[{"id":6241,"title":"Art must be Beautiful. Artist must be Beautiful","dimensions":"00:51:01","date_begin":"1975-01-01","material":"dvd, b/w, sound","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Dutch Institute for Media Arts, Amsterdam","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":10,"permalink":"art-must-be-beautiful-artist-must-be-beautiful","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/014/399/large/Abramovic_ArtMustBeBeautiful_6.jpg?1360673748","poster_credits":"(c)Marina Abramovic","translations":[{"locale":"en","description":"*Art Must Be Beautiful, Artist Must Be Beautiful* is one of Abramović’s seldom shown videos of her early performances. It may be read as an aggressive commentary on images of the body in the mass media. \r\nThe theatrical charge of these early works depended on the audience’s direct reactions. Abramović also had the idea to turn the documentation of her performances into separate works of art.\r\n\r\nDuring the last decade her work, which ironically references the stereotypical understanding of hysteria as theatrical motor of performance art by women, has filtered into mainstream pop culture. Abramović’s performances were directly or indirectly referenced by popular American TV series such as *Sex and the City*, which in turn cleared the path for her recent re-emergence on the museum circuit as the ‘Queen of Performance Art’ and one of the best paid contemporary artists. \r\n"},{"locale":"nl","description":"*Art Must Be Beautiful, Artist Must Be Beautiful* is een zelden getoonde video van een vroege performance van Abramović. Het kan worden gezien als een agressieve commentaar op de manier waarop beelden van het lichaam in de massamedia bestaan. De theatrale aanval van deze vroege werken is afhankelijk van de directe reactie van het publiek. Daarnaast presenteert Abramović het documentatiemateriaal van haar performances als aparte kunstwerken. \r\n\r\nTijdens haar laatste periode, die ironisch genoeg verwijst naar de stereotypering van hysterie als theatrale motor van vrouwelijke performancekunst, is haar werk opgegaan in de mainstream popcultuur. De performances van Abramović zijn directe of indirecte verwijzingen geworden van populaire Amerikaanse TV-series zoals *Sex and the City*, waardoor het pad werd geëffend voor haar recente heropleving binnen het museumcircuit – als ‘koningin van de performancekunst’ en een van de best betaalde hedendaagse kunstenaars."},{"locale":"fr","description":"*Art Must Be Beautiful, Artist Must Be Beautiful* (L’art doit être beau, l’artiste doit être beau) est la vidéo, rarement présentée, de l’une des performances des débuts d’Abramović. On peut la lire comme un commentaire agressif sur l’image du corps dans les médias de masse.\r\nLa portée théâtrale de ses premières œuvres dépendait des réactions directes du public. Abramović a également eu l’idée de transformer la documentation de ses performances en œuvres d’art autonomes.\r\n\r\nL’œuvre d’Abramović, qui réfère avec ironie à l’interprétation stéréotype de l’hystérie comme moteur théâtral de la performance artistique féminine, s’est infiltrée dans la culture pop dominante au cours de la dernière décennie. Des séries télévisées états-uniennes populaires, comme *Sex and the City*, renvoient directement ou indirectement aux performances d’Abramović, ce qui à son tour a ouvert la voie à sa récente réémergence dans le circuit muséal en tant que « reine de la performance » et l’une des plasticiennes contemporaines les mieux rémunérées.\r\n"}]},{"id":6243,"title":"Freeing the Body","dimensions":"00:09:08","date_begin":"1976-01-01","material":"dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection ZKM, Karlsruhe","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":23,"permalink":"freeing-the-body","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/014/520/large/Marina_Abramovic_Freeing_the_Body__1976_still_1.jpg?1361200681","poster_credits":"(c)Marina Abramović","translations":[{"locale":"en","description":"*“I was never interested in shocking. What I was interested in was experiencing the physical and mental limits of the human body and mind. I wanted to experience these limits together with the public. I could never do this alone. I always need the public to look at me because it creates an energy-dialogue.”*  (Marina Abramović)"},{"locale":"nl","description":"*“Ik ben nooit geïnteresseerd geweest in shockeren. Wat mij interesseerde was het ervaren van de fysieke en mentale grenzen van lichaam en geest. Ik wilde deze grenzen samen met het publiek ervaren. Ik zou dit nooit alleen kunnen doen. Ik heb de blik van het publiek telkens nodig om een energie-dialoog te creëren.”