[{"id":2368,"title":"13, Rue Fenelon","dimensions":"00:30:00","date_begin":"1995-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":2,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"// 13, Rue Fenelon, 1996?\r\nIn the work 13 rue Fénelon Jimmie Durham reactivates his political activist past by filming this improbable scene with a stone which could serve to illustrate the old French saying “donner un coup d'épee dans l'eau”*. * “Strike water with a sword”, i.e. waste time, perform a useless action. ","date_end":null,"reference":"","stream_count_app":30,"permalink":"13-rue-fenelon","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/004/744/large/Sequence%207.jpg?1323339705","poster_credits":"image: (c) Maria Thereza Alves","translations":[{"locale":"en","description":"The brief action in this video consists of a single moment when a stone, thrown from the inside out, breaks through a window. It can be seen as an architectural gesture as well as a act of uproar and political activism. "},{"locale":"nl","description":"De korte actie in deze video bestaat uit een enkel moment waarop een steen, van binnen naar buiten gegooid, door een raam breekt. Het kan worden gezien als een architectonisch gebaar en ook als een daad van oproer en politiek activisme."},{"locale":"fr","description":"La brève action dans cette vidéo consiste en un seul moment pendant lequel une pierre, jetée de l'intérieur vers l'extérieur, à travers une fenêtre. On peut le voir comme un geste architectural, ainsi qu'un acte de rébellion et de militantisme politique."}]},{"id":2157,"title":"Un projet à Lille","dimensions":"","date_begin":"1996-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"MAJT, Lille, France\r\n// Un incident à Lille?","date_end":"1997-01-01","reference":"","stream_count_app":30,"permalink":"un-projet-a-lille","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/623/large/Sequence%2071.jpg?1314009073","poster_credits":"(c)Maria Thereza Alves","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":3941,"title":"Virginia/Veracruz (London)","dimensions":"","date_begin":"1992-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":128,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"also called Columbus Day","date_end":null,"reference":"","stream_count_app":26,"permalink":"virginia-veracruz-london","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/442/large/JD_MISC_PHOTO_0124_London_1992.jpeg?1331304296","poster_credits":"image: (c) Peter Barker","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":1419,"title":"Museum of European Normality","dimensions":"","date_begin":"2008-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":58,"platform_id":1,"deleted":false,"asset_count":16,"stream_count":1,"collection":"Courtesy of the artists","cached_tag_list":"","publishing_process_id":1,"annotation":"separate room","date_end":null,"reference":"","stream_count_app":60,"permalink":"museum-of-european-normality","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/004/631/large/cartina01%20copy.jpg?1323263840","poster_credits":null,"translations":[{"locale":"en","description":"The *Museum of European Normality* is an installation set up as a parody of a documentation centre with socio-anthropological pretensions. It includes videos, maps, images from books and other sorts of documentation material. In one of the projects presented in the *Museum*, visitors can volunteer to donate their head to the Maoris in New Zealand. Facts and figures are presented as if part of a study, together with maps showing migration patterns across Europe, shaping our *European Normality*. An anti-guest book is displayed at the entrance, with more than 5.000 names of people who have died trying to immigrate to Europe or in refugee camps."},{"locale":"nl","description":"Het *Museum of European Normality* (Museum van Europese Normaliteit) is een installatie die een parodie vormt op een documentatiecentrum met socio-antropologische pretenties. Ze omhelst video’s, kaarten, prenten uit boeken en ander documentatiemateriaal. In een van de projecten beschreven in het *Museum* kunnen bezoekers zich kandidaat stellen om hun hoofd te doneren aan de Maori’s in Nieuw-Zeeland. Feiten en cijfers worden voorgesteld alsof ze deel uitmaken van een studie, en samen met kaarten die migratiepatronen over heel Europa tonen, geven ze vorm aan onze *Europese Normaliteit*. Een anti-gastenboek bevindt zich aan de ingang, met meer dan 5.000 namen van mensen die stierven in vluchtelingenkampen of tijdens hun poging om naar Europa te immigreren."},{"locale":"fr","description":"*Museum of European Normality* (musée de la normalité européenne) est une installation mise en scène comme une parodie de centre de documentation aux prétentions socio-anthropologiques. Il inclut de la vidéo, des cartes, des images de livres et autres matériels documentaires. Dans l'un des projets présentés dans le *Museum*, les visiteurs peuvent se porter volontaires pour faire don de leur tête aux Maoris en Nouvelle-Zélande. Des faits et chiffres sont présentés comme s'ils étaient extraits d'une étude, à côté de cartes indiquant les schémas de migration à travers l'Europe, donnant forme à notre « normalité européenne ». Un anti-livre d'or est installé à l'entrée, avec plus de 5 000 noms de migrants morts en tentant de rejoindre l'Europe ou dans des camps de réfugiés."}]},{"id":3942,"title":"Virginia/Veracruz (Madrid)","dimensions":"","date_begin":"1992-01-01","material":"","short_description":"Location: Edge 92 Festival, Madrid, Spain.","art_status_id":13,"legal_status_id":47,"category_id":128,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"installation and performance with Maria Thereza Alves and Alan Michelson","date_end":null,"reference":"","stream_count_app":22,"permalink":"virginia-veracruz-madrid","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/449/large/JD_MISC_PHOTO_0120_MADRID_1992.jpeg?1331304713","poster_credits":"image: (c) Peter Barker","translations":[{"locale":"en","description":"installation and performance with Maria Thereza Alves and Alan Michelson"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":3161,"title":"Nothing Works Out Right (Except Sometimes Almost)","dimensions":"","date_begin":"1994-01-01","material":"","short_description":"","art_status_id":48,"legal_status_id":12,"category_id":25,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"Brazil","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"nothing-works-out-right-except-sometimes-almost","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"Published in *Whitewalls*, nos 33 \u0026 34, 1994, pp.44–50"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":3204,"title":"Inadequate Response","dimensions":"","date_begin":"2005-01-01","material":"","short_description":"","art_status_id":48,"legal_status_id":12,"category_id":25,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"Belgium, indians, Brazil","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"inadequate-response","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"Maria Thereza Alves and Jimmie Durham, [*Inadequate Response*](http://ensembles.mhka.be/items/5033). Strasbourg: La Chaufferie, 2005"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":859,"title":"Collected Stones","dimensions":"00:24:13","date_begin":"1995-01-01","material":"dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":16,"stream_count":1,"collection":"Courtesy of the artist","cached_tag_list":"","publishing_process_id":1,"annotation":" 'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 86-89\r\n(Courtesy Galerie Michel Rein, Paris)\r\norigin: Christine König Galerie, Vienna.