[{"id":14934,"title":"Courbet's Funeral","dimensions":"00:11:33","date_begin":"2014-01-01","material":"video filmed with mobile phone","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy of the artist","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":41,"permalink":"courbet-s-funeral","description_ru":"\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u003cstrong\u003eПохороны Курбе. 2014, видео\u003c/strong\u003e\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u0026laquo;Похороны Курбе\u0026raquo; \u0026ndash; это фильм-коллаж, состоящий из документальных и\u0026nbsp;постановочных съемок, а также реконструированных событий повседневности. Это видеопоэзия, полностью снятая на телефон, но отсылающая к реальным событиям российской жизни, произошедшим в начале 2014 года в Москве. Будничные монологи героев в контексте фильма звучат как политические комментарии, и в то же время отчасти касаются проблем трансформации киноязыка. Этот фильм говорит о настоящем в реальном времени, и поэтому разговор затрагивает аспекты формы политического кино и дистанции автора по отношению к материалу своего фильма, ставя под вопрос позицию художника. В этом смысле \u0026laquo;Похороны Курбе\u0026raquo; \u0026ndash; это видеодневник, претендующий на значимость документа.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Evgeny Granilshchikov","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/034/009/large/Evgeny_Granilshchikov_Courbet's_Funeral._Video_filmed_on_mobile_phone__2014_%282%29.jpg?1480428522","poster_credits":"(c)video still: Evgeny Granilshchikov","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u003cem\u003eCourbet\u0026rsquo;s Funeral\u003c/em\u003e is a film collage made of documentary videos by Granilshchikov and staged\u0026nbsp;footage, as well as reenactments of daily routine events. It can be considered as a video poem recorded on a mobile phone camera, but it also takes us back to real-life events that took place in Moscow in the beginning of 2014. In the context of the film, simple and trivial monologues of its protagonists begin to sound like political commentaries and at the same time touch upon the transformation and problems of the language of filmmaking. The film talks about the present in present tense, therefore it is impossible to avoid conversations about the political undercurrent of the film, the distance of the author from the subject matter. In that sense \u003cem\u003eCourbet\u0026rsquo;s Funeral\u003c/em\u003e is a video diary that claims to have the importance of a document.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":15427,"title":"Munich","dimensions":"00:02:17","date_begin":"2016-01-01","material":"full HD","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collectie M HKA","cached_tag_list":"Munich Evgeny Granilshchikov video","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"munich","description_ru":"\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u003cstrong\u003eМюнхен. 2016, видео\u003c/strong\u003e\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eЕвгений Гранильщиков \u0026ndash; российский художник и независимый режиссер. Он учился в Московской школе фотографии и мультимедиа им. А. Родченко и является ключевой фигурой для\u0026nbsp;поколения\u0026nbsp;критически настроенных молодых художников. Он создает сложные мультимедийные инсталляции и снимает кино. В фильмах он использует свои глубокие познания в сфере кино и любовь к кино-традициям. Это становится очевидным\u0026nbsp;в том, как тонко\u0026nbsp;он работает с образами. Его фильмы сочетают низкую технологичность и высокий профессионализм. Видео с камеры смартфона соседствует с кадрами высокого разрешения, непосредственная фиксация \u0026ndash; с реэнектментом. Этим проблематизируется влияние политической и социальной ситуации на индивидов.\u0026nbsp;\u003c/span\u003e\u003c/span\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eЕго работы показывают, как люди обращаются с традицией и с повседневностью, и то, как это влияет на их личную жизнь.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eХудожник отмечает, что \u0026laquo;Мюнхен\u0026raquo; \u0026ndash; это документальная работа. Сам он боится высоты, и справляться со страхом ему легче во время создания\u0026nbsp;фильма. Он снимает фильм почти каждый раз, когда садится в самолет. Это работа \u0026ndash; об эйфории, чувстве любви. Видео\u0026nbsp;должно\u0026nbsp;показываться на качающемся, полупрозрачном экране. Размер проекции может варьироваться.