[{"id":446,"title":"W 145th Street, Harlem","dimensions":"129 x 125 cm","date_begin":"2002-01-01","material":"cibachrome","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2002-01-01","reference":"S0285","stream_count_app":34,"permalink":"w-145th-street-harlem","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/013/large/Benhelima,%20Charif,%20%20W%20145th%20Street,%20Harlem,%202002%20photo%20the%20artist.jpg?1304064518","poster_credits":"©Charif Benhelima","translations":[{"locale":"en","description":"\u003cp\u003eBetween 1999 and 2002, Charif Benhelima lived in Harlem, New York, where he made a large series of Polaroid portraits entitled \u003cem\u003eHarlem On My Mind\u003c/em\u003e. Included here is \u003cem\u003eW 145th Street, Harlem\u003c/em\u003e\u0026nbsp;(2002), a glistening, shadowy image shot with an extra red filter, then enlarged as a CIBA chrome. The figure is blurry; the eyes are closed and it is not entirely clear if the subject is laughing or letting out a scream of despair. Equally unclear is exactly where the photograph was made. The red color refers to the irrepressible liveliness of Harlem that Benhelima felt there, but also to accompanying, uneasy elements: fever, passion, blood. The series as a whole transmits Harlem\u0026rsquo;s special sphere. Benhelima does not just portray Harlem\u0026#39;s people, but also the broken streets with trash and graffiti, the poverty and the violence. There are also images of happy faces, a Christ-figure, a crucifix, a dove in flight\u0026hellip; Benhelima\u0026rsquo;s images work in a way that gives precedence to his existential perception. A sign of hope or of despair?\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eTussen 1999 en 2002 verbleef Charif Benhelima in Harlem, New York, waar hij met een polaroidcamera een grote reeks portretten maakte met als titel \u003cem\u003eHarlem On My Mind\u003c/em\u003e. Daartoe behoort ook \u003cem\u003eW 145th Street, Harlem\u003c/em\u003e\u0026nbsp;(2002), een fonkelend, schimmig beeld dat met een extra roodfilter werd gefotografeerd, en vervolgens tot cibachrome werd uitvergroot. De figuur is onscherp; de ogen zijn gesloten en het is niet helemaal duidelijk of de geportretteerde lacht of een wanhoopskreet slaakt. Evenmin is duidelijk waar de foto gemaakt is. De rode kleur van de foto verwijst naar de levendigheid die Benhelima in Harlem opviel, maar ook naar elementen die daarmee een tegenstelling vormen: koorts, passie, bloed. De reeks in zijn geheel geeft een sfeerbeeld van Harlem. Niet alleen de mensen die er wonen worden in beeld gebracht, maar ook de opgebroken straten met rommel en graffiti, de armoede en het geweld. Er zijn ook beelden van vrolijke gezichten, een Christusfiguur, een kruis, een duif die de lucht invliegt\u0026hellip; Benhelima werkt via een methode waarin de beeldconstructie op zich gestalte geeft aan de existenti\u0026euml;le waarneming. Een teken van hoop of van wanhoop?\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":4299,"title":"Nest","dimensions":"120 x 122 cm","date_begin":"2005-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB08","stream_count_app":23,"permalink":"nest","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/734/large/Benhelima__Charif___Nest__2005.jpg?1343636999","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eEen boom, een duif, een afvalcontainer, twee schommels, een basketbalnet\u0026hellip; Of is het niet zozeer een boom als wel het begin van een rij bomen en is de duif misschien gewoon een zwarte vlek? De objecten staan eenzaam in een wit landschap; de omgeving lijkt uitgevaagd. De context schijnt er niet toe te doen. Of juist wel? Want is het niet de witte, ongrijpbare omgeving die de objecten een beetje verloren en eenzaam maakt? De witte mist destabiliseert de toeschouwer, brengt zijn interpretatie aan het wankelen.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn zijn fotoreeks\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;doet Charif Benhelima ons nadenken over de visuele essentie van de dingen om ons heen. Wat maakt een duif tot een duif? En op welk moment verliezen lijnen, figuren, hun betekenis? Maar niet alleen de formele aspecten van een object cre\u0026euml;ren betekenis, ook de toeschouwer is verantwoordelijk voor de perceptie en interpretatie. Het is deze subjectieve relatie tussen de mens en zijn omgeving, tussen toeschouwer en beeld die in\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;aan de orde komt.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe vraag naar de eigenheid van een object of een individu en naar verhoudingen tussen de mens en zijn omgeving loopt als een rode draad doorheen het werk van Benhelima . Door de uitwijzing van zijn Marokkaanse vader en de vroege dood van zijn Vlaamse moeder is hij immers zelf een ontheemde mens die zich vragen stelt over identiteitsvorming, buitenstaanders en thuiskomen. In eerste instantie in documentairefoto\u0026rsquo;s, later in de vorm van polaroids geeft Benhelima vooreerst de fysieke plaats weer waar hij zich op een bepaald moment bevindt. Daar voegt hij echter ook steeds een link met zichzelf aan toe.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026rdquo;Mij boeit niet het technische maar wel het democratische aspect van het medium, mijn betrokkenheid gekoppeld aan het onderwerp. Ik observeer niet louter maar kijk naar beelden waar ik deel van uitmaak. Ik maak dus geen studie over de dingen maar geef altijd een bepaalde geschiedenis weer die mezelf plaatst in het gebeuren en in de tijd.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":4296,"title":"Black Cherry Season","dimensions":"50 X 52 cm","date_begin":"2006-01-01","material":"cibachroom, aluminium, plexiglas ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB05","stream_count_app":28,"permalink":"black-cherry-season","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/736/large/Benhelima__Charif___Black_Cherry_Season__2006.jpg?1343637107","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":4298,"title":"Minus Two","dimensions":"120 x 122 cm","date_begin":"2006-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB07","stream_count_app":31,"permalink":"minus-two","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003eDiese Fotografien geh\u0026ouml;ren zur Reihe\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;des Fotografen Charif Benhelima. Diese Bilder sind alle Polaroids. Der wei\u0026szlig;e Nebel, in dem die Bilder dieser Reihe zu verschwinden scheinen, ist ein unmittelbares Ergebnis dieses Mediums: Benhelima verl\u0026auml;ngert die Belichtungszeit der Kamera, sodass der Film l\u0026auml;nger als \u0026uuml;blich dem Licht ausgesetzt ist, und das resultierende Bild ist dann kaum zu erkennen. Auf diese Weise bleiben nur die klarsten Formen und Konturen sichtbar. In dieser Reihe l\u0026auml;sst Benhelima uns \u0026uuml;ber die visuelle Bedeutung der Dinge um uns herum nachdenken. Was sind die Grenzen von formalen Linien in Bezug auf Bedeutungs\u0026uuml;bertragung? Aber es sind nicht nur die physischen Aspekte eines Objekts, die Bedeutung schaffen k\u0026ouml;nnen, der Beobachter ist ebenfalls verantwortlich f\u0026uuml;r seine Beobachtung und Interpretation. Es ist diese subjektive Beziehung zwischen Menschen und ihren Umgebungen, zwischen Zuschauer und Bild, die in\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e infrage gestellt wird. Diese Fragen \u0026uuml;ber die Autonomie eines Gegenstands und die Beziehung von Menschen und ihrer Umgebung illustrieren eine wiederkehrende Sorge, die sich durch die Arbeit von Benhelima zieht.\u003c/p\u003e\r\n","description_es":"","description_el":"\u003cp style=\"text-align: justify;\"\u003e\u0026laquo;\u003cem\u003e\u0026Epsilon;\u0026kappa;\u0026epsilon;ί\u0026nu;\u0026omicron; \u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026epsilon;\u0026nu;\u0026delta;\u0026iota;\u0026alpha;\u0026phi;έ\u0026rho;\u0026epsilon;\u0026iota; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026eta; \u0026delta;\u0026eta;\u0026mu;\u0026omicron;\u0026kappa;\u0026rho;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026pi;\u0026lambda;\u0026epsilon;\u0026upsilon;\u0026rho;ά \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026sigma;\u0026omicron;\u0026upsilon;, ό\u0026chi;\u0026iota; \u0026eta; \u0026tau;\u0026epsilon;\u0026chi;\u0026nu;\u0026iota;\u0026kappa;ή: \u0026eta; \u0026delta;\u0026iota;\u0026kappa;ή \u0026mu;\u0026omicron;\u0026upsilon; \u0026epsilon;\u0026mu;\u0026pi;\u0026lambda;\u0026omicron;\u0026kappa;ή \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026theta;έ\u0026mu;\u0026alpha;. \u0026Delta;\u0026epsilon;\u0026nu; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026eta;\u0026rho;ώ \u0026alpha;\u0026pi;\u0026lambda;ά· \u0026alpha;\u0026nu;\u0026alpha;\u0026zeta;\u0026eta;\u0026tau;ώ \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026rho;\u0026omicron;\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon;\u0026sigmaf; \u0026epsilon;ί\u0026mu;\u0026alpha;\u0026iota; \u0026kappa;\u0026iota; \u0026epsilon;\u0026gamma;ώ. \u0026Alpha;\u0026nu;\u0026tau;ί \u0026nu;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;ά\u0026gamma;\u0026omega; \u0026sigma;\u0026pi;\u0026omicron;\u0026upsilon;\u0026delta;έ\u0026sigmaf; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026epsilon; \u0026pi;\u0026rho;ά\u0026gamma;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha;, \u0026pi;ά\u0026nu;\u0026tau;\u0026omicron;\u0026tau;\u0026epsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026phi;έ\u0026rho;\u0026omega; \u0026mu;\u0026iota;\u0026alpha; \u0026sigma;\u0026upsilon;\u0026gamma;\u0026kappa;\u0026epsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026mu;έ\u0026nu;\u0026eta; \u0026iota;\u0026sigma;\u0026tau;\u0026omicron;\u0026rho;ί\u0026alpha;, \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron;\u0026pi;\u0026omicron;\u0026theta;\u0026epsilon;\u0026tau;ώ \u0026tau;\u0026omicron;\u0026nu; \u0026epsilon;\u0026alpha;\u0026upsilon;\u0026tau;ό \u0026mu;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026eta; \u0026delta;\u0026rho;ά\u0026sigma;\u0026eta; \u0026kappa;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026omicron;\u0026nu; \u0026chi;\u0026rho;ό\u0026nu;\u0026omicron;.\u003c/em\u003e\u0026raquo; \u0026ndash; \u0026Sigma;\u0026alpha;\u0026rho;ί\u0026phi; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Omicron;\u0026iota; \u0026phi;\u0026omega;\u0026tau;\u0026omicron;\u0026gamma;\u0026rho;\u0026alpha;\u0026phi;ί\u0026epsilon;\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;έ\u0026sigmaf; \u0026alpha;\u0026nu;ή\u0026kappa;\u0026omicron;\u0026upsilon;\u0026nu; \u0026sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u003cem\u003eBlack-Out\u003c/em\u003e [\u0026Sigma;\u0026upsilon;\u0026sigma;\u0026kappa;ό\u0026tau;\u0026iota;\u0026sigma;\u0026eta;]\u003cem\u003e,\u003c/em\u003e \u0026pi;\u0026omicron;\u0026upsilon; \u0026omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;ύ\u0026rho;\u0026gamma;\u0026eta;\u0026sigma;\u0026epsilon; \u0026kappa;\u0026alpha;\u0026tau;ά \u0026tau;\u0026eta; \u0026delta;\u0026iota;ά\u0026rho;\u0026kappa;\u0026epsilon;\u0026iota;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026iota;\u0026kappa;ή\u0026sigmaf; \u0026delta;\u0026iota;\u0026alpha;\u0026mu;\u0026omicron;\u0026nu;ή\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026omicron; Kunstlerhaus Bethanien \u0026tau;\u0026omicron;\u0026upsilon; \u0026Beta;\u0026epsilon;\u0026rho;\u0026omicron;\u0026lambda;ί\u0026nu;\u0026omicron;\u0026upsilon; (2005-06). \u0026Eta; \u0026lambda;\u0026epsilon;\u0026upsilon;\u0026kappa;ή \u0026alpha;\u0026chi;\u0026lambda;ή \u0026mu;έ\u0026sigma;\u0026alpha; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026omicron;\u0026pi;\u0026omicron;ί\u0026alpha; \u0026mu;\u0026omicron;\u0026iota;ά\u0026zeta;\u0026omicron;\u0026upsilon;\u0026nu; \u0026nu;\u0026alpha; \u0026delta;\u0026iota;\u0026alpha;\u0026lambda;ύ\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026omicron;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026tau;\u0026eta;\u0026sigmaf; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;ή\u0026sigmaf; \u0026alpha;\u0026pi;\u0026omicron;\u0026tau;\u0026epsilon;\u0026lambda;\u0026epsilon;ί \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026upsilon;\u0026nu;έ\u0026pi;\u0026epsilon;\u0026iota;\u0026alpha; \u0026tau;\u0026eta;\u0026sigmaf; \u0026chi;\u0026rho;ή\u0026sigma;\u0026eta;\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;ύ \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026sigma;\u0026omicron;\u0026upsilon;: \u0026Omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026rho;\u0026upsilon;\u0026theta;\u0026mu;ί\u0026zeta;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; \u0026tau;\u0026alpha;\u0026chi;ύ\u0026tau;\u0026eta;\u0026tau;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026phi;\u0026omega;\u0026tau;\u0026omicron;\u0026phi;\u0026rho;ά\u0026kappa;\u0026tau;\u0026eta; έ\u0026tau;\u0026sigma;\u0026iota; ώ\u0026sigma;\u0026tau;\u0026epsilon; \u0026nu;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026epsilon;ί\u0026nu;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; έ\u0026kappa;\u0026theta;\u0026epsilon;\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026phi;\u0026iota;\u0026lambda;\u0026mu; \u0026sigma;\u0026tau;\u0026omicron; \u0026phi;\u0026omega;\u0026sigmaf; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026sigma;\u0026sigma;ό\u0026tau;\u0026epsilon;\u0026rho;\u0026omicron; \u0026alpha;\u0026pi;ό \u0026tau;\u0026omicron; \u0026kappa;\u0026alpha;\u0026nu;\u0026omicron;\u0026nu;\u0026iota;\u0026kappa;ό, \u0026kappa;\u0026alpha;\u0026iota; έ\u0026tau;\u0026sigma;\u0026iota; \u0026eta; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha; \u0026pi;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026kappa;ύ\u0026pi;\u0026tau;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026tau;\u0026#39; \u0026alpha;\u0026upsilon;\u0026tau;ό \u0026tau;\u0026omicron;\u0026nu; \u0026tau;\u0026rho;ό\u0026pi;\u0026omicron; \u0026mu;ό\u0026lambda;\u0026iota;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026alpha;\u0026gamma;\u0026nu;\u0026omega;\u0026rho;ί\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota;. \u0026Mu;ό\u0026nu;\u0026omicron; \u0026omicron;\u0026iota; \u0026pi;\u0026iota;\u0026omicron; \u0026epsilon;\u0026upsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026nu;\u0026epsilon;ί\u0026sigmaf; \u0026phi;ό\u0026rho;\u0026mu;\u0026epsilon;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;\u0026nu; \u0026omicron;\u0026rho;\u0026alpha;\u0026tau;ά. \u0026Sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u0026alpha;\u0026upsilon;\u0026tau;ή, \u0026omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026sigma;\u0026tau;\u0026omicron;\u0026chi;ά\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026omicron;\u0026pi;\u0026tau;\u0026iota;\u0026kappa;ή \u0026omicron;\u0026upsilon;\u0026sigma;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026kappa;ό\u0026sigma;\u0026mu;\u0026omicron;\u0026upsilon; \u0026gamma;ύ\u0026rho;\u0026omega; \u0026mu;\u0026alpha;\u0026sigmaf;. \u0026Pi;\u0026omicron;\u0026iota;\u0026alpha; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; ό\u0026rho;\u0026iota;\u0026alpha; \u0026tau;\u0026omega;\u0026nu; \u0026gamma;\u0026rho;\u0026alpha;\u0026mu;\u0026mu;ώ\u0026nu; \u0026tau;\u0026eta;\u0026sigmaf; \u0026phi;ό\u0026rho;\u0026mu;\u0026alpha;\u0026sigmaf; \u0026sigma;\u0026epsilon; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon; \u0026tau;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;ά\u0026delta;\u0026omicron;\u0026sigma;\u0026eta; \u0026nu;\u0026omicron;ή\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf;;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Nu;ό\u0026eta;\u0026mu;\u0026alpha; \u0026delta;\u0026epsilon;\u0026nu; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026omicron;ύ\u0026nu; \u0026mu;ό\u0026nu;\u0026omicron; \u0026omicron;\u0026iota; \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;έ\u0026sigmaf; \u0026iota;\u0026delta;\u0026iota;ό\u0026tau;\u0026eta;\u0026tau;\u0026epsilon;\u0026sigmaf; \u0026epsilon;\u0026nu;ό\u0026sigmaf; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;, \u0026alpha;\u0026lambda;\u0026lambda;ά \u0026kappa;\u0026alpha;\u0026iota; \u0026omicron; \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή\u0026sigmaf; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026epsilon;\u0026pi;ί\u0026sigma;\u0026eta;\u0026sigmaf; \u0026upsilon;\u0026pi;\u0026epsilon;ύ\u0026theta;\u0026upsilon;\u0026nu;\u0026omicron;\u0026sigmaf; \u0026nu;\u0026alpha; \u0026tau;\u0026iota;\u0026sigmaf; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026eta;\u0026rho;ή\u0026sigma;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026iota; \u0026nu;\u0026alpha; \u0026tau;\u0026iota;\u0026sigmaf; \u0026epsilon;\u0026rho;\u0026mu;\u0026eta;\u0026nu;\u0026epsilon;ύ\u0026sigma;\u0026epsilon;\u0026iota;. \u0026Alpha;\u0026upsilon;\u0026tau;ή \u0026eta; \u0026upsilon;\u0026pi;\u0026omicron;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;\u0026epsilon;\u0026nu;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026xi;ύ \u0026alpha;\u0026nu;\u0026theta;\u0026rho;ώ\u0026pi;\u0026omega;\u0026nu; \u0026kappa;\u0026alpha;\u0026iota; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026beta;ά\u0026lambda;\u0026lambda;\u0026omicron;\u0026nu;\u0026tau;\u0026omicron;\u0026sigmaf;, \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή \u0026kappa;\u0026alpha;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha;\u0026sigmaf;, \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026pi;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026epsilon;\u0026rho;\u0026epsilon;\u0026upsilon;\u0026nu;ά\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026eta; \u003cem\u003e\u0026Sigma;\u0026upsilon;\u0026sigma;\u0026kappa;ό\u0026tau;\u0026iota;\u0026sigma;\u0026eta;.\u003c/em\u003e \u0026Tau;\u0026alpha; \u0026epsilon;\u0026rho;\u0026omega;\u0026tau;ή\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026alpha;\u0026upsilon;\u0026tau;ά, \u0026sigma;\u0026chi;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ά \u0026mu;\u0026epsilon; \u0026tau;\u0026eta;\u0026nu; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;\u0026nu;\u0026omicron;\u0026mu;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026eta; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026theta;\u0026rho;ώ\u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026beta;ά\u0026lambda;\u0026lambda;\u0026omicron;\u0026nu; \u0026tau;\u0026omicron;\u0026upsilon;, \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026omega;\u0026pi;\u0026epsilon;ύ\u0026omicron;\u0026upsilon;\u0026nu; \u0026mu;\u0026iota;\u0026alpha; \u0026theta;\u0026epsilon;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026pi;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026alpha;\u0026tau;\u0026rho;έ\u0026chi;\u0026epsilon;\u0026iota; \u0026tau;\u0026omicron; έ\u0026rho;\u0026gamma;\u0026omicron; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά.\u003c/p\u003e\r\n","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Charif Benhelima","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/739/large/Benhelima__Charif___Minus_Two__2006.jpg?1343637292","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThis photograph belongs to the series \u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;made by photographer Charif Benhelima. These pictures are all polaroids. The white fog into which the images in this series seem to disappear, is a direct result of the use of this medium: Benhelima prolongs the camera\u0026rsquo;s shutter speed so that the film is exposed to light longer than usual, and the resulting image is then still just barely recognizable. In this way only the clearest forms and contours remain visible. In this series Benhelima has us reflect upon the visual essence of the things around us. What are the limits of formal lines in terms of conveying meaning? But it is not only the physical aspects of an object that create meaning, the viewer as well is responsible for its observation and interpretation. It is this subjective relationship between people and their surroundings, between spectator and image, that is called into question in \u003cem\u003eBlack-Out\u003c/em\u003e. These questions concerning the autonomy of an object and the relationship of man to his environment illustrate a recurring concern that runs throughout the work of Benhelima.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eEen boom, een duif, een afvalcontainer, twee schommels, een basketbalnet\u0026hellip; Of is het niet zozeer een boom als wel het begin van een rij bomen en is de duif misschien gewoon een zwarte vlek? De objecten staan eenzaam in een wit landschap; de omgeving lijkt uitgevaagd. De context schijnt er niet toe te doen. Of juist wel? Want is het niet de witte, ongrijpbare omgeving die de objecten een beetje verloren en eenzaam maakt? De witte mist destabiliseert de toeschouwer, brengt zijn interpretatie aan het wankelen.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn zijn fotoreeks\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;doet Charif Benhelima ons nadenken over de visuele essentie van de dingen om ons heen. Wat maakt een duif tot een duif? En op welk moment verliezen lijnen, figuren, hun betekenis? Maar niet alleen de formele aspecten van een object cre\u0026euml;ren betekenis, ook de toeschouwer is verantwoordelijk voor de perceptie en interpretatie. Het is deze subjectieve relatie tussen de mens en zijn omgeving, tussen toeschouwer en beeld die in\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;aan de orde komt.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDe vraag naar de eigenheid van een object of een individu en naar verhoudingen tussen de mens en zijn omgeving loopt als een rode draad doorheen het werk van Benhelima . Door de uitwijzing van zijn Marokkaanse vader en de vroege dood van zijn Vlaamse moeder is hij immers zelf een ontheemde mens die zich vragen stelt over identiteitsvorming, buitenstaanders en thuiskomen. In eerste instantie in documentairefoto\u0026rsquo;s, later in de vorm van polaroids geeft Benhelima vooreerst de fysieke plaats weer waar hij zich op een bepaald moment bevindt. Daar voegt hij echter ook steeds een link met zichzelf aan toe.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026rdquo;Mij boeit niet het technische maar wel het democratische aspect van het medium, mijn betrokkenheid gekoppeld aan het onderwerp. Ik observeer niet louter maar kijk naar beelden waar ik deel van uitmaak. Ik maak dus geen studie over de dingen maar geef altijd een bepaalde geschiedenis weer die mezelf plaatst in het gebeuren en in de tijd.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eCes photographies font partie de la s\u0026eacute;rie \u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;r\u0026eacute;alis\u0026eacute;e par le photographe Charif Benhelima. Ces images sont toutes des polaro\u0026iuml;ds agrandis. La brume blanche dans laquelle les images de cette s\u0026eacute;rie semblent dispara\u0026icirc;tre est un r\u0026eacute;sultat direct de l\u0026#39;utilisation de ce support : Benhelima prolonge la vitesse d\u0026#39;obturation de l\u0026#39;appareil photo afin que le film soit expos\u0026eacute; \u0026agrave; la lumi\u0026egrave;re plus longtemps que d\u0026#39;habitude et l\u0026#39;image qui en r\u0026eacute;sulte est alors \u0026agrave; peine reconnaissable. Ainsi, seuls les formes et les contours les plus clairs demeurent visibles. Dans cette s\u0026eacute;rie, Benhelima nous pousse \u0026agrave; r\u0026eacute;fl\u0026eacute;chir sur l\u0026#39;essence visuelle des choses qui nous entourent. Quelles sont les limites des lignes formelles en termes de transmission d\u0026#39;un message ? Cependant, ce ne sont pas seulement les aspects physiques d\u0026#39;un objet qui cr\u0026eacute;ent du sens. Le spectateur est \u0026eacute;galement responsable de son observation et de son interpr\u0026eacute;tation. C\u0026#39;est cette relation subjective entre les gens et leur entourage, entre le spectateur et l\u0026#39;image, qui est mise en question dans\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e. Ces questions concernant l\u0026#39;autonomie d\u0026#39;un objet et la relation de l\u0026#39;homme avec son environnement illustrent une pr\u0026eacute;occupation r\u0026eacute;currente qui se retrouve dans l\u0026#39;ensemble de l\u0026#39;oeuvre de Benhelima.