\r\nCurrently in Jimmie Durham's storage: Grossgörschenstrasse 6, 10827 Berlin, Schöneberg, Germany.\r\nEd. 10\r\ndvd PAL","date_end":"2002-01-01","reference":"","stream_count_app":90,"permalink":"collected-stones","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/004/454/large/Sequence%203.jpg?1323168621","poster_credits":null,"translations":[{"locale":"en","description":"Compilation of 13 of Jimmie Durham's videos (see linked items bellow) - in collaboration with Maria Thereza Alves.\r\n\r\n\"Maria Thereza Alves and I took a residency to make videos. For [one](http://ensembles.mhka.be/items/2368), I threw a stone through a shop window, from the inside out to the street. But the [first video](http://ensembles.mhka.be/items/2157) was about a stone sinking a boat: we found the stone, roughly the size of a basketball, on the beach; then I made the boat. There was no discomfort at all when it sank, probably because I had made it myself, and, more specifically, made it to have a brief moment of glory.\" [full text [here](http://ensembles.mhka.be/items/3212)]"},{"locale":"nl","description":"Compilatie van 13 video’s (zie *linked items* hieronder) door Jimmie Durham in samenwerking met Maria Thereza Alves.\r\n\r\n\"Maria Thereza Alves en ik namen deel aan een kunstenaarsresidentie om video’s te maken. Voor [eentje](http://ensembles.mhka.be/items/2368) gooide ik een steen door een winkelraam, van binnen naar buiten op straat. Maar de [eerste video](http://ensembles.mhka.be/items/2157) ging over een steen die een boot deed zinken: we vonden de steen, ongeveer zo groot als een basketbal, op het strand; vervolgens maakte ik de boot. Er heerste helemaal geen ongemakkelijk gevoel wanneer ze zonk, waarschijnlijk omdat ik haar zelf gemaakt had, en, meer specifiek, omdat ik haar gemaakt had voor een kort gloriemoment.\" [Lees de volledige tekst [hier](http://ensembles.mhka.be/items/3212)]"},{"locale":"fr","description":"Une compilation de 13 vidéos (voir les *linked items* ci-dessous) par Jimmie Durham, avec la collaboration de Maria Thereza Alves.\r\n\r\n« Maria Thereza Alves et moi avons effectué une résidence pour réaliser des vidéos. Pour l'[une](http://ensembles.mhka.be/items/2368) d'entre elles, j'ai jeté des pierres à travers une vitrine de magasin, de l'intérieur vers la rue. Mais la [première vidéo](http://ensembles.mhka.be/items/2157) montrait une pierre qui fait sombrer un bateau : nous avons trouvé la pierre, environ de la taille d'une balle de basket-ball, sur la plage. Ensuite, j'ai construit le bateau. Je n'ai pas éprouvé de désagrément quand le bateau a sombré, sans doute parce que je l'avais construit moi-même, et plus spécifiquement pour qu'il connaisse un bref moment de gloire.\" [texte intégral [ici](http://ensembles.mhka.be/items/3212)]"}]},{"id":3649,"title":"Savage","dimensions":"","date_begin":"1991-01-01","material":"","short_description":"Location: Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium.\r\nMay 24th, 1991.","art_status_id":13,"legal_status_id":47,"category_id":128,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"images (c): Dirk Pauwels?","date_end":null,"reference":"","stream_count_app":36,"permalink":"savage","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/911/large/1.jpeg?1329138338","poster_credits":"image: (c) Dirk Pauwels","translations":[{"locale":"en","description":"Performance at the SMAK in Ghent. Read the accompanying text bellow."},{"locale":"nl","description":"Performance in het SMAK in Gent. Lees de begeleidende tekst hieronder."},{"locale":"fr","description":""}]},{"id":3713,"title":"Virginia/Veracruz","dimensions":"","date_begin":"1992-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":128,"platform_id":1,"deleted":false,"asset_count":11,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"staged in Monterey, Mexico. images (c) Juan Llaguno","date_end":null,"reference":"","stream_count_app":34,"permalink":"virginia-veracruz--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/049/large/virginia%201.jpeg?1330009678","poster_credits":"image: (c) Juan Llaguno","translations":[{"locale":"en","description":"Jimmie Durham’s and Maria Thereza Alves’ performance *Virginia/Veracruz*, also called *Columbus Day*, was enacted in Monterrey (Mexico), [London](http://ensembles.mhka.be/items/3941) and [Madrid](http://ensembles.mhka.be/items/3942). The artists took on the role of “the colonized”, [subaltern](http://goo.gl/65f3W) to the colonizer and therefore deprived of speech. \r\n\r\nColumbus Day is a festivity that celebrates the arrival of Columbus in the American continent and Veracruz, Mexico, was the first Spanish settlement in the Americas. It was founded by Hernán [Cortés](http://ensembles.mhka.be/items/552), and is known as the place where the mestizo \"race\" has its roots. Virginia was the first permanent English colony in the New World and carries a history of slave labour, land stolen from Native American tribes, massacres of indians as well as being the scenery for the story of [Pocahontas](http://ensembles.mhka.be/events/pocahontas-and-the-little-carpenter-in-london) and [John Smith](http://ensembles.mhka.be/items/627). "},{"locale":"nl","description":"De performance van Jimmie Durham en Maria Thereza Alves, getiteld *Virginia/Veracruz* en ook wel *Columbus Day* genoemd, werd opgevoerd in Monterrey (Mexico), [London](http://ensembles.mhka.be/items/3941) en [Madrid](http://ensembles.mhka.be/items/3942). De kunstenaars namen de rol op van 'de gekoloniseerde', ondergeschikt aan de kolonisator en dus van spraak beroofd. \r\n\r\nColumbus Day is een feest dat de komst van Columbus op het Amerikaanse continent viert en de Mexicaanse havenstad Veracruz was de eerste Spaanse nederzetting op het Amerikaanse continent. Veracruz werd opgericht door Hernán [Cortés](http://ensembles.mhka.be/items/552) en staat bekend als de plaats waar het mestizo-'ras' zijn wortels heeft. Virginia was de eerste permanente Engels kolonie in de Nieuwe Wereld. Ze sleept een geschiedenis met zich mee van slavenarbeid, van indiaanse stammen gestolen land en moordpartijen op indianen. Ook het verhaal van [Pocahontas](http://ensembles.mhka.be/events/pocahontas-and-the-little-carpenter-in-london) en [John Smith](http://ensembles.mhka.be/items/627) speelt zich hier af."},{"locale":"fr","description":"Jimmie Durham et Maria Thereza Alves ont présenté leur performance intitulée *Virginia/Veracruz*, mais aussi *Columbus Day*, à Monterrey (Mexique), [Londres](http://ensembles.mhka.be/items/3941) et [Madrid](http://ensembles.mhka.be/items/3942). Les deux artistes ont adopté le rôle du « colonisé », [subalterne](http://fr.wikipedia.org/wiki/Subalternit%C3%A9) du colonisateur et donc privé de parole. \r\n\r\nColumbus Day est un jour férié qui commémore l'arrivée de Christophe Colomb sur le continent américain, et Veracruz (« la vraie croix ») au Mexique était la première colonie espagnole en Amérique. Fondée par Hernán [Cortés](http://ensembles.mhka.be/items/552), elle est connue comme le lieu d'origine de la « race » métisse. La Virginie, première colonie anglaise permanente dans le Nouveau Monde, est porteuse d'une histoire d'esclavagisme, de terre volée aux tribus amérindiennes, de massacre d'Amérindiens. C'est aussi là que s'est déroulée l'histoire de [Pocahontas](http://ensembles.mhka.be/events/pocahontas-and-the-little-carpenter-in-london) et [John Smith](http://ensembles.mhka.be/items/627)."