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Evgeny Granilshchikov","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/034/768/large/Granil_munich%28still%29.jpg?1485168028","poster_credits":"Collection M HKA","translations":[{"locale":"en","description":"\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eEvgeny Granilshchikov is a Russian artist and independent filmmaker. He studied literature and animation at the Rodchenko School of Photography and Multimedia in Moscow and is a key figure in the new critical generation of young Muscovite artists.\u0026nbsp;\u003c/span\u003e\u003c/span\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eHe creates complex multimedia installations as well as stand-alone films. In his films he integrates his profound knowledge and love for film traditions. This becomes apparent in his sophisticated use of images. His films combine low tech and professionality. Smartphone recordings go hand in hand with high resolution registrations, and direct recordings are interspersed with re-enactments. This thematises the influence of political and social situations on individuals.\u0026nbsp;\u003c/span\u003e\u003c/span\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eHis works show how people try to deal with their tradition and their daily situation, and the ways in which this influences their personal lives.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eOn \u003cem\u003eMunich\u003c/em\u003e the artist notes:\u003c/span\u003e\u003c/span\u003e\u003cbr /\u003e\r\n\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u003cem\u003eThe artwork \u0026lsquo;Munich\u0026rsquo; is a documentary. I\u0026rsquo;m afraid of heights, and it is easier for me to deal with that fear when I\u0026rsquo;m making a video. I make a video almost every time I step onto an airplane.\u003cbr /\u003e\r\nThis work is about euphoria, the feeling of love, in relation to the artist and his medium.\u003cbr /\u003e\r\nThe work should be installed on a floating, translucent screen. The size of the projection varies.\u003c/em\u003e\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eEvgeny Granilshchikov (\u0026deg;1985) is een Russisch kunstenaar en onafhankelijk filmregisseur. Hij studeerde literatuur en animatie aan de Rodchenko School voor fotografie en multimedia te Moskou en is een sleutelfiguur binnen de nieuwe kritische generatie van jonge kunstenaars te Moskou.\u003c/p\u003e\r\n\r\n\u003cp\u003eHij maakt zowel complexe multimediale installaties als op zichzelf staande films. Hij integreert in zijn films ook een grote kennis van en liefde voor de filmtraditie, wat blijkt uit zijn gesofisticeerde beeldgebruik. Zijn films combineren low tech en professionaliteit.\u0026nbsp;Registraties met smartphone gaan samen met hoge resolutie opnames, directe registratie met zorgvuldige re-enactment. Ze thematiseren de invloed van politieke en sociale situaties op individuen.\u003c/p\u003e\r\n\r\n\u003cp\u003eZijn werken tonen hoe mensen proberen om te gaan met hun traditie en hun dagelijkse situatie en de manier waarop de culturele achtergrond het priv\u0026eacute;leven be\u0026iuml;nvloedt.\u003c/p\u003e\r\n\r\n\u003cp\u003eOver \u003cem\u003eMunich\u003c/em\u003e schrijft de kunstenaar :\u003c/p\u003e\r\n\r\n\u003cp style=\"margin-left:35.4pt;\"\u003e\u003cem\u003eHet kunstwerk \u0026#39;Munich\u0026#39; is documentair. Ik ben bang voor hoogtes, en ik vind het makkelijker om om te gaan met die angst als ik een video maak. Bijna elke keer als ik op een ik vliegtuig stap maak ik een video.\u003cbr /\u003e\r\nDit werk gaat over de euforie, het gevoel van liefde, in de relatie tussen de kunstenaar en zijn medium.\u003cbr /\u003e\r\nHet werk moet worden ge\u0026iuml;nstalleerd op een zwevend, doorschijnend scherm. De grootte van de projectie is variabel.\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eLe Russe Evgeny Granilshchikov (\u0026deg;1985) est artiste et cin\u0026eacute;aste ind\u0026eacute;pendant. Il a \u0026eacute;tudi\u0026eacute; la litt\u0026eacute;rature et l\u0026rsquo;animation \u0026agrave; l\u0026rsquo;\u0026eacute;cole d\u0026rsquo;art Rodchenko pour la photographie et le multim\u0026eacute;dia \u0026agrave; Moscou et est une figure cl\u0026eacute; au sein de la nouvelle g\u0026eacute;n\u0026eacute;ration critique de jeunes artistes \u0026agrave; Moscou.