[{"id":5349,"title":"All the details extended/En fractures recomposées","dimensions":"variable dimensions","date_begin":"1995-01-01","material":"mixed media","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":15,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2001-01-01","reference":"BK7271_M233","stream_count_app":40,"permalink":"all-the-details-extended-en-fractures-recomposees","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/729/large/Honoreallthedetails.jpg?1465907785","poster_credits":"(c)image:  M HKA","translations":[{"locale":"en","description":"\u003cp\u003eThis installation was originally conceived for the FRAC Champagne-Ardennes in Reims (France) and takes its inspiration from a trip that Honor\u0026eacute; \u0026delta;\u0026rsquo;O made to Nepal, organised by the KIASMA, the museum for contemporary art in Helsinki, together with five other artists. In 2002 MuHKA acquired a part of the installation. It was introduced to the public on the top floor of the museum and simultaneously documented by the artist. It was a presentation/documentation project: while the work was being installed, the artist described and analyzed it, with a view to future presentations and the preservation of the art work. The spatial installation consists of approximately one hundred small sculptures, videos and assemblies. Simple objects such as plaster works, stones and gnomes together form complex compositions within the work. The work has no beginning and no endpoint and can be explored from each detail. As a viewer you become entirely involved as you become a part of the work. You are encouraged to extend the details in your mind and to work out new compositions. Many of the details or compositions inspire stories. The work is filled, for example, with materials and shapes that refer to illness and recovery: the fan with the vacuum cleaner bags refers to the breathing difficulties the artist experienced while climbing the Himalaya, but also to the environmental problems in Nepal. Also in the videos, his own physical restraints are linked to the ecological disasters in the Himalaya region. Depending on the connections you make as a viewer, you will discover aesthetic, formal, functional, political or personal meanings that are liable to change continuously.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe installatie werd oorspronkelijk gemaakt voor het FRAC Champagne-Ardennes te Reims (Frankrijk) en is voortgekomen uit een Nepal-reis die Honor\u0026eacute; \u0026delta;\u0026rsquo;O samen met vijf andere kunstenaars heeft ondernomen in opdracht van het KIASMA, het museum voor hedendaagse kunsten van Helsinki. In 2002 kocht het M HKA een deel van de installatie aan. Ze werd op de bovenste verdieping van het museum aan het publiek voorgesteld en tegelijk door de kunstenaar geregistreerd. Het ging om een presentatie/registratieproject: terwijl het werk werd ge\u0026iuml;nstalleerd, beschreef en analyseerde de kunstenaar het, met het oog op latere presentaties en op het behoud van het kunstwerk. De ruimtelijke installatie bestaat uit ongeveer honderd kleine sculpturen, projecties en assemblages. Eenvoudige voorwerpen als pleisters, stenen en kabouters vormen samen ingewikkelde composities binnen het werk. Het werk heeft geen begin- of eindpunt en kan vanuit elk detail worden verkend. Als toeschouwer kom je in een situatie terecht waarin je volledig betrokken bent en deel uitmaakt van het werk. Je wordt uitgenodigd om in je gedachten de details te verlengen en ze opnieuw samen te stellen tot een geheel. Veel van de details of composities reiken immers verhalen aan. Zo zit het werk bijvoorbeeld vol met materialen en vormen die verwijzen naar ziekte en herstel: de ventilator met stofzakken kan verwijzen naar de ademhalingsproblemen die de kunstenaar ondervond bij de beklimming van de Himalaya, maar evengoed naar de milieuproblemen in Nepal. Ook in de projecties worden zijn eigen lichamelijke beperkingen gekoppeld aan de ecologische rampen in het Himalaya-gebied. Afhankelijk van de verbanden die je als toeschouwer legt, kom je tot esthetische, vormelijke, functionele, politieke of persoonlijke betekenissen, die voortdurend kunnen wisselen.