}]},{"id":884,"title":"The Man Who Had a Beautiful House","dimensions":"00:07:27","date_begin":"1994-01-01","material":"dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Courtesy of the artist","cached_tag_list":"","publishing_process_id":1,"annotation":" 'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 126-127\r\nCurrently in the artist's storage: Grossgorschenstrasse 6, 10827 Berlin, Schonberg, Germany","date_end":null,"reference":"","stream_count_app":45,"permalink":"the-man-who-had-a-beautiful-house","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/693/large/durham%20man-beautiful-house_1.JPG?1314261381","poster_credits":"image: (c) Maria Thereza Alves","translations":[{"locale":"en","description":"\"*The Man Who Had A Beautiful House* was filmed in Mexico where I used to live. There are no houses around for many kilometres.\r\nBefore Mexico I had lived in New York City, until 1987. So many homeless people in that very rich city of that very rich country. And I remember how happily arrogant and vulgar the rich Americans were in the ‘80’s.\r\nIt is such a strange world we live in now …\r\nWell, our video of a man who has a ‘dream house’ ends abruptly, almost as though the world became tired of his silly story and moved on.\r\nMy partner, Maria Thereza Alves, is actually the video artist, and I am more of a performer in front of the camera.\""},{"locale":"nl","description":"\"*The Man Who Had A Beautiful House* werd gefilmd in Mexico waar ik ooit woonde. In de wijde omtrek zijn geen andere huizen te bespeuren.\r\nVoor Mexico woonde ik in New York City, tot 1987. Zo veel daklozen in die heel rijke stad van dat heel rijke land. En ik herinner me hoe vrolijk arrogant en vulgair de rijke Amerikanen waren in de jaren 80.\r\nWat een vreemde wereld waar wij nu in leven…\r\nOnze video van een man die een ‘droomhuis’ heeft, eindigt abrupt, alsof de wereld zijn onnozel verhaaltje beu raakte en verderging. \r\nMijn partner, Maria Thereza Alves, is in feite de videokunstenaar; ik ben eerder een performer voor de lens.\""},{"locale":"fr","description":"« *The Man Who Had A Beautiful House* a été filmé au Mexique, dans la région où je vivais. Il n'y a pas de maison à des kilomètres à la ronde.\r\nAvant de vivre au Mexique, j'ai habité à New York jusqu'en 1987. Il y a tant de sans-abri dans cette ville si riche de ce pays si riche. Et je me souviens à quel point les États-Uniens riches étaient volontiers arrogants et vulgaires dans les années 80.\r\nNous vivons dans un monde tellement étrange de nos jours...\r\nNotre vidéo à propos d'un homme qui possède une “maison de rêve” se termine brutalement, presque comme si le monde s'était fatigué de son histoire idiote et voulait poursuivre son cours.\r\nMa partenaire, Maria Thereza Alves, est la vidéaste. Moi, je suis plutôt un performeur devant la caméra. » "}]},{"id":899,"title":"Self-Portrait Pretending to Be Maria Thereza Alves","dimensions":"variable dimensions","date_begin":"2006-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Courtesy of the artist and Christine König Galerie, Vienna","cached_tag_list":"color","publishing_process_id":1,"annotation":"'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 182-183\r\nEd. 1: Collection Fluid Editions, Karlsruhe\r\norigin: Christine König Galerie, Vienna\r\n81,2 x 60,9 cm","date_end":null,"reference":"","stream_count_app":27,"permalink":"self-portrait-pretending-to-be-maria-thereza-alves","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/765/large/Maria_Thereza.jpg?1314283100","poster_credits":"(c) Maria Thereza Alves","translations":[{"locale":"en","description":"Jimmie Durham made his first self-portrait in 1987 ([read a story about it here](http://ensembles.mhka.be/items/834)), which was followed by a series of performative images that were produced since the artist moved to Europe. These photographs, taken by Maria Thereza Alves, show Durham playing the part of the artist whose personality unfolds into multiple identities, such as those of [other artists](http://ensembles.mhka.be/items/897), [fictive characters](http://ensembles.mhka.be/items/900) or an [stone](http://ensembles.mhka.be/items/904)."},{"locale":"nl","description":"Jimmie Durham maakte zijn eerste zelfportret in 1987 ([lees er hier een verhaal over](http://ensembles.mhka.be/items/834)), waarop een reeks performatieve beelden volgde die geproduceerd werden nadat de kunstenaar naar Europa was verhuisd. Deze foto's, genomen door Maria Thereza Alves, tonen Durham in de rol van de kunstenaar wiens persoonlijkheid zich in meerdere identiteiten ontvouwt, zoals die van [andere kunstenaars](http://ensembles.mhka.be/items/897), [fictieve personages](http://ensembles.mhka.be/items/900) of een [steen](http://ensembles.mhka.be/items/904)."},{"locale":"fr","description":"Jimmie Durham a réalisé son premier autoportrait en 1987. [Lisez ici une histoire à ce propos](http://ensembles.mhka.be/items/834). Puis il a produit une série d'images de lui lors de performances après s'être installé en Europe en 1994. C'est sa partenaire, Maria Thereza Alves, qui a pris ces photos-ci pendant des moments performatiques dans lequelles Durham jouait le rôle de l'artiste dont la personnalité se dissocie et se déploie en de multiples identités : [d'autres artistes](http://ensembles.mhka.be/items/900), des [personnages fictifs](http://ensembles.mhka.be/items/900) ou même une [pierre](http://ensembles.mhka.be/items/904)."}]},{"id":900,"title":"Self-Portrait as Rosa Lévy","dimensions":"variable dimensions","date_begin":"1995-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":1,"collection":"Courtesy of the artist and Christine König Galerie, Vienna","cached_tag_list":"","publishing_process_id":1,"annotation":"'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 184-185\r\nEd. 1: Collection Fluid Editions, Karlsruhe\r\norigin: Christine König Galerie, Vienna\r\n81 x 60.9 cm","date_end":"2006-01-01","reference":"","stream_count_app":30,"permalink":"self-portrait-as-rosa-levy","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/203/large/Durham_Jimmie__1%289%29.jpg?1336637447","poster_credits":"image: (c) Maria Thereza Alves","translations":[{"locale":"en","description":"Jimmie Durham’s *Self-portrait as Rosa Lévy* makes direct references to Marcel Duchamp. Firstly, Rosa Levy (the inexistent character incarnated by Durham) is an anagram of Duchamp’s [Rrose Sélavy](http://en.wikipedia.org/wiki/Rrose_S%C3%A9lavy). The second reference, the artist’s pose and mustache, brings us finally to Duchamp’s [L.H.O.O.Q.](http://en.wikipedia.org/wiki/L.H.O.O.Q.), completing the homage to the French artist and to what he might represent for Jimmie Durham’s artistic persona."},{"locale":"nl","description":"Jimmie Durhams *Self-portrait as Rosa Lévy* is een directe verwijzing naar Marcel Duchamp. Ten eerste is Rosa Lévy (een niet bestaand personage, geïncarneerd door Durham) een anagram van Duchamps [Rrose Sélavy](http://en.wikipedia.org/wiki/Rrose_S%C3%A9lavy). De tweede verwijzing, de houding en de snor van de kunstenaar, brengt ons uiteindelijk naar Duchamps [L.H.O.O.Q.](http://en.wikipedia.org/wiki/L.H.O.O.Q.) en vervolledigt zo de hommage aan De Franse kunstenaar; tegelijk toont ze ons misschien het belang van Duchamp voor Durhams eigen artistieke persona."},{"locale":"fr","description":"Dans *Self-portrait as Rosa Lévy*, Jimmie Durham fait une référence directe à Marcel Duchamp. Premièrement, Rosa Lévy (un personnage fictif incarné par Durham en personne) est l'anagramme de [Rrose Sélavy](http://fr.wikipedia.org/wiki/Rrose_S%C3%A9lavy) de Duchamp. La seconde référence, la pose qu'adopte l'artiste et la moustache qu’il arbore, nous renvoie à l'œuvre [L.H.O.O.Q.](http://fr.wikipedia.org/wiki/L.H.O.O.Q.) de Duchamp, complétant l'hommage à l'artiste français et à ce qu'il peut représenter pour le personnage artistique de Jimmie Durham."