[{"id":5128,"title":"Do it yourself, shooting gallery for the art lover","dimensions":"244 x 13 x 150 cm","date_begin":"1985-01-01","material":"panel, artbook, gun, bullets","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"mixed media assemblage","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK4910","stream_count_app":16,"permalink":"do-it-yourself-shooting-gallery-for-the-art-lover","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/133/large/BK_4910.jpg?1341838380","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7782,"title":"Six days a week","dimensions":"6 x (45 x 32 x 1.6 cm)","date_begin":"1998-01-01","material":"newspaper, glue, wood","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":77,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK7201_M216","stream_count_app":16,"permalink":"six-days-a-week","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/628/medium_500/sixdayswaweek.jpeg?1370340971","cached_actor_names":"Denmark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/628/large/sixdayswaweek.jpeg?1370340971","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026#39;Books, newspapers, magazines, files, papers. Printed paper. I redistribute it with a different outlook. It is approached in the opposite manner: I don\u0026#39;t write a book, but rework it into an image uncharged with words. Parallel to the action of writing, I develop the action of cutting, by which the paper gets cut into strokes that - edges folded upwards - are glued together and pressed into a tablet that recovers the original size of the particular book used. Free of meaning and textual context, the word is only placed on the surface as a trace. This reworking I call \u0026quot;dead letters.\u0026quot;.\u0026#39;\u003c/em\u003e\u0026nbsp;\u0026nbsp;(Denmark)\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026#39;Boeken, kranten, tijdschriften, dossiers, paperassen. Bedrukt papier. Anders bekeken breng ik het opnieuw in het circuit. Het wordt in tegenovergestelde richting benaderd: ik schrijf geen boek, maar werk het om tot een beeld ontladen van woorden. Parallel aan de aktie van het schrijven, ontwikkel ik de aktie van het snijden, waardoor het papier versneden wordt in stroken die - met opstaande rand - aan elkaar worden gekleefd en geperst tot een tablet dat het oorspronkelijk formaat van het ter hand genomen boek herstelt. Vrij van betekenis en tekstverband wordt het woord slechts als spoor aan de oppervlakte gesteld. Deze omwerking noem ik \u0026quot;dode letters\u0026quot;.\u0026#39;\u003c/em\u003e\u0026nbsp;(Denmark)\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cem\u003e\u0026lsquo;Des livres, des journaux, des magazines, des dossiers, des paperasses. Du papier imprim\u0026eacute;. Consid\u0026eacute;r\u0026eacute; autrement, je le remets dans le circuit. On l\u0026rsquo;aborde dans le sens inverse\u0026nbsp;: je n\u0026rsquo;\u0026eacute;cris pas un livre, mais je le refonds en une image d\u0026eacute;faite de mots. Parall\u0026egrave;lement \u0026agrave; l\u0026rsquo;action de l\u0026rsquo;\u0026eacute;criture, je d\u0026eacute;veloppe l\u0026rsquo;action de la coupure, permettant de couper le papier en bandes qui \u0026ndash; avec un bord relev\u0026eacute; \u0026ndash; sont coll\u0026eacute;es l\u0026rsquo;une \u0026agrave; l\u0026rsquo;autre et sont press\u0026eacute;es en une tablette r\u0026eacute;parant le format original du livre pris en main. D\u0026eacute;fait de sens et de contexte, le mot n\u0026rsquo;est qu\u0026rsquo;une trace mise \u0026agrave; la surface. J\u0026rsquo;appelle cette transformation \u0026laquo;\u0026nbsp;des lettres mortes\u0026nbsp;\u0026raquo;.\u0026rsquo; \u003c/em\u003e(Denmark)\u003c/p\u003e\r\n"}]},{"id":5831,"title":"Denmark 'A grip on news' (Een overzicht 1972-1995)","dimensions":"27.5 x 21 cm, 111 p., language : Dutch, English, French, German, publisher : Museum van Hedendaagse Kunst Antwerpen","date_begin":"1995-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1994/361","stream_count_app":14,"permalink":"denmark-a-grip-on-news-een-overzicht-1972-1995","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/292/large/__Photo_M_HKA__36.jpg?1458554012","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eEditors : Florent Bex (Director MuHKA), Rita Comp\u0026egrave;re (Curator MuHKA) \u0026amp; Lieve De Hantsetters.