomly found images (photographs, pictures on packaging etc) because of the associations they stir in him. Once he has adopted this imagery he stays true to it.

The paintings are anything but expressive. De Beul strips them of all details that might give away any narrative or emotional details. It is not for nothing that they are ‘untitled’. The ‘unrecognisable’ is reinforced by the fuzzy painting style. The motifs appear to be enveloped in mist. In addition the images are sometimes cropped in unusual ways. Segments of the motif are excluded, previously insignificant details come into focus, or the perspective looks incorrect.

Works

>Bert De Beul, Zonder titel [Untitled], 1992.Painting, oil, canvas, 45 x 53 cm.

>Bert De Beul, Zonder titel [Untitled], 1993.Film, oil, canvas, 62 x 74 cm.

>Bert De Beul, Zonder titel [Untitled], 1994.Painting, oil on canvas, 60 x 50 cm.

>Bert De Beul, Zonder titel [Untitled], 1994.Painting, oil on canvas, 53 x 45 cm.

>Bert De Beul, Bert De Beul, 2002.Book, ink, paper, 27 x 21 cm, 108 p., language : Dutch, English, publisher : Museum van Hedendaagse Kunst Antwerpen, ISBN : 90-72828-20-8.

Exhibitions & Ensembles

> Exhibition: Bert De Beul. 09 February 2002 - 21 April 2002.

> Exhibition: Collection Presentation II with Interventions by Joël Audebert, Nathalie Brevet & Hughes Rochette, Maria Roosen & Gert Robijns. 23 November 2002 - 09 February 2003.

> Exhibition: EXTRA MUROS: Cultuurstraten 2009. 29 August 2009 - 12 September 2009.

> Exhibition: The Collection XIII – LUZ (Intervention and Composition by Carla Arocha) – Winter 2005-06. 25 November 2005 - 12 November 2006.

> Exhibition: The collection XX: Jubilee. Who's got the Big Picture?. 29 June 2007 - 18 November 2007.

> Exhibition: The collection XXXII – Personality Test + The Book Lovers. 07 December 2012 - 21 April 2013.

> Ensemble: Collectie Vlaamse Gemeenschap.

> Ensemble: M HKA_DEFAULT_PUBLICATIONS.

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> Ensemble: M HKA_DEFAULT_WORKS.