}]},{"id":554,"title":"The Pursuit of Happiness","dimensions":"00:12:00","date_begin":"2002-01-01","material":"35 mm, dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":11,"stream_count":0,"collection":"Courtesy of the artist and Zerynthia, Rome","cached_tag_list":"","publishing_process_id":1,"annotation":" 'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 170-171\r\nSee: [series of collages](http://ensembles.mhka.be/items/joe-hill-s-collages) by Joe Hill given away to extras of this film in 2002.\r\nCurrently in the artist's storage: Grossgörschenstrasse 6, 10827 Berlin, Schöneberg, Germany.","date_end":null,"reference":"","stream_count_app":72,"permalink":"the-pursuit-of-happiness","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/582/large/durham%EF%80%A2poursuite%EF%80%A22.jpg?1313763896","poster_credits":"image: (c) Maria Thereza Alves","translations":[{"locale":"en","description":"A young man collects garbage from the ground in what looks like an American highway. Next, we see the same garbage pieces assembled on collages hanging on the walls of a gallery during a vernissage. The young man collects two big chunks of money from the gallerist, burns up his trailer and boards on a plane to France.\r\n\r\nThe *Pursuit of Happiness* is listed as one of three \"unalienable rights\" in the U.S. Declaration of Independence, together with “life” and “liberty”."},{"locale":"nl","description":"Een jonge man verzamelt afval van de grond op wat er uitziet als een Amerikaanse snelweg. Vervolgens zien we diezelfde stukken afval gemonteerd in collages aan de muren van een galerie tijdens een vernissage. De jonge man krijgt twee grote pakken geld van de galeriehouder, steekt zijn caravan in brand en neemt het vliegtuig naar Frankrijk. \r\n\r\nHet \"streven naar geluk\" (*Pursuit of Happiness*) is een van de drie \"onvervreemdbare rechten\" in de Amerikaanse Onafhankelijkheidsverklaring, samen met “leven” en “vrijheid”."},{"locale":"fr","description":"Un jeune homme ramasse des détritus du sol dans ce qui ressemble à une autoroute états-unienne. À côté, on aperçoit les mêmes détritus assemblés en collages, accrochés aux murs d'une galerie lors d'un vernissage. Le jeune homme reçoit deux grosses liasses d'argent du galeriste, brûle sa remorque et embarque sur un vol à destination de la France.\r\n\r\nLa \"poursuite du bonheur\" (*Pursuit of Happiness*) est l'un des trois « droits inaliénables » stipulés dans la Déclaration d'Indépendance des États-Unis, avec la « vie » et la « liberté »."}]},{"id":904,"title":"Self-Portrait Pretending to Be a Stone Statue of Myself","dimensions":"variable dimensions","date_begin":"2006-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Courtesy of the artist and Christine König Galerie, Vienna","cached_tag_list":"","publishing_process_id":1,"annotation":"'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 192-193\r\nEd. 1: Collection Fluid Editions, Karlsruhe\r\norigin: Christine König Galerie, Vienna\r\n80,7 x 60,9 cm","date_end":null,"reference":"","stream_count_app":26,"permalink":"self-portrait-pretending-to-be-a-stone-statue-of-myself","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/579/large/Stone_Statue.jpg?1313763441","poster_credits":"(c) Maria Thereza Alves","translations":[{"locale":"en","description":"Jimmie Durham made his first self-portrait in 1987 ([read a story about it here](http://ensembles.mhka.be/items/834)), which was followed by a series of performative images that were produced since the artist moved to Europe. These photographs, taken by Maria Thereza Alves, show Durham playing the part of the artist whose personality unfolds into multiple identities, such as those of [other artists](http://ensembles.mhka.be/items/897), [fictive characters](http://ensembles.mhka.be/items/900) or an stone. "},{"locale":"nl","description":"Jimmie Durham maakte zijn eerste zelfportret in 1987 ([lees er hier een verhaal over](http://ensembles.mhka.be/items/834)), waarop een reeks performatieve beelden volgde die geproduceerd werden nadat de kunstenaar naar Europa was verhuisd. Deze foto's, genomen door Maria Thereza Alves, tonen Durham in de rol van de kunstenaar wiens persoonlijkheid zich in meerdere identiteiten ontvouwt, zoals die van [andere kunstenaars](http://ensembles.mhka.be/items/897), [fictieve personages](http://ensembles.mhka.be/items/900) of een steen."},{"locale":"fr","description":"Jimmie Durham a réalisé son premier autoportrait en 1987. [Lisez ici une histoire à ce propos](http://ensembles.mhka.be/items/834). Puis il a produit une série d'images de lui lors de performances après s'être installé en Europe en 1994. C'est sa partenaire, Maria Thereza Alves, qui a pris ces photos-ci pendant des moments performatiques dans lequelles Durham jouait le rôle de l'artiste dont la personnalité se dissocie et se déploie en de multiples identités : [d'autres artistes](http://ensembles.mhka.be/items/900), des [personnages fictifs](http://ensembles.mhka.be/items/900) ou même une pierre."}]},{"id":902,"title":"Self-Portrait Pretending to Be Maria Thereza Alves as Terminator","dimensions":"80,7 x 60,7 cm","date_begin":"2006-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy of the artist and Christine König Galerie, Vienna","cached_tag_list":"color","publishing_process_id":1,"annotation":"'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 188-189\r\nEd. 1: Collection Fluid Editions, Karlsruhe\r\norigin: Christine König Galerie, Vienna","date_end":null,"reference":"","stream_count_app":29,"permalink":"self-portrait-pretending-to-be-maria-thereza-alves-as-terminator","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/762/large/Maria_Thereza_Terminator.jpg?1314282984","poster_credits":"(c) Maria Thereza Alves","translations":[{"locale":"en","description":"Jimmie Durham made his first self-portrait in 1987 ([read a story about it here](http://ensembles.mhka.be/items/834)), which was followed by a series of performative images that were produced since the artist moved to Europe. These photographs, taken by Maria Thereza Alves, show Durham playing the part of the artist whose personality unfolds into multiple identities, such as those of [other artists](http://ensembles.mhka.be/items/897), [fictive characters](http://ensembles.mhka.be/items/900) or an [stone](http://ensembles.mhka.be/items/904). "},{"locale":"nl","description":"Jimmie Durham maakte zijn eerste zelfportret in 1987 ([lees er hier een verhaal over](http://ensembles.mhka.be/items/834)), waarop een reeks performatieve beelden volgde die geproduceerd werden nadat de kunstenaar naar Europa was verhuisd. Deze foto's, genomen door Maria Thereza Alves, tonen Durham in de rol van de kunstenaar wiens persoonlijkheid zich in meerdere identiteiten ontvouwt, zoals die van [andere kunstenaars](http://ensembles.mhka.be/items/897), [fictieve personages](http://ensembles.mhka.be/items/900) of een [steen](http://ensembles.mhka.be/items/904)."},{"locale":"fr","description":"Jimmie Durham a réalisé son premier autoportrait en 1987. [Lisez ici une histoire à ce propos](http://ensembles.mhka.be/items/834). Puis il a produit une série d'images de lui lors de performances après s'être installé en Europe en 1994. C'est sa partenaire, Maria Thereza Alves, qui a pris ces photos-ci pendant des moments performatiques dans lequelles Durham jouait le rôle de l'artiste dont la personnalité se dissocie et se déploie en de multiples identités : [d'autres artistes](http://ensembles.mhka.be/items/900), des [personnages fictifs](http://ensembles.mhka.be/items/900) ou même une [pierre](http://ensembles.mhka.be/items/904)."