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Florent Bex, Rita Comp\u0026egrave;re, Denmark, Hubertus Gassner, Johan Pas \u0026amp; Thea Soggot.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSold out!\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eEditors : Florent Bex (Director MuHKA), Rita Comp\u0026egrave;re (Curator MuHKA) \u0026amp; Lieve De Hantsetters.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Florent Bex, Rita Comp\u0026egrave;re, Denmark, Hubertus Gassner, Johan Pas \u0026amp; Thea Soggot.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUitverkocht!\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEditors : Florent Bex (Director MuHKA), Rita Comp\u0026egrave;re (Curator MuHKA) \u0026amp; Lieve De Hantsetters.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Florent Bex, Rita Comp\u0026egrave;re, Denmark, Hubertus Gassner, Johan Pas \u0026amp; Thea Soggot.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026Eacute;puis\u0026eacute;!\u003c/strong\u003e\u003c/p\u003e\r\n"}]},{"id":219,"title":"D.A. VII","dimensions":"122 x 317 x 47 cm","date_begin":"1979-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1981-01-01","reference":"BK5210_M23","stream_count_app":14,"permalink":"d-a-vii","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/313/large/Denmark,%20DA%20VII,1979%20foto%20ICC.jpg?1300368134","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":15618,"title":"Les Quatre Saisons de Moniteur belge","dimensions":"4 x (147 cm x 24 cm x 16 cm)","date_begin":"1996-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Province de Hainaut / Dépôt BPS22, Charleroi","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"les-4-saisons-du-moniteur-belge","description_ru":"","description_de":"\u003cp\u003eF\u0026uuml;r das Werk \u003cem\u003eLes Quatre Saisons de Moniteur belge\u003c/em\u003e (1996) sammelt Denmark ein Jahr lang die belgischen gesetzlichen Ver\u0026ouml;ffentlichungen, die gedruckt werden, um sie schlie\u0026szlig;lich in vier Schraubzwingen aus Metall zu komprimieren. Die feinen Seiten der Gesetzgebung verschwinden hinter dem gesch\u0026uuml;tzten Volumen, welches der Schraubstock bietet. Nur die Wolken aus schwarzen Linien, die noch erscheinen, zeugen von einem Schriftsatz. Das Gesetz verschwindet, der Schraubstock zw\u0026auml;ngt ein, die menschliche Arbeit wird im Instrument zerdr\u0026uuml;ckt und alles wird zur Skulptur. Die Arbeit von Denmark stellt seine Kritik auf spielerische Weise dar, hier sind die Auslegungen ganz frei: man kann an die Unleserlichkeit des gesetzlichen Fachjargons oder an das Gewicht der materialisierten Verwaltungsmacht denken. Der Sinn \u0026auml;ndert, ist nicht fest: gleichzeitig macht die intellektuelle Bef\u0026uuml;rchtung Platz f\u0026uuml;r die Sorgen der Sinne, die Wort verschwinden unter der Form, dem Gewicht, der Materie.\u003c/p\u003e\r\n\r\n\u003cp\u003eDie sinnlosen leeren Seiten sind voll von Stoff. Diese von Denmark verarbeitete Materie ist diesmal unleserlich und verurteilt den Zugang zum Verbalen und zw\u0026auml;ngt einen zweiten leeren Raum, der Stille auf. \u0026laquo;\u0026nbsp;Das Buch zieht mich zur umgekehrten Welt, nicht, um sie zu schreiben, sondern um ein Bild ohne Worte herauszuziehen\u0026raquo; (\u0026hellip;) erkl\u0026auml;rt der K\u0026uuml;nstler. Der Begriff Buch auf Lateinisch \u0026laquo;\u0026nbsp;liber\u0026nbsp;\u0026raquo; bezeichnet eine weiche Membran, die unter der Baumrinde den Fluss des Saftes sch\u0026uuml;tzt; bei Denmark geht die redaktionelle Arbeit so weit zur\u0026uuml;ck, bis die B\u0026uuml;cher eine einheitliche Materialit\u0026auml;t finden, im Antlitz ihres Ursprungs. Der Wald ist sowohl Metapher f\u0026uuml;r zahlreiche Erscheinungen als auch der wertvollen Realit\u0026auml;t, die gegen die Zerst\u0026ouml;rung gesch\u0026uuml;tzt werden muss\u0026nbsp;:\u0026nbsp;\u0026laquo;\u0026nbsp;die Verschwendung von Papier und die Erschlie\u0026szlig;ung der W\u0026auml;lder machen mir genau so viele Sorgen wie die Ungenauigkeit, welche die Grenzen des Sinnes und des Sinnlosen verbergen. Denn alles ist verbunden\u0026nbsp;\u0026raquo;.