{"id":2485,"name":"MARIA TANIGUCHI","email":"","language_id":1,"permalink":"maria-taniguchi--2","deleted":false,"legal_status_id":47,"url_1":"http://mariataniguchi.com","twitter":null,"category_id":28,"date_of_birth":"1981-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"","lastname":"","annotation":"","url_2":"","url_3":"","cached_name":"MARIA TANIGUCHI","date_of_death":null,"cached_name_asc":"MARIA TANIGUCHI","stream_count_app":7,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/017/large/opbouwDON'T_YOU_KNOW_WHO_I_AM_photo_clinckx72_2.jpg?1402584668","poster_credits":"(c)image: M HKA","media_count":1,"items_count":2,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eMaria Taniguchi\u0026rsquo;s point of departure is individual, subjective time \u0026ndash; not least for her untitled, black monochrome acrylic paintings on stretched canvas. Their unified visual grid is based on the simplest repeating pattern in masonry. It creates a wall too thin to stand alone, but is often used in modern construction to create the \u0026lsquo;skin\u0026rsquo; or \u0026lsquo;face\u0026rsquo; of a building. At the same time, the surface of each individual painting visibly disintegrates into patches of irregular shapes and sizes. Echoing the\u0026nbsp;\u003cem\u003egiornate\u0026nbsp;\u003c/em\u003eof late medieval fresco painting, they bear witness to the painting process by indicating the limit of one day\u0026rsquo;s work. (AK)\u003c/p\u003e\u003cp\u003e\u003ca href=\"http://mariataniguchi.com\"\u003eMore\u003c/a\u003e\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eMaria Taniguchi\u0026rsquo;s uitgangspunt voor haar titelloze, monochrome acrylschilderijen op opgespannen doek is de individuele, subjectieve tijd. Hun uniforme visuele raster is gebaseerd op het eenvoudigste herhalende metselwerkpatroon, het zogenaamde halfsteensverband, dat een wand te dun om op zich te staan oplevert, maar vaak wordt gebruikt in de moderne bouw om de \u0026lsquo;huid\u0026rsquo; of het \u0026lsquo;gezicht\u0026rsquo; van een gebouw te cre\u0026euml;ren. Tegelijkertijd valt het oppervlak van elk afzonderlijk schilderij zichtbaar uiteen in stukken met onregelmatige vormen en maten. Refererend naar de\u0026nbsp;\u003cem\u003egiornate\u003c/em\u003e\u0026nbsp;van de laatmiddeleeuwse frescoschilderingen, veraanschouwelijken ze het schilderproces door (letterlijk, met een wijsvinger of pointer) de grens van \u0026eacute;\u0026eacute;n dag werk aan te geven. (AK)\u003c/p\u003e\u003cp\u003e\u003ca href=\"http://mariataniguchi.com\"\u003eMeer\u003c/a\u003e\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003eLe point de d\u0026eacute;part de Maria Taniguchi est le temps individuel, subjectif \u0026ndash; notamment pour ses tableaux monochromes sans titre, peints \u0026agrave; l\u0026rsquo;acrylique noir sur toile tendue. Leur grille visuelle uniforme s\u0026rsquo;inspire du sch\u0026eacute;ma r\u0026eacute;p\u0026eacute;titif le plus simple de la ma\u0026ccedil;onnerie. Les murs ainsi \u0026eacute;rig\u0026eacute;s ne sont pas assez \u0026eacute;pais pour tenir sans appui, mais sont souvent utilis\u0026eacute;s dans la construction moderne pour former la \u0026laquo;\u0026nbsp;peau\u0026nbsp;\u0026raquo; ou la fa\u0026ccedil;ade d\u0026rsquo;un immeuble. Toutefois, la surface de chaque tableau individuel se d\u0026eacute;sint\u0026egrave;gre visiblement en taches de forme et de taille irr\u0026eacute;guli\u0026egrave;res. Faisant \u0026eacute;cho aux\u0026nbsp;\u003cem\u003egiornate\u003c/em\u003e\u0026nbsp;des fresques du Moyen-\u0026Acirc;ge tardif, elles sont les t\u0026eacute;moins du processus de peinture qui indique la limite d\u0026rsquo;une journ\u0026eacute;e de travail. (AK)\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"Philippines","place":"","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"Philippines","place":"Manila","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}