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":5789,"title":"Herkisting [Re-Casing]","dimensions":"","date_begin":"2004-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":9,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0304","stream_count_app":45,"permalink":"herkisting-re-casing","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/411/large/herkisting.jpg?1465914075","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eThe installation \u003cem\u003eHerkisting\u003c/em\u003e\u0026nbsp;(Re-casing) is a good example of Honor\u0026eacute; \u0026delta;\u0026#39;O\u0026#39;s continuous attempts at achieving participation and interaction with his audience. Viewers are invited to activate the video projected by the beamer by taking the beamer out of its pyramid-shaped casing and directing it towards the wall. Honor\u0026eacute; \u0026delta;\u0026#39;O leaves the choice of video to be shown up to M HKA. During the current exhibition, the video shown in \u003cem\u003eRe-casing\u003c/em\u003e\u0026nbsp;is called \u003cem\u003eToon tonen of niet tonen\u003c/em\u003e\u0026nbsp;(To show or not to show,\u0026nbsp;2004), made by the artist himself. The video follows a group of choir singers as they walk through a house, singing Gregorian chants. \u0026delta;\u0026#39;O made this video on the occasion of a collection presentation at M HKA in 2004, which was focused on works by artist \u003ca href=\"http://ensembles.mhka.be/actors/toon-tersas\"\u003eToon Tersas\u003c/a\u003e.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe installatie \u003cem\u003eHerkisting\u003c/em\u003e\u0026nbsp;is een goed voorbeeld van Honor\u0026eacute; \u0026delta;\u0026#39;O\u0026#39;s voortdurende pogingen om publieksparticipatie en interactie op gang te brengen. Kijkers mogen de video die door de beamer afgespeeld wordt, activeren door de beamer uit zijn piramidale behuizing te halen en op de muur te richten. Honor\u0026eacute; \u0026delta;\u0026#39;O laat de keuze voor welke video getoond wordt, over aan het M HKA. De video die tijdens deze tentoonstelling in \u003cem\u003eHerkisting\u003c/em\u003e\u0026nbsp;wordt getoond, heet \u003cem\u003eToon tonen of niet tonen\u003c/em\u003e\u0026nbsp;(2004), gemaakt door de kunstenaar zelf. De video toont een koorgroep die door een huis loopt terwijl ze Gregoriaanse gezangen zingt. \u0026delta;\u0026#39;O maakte deze video ter gelegenheid van een collectiepresentatie in het M HKA in 2004, die gericht was op werken van \u003ca href=\"http://ensembles.mhka.be/actors/toon-tersas\"\u003eToon Tersas\u003c/a\u003e.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eL\u0026#39;installation \u003cem\u003eRecoffrage\u003c/em\u003e\u0026nbsp;est un bon exemple des tentatives permanentes d\u0026#39;Honor\u0026eacute; d\u0026#39;O pour engendrer la participation du public et l\u0026#39;interaction. Les spectateurs peuvent activer la vid\u0026eacute;o lue par le projecteur en retirant ce dernier de son logement pyramidal et en le dirigeant sur le mur. Honor\u0026eacute; \u0026delta;\u0026#39;O laisse le choix des vid\u0026eacute;os \u0026agrave; diffuser au M HKA. La vid\u0026eacute;o diffus\u0026eacute;e pendant cette exposition dans \u003cem\u003eRecoffrage\u003c/em\u003e\u0026nbsp;s\u0026#39;appelle \u003cem\u003eToon tonen of niet tonen\u003c/em\u003e\u0026nbsp;(2004), r\u0026eacute;alis\u0026eacute;e par l\u0026#39;artiste lui-m\u0026ecirc;me. La vid\u0026eacute;o montre une chorale qui marche \u0026agrave; travers une maison tout en chantant des chants gr\u0026eacute;goriens. \u0026delta;\u0026#39;O a diffus\u0026eacute; cette vid\u0026eacute;o \u0026agrave; l\u0026#39;occasion de la pr\u0026eacute;sentation d\u0026#39;une collection au M HKA en 2004, ax\u0026eacute;e sur les \u0026oelig;uvres de \u003ca href=\"http://ensembles.mhka.be/actors/toon-tersas\"\u003eToon Tersas\u003c/a\u003e.