\u003c/p\u003e\r\n"}]},{"id":4305,"title":"Harlem on my Mind, I was, I am","dimensions":"","date_begin":"2007-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":84,"category_id":454,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK007706","stream_count_app":14,"permalink":"harlem-on-my-mind-i-was-i-am","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Charif Benhelima","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":4293,"title":"Off-street, B KL 2273","dimensions":"40 x 42 cm","date_begin":"2005-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB01","stream_count_app":30,"permalink":"off-street-b-kl-2273","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003eDieses Foto geh\u0026ouml;rt zur Serie \u003cem\u003eBlack-Out\u003c/em\u003e, genommen vom Fotografen Charif Benhelima. Die Bilder aus dieser Serie hat er mit einer Polaroidkamera gemacht. Der wei\u0026beta;e Nebel in dem die Bilder von dieser Serie zu verschwinden scheinen, ist ein direktes Ergebnis von dem Gebrauch dieses Mediums: Benhelima verl\u0026auml;ngerte die Verschlusszeit der Kamera, damit der Film an mehr Licht als \u0026uuml;blich blo\u0026beta;gestellt wurde, aber gerade noch zu wiedererkennbaren Bildern f\u0026uuml;hren wurde. So bleiben nur die hellsten Formen und Konturen sichtbar. In dieser Serie l\u0026auml;sst Benhelima uns \u0026uuml;ber die visuelle Essenz der Dinge um uns herum, nachdenken. Wo h\u0026ouml;ren formelle Linien auf, Bedeutung in sich zu tragen? Aber nicht nur die Aspekte eines Objekts gewinnen Bedeutung, sondern auch die Zuschauer sind f\u0026uuml;r die Wahrnehmung und Interpretation verantwortlich. Es ist dieses subjektive Verh\u0026auml;ltnis zwischen dem Menschen und seiner Umgebung, zwischen Zuschauern und Bildern, die in \u003cem\u003eBlack-Out\u003c/em\u003e auch an den Pranger gestellt werden. Diese Fragen nach Eigenheit eines Objekts oder Individuums, und nach Beziehungen zwischen dem Menschen und seiner Umgebung folgen die allgemeine Linie, die quer durch die Arbeit Benhelimas hinausl\u0026auml;uft.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Charif Benhelima","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/683/large/Benhelima__Charif__Off-street__B_KL_2273__2005.jpg?1343393484","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThis photograph belongs to the series \u003cem\u003eBlack-Out\u003c/em\u003e made by photographer Charif Benhelima. These pictures are all polaroids. The white fog into which the images in this series seem to disappear, is a direct result of the use of this medium: Benhelima prolongs the camera\u0026rsquo;s shutter speed so that the film is exposed to light longer than usual, and the resulting image is then still just barely recognizable. In this way only the clearest forms and contours remain visible. In this series Benhelima has us reflect upon the visual essence of the things around us. What are the limits of formal lines in terms of conveying meaning? But it is not only the physical aspects of an object that create meaning, the viewer as well is responsible for its observation and interpretation. It is this subjective relationship between people and their surroundings, between spectator and image that is called into question in \u003cem\u003eBlack-Out\u003c/em\u003e. These questions concerning the autonomy of an object and the relationship of man to his environment illustrate a recurring concern that runs throughout the work of Benhelima.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eDeze foto behoort tot de reeks \u003cem\u003eBlack-Out\u003c/em\u003e gemaakt door de fotograaf Charif Benhelima. De foto\u0026#39;s uit deze reeks maakte hij met een polaroidcamera. De witte mist waarin de beelden van deze reeks lijken te verdwijnen, is een direct resultaat van het gebruik van dit medium: Benhelima verlengde de sluitertijd van de camera, waardoor de film blootgesteld werd aan meer licht dan gebruikelijk, maar nog net herkenbare beelden op zou leveren. Zo blijven alleen de meest heldere vormen en contouren zichtbaar. In deze reeks laat Benhelima ons nadenken over de visuele essentie van de dingen om ons heen. Waar houden formele lijnen op om tot betekenis te worden? Maar niet alleen de aspecten van een object cre\u0026euml;ren betekenis, ook de toeschouwer is verantwoordelijk voor de perceptie en interpretatie. Het is deze subjectieve relatie tussen de mens en zijn omgeving, tussen toeschouwer en beeld die in \u003cem\u003eBlack-Out\u003c/em\u003e mede aan de kaak wordt gesteld. Deze vragen naar de eigenheid van een object of een individu en naar verhoudingen tussen de mens en zijn omgeving volgen de algemene lijn die doorheen het werk van Benhelima loopt.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eCette photo fait partie de la s\u0026eacute;rie \u003cem\u003eBlack-Out\u003c/em\u003e r\u0026eacute;alis\u0026eacute;e par le photographe Charif Benhelima. Il a pris les photos de cette s\u0026eacute;rie avec un polaro\u0026iuml;d. Le brouillard blanc dans lequel les images de cette s\u0026eacute;rie semblent dispara\u0026icirc;tre est une cons\u0026eacute;quence directe de l\u0026#39;utilisation de cet outil : Benhelima a prolong\u0026eacute; le temps d\u0026#39;obturation de l\u0026#39;appareil photo, exposant le film \u0026agrave; plus de lumi\u0026egrave;re que d\u0026#39;habitude tout en obtenant n\u0026eacute;anmoins des images reconnaissables. Ainsi, seules les formes et les silhouettes les plus claires demeurent visibles. Dans cette s\u0026eacute;rie, Benhelima nous fait r\u0026eacute;fl\u0026eacute;chir \u0026agrave; l\u0026#39;essence visuelle des choses qui nous entourent. A quoi tiennent les lignes formelles pour prendre un sens ? Cependant, les aspects d\u0026#39;un objet ne sont pas les seuls \u0026agrave; cr\u0026eacute;er du sens. Le spectateur est \u0026eacute;galement responsable de la perception et de l\u0026#39;interpr\u0026eacute;tation. C\u0026#39;est cette relation subjective entre l\u0026#39;homme et son environnement, entre le spectateur et l\u0026#39;image qui est d\u0026eacute;nonc\u0026eacute;e en partie dans \u003cem\u003eBlack-Out\u003c/em\u003e. Ces demandes quant \u0026agrave; la particularit\u0026eacute; d\u0026#39;un objet ou d\u0026#39;un individu et quant aux rapports entre l\u0026#39;homme et son environnement suivent la ligne g\u0026eacute;n\u0026eacute;rale qui traverse l\u0026#39;\u0026oelig;uvre de Benhelima.\u003c/p\u003e\r\n"}]},{"id":4294,"title":"Off-street, Jürgen's","dimensions":"50 x 52 cm","date_begin":"2006-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB02","stream_count_app":19,"permalink":"off-street-jurgen-s","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/738/large/Benhelima__Charif___Off-street__J%C3%BCrgen's__2006.jpg?1343637217","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":4295,"title":"Diggings","dimensions":"50 x 52 cm","date_begin":"2005-01-01","material":"cibachroom, aluminium, plexiglas ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB03","stream_count_app":24,"permalink":"diggings","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/737/large/Benhelima__Charif___Diggings__2005.jpg?1343637164","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":4297,"title":"Baseline","dimensions":"100 x 102 cm","date_begin":"2006-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB06","stream_count_app":22,"permalink":"baseline","description_ru":"","description_de":"","description_es":"","description_el":"\u003cp style=\"text-align: justify;\"\u003e\u0026laquo;\u003cem\u003e\u0026Epsilon;\u0026kappa;\u0026epsilon;ί\u0026nu;\u0026omicron; \u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026epsilon;\u0026nu;\u0026delta;\u0026iota;\u0026alpha;\u0026phi;έ\u0026rho;\u0026epsilon;\u0026iota; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026eta; \u0026delta;\u0026eta;\u0026mu;\u0026omicron;\u0026kappa;\u0026rho;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026pi;\u0026lambda;\u0026epsilon;\u0026upsilon;\u0026rho;ά \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026sigma;\u0026omicron;\u0026upsilon;, ό\u0026chi;\u0026iota; \u0026eta; \u0026tau;\u0026epsilon;\u0026chi;\u0026nu;\u0026iota;\u0026kappa;ή: \u0026eta; \u0026delta;\u0026iota;\u0026kappa;ή \u0026mu;\u0026omicron;\u0026upsilon; \u0026epsilon;\u0026mu;\u0026pi;\u0026lambda;\u0026omicron;\u0026kappa;ή \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026theta;έ\u0026mu;\u0026alpha;. \u0026Delta;\u0026epsilon;\u0026nu; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026eta;\u0026rho;ώ \u0026alpha;\u0026pi;\u0026lambda;ά· \u0026alpha;\u0026nu;\u0026alpha;\u0026zeta;\u0026eta;\u0026tau;ώ \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026rho;\u0026omicron;\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon;\u0026sigmaf; \u0026epsilon;ί\u0026mu;\u0026alpha;\u0026iota; \u0026kappa;\u0026iota; \u0026epsilon;\u0026gamma;ώ. \u0026Alpha;\u0026nu;\u0026tau;ί \u0026nu;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;ά\u0026gamma;\u0026omega; \u0026sigma;\u0026pi;\u0026omicron;\u0026upsilon;\u0026delta;έ\u0026sigmaf; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026epsilon; \u0026pi;\u0026rho;ά\u0026gamma;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha;, \u0026pi;ά\u0026nu;\u0026tau;\u0026omicron;\u0026tau;\u0026epsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026phi;έ\u0026rho;\u0026omega; \u0026mu;\u0026iota;\u0026alpha; \u0026sigma;\u0026upsilon;\u0026gamma;\u0026kappa;\u0026epsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026mu;έ\u0026nu;\u0026eta; \u0026iota;\u0026sigma;\u0026tau;\u0026omicron;\u0026rho;ί\u0026alpha;, \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron;\u0026pi;\u0026omicron;\u0026theta;\u0026epsilon;\u0026tau;ώ \u0026tau;\u0026omicron;\u0026nu; \u0026epsilon;\u0026alpha;\u0026upsilon;\u0026tau;ό \u0026mu;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026eta; \u0026delta;\u0026rho;ά\u0026sigma;\u0026eta; \u0026kappa;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026omicron;\u0026nu; \u0026chi;\u0026rho;ό\u0026nu;\u0026omicron;.