\u003c/p\u003e\r\n\r\n\u003cp\u003eIl cr\u0026eacute;e aussi bien des installations multim\u0026eacute;dias complexes que des films autonomes dans lesquels il int\u0026egrave;gre une grande connaissance et beaucoup de passion pour la tradition cin\u0026eacute;matographique, ce qui ressort de son usage sophistiqu\u0026eacute; de l\u0026rsquo;image. Ses films combinent une technologie rudimentaire et le professionnalisme. Des enregistrements au moyen d\u0026rsquo;un t\u0026eacute;l\u0026eacute;phone portable vont de pair avec des prises de vues en haute r\u0026eacute;solution, des prises de vue en direct sont associ\u0026eacute;es \u0026agrave; des reconstitutions m\u0026eacute;ticuleuses, et l\u0026rsquo;ensemble th\u0026eacute;matise l\u0026rsquo;influence que les situations politiques et sociales exercent sur les individus.\u003c/p\u003e\r\n\r\n\u003cp\u003eSes \u0026oelig;uvres montrent comment les gens tentent de s\u0026rsquo;accommoder de leurs traditions et leur situation quotidienne et la mani\u0026egrave;re dont les ant\u0026eacute;c\u0026eacute;dents culturels influencent la vie priv\u0026eacute;e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026Agrave; propos de l\u0026rsquo;\u0026oelig;uvre Munich, l\u0026rsquo;artiste \u0026eacute;crit\u0026nbsp;:\u003c/p\u003e\r\n\r\n\u003cp style=\"margin-left:35.4pt;\"\u003eMunich\u003cem\u003e est un documentaire. J\u0026rsquo;ai peur de l\u0026rsquo;altitude et je trouve plus facile de faire face \u0026agrave; cette angoisse lorsque je r\u0026eacute;alise une vid\u0026eacute;o. Quasi chaque fois que je monte dans un avion, je fais une vid\u0026eacute;o.\u003cbr /\u003e\r\nCette \u0026oelig;uvre parle d\u0026rsquo;euphorie, du sentiment d\u0026rsquo;amour dans la relation de l\u0026rsquo;artiste avec son m\u0026eacute;dia.\u003cbr /\u003e\r\nL\u0026rsquo;\u0026oelig;uvre doit \u0026ecirc;tre install\u0026eacute;e sur un \u0026eacute;cran translucide flottant. La dimension de la projection est variable.\u003c/em\u003e\u003c/p\u003e\r\n"}]},{"id":15521,"title":"Unfinished Film","dimensions":"00:15:00","date_begin":"2015-01-01","material":"2-channel video installation","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection MHKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK7929","stream_count_app":52,"permalink":"unfinished-film","description_ru":"\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003e\u003cstrong\u003eUnfinished Film. 2015, видео\u003c/strong\u003e\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eДевушка разговаривает по телефону, проезжает машина, молодой человек падает в приступе эпилепсии, на перекрестке медленно поворачивает трамвай, панорама ночного города движется слева направо.\u0026nbsp;Большую часть времени мы наблюдаем за героями, которые куда-то идут или сидят и разговаривают друг с другом, становимся свидетелями случайных, необязательных диалогов. Иногда фильм разгоняется в темпе и становится похож на тизер самого себя, иногда замедляется, и мы видим долгие статичные планы \u0026ndash; течение жизни в реальном времени. Современная история, со всем вниманием к деталям и ритуалам повседневности, все время остается в фокусе фильма, снятого без сценария, на удачу. Прямой ракурс, средняя, но чаще дальняя дистанция, чередование длинных и коротких эпизодов, неровный ритм. В этом фильме нет классического нарратива, словно он собран из случайных сцен, между которыми нет однозначных связей. Мы так и не узнаем, куда идут герои, каковы их цели, но видим, как неявное чувство тревоги скрывается за всеми их простыми действиями и передвижениями. \u0026laquo;Unfinished Film\u0026raquo; можно интерпретировать как реэнектмент повседневной жизни десятых годов.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Evgeny Granilshchikov","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/035/174/large/Evgeny_Granilschikov_%281%29.jpg?1491304203","poster_credits":"(c)image: Ivan Erofeev, V-A-C Foundation","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Tahoma,Geneva,sans-serif;\"\u003eA girl talks on the telephone, a car drives by, a young man has an epileptic fit, a tram slowly turns at a crossroads, a panorama of the city by night pans from left to right.