\u003c/p\u003e\r\n"}]},{"id":5791,"title":"You may use my picture","dimensions":"01:02:02","date_begin":"1995-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2001-01-01","reference":"BK7271_M233_02","stream_count_app":22,"permalink":"you-may-use-my-picture","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/423/large/d'O_Honore__You_may_use_my_picture_in_the_exhibition_still.jpg?1343206620","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eThe oeuvre of Honor\u0026eacute; d\u0026rsquo;O consists of installations of sculptures, assemblages and video works.\u0026nbsp; It is multi-facetted to say the least, and always in motion.\u0026nbsp; The artist was born in 1961 as Raf Van Ommeslaege, and born anew in 1984 as Honor\u0026eacute; d\u0026rsquo;O.\u0026nbsp; This rebirth is not only marked by a change in name, but also as an emphatic assertion of his take on art and life - for him, perfectly interchangeable.\u003c/p\u003e\r\n\r\n\u003cp\u003eHonor\u0026eacute; d\u0026rsquo;O\u0026rsquo;s art is not heavy, it\u0026#39;s light-footed and playful.\u0026nbsp; As a viewer, you are constantly invited to play along and to become part of the composition.\u0026nbsp; You can also look at his work from a variety of viewpoints, giving rise to ever-new meanings.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe sublime video \u003cem\u003eYou may use my picture\u003c/em\u003e shows the edited result of the artist\u0026#39;s journey to Nepal.\u0026nbsp; Images from the expedition are interspersed at a furious pace with shots of everyday, but moving, objects.\u0026nbsp; This film is an ode to seeing, to pleasure, to nature and, above all, to human creativity.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIn the video we find references to the artist\u0026#39;s breathing difficulties encountered during his climbs in the Himalayas, but also to the environmental problems of Nepal.\u0026nbsp; The artist couples his own physical limitations to the eco-catastrophes in the Himalayan region.\u0026nbsp; Dependent upon the associations we make as viewers, one comes to aesthetic, formal, functional, political or personal meanings - and all of these may be in constant flux.\u0026nbsp; \u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eHet oeuvre van Honor\u0026eacute; d\u0026rsquo;O bestaat uit installaties van sculpturen, assemblages en videowerken. Het is op zijn minst veelzijdig te noemen en altijd in beweging. In 1961 werd de kunstenaar geboren als Raf Van Ommeslaege en in 1984 opnieuw als Honor\u0026eacute; d\u0026rsquo;O. Deze wedergeboorte vindt plaats bij de keuze van zijn kunstenaarsnaam en sluit aan bij zijn opvatting over kunst en leven, die volgens hem verwisselbaar zijn.\u003c/p\u003e\r\n\r\n\u003cp\u003eHonor\u0026eacute; d\u0026rsquo;O\u0026rsquo;s kunst is niet zwaarwichtig, maar lichtvoetig en speels. Als bezoeker word je steeds uitgenodigd om het spel mee te spelen en deel te worden van de compositie. Je kan zijn werk ook bekijken vanuit verschillende gezichtspunten, die steeds zorgen voor nieuwe betekenissen.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe sublieme video\u0026nbsp;\u003cem\u003eYou may use my picture\u003c/em\u003e\u0026nbsp;toont de gemonteerde neerslag \u0026nbsp;van de reis die de kunstenaar ondernam naar Nepal. Beelden van de expeditie worden in een hels tempo ingewisseld met beelden van gewone maar bewegende objecten. Deze film is een ode aan het kijken, het genieten, de natuur en bovenal aan de creativiteit van de een mens.