\u003c/em\u003e\u0026raquo; \u0026ndash; \u0026Sigma;\u0026alpha;\u0026rho;ί\u0026phi; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Omicron;\u0026iota; \u0026phi;\u0026omega;\u0026tau;\u0026omicron;\u0026gamma;\u0026rho;\u0026alpha;\u0026phi;ί\u0026epsilon;\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;έ\u0026sigmaf; \u0026alpha;\u0026nu;ή\u0026kappa;\u0026omicron;\u0026upsilon;\u0026nu; \u0026sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u003cem\u003eBlack-Out\u003c/em\u003e [\u0026Sigma;\u0026upsilon;\u0026sigma;\u0026kappa;ό\u0026tau;\u0026iota;\u0026sigma;\u0026eta;]\u003cem\u003e,\u003c/em\u003e \u0026pi;\u0026omicron;\u0026upsilon; \u0026omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;ύ\u0026rho;\u0026gamma;\u0026eta;\u0026sigma;\u0026epsilon; \u0026kappa;\u0026alpha;\u0026tau;ά \u0026tau;\u0026eta; \u0026delta;\u0026iota;ά\u0026rho;\u0026kappa;\u0026epsilon;\u0026iota;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026iota;\u0026kappa;ή\u0026sigmaf; \u0026delta;\u0026iota;\u0026alpha;\u0026mu;\u0026omicron;\u0026nu;ή\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026omicron; Kunstlerhaus Bethanien \u0026tau;\u0026omicron;\u0026upsilon; \u0026Beta;\u0026epsilon;\u0026rho;\u0026omicron;\u0026lambda;ί\u0026nu;\u0026omicron;\u0026upsilon; (2005-06). \u0026Eta; \u0026lambda;\u0026epsilon;\u0026upsilon;\u0026kappa;ή \u0026alpha;\u0026chi;\u0026lambda;ή \u0026mu;έ\u0026sigma;\u0026alpha; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026omicron;\u0026pi;\u0026omicron;ί\u0026alpha; \u0026mu;\u0026omicron;\u0026iota;ά\u0026zeta;\u0026omicron;\u0026upsilon;\u0026nu; \u0026nu;\u0026alpha; \u0026delta;\u0026iota;\u0026alpha;\u0026lambda;ύ\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026omicron;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026tau;\u0026eta;\u0026sigmaf; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;ή\u0026sigmaf; \u0026alpha;\u0026pi;\u0026omicron;\u0026tau;\u0026epsilon;\u0026lambda;\u0026epsilon;ί \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026upsilon;\u0026nu;έ\u0026pi;\u0026epsilon;\u0026iota;\u0026alpha; \u0026tau;\u0026eta;\u0026sigmaf; \u0026chi;\u0026rho;ή\u0026sigma;\u0026eta;\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;ύ \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026sigma;\u0026omicron;\u0026upsilon;: \u0026Omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026rho;\u0026upsilon;\u0026theta;\u0026mu;ί\u0026zeta;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; \u0026tau;\u0026alpha;\u0026chi;ύ\u0026tau;\u0026eta;\u0026tau;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026phi;\u0026omega;\u0026tau;\u0026omicron;\u0026phi;\u0026rho;ά\u0026kappa;\u0026tau;\u0026eta; έ\u0026tau;\u0026sigma;\u0026iota; ώ\u0026sigma;\u0026tau;\u0026epsilon; \u0026nu;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026epsilon;ί\u0026nu;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; έ\u0026kappa;\u0026theta;\u0026epsilon;\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026phi;\u0026iota;\u0026lambda;\u0026mu; \u0026sigma;\u0026tau;\u0026omicron; \u0026phi;\u0026omega;\u0026sigmaf; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026sigma;\u0026sigma;ό\u0026tau;\u0026epsilon;\u0026rho;\u0026omicron; \u0026alpha;\u0026pi;ό \u0026tau;\u0026omicron; \u0026kappa;\u0026alpha;\u0026nu;\u0026omicron;\u0026nu;\u0026iota;\u0026kappa;ό, \u0026kappa;\u0026alpha;\u0026iota; έ\u0026tau;\u0026sigma;\u0026iota; \u0026eta; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha; \u0026pi;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026kappa;ύ\u0026pi;\u0026tau;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026tau;\u0026#39; \u0026alpha;\u0026upsilon;\u0026tau;ό \u0026tau;\u0026omicron;\u0026nu; \u0026tau;\u0026rho;ό\u0026pi;\u0026omicron; \u0026mu;ό\u0026lambda;\u0026iota;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026alpha;\u0026gamma;\u0026nu;\u0026omega;\u0026rho;ί\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota;. \u0026Mu;ό\u0026nu;\u0026omicron; \u0026omicron;\u0026iota; \u0026pi;\u0026iota;\u0026omicron; \u0026epsilon;\u0026upsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026nu;\u0026epsilon;ί\u0026sigmaf; \u0026phi;ό\u0026rho;\u0026mu;\u0026epsilon;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;\u0026nu; \u0026omicron;\u0026rho;\u0026alpha;\u0026tau;ά. \u0026Sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u0026alpha;\u0026upsilon;\u0026tau;ή, \u0026omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026sigma;\u0026tau;\u0026omicron;\u0026chi;ά\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026omicron;\u0026pi;\u0026tau;\u0026iota;\u0026kappa;ή \u0026omicron;\u0026upsilon;\u0026sigma;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026kappa;ό\u0026sigma;\u0026mu;\u0026omicron;\u0026upsilon; \u0026gamma;ύ\u0026rho;\u0026omega; \u0026mu;\u0026alpha;\u0026sigmaf;. \u0026Pi;\u0026omicron;\u0026iota;\u0026alpha; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; ό\u0026rho;\u0026iota;\u0026alpha; \u0026tau;\u0026omega;\u0026nu; \u0026gamma;\u0026rho;\u0026alpha;\u0026mu;\u0026mu;ώ\u0026nu; \u0026tau;\u0026eta;\u0026sigmaf; \u0026phi;ό\u0026rho;\u0026mu;\u0026alpha;\u0026sigmaf; \u0026sigma;\u0026epsilon; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon; \u0026tau;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;ά\u0026delta;\u0026omicron;\u0026sigma;\u0026eta; \u0026nu;\u0026omicron;ή\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf;;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Nu;ό\u0026eta;\u0026mu;\u0026alpha; \u0026delta;\u0026epsilon;\u0026nu; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026omicron;ύ\u0026nu; \u0026mu;ό\u0026nu;\u0026omicron; \u0026omicron;\u0026iota; \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;έ\u0026sigmaf; \u0026iota;\u0026delta;\u0026iota;ό\u0026tau;\u0026eta;\u0026tau;\u0026epsilon;\u0026sigmaf; \u0026epsilon;\u0026nu;ό\u0026sigmaf; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;, \u0026alpha;\u0026lambda;\u0026lambda;ά \u0026kappa;\u0026alpha;\u0026iota; \u0026omicron; \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή\u0026sigmaf; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026epsilon;\u0026pi;ί\u0026sigma;\u0026eta;\u0026sigmaf; \u0026upsilon;\u0026pi;\u0026epsilon;ύ\u0026theta;\u0026upsilon;\u0026nu;\u0026omicron;\u0026sigmaf; \u0026nu;\u0026alpha; \u0026tau;\u0026iota;\u0026sigmaf; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026eta;\u0026rho;ή\u0026sigma;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026iota; \u0026nu;\u0026alpha; \u0026tau;\u0026iota;\u0026sigmaf; \u0026epsilon;\u0026rho;\u0026mu;\u0026eta;\u0026nu;\u0026epsilon;ύ\u0026sigma;\u0026epsilon;\u0026iota;. \u0026Alpha;\u0026upsilon;\u0026tau;ή \u0026eta; \u0026upsilon;\u0026pi;\u0026omicron;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;\u0026epsilon;\u0026nu;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026xi;ύ \u0026alpha;\u0026nu;\u0026theta;\u0026rho;ώ\u0026pi;\u0026omega;\u0026nu; \u0026kappa;\u0026alpha;\u0026iota; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026beta;ά\u0026lambda;\u0026lambda;\u0026omicron;\u0026nu;\u0026tau;\u0026omicron;\u0026sigmaf;, \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή \u0026kappa;\u0026alpha;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha;\u0026sigmaf;, \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026pi;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026epsilon;\u0026rho;\u0026epsilon;\u0026upsilon;\u0026nu;ά\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026eta; \u003cem\u003e\u0026Sigma;\u0026upsilon;\u0026sigma;\u0026kappa;ό\u0026tau;\u0026iota;\u0026sigma;\u0026eta;.\u003c/em\u003e \u0026Tau;\u0026alpha; \u0026epsilon;\u0026rho;\u0026omega;\u0026tau;ή\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026alpha;\u0026upsilon;\u0026tau;ά, \u0026sigma;\u0026chi;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ά \u0026mu;\u0026epsilon; \u0026tau;\u0026eta;\u0026nu; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;\u0026nu;\u0026omicron;\u0026mu;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026eta; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026theta;\u0026rho;ώ\u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026beta;ά\u0026lambda;\u0026lambda;\u0026omicron;\u0026nu; \u0026tau;\u0026omicron;\u0026upsilon;, \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026omega;\u0026pi;\u0026epsilon;ύ\u0026omicron;\u0026upsilon;\u0026nu; \u0026mu;\u0026iota;\u0026alpha; \u0026theta;\u0026epsilon;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026pi;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026alpha;\u0026tau;\u0026rho;έ\u0026chi;\u0026epsilon;\u0026iota; \u0026tau;\u0026omicron; έ\u0026rho;\u0026gamma;\u0026omicron; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά.\u003c/p\u003e\r\n","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/735/large/Benhelima__Charif___Baseline__2006.jpg?1343637050","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThis photograph belongs to the series \u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;made by photographer Charif Benhelima. These pictures are all polaroids. The white fog into which the images in this series seem to disappear, is a direct result of the use of this medium: Benhelima prolongs the camera\u0026rsquo;s shutter speed so that the film is exposed to light longer than usual, and the resulting image is then still just barely recognizable. In this way only the clearest forms and contours remain visible. In this series Benhelima has us reflect upon the visual essence of the things around us. What are the limits of formal lines in terms of conveying meaning? But it is not only the physical aspects of an object that create meaning, the viewer as well is responsible for its observation and interpretation. It is this subjective relationship between people and their surroundings, between spectator and image, that is called into question in \u003cem\u003eBlack-Out\u003c/em\u003e. These questions concerning the autonomy of an object and the relationship of man to his environment illustrate a recurring concern that runs throughout the work of Benhelima.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eEen boom, een duif, een afvalcontainer, twee schommels, een basketbalnet\u0026hellip; Of is het niet zozeer een boom als wel het begin van een rij bomen en is de duif misschien gewoon een zwarte vlek? De objecten staan eenzaam in een wit landschap; de omgeving lijkt uitgevaagd. De context schijnt er niet toe te doen. Of juist wel? Want is het niet de witte, ongrijpbare omgeving die de objecten een beetje verloren en eenzaam maakt? De witte mist destabiliseert de toeschouwer, brengt zijn interpretatie aan het wankelen.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn zijn fotoreeks\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;doet Charif Benhelima ons nadenken over de visuele essentie van de dingen om ons heen. Wat maakt een duif tot een duif? En op welk moment verliezen lijnen, figuren, hun betekenis? Maar niet alleen de formele aspecten van een object cre\u0026euml;ren betekenis, ook de toeschouwer is verantwoordelijk voor de perceptie en interpretatie. Het is deze subjectieve relatie tussen de mens en zijn omgeving, tussen toeschouwer en beeld die in\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;aan de orde komt.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDe vraag naar de eigenheid van een object of een individu en naar verhoudingen tussen de mens en zijn omgeving loopt als een rode draad doorheen het werk van Benhelima . Door de uitwijzing van zijn Marokkaanse vader en de vroege dood van zijn Vlaamse moeder is hij immers zelf een ontheemde mens die zich vragen stelt over identiteitsvorming, buitenstaanders en thuiskomen. In eerste instantie in documentairefoto\u0026rsquo;s, later in de vorm van polaroids geeft Benhelima vooreerst de fysieke plaats weer waar hij zich op een bepaald moment bevindt. Daar voegt hij echter ook steeds een link met zichzelf aan toe.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026rdquo;Mij boeit niet het technische maar wel het democratische aspect van het medium, mijn betrokkenheid gekoppeld aan het onderwerp. Ik observeer niet louter maar kijk naar beelden waar ik deel van uitmaak. Ik maak dus geen studie over de dingen maar geef altijd een bepaalde geschiedenis weer die mezelf plaatst in het gebeuren en in de tijd.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":4300,"title":"Park","dimensions":"120 x 122 cm","date_begin":"2005-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB09","stream_count_app":22,"permalink":"park","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003eDiese Fotografien geh\u0026ouml;ren zur Reihe\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;des Fotografen Charif Benhelima. Diese Bilder sind alle Polaroids. Der wei\u0026szlig;e Nebel, in dem die Bilder dieser Reihe zu verschwinden scheinen, ist ein unmittelbares Ergebnis dieses Mediums: Benhelima verl\u0026auml;ngert die Belichtungszeit der Kamera, sodass der Film l\u0026auml;nger als \u0026uuml;blich dem Licht ausgesetzt ist, und das resultierende Bild ist dann kaum zu erkennen. Auf diese Weise bleiben nur die klarsten Formen und Konturen sichtbar. In dieser Reihe l\u0026auml;sst Benhelima uns \u0026uuml;ber die visuelle Bedeutung der Dinge um uns herum nachdenken. Was sind die Grenzen von formalen Linien in Bezug auf Bedeutungs\u0026uuml;bertragung? Aber es sind nicht nur die physischen Aspekte eines Objekts, die Bedeutung schaffen k\u0026ouml;nnen, der Beobachter ist ebenfalls verantwortlich f\u0026uuml;r seine Beobachtung und Interpretation. Es ist diese subjektive Beziehung zwischen Menschen und ihren Umgebungen, zwischen Zuschauer und Bild, die in\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e infrage gestellt wird. Diese Fragen \u0026uuml;ber die Autonomie eines Gegenstands und die Beziehung von Menschen und ihrer Umgebung illustrieren eine wiederkehrende Sorge, die sich durch die Arbeit von Benhelima zieht.