[{"id":960,"title":"Concetto Spaziale: Attese","dimensions":"130,5 x 97,2 cm","date_begin":null,"material":"oil, canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection VAM, Eindhoven","cached_tag_list":"cutting","publishing_process_id":1,"annotation":"","date_end":null,"reference":"127","stream_count_app":17,"permalink":"concetto-spaziale-attese","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/489/large/0127.JPG?1308139483","poster_credits":"(c)image: Van Abbemuseum, Eindhoven / Peter Cox","translations":[{"locale":"en","description":"\u003cp\u003eThe work \u0026#39;Concetto Spaziale: Attese\u0026#39; by Italian artist Lucio Fontana consists of a white canvas where a cut has been made with a sharp knife. The cut is not strictly vertical, since it follows the movement of the action of the cutting arm. Lucio Fontana makes here a radical gesture, taking distance from the assumption that a painting is a flat surface where space is suggested through the way something is painted on it.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eHet werk \u0026#39;Concetto Spaziale: Attese\u0026#39; van de Italiaanse kunstenaar Lucio Fontana bestaat uit een wit doek waar met een scherp mes een snede in is gemaakt. De snede is niet helemaal verticaal; hij volgt de natuurlijke beweging van de snijdende arm. Lucio Fontana maakt hier een radicaal gebaar. Hij neemt afstand van het uitgangspunt dat een schilderij een plat vlak is waarop ruimte gesuggereerd kan worden door erop te schilderen.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":18508,"title":"Concetto Spaziale, Natura","dimensions":"50 x 50 cm","date_begin":"1982-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collezione Prada, Milano","cached_tag_list":"Lucio Fontana barok","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"concetto-spaziale-natura","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/240/medium_500/fontana_collezione_Prada.jpg?1527594461","cached_actor_names":"Lucio Fontana","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/240/large/fontana_collezione_Prada.jpg?1527594461","poster_credits":"Collezione Prada, Milano, image: (c) Roberto Marossi, © SABAM Belgium 2018","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eWith Lucio Fontana there is no longer any question of different disciplines such as painting or sculpture, but rather of an integrated work that fuses elements of the installation (the artwork as a built-up object), the performance (the incision as action) and the environment (the artwork as environmental element). The \u003cem\u003eConcetto Spaziale, Natura\u003c/em\u003e shown here is a sphere of terracotta \u0026ndash; there are also versions in bronze \u0026ndash; with an incision as a lively signal from the artist to bring the inert density of matter into action.\u0026nbsp;\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eBij Lucio Fontana is er geen sprake meer van verschillende disciplines zoals schilderkunst of beeldhouwkunst, maar eerder van een ge\u0026iuml;ntegreerd werk dat elementen versmelt van de installatie (het kunstwerk als opgebouwd object), de performance (het insnijden als actie) en het \u003cem\u003eenvironment\u003c/em\u003e (het kunstwerk als omgevingselement). De hier getoonde \u003cem\u003eConcetto Spaziale,\u003c/em\u003e \u003cem\u003eNatura\u003c/em\u003e is een bol van terracotta \u0026ndash; er bestaan ook versies in brons \u0026ndash; met een insnijding als een levendig signaal van de kunstenaar om de inerte dichtheid van de materie tot actie te brengen. De opengebarsten bol roept associaties op met natuurkrachten (aardkloven, erupties en kraters) maar ook met seminale levensprocessen (de ontbolstering en het kiemen).\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eChez Lucio Fontana, il n\u0026rsquo;est plus question de disciplines distinctes comme la peinture ou la sculpture, mais d\u0026rsquo;une \u0026oelig;uvre int\u0026eacute;gr\u0026eacute;e dans laquelle se fondent des \u0026eacute;l\u0026eacute;ments de l\u0026rsquo;installation (l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;art est construite comme un objet), de la performance (la lac\u0026eacute;ration des toiles en tant qu\u0026rsquo;action) et de l\u0026rsquo;environnement (l\u0026rsquo;\u0026oelig;uvre en tant que composante de l\u0026rsquo;espace dans lequel elle est dispos\u0026eacute;e). Le \u003cem\u003eConcetto spaziale\u003c/em\u003e \u003cem\u003eNatura\u003c/em\u003e pr\u0026eacute;sent\u0026eacute; dans l\u0026rsquo;exposition est une boule en terra-cotta \u0026ndash; dont il existe \u0026eacute;galement des versions en bronze \u0026ndash; avec une incision comme signal ardent de l\u0026rsquo;artiste d\u0026rsquo;une activation de la densit\u0026eacute; inerte de la mati\u0026egrave;re.