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/037/006/large/IMG_1738.JPG?1506694890","poster_credits":"image: (c) Senaat, Collection Province de Hainaut / Dépôt BPS22, Charleroi","translations":[{"locale":"en","description":"\u003cp\u003eIn order to produce his work \u003cem\u003eLes Quatre Saisons de Moniteur belge\u003c/em\u003e (1996), Denmark collected all the Belgian legal publications during one year, then printed them and finally compressing the whole into the jaws of four metal clamps. The thin pages of the legislation disappeared behind the unbreakable volume resulting from the action of the vice; only clouds of black lines, visible on the edges, still bear witness to the written word. The law stifles, the vise clamps, the human work is compressed in the tool and the whole becomes a sculpture. The work of Denmark presents its critique in a playful approach, here the interpretations are free: one might easily think of the illegibility of legal jargon or, materialising the weight of administrative authority. The meaning fluctuates, it is not fixed; at the same time intellectual apprehension gives way to sensory uneasiness, the abundance of words disappears in form, weight, and matter.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe lack of interest of the pages represents an entity full of material. Reworked by Denmark, this full entity of material, now illegible, blocks the access to verbal content and imposes a second vacuum, that of silence. \u0026quot;The book attracts me in the opposite way, not to write it but to extract an image without words (...)\u0026quot;, says the artist. The term \u0026lsquo;book\u0026rsquo; comes from the Latin \u0026lsquo;liber\u0026rsquo;, that tender membrane which, under the bark of the trees, ensures the circulation of the sap; with Denmark, the editorial work turns back until the books finds a united materiality, in the image of their origin. The forest is both a metaphor for innumerable publications and a precious reality to be defended against destruction: \u0026quot;The waste of paper and the exploitation of forests concern me as much as the vagueness that masks the limits between rationality and the foolishness. Because everything is connected.\u0026quot;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eOm het werk \u003cem\u003eLes Quatre Saisons de Moniteur belge\u003c/em\u003e\u0026nbsp;(De vier Seizoenen van het Belgisch Staatsblad\u003cem\u003e)\u003c/em\u003e (1996) te maken, verzamelt Denmark een jaar lang de gepubliceerde Belgische wetten, om ze uiteindelijk tussen de kaken van vier metalen lijmschroeven te persen. De dunne bladzijden van de wetgeving verdwijnen achter het ondeelbare volume dat de klemschroeven hun geeft; alleen wolken van zwarte lijnen, die zichtbaar blijven op de sneden, getuigen nog van enig geschrift. De wet stikt, de schroef klemt, de arbeid wordt gecomprimeerd in het gereedschap en het geheel wordt een sculptuur. Het werk van Denmark presenteert zijn kritiek ludiek, de interpretaties zijn vrij: het ligt voor de hand dat men denkt aan de onleesbaarheid van het wettelijk jargon of nog, aan het gewicht van de administratieve overheid, die hier vorm krijgen. De betekenis fluctueert, ligt niet vast; tegelijk maakt intellectueel begrip plaats voor zintuiglijk begrip, de stortvloed van woorden verdwijnt onder de vorm, het gewicht, de materie.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe inhoudsloze leegte van de bladzijden is volheid van materie. Die door Denmark herwerkte volheid van materie, die nu onleesbaar is, veroordeelt de toegang tot het verbale en legt een tweede leegte op, die van de stilte. \u0026ldquo;Het boek brengt mij tot de omgekeerde modus, niet om het te schrijven, maar om er een beeld zonder woorden uit te halen (...)