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Charif Benhelima","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/733/large/Benhelima__Charif__Park__2005.jpg?1343636918","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThese photographs belongs to the series\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;made by photographer Charif Benhelima. These pictures are all blown-up polaroids. The white fog into which the images in this series seem to disappear, is a direct result of the use of this medium: Benhelima prolongs the camera\u0026rsquo;s shutter speed so that the film is exposed to light longer than usual, and the resulting image is then still just barely recognizable. In this way only the clearest forms and contours remain visible. In this series Benhelima has us reflect upon the visual essence of the things around us. What are the limits of formal lines in terms of conveying meaning? But it is not only the physical aspects of an object that create meaning, the viewer as well is responsible for its observation and interpretation. It is this subjective relationship between people and their surroundings, between spectator and image, that is called into question in\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e. These questions concerning the autonomy of an object and the relationship of man to his environment illustrate a recurring concern that runs throughout the work of Benhelima.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eCes photographies font partie de la s\u0026eacute;rie \u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;r\u0026eacute;alis\u0026eacute;e par le photographe Charif Benhelima. Ces images sont toutes des polaro\u0026iuml;ds agrandis. La brume blanche dans laquelle les images de cette s\u0026eacute;rie semblent dispara\u0026icirc;tre est un r\u0026eacute;sultat direct de l\u0026#39;utilisation de ce support : Benhelima prolonge la vitesse d\u0026#39;obturation de l\u0026#39;appareil photo afin que le film soit expos\u0026eacute; \u0026agrave; la lumi\u0026egrave;re plus longtemps que d\u0026#39;habitude et l\u0026#39;image qui en r\u0026eacute;sulte est alors \u0026agrave; peine reconnaissable. Ainsi, seuls les formes et les contours les plus clairs demeurent visibles. Dans cette s\u0026eacute;rie, Benhelima nous pousse \u0026agrave; r\u0026eacute;fl\u0026eacute;chir sur l\u0026#39;essence visuelle des choses qui nous entourent. Quelles sont les limites des lignes formelles en termes de transmission d\u0026#39;un message ? Cependant, ce ne sont pas seulement les aspects physiques d\u0026#39;un objet qui cr\u0026eacute;ent du sens. Le spectateur est \u0026eacute;galement responsable de son observation et de son interpr\u0026eacute;tation. C\u0026#39;est cette relation subjective entre les gens et leur entourage, entre le spectateur et l\u0026#39;image, qui est mise en question dans\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e. Ces questions concernant l\u0026#39;autonomie d\u0026#39;un objet et la relation de l\u0026#39;homme avec son environnement illustrent une pr\u0026eacute;occupation r\u0026eacute;currente qui se retrouve dans l\u0026#39;ensemble de l\u0026#39;oeuvre de Benhelima.\u003c/p\u003e\r\n"}]},{"id":4301,"title":"Permanent Address","dimensions":"120 x 122 cm","date_begin":"2006-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB10","stream_count_app":37,"permalink":"permanent-address","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003eDiese Fotografien geh\u0026ouml;ren zur Reihe\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;des Fotografen Charif Benhelima. Diese Bilder sind alle Polaroids. Der wei\u0026szlig;e Nebel, in dem die Bilder dieser Reihe zu verschwinden scheinen, ist ein unmittelbares Ergebnis dieses Mediums: Benhelima verl\u0026auml;ngert die Belichtungszeit der Kamera, sodass der Film l\u0026auml;nger als \u0026uuml;blich dem Licht ausgesetzt ist, und das resultierende Bild ist dann kaum zu erkennen. Auf diese Weise bleiben nur die klarsten Formen und Konturen sichtbar. In dieser Reihe l\u0026auml;sst Benhelima uns \u0026uuml;ber die visuelle Bedeutung der Dinge um uns herum nachdenken. Was sind die Grenzen von formalen Linien in Bezug auf Bedeutungs\u0026uuml;bertragung? Aber es sind nicht nur die physischen Aspekte eines Objekts, die Bedeutung schaffen k\u0026ouml;nnen, der Beobachter ist ebenfalls verantwortlich f\u0026uuml;r seine Beobachtung und Interpretation. Es ist diese subjektive Beziehung zwischen Menschen und ihren Umgebungen, zwischen Zuschauer und Bild, die in\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e infrage gestellt wird. Diese Fragen \u0026uuml;ber die Autonomie eines Gegenstands und die Beziehung von Menschen und ihrer Umgebung illustrieren eine wiederkehrende Sorge, die sich durch die Arbeit von Benhelima zieht.\u003c/p\u003e\r\n","description_es":"","description_el":"\u003cp style=\"text-align: justify;\"\u003e\u0026laquo;\u003cem\u003e\u0026Epsilon;\u0026kappa;\u0026epsilon;ί\u0026nu;\u0026omicron; \u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026epsilon;\u0026nu;\u0026delta;\u0026iota;\u0026alpha;\u0026phi;έ\u0026rho;\u0026epsilon;\u0026iota; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026eta; \u0026delta;\u0026eta;\u0026mu;\u0026omicron;\u0026kappa;\u0026rho;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026pi;\u0026lambda;\u0026epsilon;\u0026upsilon;\u0026rho;ά \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026sigma;\u0026omicron;\u0026upsilon;, ό\u0026chi;\u0026iota; \u0026eta; \u0026tau;\u0026epsilon;\u0026chi;\u0026nu;\u0026iota;\u0026kappa;ή: \u0026eta; \u0026delta;\u0026iota;\u0026kappa;ή \u0026mu;\u0026omicron;\u0026upsilon; \u0026epsilon;\u0026mu;\u0026pi;\u0026lambda;\u0026omicron;\u0026kappa;ή \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026theta;έ\u0026mu;\u0026alpha;. \u0026Delta;\u0026epsilon;\u0026nu; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026eta;\u0026rho;ώ \u0026alpha;\u0026pi;\u0026lambda;ά· \u0026alpha;\u0026nu;\u0026alpha;\u0026zeta;\u0026eta;\u0026tau;ώ \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026rho;\u0026omicron;\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon;\u0026sigmaf; \u0026epsilon;ί\u0026mu;\u0026alpha;\u0026iota; \u0026kappa;\u0026iota; \u0026epsilon;\u0026gamma;ώ. \u0026Alpha;\u0026nu;\u0026tau;ί \u0026nu;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;ά\u0026gamma;\u0026omega; \u0026sigma;\u0026pi;\u0026omicron;\u0026upsilon;\u0026delta;έ\u0026sigmaf; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026epsilon; \u0026pi;\u0026rho;ά\u0026gamma;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha;, \u0026pi;ά\u0026nu;\u0026tau;\u0026omicron;\u0026tau;\u0026epsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026phi;έ\u0026rho;\u0026omega; \u0026mu;\u0026iota;\u0026alpha; \u0026sigma;\u0026upsilon;\u0026gamma;\u0026kappa;\u0026epsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026mu;έ\u0026nu;\u0026eta; \u0026iota;\u0026sigma;\u0026tau;\u0026omicron;\u0026rho;ί\u0026alpha;, \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron;\u0026pi;\u0026omicron;\u0026theta;\u0026epsilon;\u0026tau;ώ \u0026tau;\u0026omicron;\u0026nu; \u0026epsilon;\u0026alpha;\u0026upsilon;\u0026tau;ό \u0026mu;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026eta; \u0026delta;\u0026rho;ά\u0026sigma;\u0026eta; \u0026kappa;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026omicron;\u0026nu; \u0026chi;\u0026rho;ό\u0026nu;\u0026omicron;.\u003c/em\u003e\u0026raquo; \u0026ndash; \u0026Sigma;\u0026alpha;\u0026rho;ί\u0026phi; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Omicron;\u0026iota; \u0026phi;\u0026omega;\u0026tau;\u0026omicron;\u0026gamma;\u0026rho;\u0026alpha;\u0026phi;ί\u0026epsilon;\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;έ\u0026sigmaf; \u0026alpha;\u0026nu;ή\u0026kappa;\u0026omicron;\u0026upsilon;\u0026nu; \u0026sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u003cem\u003eBlack-Out\u003c/em\u003e [\u0026Sigma;\u0026upsilon;\u0026sigma;\u0026kappa;ό\u0026tau;\u0026iota;\u0026sigma;\u0026eta;]\u003cem\u003e,\u003c/em\u003e \u0026pi;\u0026omicron;\u0026upsilon; \u0026omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;ύ\u0026rho;\u0026gamma;\u0026eta;\u0026sigma;\u0026epsilon; \u0026kappa;\u0026alpha;\u0026tau;ά \u0026tau;\u0026eta; \u0026delta;\u0026iota;ά\u0026rho;\u0026kappa;\u0026epsilon;\u0026iota;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026iota;\u0026kappa;ή\u0026sigmaf; \u0026delta;\u0026iota;\u0026alpha;\u0026mu;\u0026omicron;\u0026nu;ή\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026omicron; Kunstlerhaus Bethanien \u0026tau;\u0026omicron;\u0026upsilon; \u0026Beta;\u0026epsilon;\u0026rho;\u0026omicron;\u0026lambda;ί\u0026nu;\u0026omicron;\u0026upsilon; (2005-06). \u0026Eta; \u0026lambda;\u0026epsilon;\u0026upsilon;\u0026kappa;ή \u0026alpha;\u0026chi;\u0026lambda;ή \u0026mu;έ\u0026sigma;\u0026alpha; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026omicron;\u0026pi;\u0026omicron;ί\u0026alpha; \u0026mu;\u0026omicron;\u0026iota;ά\u0026zeta;\u0026omicron;\u0026upsilon;\u0026nu; \u0026nu;\u0026alpha; \u0026delta;\u0026iota;\u0026alpha;\u0026lambda;ύ\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026omicron;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026tau;\u0026eta;\u0026sigmaf; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;ή\u0026sigmaf; \u0026alpha;\u0026pi;\u0026omicron;\u0026tau;\u0026epsilon;\u0026lambda;\u0026epsilon;ί \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026upsilon;\u0026nu;έ\u0026pi;\u0026epsilon;\u0026iota;\u0026alpha; \u0026tau;\u0026eta;\u0026sigmaf; \u0026chi;\u0026rho;ή\u0026sigma;\u0026eta;\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;ύ \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026sigma;\u0026omicron;\u0026upsilon;: \u0026Omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026rho;\u0026upsilon;\u0026theta;\u0026mu;ί\u0026zeta;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; \u0026tau;\u0026alpha;\u0026chi;ύ\u0026tau;\u0026eta;\u0026tau;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026phi;\u0026omega;\u0026tau;\u0026omicron;\u0026phi;\u0026rho;ά\u0026kappa;\u0026tau;\u0026eta; έ\u0026tau;\u0026sigma;\u0026iota; ώ\u0026sigma;\u0026tau;\u0026epsilon; \u0026nu;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026epsilon;ί\u0026nu;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; έ\u0026kappa;\u0026theta;\u0026epsilon;\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026phi;\u0026iota;\u0026lambda;\u0026mu; \u0026sigma;\u0026tau;\u0026omicron; \u0026phi;\u0026omega;\u0026sigmaf; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026sigma;\u0026sigma;ό\u0026tau;\u0026epsilon;\u0026rho;\u0026omicron; \u0026alpha;\u0026pi;ό \u0026tau;\u0026omicron; \u0026kappa;\u0026alpha;\u0026nu;\u0026omicron;\u0026nu;\u0026iota;\u0026kappa;ό, \u0026kappa;\u0026alpha;\u0026iota; έ\u0026tau;\u0026sigma;\u0026iota; \u0026eta; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha; \u0026pi;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026kappa;ύ\u0026pi;\u0026tau;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026tau;\u0026#39; \u0026alpha;\u0026upsilon;\u0026tau;ό \u0026tau;\u0026omicron;\u0026nu; \u0026tau;\u0026rho;ό\u0026pi;\u0026omicron; \u0026mu;ό\u0026lambda;\u0026iota;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026alpha;\u0026gamma;\u0026nu;\u0026omega;\u0026rho;ί\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota;. \u0026Mu;ό\u0026nu;\u0026omicron; \u0026omicron;\u0026iota; \u0026pi;\u0026iota;\u0026omicron; \u0026epsilon;\u0026upsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026nu;\u0026epsilon;ί\u0026sigmaf; \u0026phi;ό\u0026rho;\u0026mu;\u0026epsilon;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;\u0026nu; \u0026omicron;\u0026rho;\u0026alpha;\u0026tau;ά. \u0026Sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u0026alpha;\u0026upsilon;\u0026tau;ή, \u0026omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026sigma;\u0026tau;\u0026omicron;\u0026chi;ά\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026omicron;\u0026pi;\u0026tau;\u0026iota;\u0026kappa;ή \u0026omicron;\u0026upsilon;\u0026sigma;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026kappa;ό\u0026sigma;\u0026mu;\u0026omicron;\u0026upsilon; \u0026gamma;ύ\u0026rho;\u0026omega; \u0026mu;\u0026alpha;\u0026sigmaf;. \u0026Pi;\u0026omicron;\u0026iota;\u0026alpha; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; ό\u0026rho;\u0026iota;\u0026alpha; \u0026tau;\u0026omega;\u0026nu; \u0026gamma;\u0026rho;\u0026alpha;\u0026mu;\u0026mu;ώ\u0026nu; \u0026tau;\u0026eta;\u0026sigmaf; \u0026phi;ό\u0026rho;\u0026mu;\u0026alpha;\u0026sigmaf; \u0026sigma;\u0026epsilon; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon; \u0026tau;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;ά\u0026delta;\u0026omicron;\u0026sigma;\u0026eta; \u0026nu;\u0026omicron;ή\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf;;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Nu;ό\u0026eta;\u0026mu;\u0026alpha; \u0026delta;\u0026epsilon;\u0026nu; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026omicron;ύ\u0026nu; \u0026mu;ό\u0026nu;\u0026omicron; \u0026omicron;\u0026iota; \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;έ\u0026sigmaf; \u0026iota;\u0026delta;\u0026iota;ό\u0026tau;\u0026eta;\u0026tau;\u0026epsilon;\u0026sigmaf; \u0026epsilon;\u0026nu;ό\u0026sigmaf; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;, \u0026alpha;\u0026lambda;\u0026lambda;ά \u0026kappa;\u0026alpha;\u0026iota; \u0026omicron; \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή\u0026sigmaf; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026epsilon;\u0026pi;ί\u0026sigma;\u0026eta;\u0026sigmaf; \u0026upsilon;\u0026pi;\u0026epsilon;ύ\u0026theta;\u0026upsilon;\u0026nu;\u0026omicron;\u0026sigmaf; \u0026nu;\u0026alpha; \u0026tau;\u0026iota;\u0026sigmaf; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026eta;\u0026rho;ή\u0026sigma;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026iota; \u0026nu;\u0026alpha; \u0026tau;\u0026iota;\u0026sigmaf; \u0026epsilon;\u0026rho;\u0026mu;\u0026eta;\u0026nu;\u0026epsilon;ύ\u0026sigma;\u0026epsilon;\u0026iota;. \u0026Alpha;\u0026upsilon;\u0026tau;ή \u0026eta; \u0026upsilon;\u0026pi;\u0026omicron;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;\u0026epsilon;\u0026nu;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026xi;ύ \u0026alpha;\u0026nu;\u0026theta;\u0026rho;ώ\u0026pi;\u0026omega;\u0026nu; \u0026kappa;\u0026alpha;\u0026iota; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026beta;ά\u0026lambda;\u0026lambda;\u0026omicron;\u0026nu;\u0026tau;\u0026omicron;\u0026sigmaf;, \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή \u0026kappa;\u0026alpha;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha;\u0026sigmaf;, \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026pi;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026epsilon;\u0026rho;\u0026epsilon;\u0026upsilon;\u0026nu;ά\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026eta; \u003cem\u003e\u0026Sigma;\u0026upsilon;\u0026sigma;\u0026kappa;ό\u0026tau;\u0026iota;\u0026sigma;\u0026eta;.\u003c/em\u003e \u0026Tau;\u0026alpha; \u0026epsilon;\u0026rho;\u0026omega;\u0026tau;ή\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026alpha;\u0026upsilon;\u0026tau;ά, \u0026sigma;\u0026chi;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ά \u0026mu;\u0026epsilon; \u0026tau;\u0026eta;\u0026nu; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;\u0026nu;\u0026omicron;\u0026mu;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026eta; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026theta;\u0026rho;ώ\u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026beta;ά\u0026lambda;\u0026lambda;\u0026omicron;\u0026nu; \u0026tau;\u0026omicron;\u0026upsilon;, \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026omega;\u0026pi;\u0026epsilon;ύ\u0026omicron;\u0026upsilon;\u0026nu; \u0026mu;\u0026iota;\u0026alpha; \u0026theta;\u0026epsilon;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026pi;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026alpha;\u0026tau;\u0026rho;έ\u0026chi;\u0026epsilon;\u0026iota; \u0026tau;\u0026omicron; έ\u0026rho;\u0026gamma;\u0026omicron; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά.\u003c/p\u003e\r\n","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Charif Benhelima","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/732/large/Benhelima__Charif___Permanent_Address__2006.jpg?1343636857","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThis photograph belongs to the series \u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;made by photographer Charif Benhelima. These pictures are all polaroids. The white fog into which the images in this series seem to disappear, is a direct result of the use of this medium: Benhelima prolongs the camera\u0026rsquo;s shutter speed so that the film is exposed to light longer than usual, and the resulting image is then still just barely recognizable. In this way only the clearest forms and contours remain visible. In this series Benhelima has us reflect upon the visual essence of the things around us. What are the limits of formal lines in terms of conveying meaning? But it is not only the physical aspects of an object that create meaning, the viewer as well is responsible for its observation and interpretation. It is this subjective relationship between people and their surroundings, between spectator and image, that is called into question in \u003cem\u003eBlack-Out\u003c/em\u003e. These questions concerning the autonomy of an object and the relationship of man to his environment illustrate a recurring concern that runs throughout the work of Benhelima.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eEen boom, een duif, een afvalcontainer, twee schommels, een basketbalnet\u0026hellip; Of is het niet zozeer een boom als wel het begin van een rij bomen en is de duif misschien gewoon een zwarte vlek? De objecten staan eenzaam in een wit landschap; de omgeving lijkt uitgevaagd. De context schijnt er niet toe te doen. Of juist wel? Want is het niet de witte, ongrijpbare omgeving die de objecten een beetje verloren en eenzaam maakt? De witte mist destabiliseert de toeschouwer, brengt zijn interpretatie aan het wankelen.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn zijn fotoreeks\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;doet Charif Benhelima ons nadenken over de visuele essentie van de dingen om ons heen. Wat maakt een duif tot een duif? En op welk moment verliezen lijnen, figuren, hun betekenis? Maar niet alleen de formele aspecten van een object cre\u0026euml;ren betekenis, ook de toeschouwer is verantwoordelijk voor de perceptie en interpretatie. Het is deze subjectieve relatie tussen de mens en zijn omgeving, tussen toeschouwer en beeld die in\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;aan de orde komt.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDe vraag naar de eigenheid van een object of een individu en naar verhoudingen tussen de mens en zijn omgeving loopt als een rode draad doorheen het werk van Benhelima . Door de uitwijzing van zijn Marokkaanse vader en de vroege dood van zijn Vlaamse moeder is hij immers zelf een ontheemde mens die zich vragen stelt over identiteitsvorming, buitenstaanders en thuiskomen. In eerste instantie in documentairefoto\u0026rsquo;s, later in de vorm van polaroids geeft Benhelima vooreerst de fysieke plaats weer waar hij zich op een bepaald moment bevindt. Daar voegt hij echter ook steeds een link met zichzelf aan toe.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026rdquo;Mij boeit niet het technische maar wel het democratische aspect van het medium, mijn betrokkenheid gekoppeld aan het onderwerp. Ik observeer niet louter maar kijk naar beelden waar ik deel van uitmaak. Ik maak dus geen studie over de dingen maar geef altijd een bepaalde geschiedenis weer die mezelf plaatst in het gebeuren en in de tijd.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eCes photographies font partie de la s\u0026eacute;rie \u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;r\u0026eacute;alis\u0026eacute;e par le photographe Charif Benhelima. Ces images sont toutes des polaro\u0026iuml;ds agrandis. La brume blanche dans laquelle les images de cette s\u0026eacute;rie semblent dispara\u0026icirc;tre est un r\u0026eacute;sultat direct de l\u0026#39;utilisation de ce support : Benhelima prolonge la vitesse d\u0026#39;obturation de l\u0026#39;appareil photo afin que le film soit expos\u0026eacute; \u0026agrave; la lumi\u0026egrave;re plus longtemps que d\u0026#39;habitude et l\u0026#39;image qui en r\u0026eacute;sulte est alors \u0026agrave; peine reconnaissable. Ainsi, seuls les formes et les contours les plus clairs demeurent visibles. Dans cette s\u0026eacute;rie, Benhelima nous pousse \u0026agrave; r\u0026eacute;fl\u0026eacute;chir sur l\u0026#39;essence visuelle des choses qui nous entourent. Quelles sont les limites des lignes formelles en termes de transmission d\u0026#39;un message ? Cependant, ce ne sont pas seulement les aspects physiques d\u0026#39;un objet qui cr\u0026eacute;ent du sens. Le spectateur est \u0026eacute;galement responsable de son observation et de son interpr\u0026eacute;tation. C\u0026#39;est cette relation subjective entre les gens et leur entourage, entre le spectateur et l\u0026#39;image, qui est mise en question dans\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e. Ces questions concernant l\u0026#39;autonomie d\u0026#39;un objet et la relation de l\u0026#39;homme avec son environnement illustrent une pr\u0026eacute;occupation r\u0026eacute;currente qui se retrouve dans l\u0026#39;ensemble de l\u0026#39;oeuvre de Benhelima.\u003c/p\u003e\r\n"}]},{"id":4302,"title":"Playtime","dimensions":"120 x 122 cm","date_begin":"2005-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB11","stream_count_app":16,"permalink":"playtime","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003eDiese Fotografien geh\u0026ouml;ren zur Reihe\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;des Fotografen Charif Benhelima. Diese Bilder sind alle Polaroids. Der wei\u0026szlig;e Nebel, in dem die Bilder dieser Reihe zu verschwinden scheinen, ist ein unmittelbares Ergebnis dieses Mediums: Benhelima verl\u0026auml;ngert die Belichtungszeit der Kamera, sodass der Film l\u0026auml;nger als \u0026uuml;blich dem Licht ausgesetzt ist, und das resultierende Bild ist dann kaum zu erkennen. Auf diese Weise bleiben nur die klarsten Formen und Konturen sichtbar. In dieser Reihe l\u0026auml;sst Benhelima uns \u0026uuml;ber die visuelle Bedeutung der Dinge um uns herum nachdenken. Was sind die Grenzen von formalen Linien in Bezug auf Bedeutungs\u0026uuml;bertragung? Aber es sind nicht nur die physischen Aspekte eines Objekts, die Bedeutung schaffen k\u0026ouml;nnen, der Beobachter ist ebenfalls verantwortlich f\u0026uuml;r seine Beobachtung und Interpretation. Es ist diese subjektive Beziehung zwischen Menschen und ihren Umgebungen, zwischen Zuschauer und Bild, die in\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e infrage gestellt wird. Diese Fragen \u0026uuml;ber die Autonomie eines Gegenstands und die Beziehung von Menschen und ihrer Umgebung illustrieren eine wiederkehrende Sorge, die sich durch die Arbeit von Benhelima zieht.