Guy Rombouts
° 1949
Born in Leuven (BE), lives in Antwerp (BE).
Guy Rombouts (°1949) receives an education as a printer/typographer, and since the seventies he has been working on alternative communications systems. For various reasons, Rombouts questions our current communication systems.
The father of Rombouts was a typographer and printer in Geel. He also was the publisher of the local newspaper Het Nieuwsblad van Geel. Printer's type is therefore one of Rombouts’ earliest everyday experiences. Rombouts first studies typography, but later, in part inspired by the exhibition program during the seventies of the Wide White Space Gallery in Antwerp, he decides to become a sculptor.
According to Rombouts, direct communication is not possible via our language and, as a consequence, some feelings simply cannot be put into words. That is why as of 1979 he searches for systems, in which form and content interact as much as possible. He and his partner, Monica Droste (1958-1998), develop an alphabet with the name AZART. In the alphabet words take on forms. AZART refers to AZ-Art, as in art from A to Z, but also to the French term hasard, which means as much as coincidence. Each letter corresponds to a line that has a predetermined name. Every letter of the alphabet also gets its own colour, which corresponds with the first letter of that colour.
Alongside the AZART alphabet, Rombouts continues to develop new alphabets of colours, foodstuffs and other materials or immaterial phenomena, always connecting his sense of language and material.
M HKA Art Works
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X of Y [X or Y]
Guy Rombouts, X of Y [X or Y], 1985. Installation, mixed media, (l) 1700 cm.
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GA - Tijdschrift van de G...
Koen Muller , Guy Rombouts, Wilfried Huet, GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster, Jrg.5, nr.4, maart-april 1986, 1986. Periodical, ink, paper, 57.7 x 41.7 cm, 1 p., ill., language : Dutch, publisher : Galerij van de Akademie Van Waasmunster.
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Geen dag zonder lijn [No ...
Guy Rombouts, Monica Droste, Geen dag zonder lijn [No Day Without a Line], 1989. Installation, metal, aluminium, lacquer, 140 x 100 x 1040 cm.
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A4 (2) Multiple Magazine
Lode Geens, Guy Rombouts, Dennis Tyfus, Kati Heck, Timothy Segers, Philippe Van Wolputte, Danny Devos, Hans Theys, A4 (2) Multiple Magazine, 2008. Multiple, 34 x 23.9 x 3 cm.
Items
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A4 (2) Multiple Magazine
Lode Geens, Guy Rombouts, Dennis Tyfus, Kati Heck, Timothy Segers, Philippe Van Wolputte, Danny Devos, Hans Theys, A4 (2) Multiple Magazine, 2008. Multiple, 34 x 23.9 x 3 cm.
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Labrys in Time (related 2)
Suzy Biernaert , Angel Vergara, Chris Straetling, Guy Rombouts, Monica Droste, Jef Lambrecht, Labrys in Time (related 2). Performance, paper, ink (printing), variable.
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GA - Tijdschrift van de G...
Koen Muller , Guy Rombouts, Wilfried Huet, GA - Tijdschrift van de Galerij van de Akademie Van Waasmunster, Jrg.5, nr.4, maart-april 1986, 1986. Periodical, ink, paper, 57.7 x 41.7 cm, 1 p., ill., language : Dutch, publisher : Galerij van de Akademie Van Waasmunster.
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Gebeurtenissen die zich v...
Monica Droste, Guy Rombouts, Gebeurtenissen die zich verharden tot het object waarop we zitten en abstracte zelfstandige naamwoorden die de stevigheid van een tafel verwerven, 1986. Installation, mdf, metal, wood, lacquer, variable dimensions.
Events
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The Collection XXXIII – T...
07 June 2013 - 22 September 2013.
The character of a collection reflected the current priorities of the M HKA collection: the evaluation of Antwerp’s avant-garde tradition; th -

INBOX: Herinneringen aan ...
17 June 2016 - 10 July 2016.
Memories of Montevideo: the Antwerp Avant-Garde Scene in the Early ‘80s Part 1 (16.6–10.7) / Part 2 (14.7–7.8) ‘A meeting point for t -

Urgent Conversations Athe...
31 October 2016 - 05 February 2017.
Urgent Conversations: Athens – Antwerp is the first temporary exhibition in the long overdue public unfolding of the Greek National Museum of -
Labrys in Time (Camomille)
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Exhibition and presentation of a bookwork by Ronmbouts-Droste (AZART / AWAWA) bij Camille von Scholz with performances by Jef Lambrecht. "La
Ensembles
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NUCLEUS
The M HKA’s contemporary art collection has grown thanks to a combination of acquisitions, donations and long-term loans from various public
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Artist Books
"... They cannot be reduced. They’re not representable. The claim of the complexity of their design is irreducible. They never give the impre
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Emptiness is Form
No description.
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SPIRITUALITEIT | SPIRITUA...
Dymphna is interwoven with Christianity, from her secret baptism by her confessor and confidant Gerebernus, to the care for the poor and need
Media
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