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn de video zitten verwijzingen naar de ademhalingsproblemen die de kunstenaar ondervond bij de beklimming van de Himalaya, maar evengoed naar de milieuproblemen in Nepal. De kunstenaar koppelt zijn eigen lichamelijke beperkingen \u0026nbsp;aan de ecologische rampen in het Himalaya-gebied. Afhankelijk van de verbanden die je als toeschouwer legt, kom je tot esthetische, vormelijke, functionele, politieke of persoonlijke betekenissen, die voortdurend kunnen wisselen.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eL\u0026#39;\u0026oelig;uvre d\u0026#39;Honor\u0026eacute; d\u0026rsquo;O est constitu\u0026eacute;e d\u0026#39;installations de sculptures, d\u0026#39;assemblages et de vid\u0026eacute;os. C\u0026#39;est pour le moins polyvalent et toujours en mouvement. En 1961, l\u0026#39;artiste na\u0026icirc;t sous le nom de Raf Van Ommeslaege et il rena\u0026icirc;t en 1984 sous le nom d\u0026#39;Honor\u0026eacute; d\u0026#39;O. Cette seconde naissance a lieu lors du choix de son nom d\u0026#39;artiste et elle correspond \u0026agrave; sa vision de l\u0026#39;art et de la vie qui, selon lui, sont interchangeables.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026#39;art d\u0026#39;Honor\u0026eacute; d\u0026rsquo;O n\u0026#39;est pas pesant mais l\u0026eacute;ger et ludique. En tant que visiteur, vous \u0026ecirc;tes toujours invit\u0026eacute; \u0026agrave; participer au jeu et \u0026agrave; faire partie de la composition. Vous pouvez \u0026eacute;galement admirer l\u0026#39;\u0026oelig;uvre de diff\u0026eacute;rents points de vue, toujours synonymes de nouvelles significations.\u003c/p\u003e\r\n\r\n\u003cp\u003eLa sublime vid\u0026eacute;o \u0026nbsp;\u003cem\u003eYou may use my picture\u003c/em\u003e\u0026nbsp;montre le souvenir mont\u0026eacute; du voyage que l\u0026#39;artiste a entrepris au N\u0026eacute;pal. Des images de l\u0026#39;exp\u0026eacute;dition alternent tr\u0026egrave;s rapidement avec des images d\u0026#39;objets usuels mais en mouvement. Ce film est une ode \u0026agrave; l\u0026#39;observation, au plaisir, \u0026agrave; la nature et par-dessus tout, \u0026agrave; la cr\u0026eacute;ativit\u0026eacute; de l\u0026#39;homme.\u003c/p\u003e\r\n\r\n\u003cp\u003eLa vid\u0026eacute;o contient des r\u0026eacute;f\u0026eacute;rences aux probl\u0026egrave;mes respiratoires qu\u0026#39;a rencontr\u0026eacute;s l\u0026#39;artiste lors de l\u0026#39;ascension de l\u0026#39;Himalaya mais \u0026eacute;galement aux probl\u0026egrave;mes environnementaux au N\u0026eacute;pal. L\u0026#39;artiste associe ses propres limites physiques aux d\u0026eacute;sastres \u0026eacute;cologiques dans la r\u0026eacute;gion de l\u0026#39;Himalaya. Selon les liens que vous \u0026eacute;tablissez en tant que spectateur, vous parvenez \u0026agrave; des significations esth\u0026eacute;tiques, de forme, fonctionnelles, politiques ou personnelles qui peuvent changer en permanence.\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":7298,"title":"Honoré ðO - \"The Quest\" Variations on a Theme","dimensions":"23 cm x 17 cm","date_begin":"2006-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"Artist publication ; Artist book","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":19,"permalink":"honore-do-the-quest-variations-on-a-theme","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/789/large/DSC_5237.jpg?1367223563","poster_credits":"(c)image: M HKA ","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026quot;The Quest\u0026quot; Variations on a Theme\u0026nbsp;\u003c/em\u003emay be read as a safari-project through the reserve of the artist\u0026#39;s archives.\u0026nbsp; This grey book treats this quest mainly through images of Honor\u0026eacute; \u0026eth;O\u0026rsquo;s exhibition during the Venice Biennale and an exhibition in Charleroi.