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"}]},{"id":21462,"title":"• 0153 • Untitled","dimensions":"116 x 144 x 30 cm","date_begin":"1963-01-01","material":"Oil on perforated canvas, aluminium strips, angle irons, steel springs","short_description":"","art_status_id":13,"legal_status_id":84,"category_id":79,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Hermann Goepfert Estate, Frankfurt am Main, Germany","cached_tag_list":"Jef Verheyen Lucio Fontana Hermann Goepfert","publishing_process_id":1,"annotation":"\u003cp\u003e---------------------------------------------------------------------------\u003cbr /\u003e\r\nInscribed on the reverse, including an Italian text by Jef Verheyen: \u0026quot;[...] di Fontana mal executi parma\u0026quot;\u003cbr /\u003e\r\nCondition \u0026quot;good\u0026quot;\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":52,"permalink":"153-untitled","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/045/881/medium_500/153_asset2.jpg?1559810049","cached_actor_names":"Jef Verheyen, Lucio Fontana, Hermann Goepfert","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/045/881/large/153_asset2.jpg?1559810049","poster_credits":"(c)Jef Verheyen, photo: Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":22830,"title":"• 0390 • Rêve de Möbius","dimensions":"113.5 x 146 cm / 116 x 148.5 cm with frame","date_begin":"1962-01-01","material":"matt lacquer on canvas, perforated","short_description":"\u003cp\u003eIvo Michiels wrote about the realization of \u003ci\u003eRêve de Möbius \u003c/i\u003ein his publication\u0026nbsp; \u003ci\u003eLuister hoe dit beeld hoe die lijn hoe die kleur hoe dit vlak luister \u003c/i\u003e(Antwerp: Soethoudt, 1979), a collection of the artist's writings about art.\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":14,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Lucio Fontana Möbius droom","publishing_process_id":1,"annotation":"\u003cp\u003e---------------------------------------------------------------------------\u003cbr\u003eThe canvas was first perforated, and then painted\u003cbr\u003eSigned on the back (only by Verheyen): 'Fontana Verheyen'\u003cbr\u003eDated on the back: '62'\u003cbr\u003eTitled on the back: 'Rêve de Möbius'\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":113,"permalink":"390-reve-de-mobius","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eIvo Michiels wrote about the realization of \u003ci\u003eRêve de Möbius \u003c/i\u003ein his publication\u0026nbsp; \u003ci\u003eLuister hoe dit beeld hoe die lijn hoe die kleur hoe dit vlak luister \u003c/i\u003e(Antwerp: Soethoudt, 1979), a collection of the artist's writings about art.\u003c/p\u003e","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/829/medium_500/390_14.jpg?1720789788","cached_actor_names":"Lucio Fontana, Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/829/large/390_14.jpg?1720789788","poster_credits":"© SABAM Belgium, 2024, Jan Liégeois on behalf of the Jef Verheyen Archive","translations":[{"locale":"en","description":"\u003cp\u003eCollaborations are important to Jef Verheyen.\u003c/p\u003e\u003cp\u003eIn 1962 he cements his friendship with Lucio\u003c/p\u003e\u003cp\u003eFontana with this work. Verheyen paints the blue\u003c/p\u003e\u003cp\u003ebackground and Fontana adds the perforations as\u003c/p\u003e\u003cp\u003ea performance. This collaboration embodies their\u003c/p\u003e\u003cp\u003eshared views on the activation of space. ‘Fontana’s\u003c/p\u003e\u003cp\u003espatialism drilled through the dimensions. His fifth\u003c/p\u003e\u003cp\u003edimension broke the boundaries, he opened up\u003c/p\u003e\u003cp\u003ethe path to infinity,’ writes Verheyen. The title of\u003c/p\u003e\u003cp\u003ethis work is a reference to the endless Möbius strip.