\u0026rdquo;, verklaart de kunstenaar. Het Latijnse woord \u0026ldquo;liber\u0026rdquo; betekent behalve \u0026ldquo;boek\u0026rdquo; ook het zachte membraan dat, onder de boomschors, de doorstroming van het sap verzekert; bij Denmark keert het uitgeefwerk terug, \u0026nbsp;tot de boeken weer \u0026eacute;\u0026eacute;n enkele materialiteit krijgen, zoals bij hun oorsprong. Het bos is zowel een metafoor voor de talloze uitgaves als een kostbare werkelijkheid die voor vernietiging moet worden behoed: \u0026ldquo;De verspilling van papier en de ontginning van de bossen verontrusten me evenzeer als de waas waarachter de grenzen tussen het redelijke en het idiote schuilgaan. Want alles heeft met alles te maken.\u0026rdquo;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003ePour r\u0026eacute;aliser la pi\u0026egrave;ce \u003cem\u003eLes Quatre Saisons de\u0026nbsp;Moniteur belge\u003c/em\u003e (1996), Denmark r\u0026eacute;colte, durant un an, la publication l\u0026eacute;gale belge, alors imprim\u0026eacute;e, pour la compresser, \u0026agrave; terme, dans les m\u0026acirc;choires de quatre serre-joints m\u0026eacute;talliques. Les pages fines de la l\u0026eacute;gislation disparaissent derri\u0026egrave;re le volume ins\u0026eacute;cable que les \u0026eacute;taux leur conf\u0026egrave;rent\u0026nbsp;; seuls des nuages de lignes noires, apparents sur les tranches, t\u0026eacute;moignent encore d\u0026rsquo;une \u0026eacute;criture. La loi \u0026eacute;touffe, l\u0026rsquo;\u0026eacute;tau enserre, le travail humain se compresse dans l\u0026rsquo;outil et le tout devient sculpture. Le travail de Denmark pr\u0026eacute;sente sa critique dans un abord ludique, ici, les interpr\u0026eacute;tations sont libres\u0026nbsp;: l\u0026rsquo;on songe ais\u0026eacute;ment \u0026agrave; l\u0026rsquo;illisibilit\u0026eacute; du jargon l\u0026eacute;gal ou, encore, au poids de l\u0026rsquo;autorit\u0026eacute; administrative, mat\u0026eacute;rialis\u0026eacute;s. Le sens fluctue, il n\u0026rsquo;est pas fix\u0026eacute;\u0026nbsp;; en m\u0026ecirc;me temps l\u0026rsquo;appr\u0026eacute;hension intellectuelle fait place \u0026agrave; l\u0026rsquo;appr\u0026eacute;hension sensorielle, la foison des paroles disparait sous la forme, le poids, les mati\u0026egrave;res.\u003c/p\u003e\r\n\r\n\u003cp\u003eLe vide d\u0026rsquo;int\u0026eacute;r\u0026ecirc;t des pages est un plein de mati\u0026egrave;re. Retravaill\u0026eacute; par Denmark, ce plein de mati\u0026egrave;re, cette fois illisible, condamne l\u0026rsquo;acc\u0026egrave;s au verbal et impose un second vide, celui du silence. \u0026laquo;\u0026nbsp;Le livre m\u0026rsquo;attire sur le mode inverse, non pour l\u0026rsquo;\u0026eacute;crire mais pour en extraire une image sans paroles (...)\u0026nbsp;\u0026raquo;, d\u0026eacute;clare l\u0026rsquo;artiste. Le terme \u0026laquo;\u0026nbsp;livre\u0026nbsp;\u0026raquo; vient du latin \u0026laquo;\u0026nbsp;liber\u0026nbsp;\u0026raquo;, cette membrane tendre qui, sous l\u0026rsquo;\u0026eacute;corce des arbres, assure la circulation de la s\u0026egrave;ve\u0026nbsp;; chez Denmark, le travail \u0026eacute;ditorial rebrousse chemin jusqu\u0026rsquo;\u0026agrave; ce que les livres retrouvent une mat\u0026eacute;rialit\u0026eacute; unie, \u0026agrave; l\u0026rsquo;image de leur origine. La for\u0026ecirc;t est \u0026agrave; la fois m\u0026eacute;taphore des parutions innombrables et r\u0026eacute;alit\u0026eacute; pr\u0026eacute;cieuse \u0026agrave; d\u0026eacute;fendre contre la destruction\u0026nbsp;: \u0026laquo;\u0026nbsp;Le gaspillage du papier et l\u0026rsquo;exploitation des for\u0026ecirc;ts me pr\u0026eacute;occupent autant que le flou qui masque les limites du sens\u0026eacute; et de l\u0026rsquo;insens\u0026eacute;. Car tout est li\u0026eacute;.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n"}]},{"id":18230,"title":"Denmark","dimensions":"30.5 x 22 cm, language : Dutch, French, German, English, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen","date_begin":"1978-01-01","material":"Ink, paper","short_description":"\u003cp\u003eICC publication.