\u0026nbsp; The accompanying projects are sketched at the front and back of the book, and in the middle are found series of video-stills.\u003c/p\u003e\r\n\r\n\u003cp\u003eWithin the volume \u0026ldquo;\u003cem\u003eThe Quest\u0026rdquo; variations on the theme\u003c/em\u003e\u003cem\u003e, a\u003c/em\u003e DVD sits hidden:\u0026nbsp;\u003cem\u003eOsmose\u003c/em\u003e.\u0026nbsp; While a book is usually a matter of documentation, this video is pure artistic \u0026#39;information\u0026#39;.\u0026nbsp; Here, Honor\u0026eacute; \u0026eth;O is fragmented in the key of blue - with the artist completely dissolving in a mix of blue heaven.\u003c/p\u003e\r\n\r\n\u003cp\u003eAuthors: Honor\u0026eacute; \u0026eth;O, Dieter Roelstraete, Pierre-Olivier Rollin, Inge Braeckman, Bart De Baere.\u0026nbsp; Publisher: Honor\u0026eacute; \u0026eth;O (Belgium). Accompanying material: DVD \u0026#39;Osmose\u0026#39;.\u0026nbsp; Texts: Dutch, English, Korean. ISBN 90-811078-1-X\u003c/p\u003e\r\n\r\n\u003cp\u003eHardcover in grey with black letters.\u0026nbsp; Around the book, a construction of grey tubes.\u0026nbsp; Inside, texts in English, Dutch and Korean, and photos of the artist\u0026#39;s participation at the 2005 Venice Biennale, and his projects in Charleroi and Korea.\u0026nbsp; This book was presented at the M HKA in 2007.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026quot;The Quest\u0026quot; Variations on a Theme\u0026nbsp;\u003c/em\u003ekan gelezen worden als een safari-project doorheen het reservaat van het archief van de kunstenaar. Dit grijze boek behandelt deze queeste met vooral beelden van Honor\u0026eacute; \u0026eth;O\u0026rsquo;s tentoonstelling tijdens de bi\u0026euml;nnale van Venezi\u0026euml; en een tentoonstelling in Charleroi. Vooraan en achteraan worden de begeleidende projecten geschetst en in het midden van het boek zijn reeksen videostills opgenomen.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn het boek \u0026ldquo;\u003cem\u003eThe Quest\u0026rdquo; variations on the theme\u003c/em\u003e\u0026nbsp;zit ook een dvd verborgen:\u0026nbsp;\u003cem\u003eOsmose\u003c/em\u003e. Waar een boek toch vooral en meestal documentatie is, is deze video puur artistieke informatie. In de video begeeft Honor\u0026eacute; \u0026eth;O zich in een blue key ruimte en fragmenteert en lost de kunstenaar helemaal op in een mengsel van hemelsblauw.\u003c/p\u003e\r\n\r\n\u003cp\u003eAuteurs/Authors: Honor\u0026eacute; \u0026eth;O, Dieter Roelstraete, Pierre-Olivier Rollin, Inge Braeckman, Bart De Baere. Uitgever/Publisher: Honor\u0026eacute; \u0026eth;O (Belgi\u0026euml;). Begeleidend materiaal/Accompanying material: DVD \u0026#39;Osmose\u0026#39;. Teksten/Texts: Nederlands, Engels, Koreaans. ISBN 90-811078-1-X\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":9487,"title":"- If Language Substitutes the Title -","dimensions":"variable dimensions","date_begin":"2011-01-01","material":"pvc, mixed media","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":58,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy Honoré δ'O","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2013-01-01","reference":"","stream_count_app":24,"permalink":"if-language-substitutes-the-title","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/799/large/HONOR%C3%89_D_O_-If_Language_Subtitles_the_Title-_2011-2012-2013_2014.jpg?1392889582","poster_credits":null,"translations":[{"locale":"en","description":"For this exhibition, Honoré δ'O creates a mural drawing where he accords a prominent role to the material usually hidden away under a layer of plaster: grey PVC pipes. Not only does he liberate this material from its invisible position, he also redeems it from its limited function. Suddenly the material acquires unexpected, elegant characteristics, and a new form of writing comes into being. \r\n\r\nWhereas on first sight his installations often seem like a disorderly amalgam of materials, on closer inspection we see that they are full of well-considered compositions and that there is an ordered chaos to be found in the details. The same elements often recur in different combinations as well.