\u003c/p\u003e\u003cp\u003eThis looped strip symbolises the harmony between\u003c/p\u003e\u003cp\u003etwo artistic approaches and their shared dream of\u003c/p\u003e\u003cp\u003einfinite freedom.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eSamenwerkingen zijn belangrijk voor Jef Verheyen.\u003c/p\u003e\u003cp\u003eIn 1962 bezegelt hij zijn vriendschap met Lucio\u003c/p\u003e\u003cp\u003eFontana met dit werk. Verheyen schildert de blauwe\u003c/p\u003e\u003cp\u003eondergrond, Fontana voert de perforaties uit als\u003c/p\u003e\u003cp\u003eeen performance. Deze samenwerking belichaamt\u003c/p\u003e\u003cp\u003ehun gedeelde opvattingen over het activeren van\u003c/p\u003e\u003cp\u003ede ruimte. “Fontana’s spatialisme boorde door de\u003c/p\u003e\u003cp\u003edimensies. Zijn vijfde dimensie brak de grenzen,\u003c/p\u003e\u003cp\u003ehij opende de weg naar de oneindigheid,” schrijft\u003c/p\u003e\u003cp\u003eVerheyen. De titel van dit werk verwijst naar de\u003c/p\u003e\u003cp\u003eeindeloze Möbiusring. Deze ring staat symbool voor\u003c/p\u003e\u003cp\u003ede harmonie tussen twee artistieke benaderingen\u003c/p\u003e\u003cp\u003een voor hun droom van oneindige vrijheid.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":23065,"title":"Major Unidentified Lucio Fontana Painting Authenticated After Decade of Research","dimensions":"","date_begin":"2014-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"Le Jour Jef 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Milliard","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/264/large/ID_23065_asset3.JPG?1576581229","poster_credits":"(c) Artnet","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":23064,"title":"• 0437 • Le Jour","dimensions":"211 x 140 cm ","date_begin":"1962-01-01","material":"Oil paint on canvas, perforated","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Galerie Tornabuoni, Paris, France","cached_tag_list":"Jef Verheyen Lucio Fontana","publishing_process_id":1,"annotation":"\u003cp\u003e---------------------------------------------------------------------------\u003cbr /\u003e\r\nThis collaborative work was conceived on 12 November 1962 at the private house of collector Louis Bogaerts, Knokke, Belgium\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":76,"permalink":"le-jour","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/258/medium_500/437_asset4.jpg?1576579594","cached_actor_names":"Lucio Fontana, Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/050/258/large/437_asset4.jpg?1576579594","poster_credits":"(c)Jef Verheyen, photo: Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":24815,"title":"• 0576 • Hommage à Fontana","dimensions":"130 x 130 cm","date_begin":"1972-01-01","material":"Matt lacquer on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Private","cached_tag_list":"Jef Verheyen Hommage Homage Lucio Fontana Dia Oranje Madeleine Everaert","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":16,"permalink":"576-hommage-a-fontana","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Madeleine Everaert, Lucio Fontana, Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":28206,"title":"Notebook","dimensions":"A4","date_begin":"1973-01-01","material":"Pencil and ink on paper","short_description":"","art_status_id":13,"legal_status_id":84,"category_id":26,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Notes Waarneembare Felheid Kleur Perfectie Italianen Renaissance Lucio Fontana Inquietude","publishing_process_id":1,"annotation":"\u003cp\u003e---------------------------------------------------------------------------\u003cbr /\u003e\r\nDated on the first side, top right: \u0026#39;3 okt 73\u0026#39;\u003cbr /\u003e\r\nDated on the third side, top right: \u0026#39;sept 73\u0026#39;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cbr /\u003e\r\nSide\u0026nbsp;1:\u0026nbsp;Over de felheid en perfectie van de kleuren\u003cbr /\u003e\r\nSide 2:\u0026nbsp;\u003cbr /\u003e\r\nSide 3: Lucio Fontana - Inquietude\u003cbr /\u003e\r\nSide 4: Soms komt al schilderend iets vrij dat geheel anders is -\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"JV_08_11_03","stream_count_app":67,"permalink":"over-de-felheid-en-perfectie-van-de-kleuren","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/064/425/medium_500/img06102020_0001.jpg?1604053511","cached_actor_names":"Jef Verheyen, Lucio Fontana","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/064/425/large/img06102020_0001.jpg?1604053511","poster_credits":"(c) Scan: CKV, 2020 - Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":31468,"title":"Jef Verheyen and Lucio Fontana just before the opening of Fontana’s solo exhibition in Museum Morsbroich in Leverkusen, curated by Udo Kultermann","dimensions":"","date_begin":"1962-01-01","material":"Photograph","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":29,"permalink":"jef-verheyen-and-lucio-fontana-at-the-opening-of-fontana-s-solo-exhibition-at-leverkusen","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/664/medium_500/JV_38_03_11_d.jpg?1718198898","cached_actor_names":"Lucio Fontana, Jef Verheyen, Gerald Dauphin","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/664/large/JV_38_03_11_d.jpg?1718198898","poster_credits":"FOMU Collection, Fotomuseum Antwerpen, Gerald Dauphin","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":31845,"title":"SE LIBERER EST L'ACTION DE L'ESPRIT INDIVIDUEL","dimensions":"32,5 x 25,5 cm (folded)","date_begin":"1959-01-01","material":"Ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":25,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Lucio Fontana Se Liberer","publishing_process_id":1,"annotation":"","date_end":null,"reference":"JV_03_01_01","stream_count_app":28,"permalink":"se-liberer-est-l-action-de-l-esprit-individuel","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/077/142/medium_500/JV_03_01_a.jpg?1645696034","cached_actor_names":"Jef Verheyen, Lucio 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ceramics","publishing_process_id":1,"annotation":"","date_end":null,"reference":"K1995.101","stream_count_app":13,"permalink":"concetto-spaziale-8315d72c-fcfd-4943-ad8a-905c675740c1","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/308/medium_500/16_OK.jpg?1710862809","cached_actor_names":"Lucio Fontana","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/308/large/16_OK.jpg?1710862809","poster_credits":"(c)Lucio Fontana","translations":[{"locale":"en","description":"\u003cp\u003eFor Jef Verheyen, Lucio Fontana is something of\u003c/p\u003e\u003cp\u003ea shaman: his work has an invocatory, enchanting\u003c/p\u003e\u003cp\u003epower. In this sketch, Verheyen makes a link\u003c/p\u003e\u003cp\u003ebetween Fontana’s perforated ceramics and the\u003c/p\u003e\u003cp\u003epre-Columbian art of the Mixtecs and Tarascans.\u003c/p\u003e\u003cp\u003eFeathers were inserted into the holes in their\u003c/p\u003e\u003cp\u003eceramics. The sketch illustrates how Verheyen’s\u003c/p\u003e\u003cp\u003ethought process connects different cultures from\u003c/p\u003e\u003cp\u003eall over the world and from past to present. Fontana\u003c/p\u003e\u003cp\u003ethus enhances Verheyen’s desire to evoke the\u003c/p\u003e\u003cp\u003emystical and the universal. Meanwhile, Verheyen also\u003c/p\u003e\u003cp\u003econtinues to experiment with ceramics. These square\u003c/p\u003e\u003cp\u003ebaked tiles are like monochrome miniature paintings.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eVoor Jef Verheyen is Lucio Fontana als een\u003c/p\u003e\u003cp\u003esjamaan. Met zijn werk oefent hij een bezwerende\u003c/p\u003e\u003cp\u003ekracht uit. In deze schets legt Verheyen een\u003c/p\u003e\u003cp\u003everband tussen Fontana’s geperforeerde keramiek\u003c/p\u003e\u003cp\u003een de precolumbiaanse kunst van de Mixteken\u003c/p\u003e\u003cp\u003een Tarasken. De gaten in hun keramiek dienden\u003c/p\u003e\u003cp\u003eom veren in te steken. De schets illustreert hoe\u003c/p\u003e\u003cp\u003eVerheyen in zijn denkwijze diverse culturen van over\u003c/p\u003e\u003cp\u003ede hele wereld met elkaar verbindt. Van het verleden\u003c/p\u003e\u003cp\u003etot het heden. Zo versterkte Fontana Verheyens\u003c/p\u003e\u003cp\u003everlangen naar het oproepen van het mystieke en het\u003c/p\u003e\u003cp\u003euniversele. Verheyen blijft zelf ook experimenteren\u003c/p\u003e\u003cp\u003emet aardewerk. Deze vierkante gebakken stenen\u003c/p\u003e\u003cp\u003ezijn als monochrome miniatuurschilderijtjes.