}]},{"id":901,"title":"Self-Portrait Pretending to Be my Mother as Played by Isabel Perera","dimensions":"variable dimensions","date_begin":"2006-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of the artist and Christine König Galerie, Vienna","cached_tag_list":"","publishing_process_id":1,"annotation":"'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 186-187\r\norigin: Christine König Galerie, Vienna","date_end":"2006-01-01","reference":"","stream_count_app":30,"permalink":"self-portrait-pretending-to-be-my-mother-as-played-by-isabel-perera","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/763/large/Mother_Isabel_Brey.jpg?1314283023","poster_credits":"image: (c) Maria Thereza Alves","translations":[{"locale":"en","description":"Jimmie Durham made his first self-portrait in 1987 ([read a story about it here](http://ensembles.mhka.be/items/834)), which was followed by a series of performative images that were produced since the artist moved to Europe. These photographs, taken by Maria Thereza Alves, show Durham playing the part of the artist whose personality unfolds into multiple identities, such as those of [other artists](http://ensembles.mhka.be/items/897), [fictive characters](http://ensembles.mhka.be/items/900) or an [stone](http://ensembles.mhka.be/items/904)."},{"locale":"nl","description":"Jimmie Durham maakte zijn eerste zelfportret in 1987 ([lees er hier een verhaal over](http://ensembles.mhka.be/items/834)), waarop een reeks performatieve beelden volgde die geproduceerd werden nadat de kunstenaar naar Europa was verhuisd. Deze foto's, genomen door Maria Thereza Alves, tonen Durham in de rol van de kunstenaar wiens persoonlijkheid zich in meerdere identiteiten ontvouwt, zoals die van [andere kunstenaars](http://ensembles.mhka.be/items/897), [fictieve personages](http://ensembles.mhka.be/items/900) of een [steen](http://ensembles.mhka.be/items/904)."},{"locale":"fr","description":"Jimmie Durham a réalisé son premier autoportrait en 1987. [Lisez ici une histoire à ce propos](http://ensembles.mhka.be/items/834). Puis il a produit une série d'images de lui lors de performances après s'être installé en Europe en 1994. C'est sa partenaire, Maria Thereza Alves, qui a pris ces photos-ci pendant des moments performatiques dans lequelles Durham jouait le rôle de l'artiste dont la personnalité se dissocie et se déploie en de multiples identités : [d'autres artistes](http://ensembles.mhka.be/items/900), des [personnages fictifs](http://ensembles.mhka.be/items/900) ou même une [pierre](http://ensembles.mhka.be/items/904)."}]},{"id":898,"title":"Self-Portrait Pretending to Be Euroman","dimensions":"81 x 61 cm","date_begin":"2008-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Christine König Galerie, Vienna","cached_tag_list":"","publishing_process_id":1,"annotation":" 'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 180-181\r\nEd.1 + 1 a.p.","date_end":null,"reference":"","stream_count_app":22,"permalink":"self-portrait-pretending-to-be-euroman","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/991/large/duram_euroman.jpeg?1329816915","poster_credits":"(c) image: Maria Thereza Alves","translations":[{"locale":"en","description":"Jimmie Durham made his first self-portrait in 1987 ([read a story about it here](http://ensembles.mhka.be/items/834)), which was followed by a series of performative images that were produced since the artist moved to Europe. These photographs, taken by Maria Thereza Alves, show Durham playing the part of the artist whose personality unfolds into multiple identities, such as those of [other artists](http://ensembles.mhka.be/items/897), [fictive characters](http://ensembles.mhka.be/items/900) or an [stone](http://ensembles.mhka.be/items/904). "},{"locale":"nl","description":"Jimmie Durham maakte zijn eerste zelfportret in 1987 ([lees er hier een verhaal over](http://ensembles.mhka.be/items/834)), waarop een reeks performatieve beelden volgde die geproduceerd werden nadat de kunstenaar naar Europa was verhuisd. Deze foto's, genomen door Maria Thereza Alves, tonen Durham in de rol van de kunstenaar wiens persoonlijkheid zich in meerdere identiteiten ontvouwt, zoals die van [andere kunstenaars](http://ensembles.mhka.be/items/897), [fictieve personages](http://ensembles.mhka.be/items/900) of een [steen](http://ensembles.mhka.be/items/904)."},{"locale":"fr","description":"Jimmie Durham a réalisé son premier autoportrait en 1987. [Lisez ici une histoire à ce propos](http://ensembles.mhka.be/items/834). Puis il a produit une série d'images de lui lors de performances après s'être installé en Europe en 1994. C'est sa partenaire, Maria Thereza Alves, qui a pris ces photos-ci pendant des moments performatiques dans lequelles Durham jouait le rôle de l'artiste dont la personnalité se dissocie et se déploie en de multiples identités : [d'autres artistes](http://ensembles.mhka.be/items/900), des [personnages fictifs](http://ensembles.mhka.be/items/900) ou même une [pierre](http://ensembles.mhka.be/items/904)."}]},{"id":897,"title":"Self-Portrait Pretending to Be Haim Steinbach as Played by Haim Steinbach","dimensions":"81 x 61 cm","date_begin":"2008-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Collection Christine König Galerie, Vienna","cached_tag_list":"B/W photograph","publishing_process_id":1,"annotation":" 'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 178-179\r\n","date_end":null,"reference":"","stream_count_app":26,"permalink":"self-portrait-pretending-to-be-haim-steinbach-as-played-by-haim-steinbach","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/019/large/Self-Portrait%20Pretending%20to%20Be%20Haim%20Steinbach%20as%20Played%20by%20Haim%20Steinbach-lr.jpg?1329905442","poster_credits":null,"translations":[{"locale":"en","description":"This photograph is part of Jimmie Durham’s self-portrait series, even though the only way in which this image can be read as a self-portrait is in its tricky title. Haim Steinbach is a Israel-born artist living in New York and a friend of Durham’s. "},{"locale":"nl","description":"Dit werk hoort bij Durhams self-portrait series, ook al is de enige manier waarop dit beeld als een zelfportret kan gelezen worden, zijn listige titel. Haim Steinbach is een New Yorkse kunstenaar uit Israël en een vriend van Durham."},{"locale":"fr","description":"Cette œuvre fait partie de la série d'autoportraits de Jimmie Durham, même que la seule façon dont cette image peut être lue comme un autoportrait est son titre astucieux. Haim Steinbach est un artiste né en Israël qui vit à New York, ami de Jimmie Durham. "}]},{"id":2516,"title":"Incident at Middelburg","dimensions":"00:01:12","date_begin":"1996-01-01","material":"PAL","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy of Galerie Wien Lukatsch, Berlin","cached_tag_list":"collected stones","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":25,"permalink":"incident-at-middelburg","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/594/large/vlcsnap-2012-02-07-14h52m06s139.png?1328622665","poster_credits":"image: (c) Maria Thereza Alves","translations":[{"locale":"en","description":"\"In the video a stone attempts to answer the telephone. The telephone is on the ground, looking very similar to Joseph Beuys’s [*Earth Telephone*](http://ensembles.mhka.be/items/3940). This, I’m sorry to confess, is simply one of those coincidences that so often happen. I was not commenting on Beuys’s telephone. At that time I did not know of it.