\u003c/p\u003e\r\n\r\n\u003cp\u003eEditor : Florent Bex.\u003c/p\u003e\r\n\r\n\u003cp\u003eAuthor : Denmark.\u003c/p\u003e\r\n\r\n\u003cp\u003eExhibition : ICC/Internationaal Cultureel Centrum, Antwerpen (7.1. - 5.2.1978).\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2028/42","stream_count_app":6,"permalink":"denmark","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/908/medium_500/20180306155016136_0001.jpg?1520347920","cached_actor_names":" Denmark","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/908/large/20180306155016136_0001.jpg?1520347920","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20141,"title":"GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster, Jrg.7, nr.1, januari 1988","dimensions":"57.7 x 41.7 cm, 2 p., ill., language : Dutch, publisher : Galerij van de Akademie Van Waasmunster","date_begin":"1988-01-01","material":"Ink, paper","short_description":"\u003cp\u003eArtikelen :\u003c/p\u003e\r\n\r\n\u003cp\u003e-\u0026nbsp;Denmark \u0026#39;Die Welt im Griff\u0026#39;\u003c/p\u003e\r\n\r\n\u003cp\u003e- Denmark \u0026amp; Wim Van Mulders - gesprek\u003c/p\u003e\r\n\r\n\u003cp\u003e- Afzonderlijk blad met afbeelding van het werk \u0026#39;Dood Archief\u0026#39; op vlot.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":59,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"T \u0026 P/GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster","stream_count_app":14,"permalink":"ga-tijdschrift-van-de-galerij-van-de-akademie-van-waasmunster-jrg-7-nr-1-januari-1988","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/083/medium_500/Image00039.jpg?1546508270","cached_actor_names":"Wilfried Huet,  Denmark","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/083/large/Image00039.jpg?1546508270","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":33845,"title":"Dode Letters [Dead Letters]","dimensions":"52 x (57.5 x 40 x 2.5 cm)","date_begin":"2022-01-01","material":"horizontaal versneden kranten","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":77,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"installatie assemblage","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"dode-letters-dead-letters","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eDode letters\u003c/p\u003e\r\n\r\n\u003cp\u003e= Opstapelingen van horizontaal versneden kranten\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/894/medium_500/deadletters.jpg?1674833552","cached_actor_names":"Denmark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/894/large/deadletters.jpg?1674833552","poster_credits":"(c)Denmark - photo: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eTegenover Goliath voel ik me geplaatst. In \u0026eacute;\u0026eacute;n nacht kan ik nog niet \u0026eacute;\u0026eacute;n krant of tijdschrift omwerken, terwijl op dat ogenblik weer miljoenen druksels het daglicht zien.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eDenmark, 1990\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":33846,"title":"Last Post","dimensions":"5 parts: 127.2 x 47.7 x 32.2 cm / 134 x 41.2 x 29.6 cm / 129 x 48.4 x 32 cm / 130 x 47.2 x 32 cm / 130 x 47.2 x 32 cm","date_begin":"2013-01-01","material":"kranten geperst tussen stalen platen op ijzeren stelling","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the Artist","cached_tag_list":"assemblage","publishing_process_id":1,"annotation":"","date_end":"2016-01-01","reference":"","stream_count_app":10,"permalink":"last-post","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/895/medium_500/lastpost.jpg?1674833837","cached_actor_names":"Denmark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/895/large/lastpost.jpg?1674833837","poster_credits":"(c)Denmark - photo: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":33844,"title":"Daily Dust","dimensions":"variable dimensions","date_begin":"1974-01-01","material":" 119 bokalen verpulverde kranten en magazines","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection","cached_tag_list":"assemblage","publishing_process_id":1,"annotation":"\u003cp\u003ecoll. Serge