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":33935,"title":"• 813 • Les arbres roses (Pour mon ami Fontana)","dimensions":"72 x 72 cm","date_begin":"1967-01-01","material":"Matt lacquer on fibreboard, mounted in a wooden square box","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Formerly the Fondazione Lucio Fontana collection, now private collection","cached_tag_list":"Jef Verheyen","publishing_process_id":1,"annotation":"\u003cp\u003eSigned on the back\u003cbr\u003eDated on the back\u003cbr\u003eTitled on the back?\u003cbr\u003eDedicated on the back: 'Pour mon ami Fontana'\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":23,"permalink":"813-les-arbres-roses","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/093/033/medium_500/813_6.jpg?1721989305","cached_actor_names":"Jef Verheyen, Lucio Fontana","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/093/033/large/813_6.jpg?1721989305","poster_credits":"© SABAM Belgium, 2024, Studio Vercammen","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":32278,"title":"Jef Verheyen's Liber Amicis","dimensions":"","date_begin":"1962-01-01","material":"mixed media on bound paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":57,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Liber Amicis Liber Amicorum Vriendenboek Jef Verheyen and Friends","publishing_process_id":1,"annotation":"","date_end":"1984-01-01","reference":"","stream_count_app":265,"permalink":"liber-amicis","description_ru":"","description_de":"\u003cp\u003eVerheyen war mehr als nur ein Maler, er war ein uneingeschränkter Modernist, ein später \u003ci\u003eHomo Universalis\u003c/i\u003e genannter Internationalist, dessen Bedeutung als Bindeglied zwischen der belgischen und der internationalen Kunstwelt kaum hoch genug eingeschätzt werden kann. Letzteres beweist sicherlich der im Archiv aufbewahrte und bisher nie zugänglich gemachte \u003ci\u003eLiber Amicis\u003c/i\u003e, in dem Jef Verheyen seinem Freundeskreis aus dem In- und Ausland Gelegenheit zu Wort gab. Der \u003ci\u003eLiber Amicis\u003c/i\u003e enthält unter anderem Beiträge von Piero Manzoni, Gotthard Graubner, Günther Uecker und Christian Megert.\u003c/p\u003e\u003cp\u003e(ADT)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/084/079/medium_500/LA1.jpg?1653640801","cached_actor_names":"Jef Verheyen, Hermann Goepfert, Serge Largot, Nanda Vigo, Raymond Dauphin, Rochus Kowallek, Lucio Fontana, Gotthard Graubner, Jan van der Borgt, Maria Mara, Paul Ibou, Jos Macken, Frank-Ivo van Damme, Piet Sterckx, Christian Megert, Galerie Edith Wahlandt, Dominique Stroobant, Guy Stern, Lotte Lenya, Leon In den Kleef, Madeleine Everaert, Marlborough Gallery, Hergé, Roger Nellens, Hugues C. Pernath, The Antwerp Gallery , Albert  Szukalski, Anselm Thürwächter, Galerie Bernard, Ivo Michiels, Blinky Palermo, Gerhard Richter, Guy Vaes, Vic Gentils, Adam Seide, Günther Uecker, Piero Manzoni","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/084/079/large/LA1.jpg?1653640801","poster_credits":"(c) Scan: CKV, 2019 - Jef Verheyen Archive","translations":[{"locale":"en","description":"\u003cp\u003eMore than just a painter. Verheyen was an unfettered modernist, a late-called \u003ci\u003ehomo universalis\u003c/i\u003e and internationalist whose importance as a link between the Belgian and international art worlds can hardly be overestimated. The latter is certainly evidenced by the \u003ci\u003eLiber Amicis\u003c/i\u003e, preserved in the archives and thus far never made available, in which Jef Verheyen gave his network of friends from home and abroad the opportunity to speak. The \u003ci\u003eLiber Amicis\u003c/i\u003e has contributions from Piero Manzoni, Gotthard Graubner, Günther Uecker and Christian Megert, among others.\u003c/p\u003e\u003cp\u003e(ADT)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eMeer dan een schilder alleen was Verheyen een ongebonden modernist, een laatgeroepen\u0026nbsp;\u003ci\u003ehomo universalis \u003c/i\u003een internationalist waarvan het belang als schakel tussen de Belgische en de internationale kunstwereld moeilijk overschat kan worden. Van dat laatste getuigt alleszins de in het archief bewaarde en tot dusver nooit ontsloten\u0026nbsp;\u003ci\u003eLiber Amicis\u0026nbsp; \u003c/i\u003ewaarin\u003ci\u003e\u0026nbsp;\u003c/i\u003eJef Verheyen zijn bevriende netwerk uit binnen- en buitenland aan het woord liet. Het \u003ci\u003eLiber Amicis\u003c/i\u003e heeft bijdragen van onder meer Piero Manzoni, Gotthard Graubner, Günther Uecker en Christian Megert.