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Charif Benhelima","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/731/large/Benhelima__Charif___Playtime__2005.jpg?1343636591","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThese photographs belongs to the series\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;made by photographer Charif Benhelima. These pictures are all blown-up polaroids. The white fog into which the images in this series seem to disappear, is a direct result of the use of this medium: Benhelima prolongs the camera\u0026rsquo;s shutter speed so that the film is exposed to light longer than usual, and the resulting image is then still just barely recognizable. In this way only the clearest forms and contours remain visible. In this series Benhelima has us reflect upon the visual essence of the things around us. What are the limits of formal lines in terms of conveying meaning? But it is not only the physical aspects of an object that create meaning, the viewer as well is responsible for its observation and interpretation. It is this subjective relationship between people and their surroundings, between spectator and image, that is called into question in\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e. These questions concerning the autonomy of an object and the relationship of man to his environment illustrate a recurring concern that runs throughout the work of Benhelima.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eCes photographies font partie de la s\u0026eacute;rie \u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;r\u0026eacute;alis\u0026eacute;e par le photographe Charif Benhelima. Ces images sont toutes des polaro\u0026iuml;ds agrandis. La brume blanche dans laquelle les images de cette s\u0026eacute;rie semblent dispara\u0026icirc;tre est un r\u0026eacute;sultat direct de l\u0026#39;utilisation de ce support : Benhelima prolonge la vitesse d\u0026#39;obturation de l\u0026#39;appareil photo afin que le film soit expos\u0026eacute; \u0026agrave; la lumi\u0026egrave;re plus longtemps que d\u0026#39;habitude et l\u0026#39;image qui en r\u0026eacute;sulte est alors \u0026agrave; peine reconnaissable. Ainsi, seuls les formes et les contours les plus clairs demeurent visibles. Dans cette s\u0026eacute;rie, Benhelima nous pousse \u0026agrave; r\u0026eacute;fl\u0026eacute;chir sur l\u0026#39;essence visuelle des choses qui nous entourent. Quelles sont les limites des lignes formelles en termes de transmission d\u0026#39;un message ? Cependant, ce ne sont pas seulement les aspects physiques d\u0026#39;un objet qui cr\u0026eacute;ent du sens. Le spectateur est \u0026eacute;galement responsable de son observation et de son interpr\u0026eacute;tation. C\u0026#39;est cette relation subjective entre les gens et leur entourage, entre le spectateur et l\u0026#39;image, qui est mise en question dans\u0026nbsp;\u003cem\u003eBlack-Out\u003c/em\u003e. Ces questions concernant l\u0026#39;autonomie d\u0026#39;un objet et la relation de l\u0026#39;homme avec son environnement illustrent une pr\u0026eacute;occupation r\u0026eacute;currente qui se retrouve dans l\u0026#39;ensemble de l\u0026#39;oeuvre de Benhelima.\u003c/p\u003e\r\n"}]},{"id":4303,"title":"Garbage","dimensions":"120 x 122 cm","date_begin":"2005-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB12","stream_count_app":24,"permalink":"garbage","description_ru":"","description_de":"","description_es":"","description_el":"\u003cp style=\"text-align: justify;\"\u003e\u0026laquo;\u003cem\u003e\u0026Epsilon;\u0026kappa;\u0026epsilon;ί\u0026nu;\u0026omicron; \u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026epsilon;\u0026nu;\u0026delta;\u0026iota;\u0026alpha;\u0026phi;έ\u0026rho;\u0026epsilon;\u0026iota; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026eta; \u0026delta;\u0026eta;\u0026mu;\u0026omicron;\u0026kappa;\u0026rho;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026pi;\u0026lambda;\u0026epsilon;\u0026upsilon;\u0026rho;ά \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026sigma;\u0026omicron;\u0026upsilon;, ό\u0026chi;\u0026iota; \u0026eta; \u0026tau;\u0026epsilon;\u0026chi;\u0026nu;\u0026iota;\u0026kappa;ή: \u0026eta; \u0026delta;\u0026iota;\u0026kappa;ή \u0026mu;\u0026omicron;\u0026upsilon; \u0026epsilon;\u0026mu;\u0026pi;\u0026lambda;\u0026omicron;\u0026kappa;ή \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026theta;έ\u0026mu;\u0026alpha;. \u0026Delta;\u0026epsilon;\u0026nu; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026eta;\u0026rho;ώ \u0026alpha;\u0026pi;\u0026lambda;ά· \u0026alpha;\u0026nu;\u0026alpha;\u0026zeta;\u0026eta;\u0026tau;ώ \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026rho;\u0026omicron;\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon;\u0026sigmaf; \u0026epsilon;ί\u0026mu;\u0026alpha;\u0026iota; \u0026kappa;\u0026iota; \u0026epsilon;\u0026gamma;ώ. \u0026Alpha;\u0026nu;\u0026tau;ί \u0026nu;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;ά\u0026gamma;\u0026omega; \u0026sigma;\u0026pi;\u0026omicron;\u0026upsilon;\u0026delta;έ\u0026sigmaf; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026epsilon; \u0026pi;\u0026rho;ά\u0026gamma;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha;, \u0026pi;ά\u0026nu;\u0026tau;\u0026omicron;\u0026tau;\u0026epsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026phi;έ\u0026rho;\u0026omega; \u0026mu;\u0026iota;\u0026alpha; \u0026sigma;\u0026upsilon;\u0026gamma;\u0026kappa;\u0026epsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026mu;έ\u0026nu;\u0026eta; \u0026iota;\u0026sigma;\u0026tau;\u0026omicron;\u0026rho;ί\u0026alpha;, \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026omicron;\u0026pi;\u0026omicron;\u0026theta;\u0026epsilon;\u0026tau;ώ \u0026tau;\u0026omicron;\u0026nu; \u0026epsilon;\u0026alpha;\u0026upsilon;\u0026tau;ό \u0026mu;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026eta; \u0026delta;\u0026rho;ά\u0026sigma;\u0026eta; \u0026kappa;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026omicron;\u0026nu; \u0026chi;\u0026rho;ό\u0026nu;\u0026omicron;.\u003c/em\u003e\u0026raquo; \u0026ndash; \u0026Sigma;\u0026alpha;\u0026rho;ί\u0026phi; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Omicron;\u0026iota; \u0026phi;\u0026omega;\u0026tau;\u0026omicron;\u0026gamma;\u0026rho;\u0026alpha;\u0026phi;ί\u0026epsilon;\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;έ\u0026sigmaf; \u0026alpha;\u0026nu;ή\u0026kappa;\u0026omicron;\u0026upsilon;\u0026nu; \u0026sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u003cem\u003eBlack-Out\u003c/em\u003e [\u0026Sigma;\u0026upsilon;\u0026sigma;\u0026kappa;ό\u0026tau;\u0026iota;\u0026sigma;\u0026eta;]\u003cem\u003e,\u003c/em\u003e \u0026pi;\u0026omicron;\u0026upsilon; \u0026omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;ύ\u0026rho;\u0026gamma;\u0026eta;\u0026sigma;\u0026epsilon; \u0026kappa;\u0026alpha;\u0026tau;ά \u0026tau;\u0026eta; \u0026delta;\u0026iota;ά\u0026rho;\u0026kappa;\u0026epsilon;\u0026iota;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026iota;\u0026kappa;ή\u0026sigmaf; \u0026delta;\u0026iota;\u0026alpha;\u0026mu;\u0026omicron;\u0026nu;ή\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026omicron; Kunstlerhaus Bethanien \u0026tau;\u0026omicron;\u0026upsilon; \u0026Beta;\u0026epsilon;\u0026rho;\u0026omicron;\u0026lambda;ί\u0026nu;\u0026omicron;\u0026upsilon; (2005-06). \u0026Eta; \u0026lambda;\u0026epsilon;\u0026upsilon;\u0026kappa;ή \u0026alpha;\u0026chi;\u0026lambda;ή \u0026mu;έ\u0026sigma;\u0026alpha; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026omicron;\u0026pi;\u0026omicron;ί\u0026alpha; \u0026mu;\u0026omicron;\u0026iota;ά\u0026zeta;\u0026omicron;\u0026upsilon;\u0026nu; \u0026nu;\u0026alpha; \u0026delta;\u0026iota;\u0026alpha;\u0026lambda;ύ\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026omicron;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026tau;\u0026eta;\u0026sigmaf; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;ή\u0026sigmaf; \u0026alpha;\u0026pi;\u0026omicron;\u0026tau;\u0026epsilon;\u0026lambda;\u0026epsilon;ί \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026upsilon;\u0026nu;έ\u0026pi;\u0026epsilon;\u0026iota;\u0026alpha; \u0026tau;\u0026eta;\u0026sigmaf; \u0026chi;\u0026rho;ή\u0026sigma;\u0026eta;\u0026sigmaf; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;ύ \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;έ\u0026sigma;\u0026omicron;\u0026upsilon;: \u0026Omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026rho;\u0026upsilon;\u0026theta;\u0026mu;ί\u0026zeta;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; \u0026tau;\u0026alpha;\u0026chi;ύ\u0026tau;\u0026eta;\u0026tau;\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026phi;\u0026omega;\u0026tau;\u0026omicron;\u0026phi;\u0026rho;ά\u0026kappa;\u0026tau;\u0026eta; έ\u0026tau;\u0026sigma;\u0026iota; ώ\u0026sigma;\u0026tau;\u0026epsilon; \u0026nu;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026epsilon;ί\u0026nu;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta;\u0026nu; έ\u0026kappa;\u0026theta;\u0026epsilon;\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026phi;\u0026iota;\u0026lambda;\u0026mu; \u0026sigma;\u0026tau;\u0026omicron; \u0026phi;\u0026omega;\u0026sigmaf; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026sigma;\u0026sigma;ό\u0026tau;\u0026epsilon;\u0026rho;\u0026omicron; \u0026alpha;\u0026pi;ό \u0026tau;\u0026omicron; \u0026kappa;\u0026alpha;\u0026nu;\u0026omicron;\u0026nu;\u0026iota;\u0026kappa;ό, \u0026kappa;\u0026alpha;\u0026iota; έ\u0026tau;\u0026sigma;\u0026iota; \u0026eta; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha; \u0026pi;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;\u0026kappa;ύ\u0026pi;\u0026tau;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026tau;\u0026#39; \u0026alpha;\u0026upsilon;\u0026tau;ό \u0026tau;\u0026omicron;\u0026nu; \u0026tau;\u0026rho;ό\u0026pi;\u0026omicron; \u0026mu;ό\u0026lambda;\u0026iota;\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026alpha;\u0026gamma;\u0026nu;\u0026omega;\u0026rho;ί\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota;. \u0026Mu;ό\u0026nu;\u0026omicron; \u0026omicron;\u0026iota; \u0026pi;\u0026iota;\u0026omicron; \u0026epsilon;\u0026upsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026nu;\u0026epsilon;ί\u0026sigmaf; \u0026phi;ό\u0026rho;\u0026mu;\u0026epsilon;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026gamma;\u0026rho;ά\u0026mu;\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;\u0026nu; \u0026omicron;\u0026rho;\u0026alpha;\u0026tau;ά. \u0026Sigma;\u0026tau;\u0026eta; \u0026sigma;\u0026epsilon;\u0026iota;\u0026rho;ά \u0026alpha;\u0026upsilon;\u0026tau;ή, \u0026omicron; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά \u0026sigma;\u0026tau;\u0026omicron;\u0026chi;ά\u0026zeta;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026pi;ά\u0026nu;\u0026omega; \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026omicron;\u0026pi;\u0026tau;\u0026iota;\u0026kappa;ή \u0026omicron;\u0026upsilon;\u0026sigma;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026kappa;ό\u0026sigma;\u0026mu;\u0026omicron;\u0026upsilon; \u0026gamma;ύ\u0026rho;\u0026omega; \u0026mu;\u0026alpha;\u0026sigmaf;. \u0026Pi;\u0026omicron;\u0026iota;\u0026alpha; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026tau;\u0026alpha; ό\u0026rho;\u0026iota;\u0026alpha; \u0026tau;\u0026omega;\u0026nu; \u0026gamma;\u0026rho;\u0026alpha;\u0026mu;\u0026mu;ώ\u0026nu; \u0026tau;\u0026eta;\u0026sigmaf; \u0026phi;ό\u0026rho;\u0026mu;\u0026alpha;\u0026sigmaf; \u0026sigma;\u0026epsilon; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon; \u0026tau;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;ά\u0026delta;\u0026omicron;\u0026sigma;\u0026eta; \u0026nu;\u0026omicron;ή\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf;;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Nu;ό\u0026eta;\u0026mu;\u0026alpha; \u0026delta;\u0026epsilon;\u0026nu; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026omicron;ύ\u0026nu; \u0026mu;ό\u0026nu;\u0026omicron; \u0026omicron;\u0026iota; \u0026phi;\u0026upsilon;\u0026sigma;\u0026iota;\u0026kappa;έ\u0026sigmaf; \u0026iota;\u0026delta;\u0026iota;ό\u0026tau;\u0026eta;\u0026tau;\u0026epsilon;\u0026sigmaf; \u0026epsilon;\u0026nu;ό\u0026sigmaf; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon;, \u0026alpha;\u0026lambda;\u0026lambda;ά \u0026kappa;\u0026alpha;\u0026iota; \u0026omicron; \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή\u0026sigmaf; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026epsilon;\u0026pi;ί\u0026sigma;\u0026eta;\u0026sigmaf; \u0026upsilon;\u0026pi;\u0026epsilon;ύ\u0026theta;\u0026upsilon;\u0026nu;\u0026omicron;\u0026sigmaf; \u0026nu;\u0026alpha; \u0026tau;\u0026iota;\u0026sigmaf; \u0026pi;\u0026alpha;\u0026rho;\u0026alpha;\u0026tau;\u0026eta;\u0026rho;ή\u0026sigma;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026iota; \u0026nu;\u0026alpha; \u0026tau;\u0026iota;\u0026sigmaf; \u0026epsilon;\u0026rho;\u0026mu;\u0026eta;\u0026nu;\u0026epsilon;ύ\u0026sigma;\u0026epsilon;\u0026iota;. \u0026Alpha;\u0026upsilon;\u0026tau;ή \u0026eta; \u0026upsilon;\u0026pi;\u0026omicron;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;\u0026epsilon;\u0026nu;\u0026iota;\u0026kappa;ή \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026xi;ύ \u0026alpha;\u0026nu;\u0026theta;\u0026rho;ώ\u0026pi;\u0026omega;\u0026nu; \u0026kappa;\u0026alpha;\u0026iota; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026beta;ά\u0026lambda;\u0026lambda;\u0026omicron;\u0026nu;\u0026tau;\u0026omicron;\u0026sigmaf;, \u0026theta;\u0026epsilon;\u0026alpha;\u0026tau;ή \u0026kappa;\u0026alpha;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha;\u0026sigmaf;, \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026pi;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026epsilon;\u0026rho;\u0026epsilon;\u0026upsilon;\u0026nu;ά\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026eta; \u003cem\u003e\u0026Sigma;\u0026upsilon;\u0026sigma;\u0026kappa;ό\u0026tau;\u0026iota;\u0026sigma;\u0026eta;.