\r\n \r\nThe art practice of Honoré δ'O is not ponderous; rather it is light-footed and playfully subversive. As visitors, we are invited to play along with his game, and to free ourselves from habitual conventions of seeing too. Honoré δ'O activates our gaze: you can look at the work from various points of view, and along with a changing perspective, this invariably generates new meanings."},{"locale":"nl","description":"Voor de tentoonstelling creëert Honoré δ'O een muurtekening waarbij hij een prominente rol geeft aan materiaal dat doorgaans juist weggewerkt wordt achter een laag gips: grijze pvc buizen. Niet alleen bevrijdt hij dit materiaal uit zijn onzichtbare positie, hij verlost het ook van zijn beperkte functie. Plots krijgt de materie onverwacht elegante karakteristieken, en ontstaat een nieuwe vorm van schriftuur.\r\n\r\nOp het eerste gezicht lijken zijn installaties vaak een ongeordende veelheid aan materialen, maar als je beter kijkt, zie je dat ze vol zitten met weloverwogen composities en dat er een geordende chaos zit in de details. Dezelfde elementen komen ook vaak terug in verschillende combinaties. \r\n\r\nHonoré δ'O’s kunst is niet zwaarwichtig, maar juist lichtvoetig en speels subversief. Als bezoeker word je uitgenodigd om het spel mee te spelen en zo ook je eigen conventies los te laten. Honoré δ'O activeert de blik: je kan het werk bekijken vanuit verschillende gezichtspunten, die telkens zorgen voor nieuwe betekenissen. "},{"locale":"fr","description":"Pour l’exposition El Hotel Eléctrico, Honoré δ'O crée un dessin mural dans lequel il attribue un rôle prépondérant aux tuyaux en PVC gris : un matériel en général soigneusement dissimulé derrière une couche de plâtre. Non seulement il libère ce matériel de son état d’invisibilité, mais de sa fonction restreinte aussi. Soudain, la matière acquiert des caractéristiques élégantes inattendues et une nouvelle forme d’écriture voit le jour.\r\n\r\nA priori, ses installations ressemblent à une multitude chaotique de matériaux, mais en prêtant plus d’attention, on se rend compte qu’il s’agit de compositions mûrement réfléchies et que ce chaos recèle un ordre précis de détails. Les mêmes éléments reviennent sous différentes combinaisons.\r\n\r\nL’art d’Honoré δ'On’est jamais pontifiant, mais toujours sensible, ludique et subversif. Le spectateur est invité à jouer le jeu et à lâcher ses propres conventions aussi. Honoré δ'O active le regard : on peut contempler l’œuvre à partir de plusieurs perspectives qui génèrent toujours un sens nouveau."}]},{"id":13774,"title":"Honoré δ'O / All the details extended, en fractures recomposées","dimensions":"21 x 14.5 cm, 164 p., language : Dutch, French, English, publisher : Le Collège Éditions - FRAC Champagne-Ardenne, Reims \u0026 Museum van Hedendaagse Kunst Antwerpen, ISBN : 2-907331-18-3","date_begin":"2003-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1998/628","stream_count_app":8,"permalink":"honore-o-all-the-details-extended-en-fractures-recomposees","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/337/large/__Photo_M_HKA__99.jpg?1458561975","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eText : Filip Luyckx.\u003c/p\u003e\r\n\r\n\u003cp\u003eCatalogue published on the occasion of the exhibitions\u0026nbsp;at Museum van Hedendaagse Kunst Antwerpen and at Le Coll\u0026egrave;ge/FRAC-Fonds R\u0026eacute;gional d\u0026#39;Art Contemporain Champagne-Ardenne, Reims.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable in the M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eText : Filip Luyckx.