\" [full text [here](http://ensembles.mhka.be/items/3934)]"},{"locale":"nl","description":"'In de video probeert een steen een oproep te beantwoorden. De telefoon staat op de grond en lijkt erg op de [*Earth Telephone*](http://ensembles.mhka.be/items/3940) van Joseph Beuys. Het spijt me dat ik dit moet bekennen, maar dit is gewoon een van die toevalligheden die zo vaak voorkomen. Ik leverde geen commentaar op Beuys' telefoon. Op dat moment wist ik niet dat hij bestond.' [Volledige Engelse tekst [hier](http://ensembles.mhka.be/items/3934)]"},{"locale":"fr","description":"« Dans la vidéo, une pierre tente de répondre au téléphone. Celui-ci est posé par terre et ressemble au  [*Earth Telephone*](http://ensembles.mhka.be/items/3940) de Joseph Beuys. Je suis au regret d'avouer qu'il s'agit de l'une de ces coïncidences qui arrivent si souvent. Je ne commentais pas le téléphone de Beuys. À cette époque, je ne le connaissais même pas. » [texte intégral en anglais [ici](http://ensembles.mhka.be/items/3934)]"}]},{"id":2517,"title":"A Stone from Metternich's House in Bohemia","dimensions":"00:00:30","date_begin":"1996-01-01","material":"PAL","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":21,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Courtesy of Galerie Wien Lukatsch, Berlin","cached_tag_list":"collected stones","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":44,"permalink":"a-stone-from-metternich-s-house-in-bohemia","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/008/808/large/A_Stone_from_Metternich's_House_1996_lowres.jpg?1334828864","poster_credits":"image: (c) Marco Fedele di Catrano","translations":[{"locale":"en","description":"\"I went to an old monastery in Plasy, Bohemia (Czech Republic) to establish a pole for the [center of the world](http://ensembles.mhka.be/ensembles/the-center-of-the-world). Metternich, the German who had become foreign minister of Austria in 1809, had bought the monastery and made it into one of his summer house. Metternich once said that asia begins at the Landgasse in Vienna.\r\n\r\nI brought a stone from the monastery to Vienna, to Ludwig Wittgenstein’s house.\r\nMetternich wanted Austria to save Europe (from the free-thinking French revolution) so he had to put a lot of people in stone dungeons below the beautiful buildings. Their screams added nothing to the sounds of the violins above.\" [full text [here](http://ensembles.mhka.be/items/2331)]"},{"locale":"nl","description":"'Ik ging naar een oud klooster in de Boheemse stad Plasy, in Tsjechië, om een *Pole to Mark the* [*Center of the World*](http://ensembles.mhka.be/ensembles/the-center-of-the-world) op te richten. Metternich, de Duitser die in 1809 minister van Buitenlandse Zaken van Oostenrijk was geworden, had het klooster gekocht en er zijn zomerhuis van gemaakt. Metternich heeft eens gezegd dat Azië aan de Landgasse in Wenen begint.\r\n\r\nIk bracht een steen van het klooster naar Wenen, naar het huis van Ludwig Wittgenstein.\r\nMetternich wou dat Oostenrijk Europa redde (van de vrijzinnige Franse Revolutie), dus moest hij een hoop mensen in stenen kerkers onder de prachtige gebouwen plaatsen. Hun geschreeuw voegde niets toe aan het geluid van de violen erboven.' [volledige Engelse tekst [hier](http://ensembles.mhka.be/items/2331)]"},{"locale":"fr","description":"« Je me suis rendu dans un ancien monastère à Plasy en Bohème (République Tchèque) pour y réaliser un poteau pour le [centre du monde](http://ensembles.mhka.be/ensembles/the-center-of-the-world). Metternich, l'Allemand devenu ministre des Affaires étrangères d'Autriche en 1809, y avait acheté le monastère et l'a transformé en résidence d'été. Metternich a un jour dit que l'Asie commence dans la Landgasse à Vienne.\r\n\r\nJ'ai ramené une pierre du monastère à Vienne, pour l'exposition The Libertine and the Stone Guest à la maison de Ludwig Wittgenstein.\r\nMetternich voulait que l'Autriche sauve l'Europe (de la Révolution française libre-penseuse), donc il lui a fallu enfermer beaucoup de gens dans des geôles en pierre sous des édifices magnifiques. Leurs cris n'ajoutaient rien au son des violons qui résonnait au-dessus. » [texte integral en anglais [ici](http://ensembles.mhka.be/items/2331)]"}]},{"id":2520,"title":"A Heavy Stone","dimensions":"00:01:00","date_begin":"1996-01-01","material":"PAL","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Courtesy of Galerie Wien Lukatsch, 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of the making of *[St Frigo](http://ensembles.mhka.be/items/st-frigo)*"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":2748,"title":"Brazilian 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photographs","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":25,"stream_count":0,"collection":"Courtesy of the artist and Christine König Galerie, Vienna","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2011-01-01","reference":"","stream_count_app":95,"permalink":"europe","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/008/638/large/jimmie-metro.jpeg?1334662026","poster_credits":"image: (c) Maria Thereza Alves","translations":[{"locale":"en","description":"Jimmie Durham's *Europe* series is an ongoing project started in 1994 - the year Durham settled permanently in Europe, having lived since then in several European cities such as Brussels, Berlin, Marseille and Rome."},{"locale":"nl","description":"Jimmie Durhams *Europe* serie is een lopend project dat begon in 1994, het jaar dat Durham zich permanent vestigde in Europa. Sindsdien heeft hij in verschillende Europese steden gewoond, zoals Brussel, Berlijn, Marseille en Rome. "},{"locale":"fr","description":"La série photographique intitulée *Europe* est un projet continu de Jimmie Durham, entamé en 1994, l’année où l’artiste s’est installé définitivement en Europe. Depuis, il a vécu dans plusieurs villes européennes : Bruxelles, Marseille, Rome, Berlin, Naples."}]},{"id":925,"title":"Tocetea","dimensions":"00:00:26","date_begin":"2003-01-01","material":"dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Courtesy of the artist and Galerie Michel Rein, Paris","cached_tag_list":"","publishing_process_id":1,"annotation":"'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 228-229\r\nPurepecha language, translates to I Teach Myself. In the video, Durham drops the stone three times. Currently in the artist's storage: Grossgörschenstrasse 6, 10827 Berlin, Schöneberg, Germany.","date_end":null,"reference":"","stream_count_app":54,"permalink":"tocetea","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/004/121/large/4aDurham.jpg?1321908298","poster_credits":"(c) image: Maria Tereza Alves","translations":[{"locale":"en","description":"*Tocetea* is a word in the language of the P'urhépecha (an indigenous people from the Northwestern region of Mexico) which translates to “I Teach Myself”. In this video, Jimmie Durham drops a heavy stone three times until it finally teaches itself how to fall inside a bucket full of red, blue and yellow paint.\r\n"},{"locale":"nl","description":"*Tocetea* is een woord in de taal van de P'urhépecha (een inheems volk in het Noordwesten van Mexico) dat zich laat vertalen als “Ik leer mezelf”. In deze video laat Jimmie Durham drie keer een zware steen vallen tot die zichzelf aanleert hoe hij moet vallen in een emmer vol rode, blauwe en gele verf."