[{"id":11510,"title":"Woman’s World","dimensions":"14,9 x 21 cm, 437 p, language: English, publisher: Atlantic Books (UK), Soft Skull Press (USA), ISBN: 978-1843543688","date_begin":"2005-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"artist novel","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/512","stream_count_app":7,"permalink":"woman-s-world","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/114/large/Womans_World.jpg?1406124072","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003c!--[if gte mso 9]\u003e\u003cxml\u003e\r\n \u003co:DocumentProperties\u003e\r\n  \u003co:Version\u003e14.00\u003c/o:Version\u003e\r\n \u003c/o:DocumentProperties\u003e\r\n \u003co:OfficeDocumentSettings\u003e\r\n  \u003co:TargetScreenSize\u003e800x600\u003c/o:TargetScreenSize\u003e\r\n \u003c/o:OfficeDocumentSettings\u003e\r\n\u003c/xml\u003e\u003c![endif]--\u003e\u003cstrong\u003eLiterary synopsis\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eNorma Fontaine lives in a perfect woman\u0026rsquo;s world of handy tips and sensible advice. Whether it\u0026rsquo;s choosing the right foundation garment, practising feminine allure through meticulous grooming or polishing a whotnot, Norma measures life by the standards set in the magazines she reads. So when she bumps into Mr Hands and he suggests taking tea at the Excella Caf\u0026eacute; how could she possibly refuse? What could be more exhilarating, or appropriate?\u0026nbsp; \u003cem\u003eWoman\u0026rsquo;s World\u003c/em\u003e is a full-length collaged novel created from fragments of found text from women\u0026rsquo;s magazines from the early 1960s. Sentences, phrases and words have been cut out and pasted onto the page in order to tell Norma\u0026#39;s subversive story. Once removed from their original context, the words have been reassembled to tell a tale of romance, guilt and dark family secrets. The found words influence the narrative, while their physical presence on the page leaves a residue of their original context. It offers a reading experience that is both literary and visual, challenging our perception of what a novel should look like and how it should be written.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eRelation of the novel to the artist\u0026rsquo;s practice\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eGraham Rawle spent five years creating \u003cem\u003eWoman\u0026rsquo;s World\u003c/em\u003e, a full-length novel constructed by piecing together fragments of text clipped from early 1960s women\u0026rsquo;s magazines. His main concern was to ensure that the collage method was relevant to the story \u0026ndash; the form and content considered as one. He had been writing a story about a housebound and somewhat troubled woman, Norma, whose life is governed by the ideals prescribed by the women\u0026rsquo;s magazines she devours. Their strong directives leave no room for compromise, making it hard for any ordinary woman, let alone Norma, to live up to their demands. 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List 2 Accent 6\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"67\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" Name=\"Medium Grid 1 Accent 6\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"68\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" Name=\"Medium Grid 2 Accent 6\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"69\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" Name=\"Medium Grid 3 Accent 6\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"70\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" Name=\"Dark List Accent 6\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"71\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" Name=\"Colorful Shading Accent 6\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"72\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" Name=\"Colorful List Accent 6\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"73\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" Name=\"Colorful Grid Accent 6\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"19\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Subtle Emphasis\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"21\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Intense Emphasis\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"31\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Subtle Reference\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"32\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Intense Reference\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"33\" SemiHidden=\"false\"\r\n   UnhideWhenUsed=\"false\" QFormat=\"true\" Name=\"Book Title\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"37\" Name=\"Bibliography\"/\u003e\r\n  \u003cw:LsdException Locked=\"false\" Priority=\"39\" QFormat=\"true\" Name=\"TOC Heading\"/\u003e\r\n \u003c/w:LatentStyles\u003e\r\n\u003c/xml\u003e\u003c![endif]--\u003e\u003c!--[if gte mso 10]\u003e\r\n\u003cstyle\u003e\r\n /* Style Definitions */\r\n table.MsoNormalTable\r\n\t{mso-style-name:\"Tabla normal\";\r\n\tmso-tstyle-rowband-size:0;\r\n\tmso-tstyle-colband-size:0;\r\n\tmso-style-noshow:yes;\r\n\tmso-style-priority:99;\r\n\tmso-style-parent:\"\";\r\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\n\tmso-para-margin:0cm;\r\n\tmso-para-margin-bottom:.0001pt;\r\n\tmso-pagination:widow-orphan;\r\n\tfont-size:10.0pt;\r\n\tfont-family:\"Calibri\",\"sans-serif\";}\r\n\u003c/style\u003e\r\n\u003c![endif]--\u003e\u003ca href=\"http://www.grahamrawle.com/womansworld/index.html\"\u003eNovel\u0026#39;s website\u003c/a\u003e\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11511,"title":"Diary of an Amateur Photographer","dimensions":"15,3 x 12,8 cm, 128 p, language: English, publisher: Pan MacMillan (UK), Penguin Studio (USA), ISBN: 978-0330354868","date_begin":"1998-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"artist novel","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/513","stream_count_app":7,"permalink":"diary-of-an-amateur-photographer","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/115/large/amateur_photographer.jpg?1406124561","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003c!