[{"id":22785,"title":"Model of Nature, Goethe’s Model","dimensions":"","date_begin":"2015-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist  ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"model-of-nature-goethe-s-model","description_ru":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eМодель природы, модель Гёте\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eИнсталляция, 2015\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eМодель природы, модель Гёте \u0026mdash; это инсталляция, сталкивающая в пространственном воплощении разные методы исследования природы.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eПервый метод это натурфилософские и художественные интуиции, укорененные в собственных п практиках художника. Второй метод \u0026mdash; естественнонаучная эпистемология Гете, так называемый \u0026laquo;осторожный эмпирицизм\u0026raquo;. Третий метод \u0026mdash; математическая интерпретация биологической морфологии Дарси Томпсоном.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eНесмотря на огромную разницу в масштабе, сути и позиции, эти методы исследования природы вместе проходят испытание пространством, коллизиями вещества и человеческим опытом.\u003c/p\u003e\r\n","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/598/medium_500/Model_of_Nature__Goethe%E2%80%99s_model_01.jpg?1573058185","cached_actor_names":"Ilya Dolgov","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/598/large/Model_of_Nature__Goethe%E2%80%99s_model_01.jpg?1573058185","poster_credits":"(c)Ilya Dolgov","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eModel of Nature, Goethe\u0026rsquo;s model\u003c/em\u003e is an installation clashing three strategies of studying nature in one space embodiment.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eFirst strategy is Natural philosophy speculations and visual intuitions rooted in personal artist\u0026rsquo;s life practices. Second strategy is natural-science epistemology Goethe\u0026rsquo;s theory, so-called \u0026ldquo;careful empiricism\u0026rdquo;. Third strategy is a well-known mathematical interpretation of biological morphology by D\u0026rsquo;Arcy Thompson.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDespite of huge difference in scale, essence and positions these three approaches of nature investigation pass through test of space, matter, and human experience together.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22786,"title":"Forest Journal","dimensions":"","date_begin":"2013-01-01","material":"Web based project","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist  ","cached_tag_list":"VAC","publishing_process_id":1,"annotation":"","date_end":"2019-01-01","reference":"","stream_count_app":12,"permalink":"forest-journal","description_ru":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eЛесная газета\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e2013 \u0026mdash; продолжается. Онлайн\u003c/em\u003e\u003cem\u003e-проект, \u003c/em\u003e\u003cem\u003eforestjournal.org\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eХудожественный исследовательский проект наследует название популярной советской книги о природе для детей. Главный вопрос проекта также сформулирован просто \u0026mdash; \u0026laquo;Что такое и природа\u0026raquo;? Попытки дать на него ответ включают в себя широкий и конфликтный спектр практик \u0026mdash; от квазинаучных спекуляций до экстатического романтизма, от классической натурфилософии к новым эпистемологиям. Проект публикуется в виде выпусков на сайте forestjournal.org и основывается на коллаборации с другими художницами и художниками.\u003c/p\u003e\r\n","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/601/medium_500/Forest_Journal_01.jpg?1573058510","cached_actor_names":"Ilya Dolgov","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/601/large/Forest_Journal_01.jpg?1573058510","poster_credits":"(c)Ilya Dolgov","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThis artistic research project inherits the name of a popular Soviet book on nature for children. The main question of the project is also simply formulated - \u0026ldquo;What is nature\u0026rdquo;? Attempts to give it an answer include a broad and contradictory spectrum of practices \u0026mdash; from quasi-scientific speculation to ecstatic romanticism, from classical natural philosophy to new epistemologies. The project is published on forestjournal.org and is based on collaboration with fellow artists.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eforestjournal.org/en\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22793,"title":"Reef","dimensions":"variable dimensions","date_begin":"2017-01-01","material":"mixed media","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist ","cached_tag_list":"VAC","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"reef","description_ru":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eРиф\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e2017, Инсталляция\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eИнсталляция \u0026laquo;Риф\u0026raquo; подражает пространству-опыту, в котором волны умной материи, закручиваясь в турбулентности, зажигают огни сознаний. Сознания живут, пока смотрят друг в друга, подражают друг другу, сопричастны друг другу в слабости.