},{"locale":"fr","description":"*Tocetea* est un mot en langue p’urhépecha (un peuple indigène de la région nord-ouest du Mexique) qui peut se traduire par « je m'enseigne, j'enseigne à moi-même ». Dans cette vidéo, Jimmie Durham lâche trois fois une lourde pierre jusqu'à ce qu'elle « s'enseigne » comment tomber dans un seau plein de peinture rouge, bleue et jaune."}]},{"id":845,"title":"Smashing","dimensions":"00:92:00","date_begin":"2004-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":2,"collection":"Courtesy of the artist and Galerie Michel Rein, Paris","cached_tag_list":"","publishing_process_id":1,"annotation":"'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 68-69. Image rights (stills): Maria Teresa Alves.\r\nCurrently in the artist's storage: Grossgörschenstrasse 6, 10827 Berlin, Schöneberg, Germany.","date_end":null,"reference":"AMVP 3253","stream_count_app":58,"permalink":"smashing","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/619/large/7a.durham.smashing.JPG?1314008084","poster_credits":"image(c) Maria Thereza Alves","translations":[{"locale":"en","description":"Wearing a suit, Jimmie Durham sits behind a desk like a bureaucrat performing his duty: smashing things. In an orderly manner, a person goes in, delivers an object, Durham smashes it with a [prehistoric stone stool](http://ensembles.mhka.be/items/865) - violently but impassively. He stamps and signs a piece of paper as receipt and gives it to the same person, who goes off-scene. The same order of events is repeated several times during 92 minutes.\r\n\r\nThis video-performance was part of Durham’s teaching residency at Fondazione Antonio Ratti in Como, Italy, in 2004."},{"locale":"nl","description":"Jimmie Durham zit in een kostuum achter een bureau en als een bureaucraat voert hij zijn taak uit: dingen verpletteren. Op een ordelijke manier komt iemand binnen en geeft hij of zij een voorwerp af, dat Durham - gewelddadig maar onbewogen - verplettert met een [prehistorisch, stenen stuk gereedschap](http://ensembles.mhka.be/items/865). Hij stempelt en ondertekent een blad papier als ontvangstbewijs, en geeft dat aan diezelfde persoon, die uit het scherm wandelt. Dezelfde opeenvolging van gebeurtenissen wordt tijdens de 92 minuten verschillende keren herhaald. \r\n\r\nDeze videoperformance was een onderdeel van Durhams doceerverblijf in Fondazione Antonio Ratti in Como, Italië, in 2004."},{"locale":"fr","description":"Jimmie Durham, vêtu d'un costume, est assis derrière un bureau tel un bureaucrate accomplissant son devoir : il fracasse des objets. De manière ordonnée, une personne entre, lui remet un objet que Durham fracasse avec violence, tout en demeurant impassible, à l'aide [d'un outil préhistorique en pierre](http://ensembles.mhka.be/items/865). Ensuite, Durham estampille et signe un récépissé qu'il remet à la personne et celle-ci s'en va. Ce même scénario se répète, avec d'autres personnes qui apportent d'autres objets pendant 92 minutes.\r\n\r\nCette performance vidéo faisait partie de la résidence d'enseignement à la Fondazione Antonio Ratti à Côme, en Italie, en 2004."}]},{"id":2848,"title":"A Sculpture in Two Dimensions","dimensions":"00:00:30","date_begin":"2004-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":21,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Courtesy of the artist","cached_tag_list":"","publishing_process_id":1,"annotation":"Exhibition: Fuori, Pescara, Italy (group show)\r\nTitle: A Sculpture in Two Dimensions\r\nDate: 2006.\r\nCurrently in the artist's storage: Grossgörschenstrasse 6, 10827 Berlin, Schöneberg, Germany.\r\nMaterials: video work, of paint rising \r\nCurrent Location (2011): video sold to museum in Bologna (Durham has copy)\r\nImage Rights: Alves\r\n","date_end":null,"reference":"","stream_count_app":50,"permalink":"a-sculpture-in-two-dimensions","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/004/813/large/ASculptureInTwoDimensions4%20copy.jpg?1323354920","poster_credits":"image(c) Maria Thereza Alves","translations":[{"locale":"en","description":"For this video performance, Jimmie Durham followed the same principle as in [*Tocetea*](http://ensembles.mhka.be/items/925): a heavy stone is thrown inside a bucket full of paint and creates a spontaneous colour impression. However, this time the stone does not have to teach itself how to fall and reaches its destination immediately - or so it seems."},{"locale":"nl","description":"Voor deze videoperformance volgde Jimmie Durham hetzelfde principe als in [*Tocetea*](http://ensembles.mhka.be/items/925): een zware steen wordt in een emmer vol verf gegooid en zorgt voor een spontane kleurafdruk. Echter, dit keer hoeft de steen zichzelf niet te leren hoe te vallen en bereikt hij onmiddellijk zijn bestemming, of zo lijkt het toch."},{"locale":"fr","description":"Pour cette performance vidéo, Jimmie Durham a suivi le même principe que dans [*Tocetea*](http://ensembles.mhka.be/items/925) : une lourde pierre est jetée dans un seau rempli de peinture et crée une impression de couleur spontanée. Néanmoins, cette fois la pierre n'a eu pas besoin d'apprendre à tomber et atteint sa destination d'emblée – ou paraît du moins le faire."}]},{"id":905,"title":"Painted Self-Portrait","dimensions":"83 x 60.5 cm","date_begin":"2007-01-01","material":"Acrylic, marker, ink, colour photograph","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":23,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":2,"collection":"Collection of Christine König, Vienna","cached_tag_list":"mixed media","publishing_process_id":1,"annotation":"'Jimmie Durham - Pierres rejetées ...' , Musée d'Art Moderne de la Ville de Paris / ARC, Paris, p. 194-195.\r\nInsurance value 10.000. Permission to reproduce *always noted with courtesy of Christine Koening Galerie, Vienna. The work is framed. Should be listed as: Courtesy of Christine Koening Galerie, Vienna.\r\n(framed: 100 x 77 cm)","date_end":null,"reference":"","stream_count_app":37,"permalink":"painted-self-portrait","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/576/large/J.Durham_painted%20self%20portrait.jpg?1313763167","poster_credits":null,"translations":[{"locale":"en","description":"Jimmie Durham made his first self-portrait in 1987 ([read a story about it here](http://ensembles.mhka.be/items/834)), which was followed by a series of performative images that were produced since the artist moved to Europe. These photographs, taken by Maria Thereza Alves, show Durham playing the part of the artist whose personality unfolds into multiple identities, such as those of [other artists](http://ensembles.mhka.be/items/897), [fictive characters](http://ensembles.mhka.be/items/900) or an [stone](http://ensembles.mhka.be/items/904). "},{"locale":"nl","description":"Jimmie Durham maakte zijn eerste zelfportret in 1987 ([lees er hier een verhaal over](http://ensembles.mhka.be/items/834)), waarop een reeks performatieve beelden volgde die geproduceerd werden nadat de kunstenaar naar Europa was verhuisd. Deze foto's, genomen door Maria Thereza Alves, tonen Durham in de rol van de kunstenaar wiens persoonlijkheid zich in meerdere identiteiten ontvouwt, zoals die van [andere kunstenaars](http://ensembles.mhka.be/items/897), [fictieve personages](http://ensembles.mhka.be/items/900) of een [steen](http://ensembles.mhka.be/items/904)."