\u003c/p\u003e\u003cp\u003e(ADT)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePlus qu'un simple peintre, Verheyen était un moderniste sans entrave, un \u003ci\u003ehomo universalis\u003c/i\u003e et un internationaliste dont l'importance en tant que lien entre le monde de l'art belge et international ne peut guère être surestimée. En témoigne certainement le \u003ci\u003eLiber Amicis\u003c/i\u003e, conservé dans les archives et jusqu'à présent jamais rendu public, dans lequel Jef Verheyen a donné la parole à son réseau d'amis nationaux et étrangers. Le \u003ci\u003eLiber Amicis\u003c/i\u003e compte notamment sur les contributions de Piero Manzoni, Gotthard Graubner, Günther Uecker et Christian Megert.\u003c/p\u003e\u003cp\u003e(ADT)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"}]},{"id":36225,"title":"Publication of the exhibition 'Ceramiche di Fontana' in Galleria Pater, Milan","dimensions":"","date_begin":"1962-01-01","material":"Ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"JV_03_05","stream_count_app":8,"permalink":"publication-of-the-exhibition-ceramiche-di-fontana-in-galleria-pater-milan","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Lucio Fontana, Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":36226,"title":"Lucio Fontana (left) and Jef Verheyen posing before their collaborative work 'Le Jour' at the home of the collector Louis Bogaerts, Knokke, 12 November 1962","dimensions":"","date_begin":"1962-01-01","material":"Photograph","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Le Jour Ludo Bekkers Karel J. Geirlandt Karel Geirlandt Medium","publishing_process_id":1,"annotation":"","date_end":null,"reference":"JV_39_23_01","stream_count_app":18,"permalink":"lucio-fontana-left-and-jef-verheyen-posing-before-their-collaborative-work-le-jour-at-the-home-of-the-collector-louis-bogaerts-knokke-12-november-1962","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/799/medium_500/JV_39_23_01.jpg?1720439463","cached_actor_names":"Lucio Fontana, Jef Verheyen, Filip Tas, Louis Bogaerts","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/799/large/JV_39_23_01.jpg?1720439463","poster_credits":"© SABAM Belgium, 2024, FOMU collection, Fotomuseum Antwerpen, Filip Tas","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":36227,"title":"Postcard from Lucio Fontana in Paris to Jef Verheyen, 1959","dimensions":"","date_begin":null,"material":"Ink on postcard","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"postcard-from-lucio-fontana-in-paris-to-jef-verheyen-1959","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/800/medium_500/JV_03_06_a.jpg?1720440352","cached_actor_names":"Jef Verheyen, Lucio Fontana","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/800/large/JV_03_06_a.jpg?1720440352","poster_credits":"Scan: CKV - Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":36231,"title":"Leaflet 'Lucio Fontana - Hermann Goepfert - Jef Verheyen' in Galerie Christian Chruxin – situationen 60, Berlin","dimensions":"","date_begin":"1965-01-01","material":"Collage on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Situationen 60 Christian Chruxin","publishing_process_id":1,"annotation":"","date_end":null,"reference":"JV_18_61","stream_count_app":27,"permalink":"leaflet-lucio-fontana-hermann-goepfert-jef-verheyen","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/806/medium_500/JV_18_61_b.jpg?1720616254","cached_actor_names":"Lucio Fontana, Jef Verheyen, Hermann Goepfert, Galerie situationen 60","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/806/large/JV_18_61_b.jpg?1720616254","poster_credits":"Scan: CKV - Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":36233,"title":"Letter from Lucio Fontana to Jef Verheyen about friendship and artisthood (4 July 1961)","dimensions":"1 page","date_begin":"1961-01-01","material":"Ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":92,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen, Le