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eМертвый тюлень подражает камню, пустая ракушка защищает руку, подражающую корню. Человеческий глаз стал органом осязания и так смог встретить взгляд осы.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eВыставка не желает быть выставкой, вещи не хотят быть искусством. В прутьях алюминия отпечатались мышцы и кости художника, в парусах замерли прозрачные, ломкие образы рифа.\u003c/p\u003e\r\n","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/604/medium_500/Reef_01.jpg?1573067143","cached_actor_names":"Ilya Dolgov","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/604/large/Reef_01.jpg?1573067143","poster_credits":"(c)Ilya Dolgov","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u0026ldquo;Reef\u0026rdquo; installation imitates the space-experience, in which waves of the intelligent matter, curving in turbulence, are lighting up sparkles of consciousness. Consciousnesses are living, until watching in each other, reflecting each other, implicating each other in common weakness.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe dead seal mimics the stone, empty shell protects the hand, which is mimicking the root. The human eye became a touch sensitive organ and thereby became able to face the gaze of the wasp.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe exhibition doesn\u0026rsquo;t want to be an art, the stuff doesn\u0026rsquo;t want to be an art. Aluminum rods are keeping pressure of artist\u0026rsquo;s muscle and bones; sails are holding transparent, brittle images of the Reef.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22794,"title":"Flaming Archipelago","dimensions":"","date_begin":"2019-01-01","material":"Urban gardening","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Courtesy of the Artist ","cached_tag_list":"VAC","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"flaming-archipelago","description_ru":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eПылающий архипелаг\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e2019, инсталляция, практики в городском пространстве\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026laquo;Пылающий архипелаг\u0026raquo; \u0026mdash; это россыпь нестабильных, незрелых экосистем, возникающих во временно пустых зонах городского и индустриального капитализма. Именно так появилась намытая в ходе строительства дамбы искусственная территория на острове Котлин (на котором живет художник). Новая земля стала заселяться мигрирующими видами растений, среди которых была и облепиха, морская колючка, населявшая когда-то берега исчезнувшего океана Тетис.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eСаженцы дикой котлинской облепихи прибыли в Музей Сидура в Москве, чтобы стать посланниками Пылающего архипелага. Жителям района предлагалось брать саженцы и высаживать их в подходящих для этого пространствах \u0026mdash; пустырях, вдоль логистических магистралей, у себя под окнами. Опыт совместной истории с саженцами дикой облепихи призван дать людям новое хрупкое чувство города с точки зрения растительных сообществ, почвы, света и новый опыт совместной жизни с нестабильными растительными сообществами.\u003c/p\u003e\r\n","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/607/medium_500/Flaming_Archipelago_01.jpg?1573067599","cached_actor_names":"Ilya Dolgov","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/607/large/Flaming_Archipelago_01.jpg?1573067599","poster_credits":"(c)Ilya Dolgov","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eThe Flaming Archipelago is a scattering of unstable, immature ecosystems that arise in the temporarily empty zones of urban and industrial capitalism. That is how the artificial territory appeared on the island of Kotlin, washed up during the construction of the dam (on which the artist lives). The new land began to be inhabited by migrating species of plants, among which was sea buckthorn, once inhabited the shores of the disappeared Tethys Ocean.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eSeedlings of wild Kotlin sea buckthorn arrived at the Sidur Museum in Moscow to become envoys of the Flaming Archipelago. Local residents were invited to take seedlings and plant them in suitable spaces - wastelands, along highways, under their own windows. The experience of a joint history with wild buckthorn seedlings is designed to give people a new fragile sense of the city in terms of plant communities, soil, light and a new experience of living together with instable plant communities.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]}]