},{"locale":"fr","description":"Jimmie Durham a réalisé son premier autoportrait en 1987. [Lisez ici une histoire à ce propos](http://ensembles.mhka.be/items/834). Puis il a produit une série d'images de lui lors de performances après s'être installé en Europe en 1994. C'est sa partenaire, Maria Thereza Alves, qui a pris ces photos-ci pendant des moments performatiques dans lequelles Durham jouait le rôle de l'artiste dont la personnalité se dissocie et se déploie en de multiples identités : [d'autres artistes](http://ensembles.mhka.be/items/900), des [personnages fictifs](http://ensembles.mhka.be/items/900) ou même une [pierre](http://ensembles.mhka.be/items/904)."}]},{"id":561,"title":"Grünewald","dimensions":"00:13:55","date_begin":"2006-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e\u0026#39;Jimmie Durham - Pierres rejet\u0026eacute;es ...\u0026#39; , Mus\u0026eacute;e d\u0026#39;Art Moderne de la Ville de Paris / ARC, Paris, p. 204-205 , Jimmie Durham Grunewald Starring : Grunewald Maria Thereza Alves Riccardo Benassi Jimmie Durham Giulia Fazioli Anne Maier Silvia Ocougne Thomas Bo Oestergaard Magnus Ottertun Nico Vascellari Joen Vedel Phone call by Jone Kvie Performed in Berlin\u0026rsquo;s Grunewald Directed and edited by Maria Thereza Alves Alves \u0026ndash; Durham GbR 2006 Duur 13 minuten 35 seconden. Currently in the artist\u0026#39;s storage: Grossg\u0026ouml;rschenstrasse 6, 10827 Berlin, Sch\u0026ouml;neberg, Germany.\u003c/p\u003e\r\n","date_end":"2006-01-01","reference":"UFO2009_002","stream_count_app":91,"permalink":"grunewald","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/237/medium_500/cap016.jpg?1304929926","cached_actor_names":"Jimmie Durham, Maria Thereza Alves","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/240/large/cap020.jpg?1304930084","poster_credits":"(c)image: Maria Thereza Alves","translations":[{"locale":"en","description":"\u003cp\u003eDurham made this video with Maria Thereza Alves. It begins as a nature documentary, accompanied by trumpet sounds. Just when the viewer begins to wonder what animals do make such a sound, the sounds of working people and birds reach his ear. This is followed by a visual cue: a procession of people is shown, all blowing bird whistles. The participants perform the strangest acts; the viewer can only guess at their motives. Only when the camera zooms out and shows what was previously left out of sight, we get a hint. The whistlers are making music, while interpreting the sounds from the forest in their own way.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDeze video maakte Durham samen met Maria Thereza Alves. Het begint als een natuurdocumentaire, opgeluisterd door trompetgeluiden. Net wanneer de kijker zich begint af te vragen welke dieren een dergelijk geluid voortbrengen, sijpelen vogelgezang en het geluid van werkende mensen de oren binnen. Daarna volgt ook een visuele aanwijzing; een stoet mensen wordt in beeld gebracht, allen blazend op een vogelfluitje. De aanwezigen voeren de vreemdste handelingen uit waarbij de kijker het raden heeft naar hun beweegreden. Een hint volgt pas wanneer de camera uitzoomt en in beeld brengt wat voorheen buiten het gezichtsveld lag. De mensen maken muziek en vormen een eigen interpretatie van geluiden uit het bos.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eDurham a r\u0026eacute;alis\u0026eacute; cette vid\u0026eacute;o avec Maria Thereza Alves. \u0026Ccedil;a commence comme un documentaire sur la nature, agr\u0026eacute;ment\u0026eacute;e de sons de trompette. Au moment pr\u0026eacute;cis o\u0026ugrave; le spectateur commence \u0026agrave; se demander quel animal peut bien \u0026eacute;mettre un tel son, on entend des chants d\u0026rsquo;oiseaux et le bruit de personnes qui travaillent. Ensuite, on obtient une indication visuelle\u0026nbsp;: un cort\u0026egrave;ge de personnes appara\u0026icirc;t \u0026agrave; l\u0026rsquo;image, chacun soufflant dans un pipeau. Les participants ex\u0026eacute;cutent les actions les plus \u0026eacute;tranges, laissant le spectateur deviner les raisons qui les motivent \u0026agrave; agir de la sorte. Le premier indice lui est donn\u0026eacute; quand la cam\u0026eacute;ra fait un mouvement arri\u0026egrave;re et montre un plan g\u0026eacute;n\u0026eacute;ral, permettant d\u0026rsquo;apercevoir ce qui \u0026eacute;tait pr\u0026eacute;c\u0026eacute;demment hors champ. Les personnes film\u0026eacute;es font de la musique et donnent ainsi une propre interpr\u0026eacute;tation des bruits de la for\u0026ecirc;t.\u003c/p\u003e\r\n"}]},{"id":5033,"title":"Inadequate Response","dimensions":"20 cm x 15,7 cm, 80 p.","date_begin":"2007-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Artist publication ; Artist book ; Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2003/553","stream_count_app":29,"permalink":"inadequate-response--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/316/large/ninaserebrenick_20120515_093557_001.jpg?1337069829","poster_credits":null,"translations":[{"locale":"en","description":"Auteurs/Authors : Évelyne Loux \u0026 Katia Baudin-Reneau.\r\nUitgever/Publisher : CEAAC - Centre européen d'actions artistiques contemporaines/École supérieure des arts décoratifs de Strasbourg, Strasbourg (Frankrijk).\r\nTeksten/Texts : Engels, Frans.\r\nISBN 2-910036-39"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":25946,"title":"Facteur Cheval (expo)","dimensions":"50 x 40  cm","date_begin":"1986-01-01","material":"paper, ink (printing)","short_description":"\u003cp\u003ePoster for a group exhibition of Mail Art at the \"Palais Ideal\" of the Facteur Cheval in Hautrives (F) organized by the MAMAC, Liège\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","art_status_id":13,"legal_status_id":84,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, Antwerpen - Schenking Samarkand, 2019","cached_tag_list":"Mail Art Graphic art","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":33,"permalink":"facteur-cheval-expo","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eAffiche voor een groepstentoonstelling van Mail Art aan\u0026nbsp;het\u0026nbsp;'Palais Ideal' van de Facteur Cheval in Hautrives (F) organiseeerd door het MAMAC van Luik\u003c/p\u003e","short_description_fr":"\u003cp\u003eAffiche pour une exposition collective de Mail Art au \"Palais Idéal\" du Facteur Cheval à Hautrives (F) organisée par le MAMAC, Liège\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/057/416/medium_500/Im464JL002.jpg?1590659831","cached_actor_names":"Jef Lambrecht, Guy Bleus, Maria Thereza Alves, Guy Rombouts, Monica Droste, Jacques Lizène, Luc Deleu, Johan van Geluwe","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/057/416/large/Im464JL002.jpg?1590659831","poster_credits":"M HKA","translations":[{"locale":"en","description":"\u003cp\u003eAffiche voor een groepstentoonstelling van Mail Art aan\u0026nbsp;het\u0026nbsp;'Palais Ideal' van de Facteur Cheval in Hautrives (F) organiseeerd door het MAMAC van Luik\u003c/p\u003e\u003cp\u003enote that Jef Lambrecht is represented three times, as himself, as Yo Picasso and as La Lanterne de Lantin\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eAffiche voor een groepstentoonstelling van Mail Art aan\u0026nbsp;het\u0026nbsp;'Palais Ideal' van de Facteur Cheval in Hautrives (F) organiseeerd door het MAMAC van Luik -\u003c/p\u003e\u003cp\u003eJef Lambrecht is drie keer vermeld: als zichzelf, als Yo Picasso en als La Lanterne de Lantin\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eAffiche pour une exposition collective de Mail Art au \"Palais Idéal\" du Facteur Cheval à Hautrives (F) organisée par le MAMAC, Liège A noter que Jef Lambrecht est représenté trois fois - comme lui-même, La Lanterne de Lantin et 'Yo Picasso'\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"}]}]