\u003c/em\u003e \u0026Tau;\u0026alpha; \u0026epsilon;\u0026rho;\u0026omega;\u0026tau;ή\u0026mu;\u0026alpha;\u0026tau;\u0026alpha; \u0026alpha;\u0026upsilon;\u0026tau;ά, \u0026sigma;\u0026chi;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ά \u0026mu;\u0026epsilon; \u0026tau;\u0026eta;\u0026nu; \u0026alpha;\u0026upsilon;\u0026tau;\u0026omicron;\u0026nu;\u0026omicron;\u0026mu;ί\u0026alpha; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon; \u0026kappa;\u0026alpha;\u0026iota; \u0026tau;\u0026eta; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026nu;\u0026theta;\u0026rho;ώ\u0026pi;\u0026omicron;\u0026upsilon; \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026beta;ά\u0026lambda;\u0026lambda;\u0026omicron;\u0026nu; \u0026tau;\u0026omicron;\u0026upsilon;, \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026omega;\u0026pi;\u0026epsilon;ύ\u0026omicron;\u0026upsilon;\u0026nu; \u0026mu;\u0026iota;\u0026alpha; \u0026theta;\u0026epsilon;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή \u0026pi;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026alpha;\u0026tau;\u0026rho;έ\u0026chi;\u0026epsilon;\u0026iota; \u0026tau;\u0026omicron; έ\u0026rho;\u0026gamma;\u0026omicron; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Mu;\u0026pi;\u0026epsilon;\u0026nu;\u0026epsilon;\u0026lambda;\u0026iota;\u0026mu;ά.\u003c/p\u003e\r\n","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/730/large/Benhelima__Charif___Garbage__2005.jpg?1343636431","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThis photograph belongs to the series \u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;made by photographer Charif Benhelima. These pictures are all polaroids. The white fog into which the images in this series seem to disappear, is a direct result of the use of this medium: Benhelima prolongs the camera\u0026rsquo;s shutter speed so that the film is exposed to light longer than usual, and the resulting image is then still just barely recognizable. In this way only the clearest forms and contours remain visible. In this series Benhelima has us reflect upon the visual essence of the things around us. What are the limits of formal lines in terms of conveying meaning? But it is not only the physical aspects of an object that create meaning, the viewer as well is responsible for its observation and interpretation. It is this subjective relationship between people and their surroundings, between spectator and image, that is called into question in \u003cem\u003eBlack-Out\u003c/em\u003e. These questions concerning the autonomy of an object and the relationship of man to his environment illustrate a recurring concern that runs throughout the work of Benhelima.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eEen boom, een duif, een afvalcontainer, twee schommels, een basketbalnet\u0026hellip; Of is het niet zozeer een boom als wel het begin van een rij bomen en is de duif misschien gewoon een zwarte vlek? De objecten staan eenzaam in een wit landschap; de omgeving lijkt uitgevaagd. De context schijnt er niet toe te doen. Of juist wel? Want is het niet de witte, ongrijpbare omgeving die de objecten een beetje verloren en eenzaam maakt? De witte mist destabiliseert de toeschouwer, brengt zijn interpretatie aan het wankelen.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn zijn fotoreeks\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;doet Charif Benhelima ons nadenken over de visuele essentie van de dingen om ons heen. Wat maakt een duif tot een duif? En op welk moment verliezen lijnen, figuren, hun betekenis? Maar niet alleen de formele aspecten van een object cre\u0026euml;ren betekenis, ook de toeschouwer is verantwoordelijk voor de perceptie en interpretatie. Het is deze subjectieve relatie tussen de mens en zijn omgeving, tussen toeschouwer en beeld die in\u0026nbsp;\u003cem\u003eBlack Out\u003c/em\u003e\u0026nbsp;aan de orde komt.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDe vraag naar de eigenheid van een object of een individu en naar verhoudingen tussen de mens en zijn omgeving loopt als een rode draad doorheen het werk van Benhelima . Door de uitwijzing van zijn Marokkaanse vader en de vroege dood van zijn Vlaamse moeder is hij immers zelf een ontheemde mens die zich vragen stelt over identiteitsvorming, buitenstaanders en thuiskomen. In eerste instantie in documentairefoto\u0026rsquo;s, later in de vorm van polaroids geeft Benhelima vooreerst de fysieke plaats weer waar hij zich op een bepaald moment bevindt. Daar voegt hij echter ook steeds een link met zichzelf aan toe.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026rdquo;Mij boeit niet het technische maar wel het democratische aspect van het medium, mijn betrokkenheid gekoppeld aan het onderwerp. Ik observeer niet louter maar kijk naar beelden waar ik deel van uitmaak. Ik maak dus geen studie over de dingen maar geef altijd een bepaalde geschiedenis weer die mezelf plaatst in het gebeuren en in de tijd.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":4304,"title":"Touchline","dimensions":"100 x 102 cm","date_begin":"2006-01-01","material":"cibachroom, aluminium, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BR07_DB04","stream_count_app":54,"permalink":"touchline","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/729/large/Benhelima__Charif___Touchline__2006.jpg?1343636352","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eThis photograph belongs to the series \u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;made by photographer Charif Benhelima. These pictures are all polaroids. The white fog into which the images in this series seem to disappear, is a direct result of the use of this medium: Benhelima prolongs the camera\u0026rsquo;s shutter speed so that the film is exposed to light longer than usual, and the resulting image is then still just barely recognizable. In this way only the clearest forms and contours remain visible. In this series Benhelima has us reflect upon the visual essence of the things around us. What are the limits of formal lines in terms of conveying meaning? But it is not only the physical aspects of an object that create meaning, the viewer as well is responsible for its observation and interpretation. It is this subjective relationship between people and their surroundings, between spectator and image, that is called into question in \u003cem\u003eBlack-Out\u003c/em\u003e. These questions concerning the autonomy of an object and the relationship of man to his environment illustrate a recurring concern that runs throughout the work of Benhelima.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDeze foto behoort tot de reeks \u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;gemaakt door de fotograaf Charif Benhelima. De foto\u0026#39;s uit deze reeks maakte hij met een polaroidcamera. De witte mist waarin de beelden van deze reeks lijken te verdwijnen, is een direct resultaat van het gebruik van dit medium: Benhelima verlengde de sluitertijd van de camera, waardoor de film blootgesteld werd aan meer licht dan gebruikelijk, maar nog net herkenbare beelden op zou leveren. Zo blijven alleen de meest heldere vormen en contouren zichtbaar. In deze reeks laat Benhelima ons nadenken over de visuele essentie van de dingen om ons heen. Waar houden formele lijnen op om tot betekenis te worden? Maar niet alleen de aspecten van een object cre\u0026euml;ren betekenis, ook de toeschouwer is verantwoordelijk voor de perceptie en interpretatie. Het is deze subjectieve relatie tussen de mens en zijn omgeving, tussen toeschouwer en beeld die in \u003cem\u003eBlack-Out\u003c/em\u003e\u0026nbsp;mede aan de kaak wordt gesteld. Deze vragen naar de eigenheid van een object of een individu en naar verhoudingen tussen de mens en zijn omgeving volgen de algemene lijn die doorheen het werk van Benhelima loopt.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":12679,"title":"Semites: The Album","dimensions":"","date_begin":"2011-01-01","material":"ink on paper","short_description":"\u003cp\u003ePublished by MER. Paper Kunsthalle, 2011.\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":454,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA / library","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/827","stream_count_app":12,"permalink":"semites-the-album","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Charif Benhelima","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/027/141/large/Semites-The-album.png?1425644854","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThe book\u0026nbsp;\u003ci\u003eSemites: The Album\u0026nbsp;\u003c/i\u003eby Charif Benhelima is published in a signed edition and limited to 500 copies.\u0026nbsp; For this series, the artist uses a Polaroid camera to take photographs of already existing images.\u0026nbsp; In what he himself describes as an imitation documentary, the artist examines concepts such as identity and reality.\u0026nbsp; The direct impulse for this was Benhelima's discovery that his own name is in fact of Jewish origin.\u0026nbsp; By combining Jewish, Arabic and Sephardic portraits with portraits of himself, he creates a personal document and at the same time a confusing collage of contradictory identities.\u0026nbsp; In the reproductions, the reflection of the Polaroid's flash is clearly visible.\u0026nbsp; But instead of clarifying the subjects' facial traits, the light engenders a blurring of the faces' details.\u0026nbsp; \u003ci\u003e\"That connects with the vague memories that we have of our childhood years. The memories that I have of my own parents, too, are rather vague...\"\u0026nbsp;\u003c/i\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eHet boek\u0026nbsp;\u003ci\u003eSemites: The Album\u0026nbsp;\u003c/i\u003evan Charif Benhelima is uitgegeven als een gesigneerde, gelimiteerde editie op 500 exemplaren. Voor deze reeks maakt de kunstenaar gebruik van de Polaroid camera om foto’s te nemen van reeds bestaande beelden. In wat hij zelf omschrijft als een namaak documentaire bevraagt de kunstenaar begrippen als identiteit en realiteit. De aanleiding was de ontdekking van Benhelima dat zijn naam eigenlijk van Joodse oorsprong is. Door Joodse, Arabische en Sefardische portretten te combineren met portretten van zichzelf creëert hij een persoonlijk document en tegelijkertijd een verwarrende collage van tegenstrijdige identiteiten. In de reproducties is de reflectie van de flits van de Polaroid duidelijk zichtbaar. Maar in plaats van de gelaatstrekken van de personen te verduidelijken, zorgt het licht ervoor dat de details van de gezichten vervagen. \u003ci\u003e“Dat sluit aan bij de vage herinneringen die we hebben aan onze kindertijd. De herinneringen die ik heb aan mijn eigen ouders zijn ook nogal vaag.”\u003c/i\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]}]