\u0026nbsp;For much of the time we observe characters who are going somewhere or sitting and chatting with one another. Sometimes, the film speeds up its tempo and becomes like a teaser for itself; sometimes it slows down, and we see long, static shots \u0026ndash; the movement of life in real time. Modern history, with all its attention to detail and the rituals of everyday routine, always remains in focus in this film shot without a script, by chance. A direct angle, a medium-shot, but more often a long shot, the interspersing of long and short episodes, an uneven rhythm. In this film, there is no classical narrative, all is as if it had been assembled from chance scenes with no unambiguous links between them. We never find out where the characters are going, or what their aims are, but we do see how an implicit sense of alarm is concealed behind all their simple actions and movements. \u003cem\u003eUnfinished Film\u003c/em\u003e can be interpreted as a re-enactment of the everyday life of the noughties.\u003c/span\u003e\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":31567,"title":"Panorama (Wallpaper)","dimensions":"","date_begin":"2016-01-01","material":"","short_description":"\u003cp\u003e\u003cem\u003ePanorama\u003c/em\u003e\u0026nbsp;is a 15-minute documentation of a fragment of reality. Such recordings of the everyday situations belong to the\u0026nbsp;genre, defined by Granilshchikov as \u0026ldquo;video wallpapers\u0026rdquo;.\u0026nbsp; We see an urban landscape filmed in the twilight on the outskirts of Moscow: at the intersection vehicles and people are circulating, traffic lights are constantly flashing, and planes are passing in the evening sky. As we peer, more details catch our eyes, including a bright signboard in the background that reads \u0026lsquo;Миллион мелочей\u0026rsquo; (EN: A Million Little Things). Indeed, it is the little things, as little as insects swarming around a lawn in the very foreground, that shatter a seemingly static character of \u0026lsquo;Panorama\u0026rsquo;. The ordinary movements thus create a peculiar pattern on this black and white video \u0026lsquo;wallpaper\u0026rsquo;.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection MHKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK007942","stream_count_app":13,"permalink":"panorama-wallpaper","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/157/medium_500/01_panorama_%28still%29.jpg?1640018944","cached_actor_names":"Evgeny Granilshchikov","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":19943,"title":"Untitled","dimensions":"various","date_begin":"2015-01-01","material":"drawing, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":77,"platform_id":1,"deleted":false,"asset_count":19,"stream_count":0,"collection":"Collection M HKA, Antwerp / Donated by the artist, 2018","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0577","stream_count_app":107,"permalink":"untitled-3a3cdf75-7a2a-4847-92fc-92f88d7ec6cc","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/457/medium_500/Granilshchikov_Evgeny_1_collection_M_HKAphotocc_1.jpg?1533739625","cached_actor_names":"Evgeny Granilshchikov","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/457/large/Granilshchikov_Evgeny_1_collection_M_HKAphotocc_1.jpg?1533739625","poster_credits":"Collection M HKA, Antwerp / Donated by the artist, 2018, image:(c) M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align:justify;\"\u003eThis series of fragile (textual) collages are a special digression in Evgeny Granilshikov's oeuvre and form part of his efforts to create total installations in which film fragments, interior elements and various artistic forms are capable of being merged. Like his films, they look for meaning at the margins of communication.\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp style=\"text-align:justify;\"\u003eDeze reeks fragiele (tekst)collages zijn een bijzondere zijsprong in het oeuvre van Evgeny Granilshchikov en maken deel uit van zijn inzet om totaalinstallaties te maken waarbij filmfragmenten, interieurelementen en diverse artistieke vormen kunnen samengaan. Zoals zijn films zoeken ze betekenisgeving op de rand van communicatie.\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":""}]}]