plus important c'est l'idée","publishing_process_id":1,"annotation":"","date_end":null,"reference":"JV_03_02","stream_count_app":10,"permalink":"letter-from-lucio-fontana-to-jef-verheyen-about-friendship-and-artisthood-4-july-1961","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/813/medium_500/1961_07_04.jpg?1720619727","cached_actor_names":"Lucio Fontana, Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/813/large/1961_07_04.jpg?1720619727","poster_credits":"Scan: CKV - Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":31300,"title":"• 0721 • L'air est plein de ta chaleur","dimensions":"64 x 53 cm","date_begin":"1958-01-01","material":"Oil paint on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":9,"stream_count":0,"collection":"Fondazione Lucio Fontana","cached_tag_list":"Jef Verheyen L'air est plein de ta chaleur Lucio Fontana Hessenhuis G58 G 58 Rood Van Dijck","publishing_process_id":1,"annotation":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eThis work is remarkable, not only because of its appearance but also of its exhibition history and provenance.\u0026nbsp;\u003c/p\u003e\u003cp\u003eFirst of all, this seems one of Verheyen's first red paintings, a series that evolved from his dark\u0026nbsp;paintings with half circle.\u0026nbsp;\u0026nbsp;This monochrome work in fire red, with floating dark bow, seem to evoke a\u0026nbsp;Buddhist atmosphere or appeal to Zen.\u003c/p\u003e\u003cp\u003eIt was painted right before the G 58 Hessenhuis exhibition that opened November 1958, and it was shown there, despite Verheyen's so-called abscence in this exhibition (for example, his name was left out of the catalogue right before publishing).\u003c/p\u003e\u003cp\u003eLucio Fontana bought this work (unsure if it was during the exhibition or rightafter) and it is still part of the Fondazione Lucio Fontana's collection.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eJef Verheyen's letter to Jean F. Buyck, 17 March 1980:\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003e[...]\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003ci\u003eIntussen werkte ik aan mijn schilderijen voor de tentoonstelling die bij Pater, Milaan zou plaats hebben op 6 November 1958. Er waren donkere schilderijen bij met een boog, waaruit einde 1958 mijn rode schilderijen ontstonden.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eBij het nakijken van B. Kleins brieven vindt men het bewijs dat het in het Hessenhuis heeft gehangen; ‘L’air est plein de ta chaleur’ is gemaakt voor 1959, de brief van B. Klein is van 11 jan. 1959 en ik was toen in Milaan.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eHet is op mijn opening 6 nov. 1958 dat Manzoni met kleine witte schilderijtjes onder zijn arm kwam. Wij hebben wel wat gepraat over monochroom en achroom, ik wist toen echt wel waarover het ging. Ook Fontana sprak over een vierde dimensie en wij hebben uitgemaakt dat hij in feite een nieuwe dimensie bracht.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u0026nbsp;Hij verkocht mijn mooie zwarte Diamant, zwart violet, aan Boschi en gaf me dat prachtig zwartgroen schilderij gemaakt in 1956/55. Waarschijnlijk is dat de eerste Fontana die in België terecht kwam.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eDe brief van Ben Klein, 11 januari 1959, bewijst juist wanneer dat rood schilderij in het hessenhuis hing, de foto van F. Philippi in mijn catalogus Paleis voor Schone Kunsten, Brussel, 1979, toont dat schilderij.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Fontana heeft dat gekocht en het is misschien nog in zijn verzameling.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u0026nbsp;[...]\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eValérie da Costa wrote:\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eProche de Roberto Crippa, il rencontre Lucio Fontana à Milan en 1957 et reçoit son soutien. Fontana lui achète, en 1958, un premier tableau de couleur bleue (Sans titre, 1956) lors de sa première exposition à la galerie Pater à Milan en février 1958 («\u0026nbsp;Comhaire-Verheyen\u0026nbsp;»). Elle sera suivie d’une exposition personnelle en novembre 1958 dans la même galerie.