Hannecart, Antwerpen\u003c/p\u003e\r\n","date_end":"2023-01-01","reference":"","stream_count_app":23,"permalink":"daily-dust","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003e\u003cem\u003e\u0026quot;Soms bedenk ik een reis voor mijn archieven. Waarom niet een verzending kunsttijdschriften ingevroren naar Alaska of opgerold en gesorteerd in primeurkisten naar Mozambique? En mocht dit niet gebeuren en slechts denkbeeldig geschieden, dan reist \u0026lsquo;Daily Dust\u0026rsquo; wel rond in het kunstcircuit, terwijl op datzelfde ogenblik een paar honderd miljoen boeken \u0026ndash; waar ook ter wereld \u0026ndash; te kwetsbaar zijn geworden om nog te circuleren en te worden geraadpleegd zonder dat het papier zou verpulveren.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eDenmark, 1994\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/892/medium_500/dailydust.jpg?1674833258","cached_actor_names":"Denmark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/891/large/dailydust.jpg?1674833255","poster_credits":"(c)Denmark - photo: M HKA","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Sometimes I imagine my archives going on a journey. Why not send a consignment of frozen art magazines to Alaska, or roll them up and pack them off in crates to Mozambique? And even though this doesn\u0026rsquo;t happen, or only in my imagination, \u0026lsquo;Daily Dust\u0026rsquo; does actually travel around the art scene, while at the very same time a couple of hundred million books \u0026ndash; wherever they are in the world \u0026ndash; have become too fragile to be circulated and read without the paper crumbling into dust.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eDenmark, 1994\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026ldquo;Soms bedenk ik een reis voor mijn archieven. Waarom niet een verzending kunsttijdschriften ingevroren naar Alaska of opgerold en gesorteerd in primeurkisten naar Mozambique? En mocht dit niet gebeuren en slechts denkbeeldig geschieden, dan reist \u0026lsquo;Daily Dust\u0026rsquo; wel rond in het kunstcircuit, terwijl op datzelfde ogenblik een paar honderd miljoen boeken \u0026ndash; waar ook ter wereld \u0026ndash; te kwetsbaar zijn geworden om nog te circuleren en te worden geraadpleegd zonder dat het papier zou verpulveren.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eDenmark, 1994\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;Parfois, j\u0026rsquo;imagine un voyage pour mes archives. Pourquoi ne pas envoyer des revues d\u0026rsquo;art congel\u0026eacute;es en Alaska ou enroul\u0026eacute;es et class\u0026eacute;es dans des caisses de primeurs au Mozambique\u0026nbsp;? Et si cela ne devait pas avoir lieu r\u0026eacute;ellement, uniquement de mani\u0026egrave;re imaginaire, alors\u0026nbsp;Daily Dust\u0026nbsp;voyagerait dans le circuit artistique tandis qu\u0026rsquo;au m\u0026ecirc;me moment, quelques centaines de millions de livres \u0026ndash; o\u0026ugrave; que ce soit dans le monde \u0026ndash; sont entre-temps trop fragiles pour encore circuler et \u0026ecirc;tre consult\u0026eacute;s sans que le papier se pulv\u0026eacute;rise.\u0026nbsp;\u0026raquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eDenmark, 1994\u003c/p\u003e\r\n"}]},{"id":4107,"title":"Bois de Moniteur belge","dimensions":"199 x 200 x 400 cm","date_begin":"1987-01-01","material":"paper, metal, wood","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCollection Stichting Gordon Matta-Clark . Work in 30 parts; each part consists of four sewn volumes of the Staatsblad, and between them four oak slats, the whole is kept together by two iron bands. Palette: 200 x 80 x 120 cm (x3)\u003c/p\u003e\r\n","date_end":"1988-01-01","reference":"S0119","stream_count_app":22,"permalink":"bois-de-moniteurs-belge","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/776/medium_500/Denmark_S0119.JPG?1616589501","cached_actor_names":"Denmark","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/776/large/Denmark_S0119.JPG?1616589501","poster_credits":"(c)image: ICC Archive ","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]}]