{"id":2079,"name":"","email":"","language_id":1,"permalink":"dorothea-tanning","deleted":false,"legal_status_id":47,"url_1":"http://www.dorotheatanning.org/","twitter":null,"category_id":28,"date_of_birth":"1910-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Dorothea","lastname":"Tanning","annotation":"","url_2":"","url_3":"","cached_name":"Dorothea Tanning","date_of_death":"2012-01-01T00:00:00.000+01:00","cached_name_asc":"Tanning, Dorothea","stream_count_app":6,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/633/large/Dorothea_Tanning.jpg?1376919847","poster_credits":null,"media_count":1,"items_count":1,"translations":[{"locale":"en","short_description":"","description":"[Dorothea Tanning](http://www.dorotheatanning.org/) studied painting in Chicago. In 1941, now in New York, she met the art dealer Julien Levy and his surrealist friends, refugees from Nazi occupied France. Late in 1942 Max Ernst visited her studio, saw a painting (*Birthday*), and stayed to play chess. They lived 34 years together, at first in Sedona, Arizona (a mere outpost at the time). Here she would continue to paint her enigmatic versions of life on the inside, looking out: *The Guest Room*, *The Truth About Comets*, *Eine Kleine Nachtmusik*, *Interior with Sudden Joy*, *Insomnias*, *Palaestra*, *Tamerlane*, *Far From*. \r\n\r\nBy 1956 Max and Dorothea had chosen to live and work thenceforth in France. Though Paris was headquarters, they preferred the country quiet lure in Touraine and Provence. These years included, for Dorothea Tanning, an intense five‐year adventure in soft sculpture: *Cousins, Don Juan's Breakfast, Fetish, Rainy Day Canapé, Tragic Table, Verb, Xmas, Emma, Revelation or the End of the Month, Hôtel du Pavot Room 202*. \r\n\r\nReturning to the United States in the late 1970s, besides painting she gave full rein to her long felt compulsion to write. Her poems have since appeared in a number of literary reviews and magazines, such as The Yale Review, Poetry, The Paris Review, The New Yorker, The Boston Review, The Southwest Review, Parnassus, and in Best Poems of 2002 and 2005. Her published works include two memoirs, *Birthday and Between Lives*, a collection of poems, *A Table of Content*, and a novel, *Chasm*."},{"locale":"nl","short_description":"","description":"[Dorothea Tanning](http://www.dorotheatanning.org/) studeerde schilderkunst in Chicago. In 1941 ontmoette ze in New York de kunsthandelaar Julien Levy en zijn surrealistische vrienden, vluchtelingen uit het door de nazi’s bezette Frankrijk. Eind 1942 bezocht Max Ernst haar studio, zag er een schilderij (*Birthday*), en bleef er voor een spelletje schaak. 34 jaar lang leefden ze samen, aanvankelijk in Sedona, Arizona (toen niet meer dan een uithoek). Daar bleef ze in schilderijen haar enigmatische versies van het innerlijke leven naar buiten brengen: *The Guest Room*, *The Truth About Comets*, *Eine Kleine Nachtmusik*, *Interior with Sudden Joy*, *Insomnias, Palaestra, Tamerlane, Far From*. \r\n\r\nTegen 1956 besloten Max en Dorothea om voortaan te leven en werken in Frankrijk. Hoewel ze hun hoofdkwartier vestigden in Parijs, verkozen ze het rustige plattelandsleven van Touraine en de Provence. \r\nGedurende vijf jaar begaf Dorothea Tanning zich aan een avontuur in zachte sculpturen: *Cousins, Don Juan's Breakfast, Fetish, Rainy Day Canapé, Tragic Table, Verb, Xmas, Emma, Revelation or the End of the Month, Hôtel du Pavot Room 202*. \r\n\r\nNa haar terugkeer naar de Verenigde Staten in de late jaren 1970 gaf ze bovenop haar schilderwerk toe aan haar verlangen om te schrijven. Sindsdien verschenen haar gedichten in een aantal literaire bladen, zoals The Yale Review, Poetry, The Paris Review, The New Yorker, The Boston Review, The Southwest Review, Parnassus, en in Best Poems van 2002 en 2005. Ze gaf verder ook twee memoires uit, *Birthday en Between Lives*; een gedichtenbunel, *A Table of Content*; en een roman, *Chasm*."},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"United States","place":"","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}