--[if gte mso 9]\u003e\u003cxml\u003e\r\n \u003co:DocumentProperties\u003e\r\n  \u003co:Version\u003e14.00\u003c/o:Version\u003e\r\n \u003c/o:DocumentProperties\u003e\r\n \u003co:OfficeDocumentSettings\u003e\r\n  \u003co:TargetScreenSize\u003e800x600\u003c/o:TargetScreenSize\u003e\r\n \u003c/o:OfficeDocumentSettings\u003e\r\n\u003c/xml\u003e\u003c![endif]--\u003e\u003cstrong\u003eLiterary synopsis\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cem\u003eThe Diary\u003c/em\u003e begins when Michael Whittingham joins his local camera club and is instructed to keep a journal of his photographic achievements. Michael\u0026rsquo;s discover of a photograph of an unknown murdered man from 1959 plunges him into an investigation that takes him back to the seedy world of 50s pinup magazines\u0026mdash;a world that has surprising connections to his troubled childhood. The more he discovers, the more he loses his already tenuous grip on reality. Michael\u0026rsquo;s diary soon becomes an intricate casebook of evidence as he collects items that will lead him to the final truth. Photographs, handwritten letters, postcards, pages torn from magazines\u0026mdash;all created by Rawle\u0026mdash;are among the things that simultaneously tell the story and illustrate the book. The gathered clues take the reader on a journey through Michael\u0026rsquo;s mind as he uncovers a murder that took place more than thirty years ago. Uniquely packaged as the journal itself, \u003cem\u003eDiary of an Amateur Photographer\u003c/em\u003e lays bare the dark side of suburbia and is a testament to Graham Rawle\u0026rsquo;s extravagant and eccentric talent.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eRelation of the novel to the artist\u0026rsquo;s practice\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eProse fiction nearly always conforms to the conventions of book publishing and printing. The page from one book looks very like another. The proportion of books that challenge or explore these conventions is still relatively small and such books are often regarded as unreadable, difficult or gimmicky. With a background as a visual artist, it seemed to Graham Rawle that in creating a work of fiction, all kinds of extra information could be carried on the page, creating additional, sometimes unconscious, narrative layers \u0026ndash; a kind of visual subtext. When he wrote \u003cem\u003eDiary of an Amateur Photographer\u003c/em\u003e, his idea was to create a book that looked and felt like the original journal of the protagonist, so the entire book is created by hand as he would have done it. Gathered \u0026lsquo;evidence\u0026rsquo; is stuck to the page and the words are manually typed onto old scraps of paper. Rawle wanted to provide another layer whereby the reader learns more about Michael\u0026rsquo;s character and psychological state \u0026ndash; sensing his physical presence on the page in the way his typewriter keys strike the paper, the choices he makes in the delivery of his story and in the increasingly erratic page layout as his investigation spirals out of control. Interestingly, physically assembling the pages in this way also enabled Graham Rawle as a writer to get inside his character, to understand how his mind worked, which helped to shape the story.\u003cstrong\u003e \u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003ca href=\"http://www.grahamrawle.com/amateurphotographer/index.html\"\u003eNovel\u0026#39;s website\u003c/a\u003e\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":20036,"title":"Overland","dimensions":"22.4 x 15 cm, 384 p., language : English, publisher : Chatto \u0026 Windus, ISBN : 978-1784741488","date_begin":"2018-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":141,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"artist novel book","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2029/575","stream_count_app":9,"permalink":"overland","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/521/medium_500/overland_rawle.jpg?1535562770","cached_actor_names":"Graham Rawle","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/521/large/overland_rawle.jpg?1535562770","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003eLiterary synopsis\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eOverland\u003c/em\u003e is a novel set in Burbank, California in 1942 based on the true story of how the US Army commissioned Hollywood set designers and builders to fabricate an entire town on top of the Lockheed Aircraft plant, blending it into the surrounding area as a way to camouflage it from potential Japanese aerial attack. The story looks at the correlation between techniques used in US Army industrial camouflage and 1940s Hollywood set design. In it, Art Director George Godfrey sets about creating a perfect suburban town of increasingly surreal and magical splendour, a haven for its Residents. The novel also explores subjects pertinent to the period, such as Japanese-American civilian internment camps and the role of women working in munitions factories. The themes of heaven and hell are reflected in the layout and design, where the book is read horizontally and parallel narratives run above and below the gutter, switching from the utopian world of Overland to the dark underworld of industry and war.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://www.grahamrawle.com/overland.html#\"\u003eNovel\u0026#39;s website\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":37315,"title":"The Card","dimensions":"22,5 x 14,5 cm, 333 p., language: English, publisher: Atlantic Books, London, ISBN: 9780857891266","date_begin":"2012-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":141,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie M HKA, Antwerpen","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":6,"permalink":"the-card","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/625/medium_500/Thecard_Rawle.jpeg?1773400264","cached_actor_names":"Graham Rawle","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/625/large/Thecard_Rawle.jpeg?1773400264","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]}]