\u003c/p\u003e\r\n\r\n\u003cp\u003eCatalogue published on the occasion of the exhibitions\u0026nbsp;at Museum van Hedendaagse Kunst Antwerpen and at Le Coll\u0026egrave;ge/FRAC-Fonds R\u0026eacute;gional d\u0026#39;Art Contemporain Champagne-Ardenne, Reims.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVerkrijgbaar in de M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eText : Filip Luyckx.\u003c/p\u003e\r\n\r\n\u003cp\u003eCatalogue published on the occasion of the exhibitions\u0026nbsp;at Museum van Hedendaagse Kunst Antwerpen and at Le Coll\u0026egrave;ge/FRAC-Fonds R\u0026eacute;gional d\u0026#39;Art Contemporain Champagne-Ardenne, Reims.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisponible dans le M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":460,"title":"Tant (de) pis de tâches de titre(s), L’Envers du Décor","dimensions":"","date_begin":"2005-01-01","material":"ink, paper, dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"video","publishing_process_id":1,"annotation":"","date_end":"2005-01-01","reference":"UFO_079","stream_count_app":22,"permalink":"tant-de-pis-de-taches-de-titre-s-l-envers-du-decor","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/996/large/do.jpg?1465990384","poster_credits":"(c)image: video still","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eTant (de) pis de t\u0026acirc;ches de titre(s), L\u0026rsquo;Envers du D\u0026eacute;cor\u003c/em\u003e\u0026nbsp;is a monumental blue book, in which the artist\u0026rsquo;s image-stream from his years of slide-documentation is driven to a climax. The publication sprang from the project \u003cem\u003eThe Quest\u003c/em\u003e, a labyrinthine total-installation developed by Honor\u0026eacute; d\u0026rsquo;O for the Flemish Community in the Belgian pavilion of the 2005 Venice Bi\u0026euml;nnale. \u003cem\u003eTant (de) pis\u003c/em\u003e\u0026nbsp;is a text- and image story that spans over 800 pages. It is a whole of diverse images that unrolls before the viewer\u0026rsquo;s eyes, always in a different form. The images vary from large to small, in ever-changing combinations. The images\u0026rsquo; significance is never fixed; they are in rhythm with the movement of the pages and the eyes of the viewer. The accompanying DVD turns the static given that a book remains more-or-less as it is, into an unceasing flow of movement. The book can be described as the artist\u0026rsquo;s mental travel-journal, as well as his critical commentary upon the place of word and image in our society.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eTant (de) pis de t\u0026acirc;ches de titre(s), L\u0026rsquo;Envers du D\u0026eacute;cor\u003c/em\u003e\u0026nbsp;is een monumentaal blauw boek, waarin de kunstenaar de beeldenstroom van zijn jarenlange diadocumentatie naar een hoogtepunt drijft. De publicatie kwam voort uit het project \u003cem\u003eThe Quest\u003c/em\u003e, een labyrintische totaalinstallatie die Honor\u0026eacute; d\u0026rsquo;O voor de Vlaamse gemeenschap in het Belgisch paviljoen van de Bi\u0026euml;nnale in Veneti\u0026euml; ontwikkelde in 2005. \u003cem\u003eTant (de) pis\u003c/em\u003e\u0026nbsp;is een tekst- en beeldverhaal dat zich over 800 pagina\u0026rsquo;s uitspant. Het is een geheel van uiteenlopende beelden dat zich, telkens in een andere gedaante, voor de ogen van de kijker ontrolt. De beelden vari\u0026euml;ren van groot naar klein, staan in telkens wisselende combinaties. De beeldbetekenissen staan niet vast, ze ritmeren zich volgens de beweging van de bladzijden en de ogen van de kijker. De bijhorende DVD maakt van de statische gegeven dat een boek sowieso blijft, een onophoudelijke stroom van beweging. Het boek kan omschreven worden als een mentaal reisboek van de kunstenaar, een kritisch commentaar ook op de plaats van woord en beeld in onze maatschappij.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]}]