\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eFontana possédera ainsi dans sa collection trois tableaux de Jef Verheyen (Sans titre, 1956\u0026nbsp;; L’Air est plein de ta chaleur, 1958\u0026nbsp;; Les Arbres roses, 1967)\u003c/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNovember 1958: \u003c/strong\u003efirst exhibition at the Hessenhuis.\u0026nbsp;Lucio Fontana buys \u003ci\u003eL’air est plein de ta chaleur\u003c/i\u003e (\u003ci\u003eThe Air is Full of Your Warmth\u003c/i\u003e) shown in that exhibition and in Milan and gives him what Verheyen describes as\u0026nbsp;a ‘splendid black-green painting’.\u0026nbsp;In a letter (November) from Italy: ‘I’m leaving G-58’.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e---------------------------------------------------------------------------\u003cbr\u003eNotes in the artist's scrapbook (see linked items):\u003cbr\u003e\u003cbr\u003e\u003ci\u003eJe suis L'air est plein de ta chaleur\u003c/i\u003e\u003cbr\u003e\u003ci\u003e81865 coll. Fontana\u003c/i\u003e\u003cbr\u003e\u003ci\u003e1958\u003c/i\u003e\u003c/p\u003e","date_end":null,"reference":"84","stream_count_app":84,"permalink":"721-l-air-est-plein-de-ta-chaleur","description_ru":"","description_de":"\u003cp\u003eDieses feuerrote Gemälde ist Verheyens erstes monochromes Experiment. Der halbe, schwebende Bogen verschwindet in den Hintergrund und macht Platz für ein meditatives Rot. 1958 wird das Werk zum ersten –\u0026nbsp;und zum letzten – Mal im Antwerpener Hessenhuis auf der Ausstellung \u003ci\u003eG58\u003c/i\u003e gezeigt. Verheyens italienischer Freund und Mentor Lucio Fontana kauft das Gemälde. Es ist das erste Mal, dass die Fondazione Lucio Fontana dieses Werk als Leihgabe zur Verfügung stellt.\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/933/medium_500/721_12.jpg?1721123828","cached_actor_names":"Jef Verheyen, Lucio Fontana","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/933/large/721_12.jpg?1721123828","poster_credits":"© SABAM Belgium, 2024, Fondazione Lucio Fontana","translations":[{"locale":"en","description":"\u003cp\u003eThis deep red painting is Verheyen’s first\u003c/p\u003e\u003cp\u003esuccessful monochrome experiment. The floating\u003c/p\u003e\u003cp\u003ehalf arc blends into the background, making\u003c/p\u003e\u003cp\u003eway for a meditative red. In 1958 this work is\u003c/p\u003e\u003cp\u003eexhibited for the first and last time, at the\u003c/p\u003e\u003cp\u003eG58 exhibition in the Hessenhuis, in Antwerp.\u003c/p\u003e\u003cp\u003eVerheyen’s Italian friend and mentor Lucio\u003c/p\u003e\u003cp\u003eFontana acquires the painting.\u003c/p\u003e\u003cp\u003eThis is the first time that the Fondazione\u003c/p\u003e\u003cp\u003eLucio Fontana has loaned the work. After more\u003c/p\u003e\u003cp\u003ethan 60 years, it is back in Antwerp.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDit vuurrode schilderij is Verheyens eerste\u003c/p\u003e\u003cp\u003esuccesvolle monochrome experiment. De halve,\u003c/p\u003e\u003cp\u003ezwevende boog verdwijnt naar de achtergrond\u003c/p\u003e\u003cp\u003een maakt plaats voor het meditatieve rood.\u003c/p\u003e\u003cp\u003eIn 1958 wordt het werk voor het eerst – en het\u003c/p\u003e\u003cp\u003elaatst – tentoongesteld in het Hessenhuis in\u003c/p\u003e\u003cp\u003eAntwerpen, op de tentoonstelling van G58.\u003c/p\u003e\u003cp\u003eVerheyens Italiaanse vriend en mentor Lucio\u003c/p\u003e\u003cp\u003eFontana verwerft het schilderij.\u003c/p\u003e\u003cp\u003eDit is de eerste keer dat de Fondazione\u003c/p\u003e\u003cp\u003eLucio Fontana het werk in bruikleen geeft.\u003c/p\u003e\u003cp\u003eNa meer dan zestig jaar reist het voor het eerst\u003c/p\u003e\u003cp\u003eterug naar Antwerpen.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eCe tableau rouge incandescent est la première expérience monochrome réussie de Jef Verheyen. Le demi-cercle flottant disparaît dans le fond et cède la place au rouge méditatif. L’œuvre est présentée pour la première – et dernière – fois en 1958 à la Hessenhuis d’Anvers, lors de l’exposition \u003ci\u003eG58\u003c/i\u003e. Elle est acquise\u0026nbsp;par l’Italien Lucio Fontana, ami et mentor de Jef Verheyen. C’est la première fois que la Fondazione Lucio Fontana consent à la prêter.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"}]}]