* (Marina Abramović)"},{"locale":"fr","description":""}]},{"id":6244,"title":"Freeing the Memory","dimensions":"00:15:19","date_begin":"1976-01-01","material":"dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection ZKM, Karlsruhe","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"freeing-the-memory","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/014/517/large/Marina_Abramovic__Freeing_The_Memory_1976_still1.jpg?1361200508","poster_credits":"(c)Marina Abramović","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":6245,"title":"Freeing the Voice","dimensions":"00:14:00","date_begin":null,"material":"dvd","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection ZKM, Karlsruhe","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"freeing-the-voice","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/014/522/large/Marina_Abramovic__Freeing_the_Voice__1976_still1.jpg?1361200854","poster_credits":"(c)Marina Abramović","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":12698,"title":"Virgin / Warrior","dimensions":"05:00:00","date_begin":"2004-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":128,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"","cached_tag_list":"Warrior, Abramović, Marina, 85, Jan, Fabre, virgin","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":32,"permalink":"virgin-warrior--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/027/198/large/fabre_au004195.jpg?1425917046","poster_credits":"(c)Angelos bvba, photo: Attilio Maranzano","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e14.12.2004\u003cbr /\u003eParis, Palais de Tokyo\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eRespect for the art and love for the beauty are the motivations behind this collaboration. In this performance, in the Palais de Tokyo in Paris, Jan Fabre and Marina Abromović attempt to find the virgin/warriors in history who fought for the beauty.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;During the day: performed the ritual of preparation\u003cbr /\u003ewith Marina\u0026nbsp;Abramović the Palais de Tokyo.\u003cbr /\u003eIn the evening: in the hotel bar,\u003cbr /\u003edrank each other\u0026#39;s energy and fed each other\u003cbr /\u003ewith ideas and actions.\u003cbr /\u003eDuring the night: in the hotel room,\u003cbr /\u003ean unspoken mutual awareness that we trust\u003cbr /\u003eeach other.\u003cbr /\u003eThe ritual we have designed together will not\u003cbr /\u003edetract from our independence\u003cbr /\u003efrom our individuality and from our wilfulness.\u003cbr /\u003eWe both possess the irrepressible desire\u003cbr /\u003eto arrive at insight through experience.\u003cbr /\u003eThe \u0026#39;Virgin / Warrior\u0026#39; performance\u003cbr /\u003eis inteded to be a poem.\u003cbr /\u003eThe art will take shape between the lines.\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, Paris, 13 December 2004)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;We were two brave armoured knight-insects\u003cbr /\u003ewho embodied the durability of futility.\u003cbr /\u003eThere was thought behind all actions.\u003cbr /\u003eEverything we did was authentic\u003cbr /\u003ebecause we thought it up.\u003cbr /\u003eIt was a five-hour-long declaration of love\u003cbr /\u003eto the art of performance.\u003cbr /\u003eThousands of eyes around our cage were witnesses\u003cbr /\u003eto it.\u003cbr /\u003e(I could not have imagined a finer birthday.)\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, Paris, 14 December 2004)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e14.12.2004\u003cbr /\u003eParis, Palais de Tokyo\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eUit respect voor de kunst, uit liefde voor de schoonheid werd deze samenwerking opgestart. Jan Fabre en Marina Abromović gaan in deze performance op zoek naar de maagd/krijgers in de geschiedenis die gevochten hebben voor de schoonheid.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;During the day: performed the ritual of preparation\u003cbr /\u003ewith Marina\u0026nbsp;Abramović the Palais de Tokyo.\u003cbr /\u003eIn the evening: in the hotel bar,\u003cbr /\u003edrank each other\u0026#39;s energy and fed each other\u003cbr /\u003ewith ideas and actions.\u003cbr /\u003eDuring the night: in the hotel room,\u003cbr /\u003ean unspoken mutual awareness that we trust\u003cbr /\u003eeach other.\u003cbr /\u003eThe ritual we have designed together will not\u003cbr /\u003edetract from our independence\u003cbr /\u003efrom our individuality and from our wilfulness.\u003cbr /\u003eWe both possess the irrepressible desire\u003cbr /\u003eto arrive at insight through experience.\u003cbr /\u003eThe \u0026#39;Virgin / Warrior\u0026#39; performance\u003cbr /\u003eis inteded to be a poem.\u003cbr /\u003eThe art will take shape between the lines.\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, Paris, 13 December 2004)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;We were two brave armoured knight-insects\u003cbr /\u003ewho embodied the durability of futility.\u003cbr /\u003eThere was thought behind all actions.\u003cbr /\u003eEverything we did was authentic\u003cbr /\u003ebecause we thought it up.\u003cbr /\u003eIt was a five-hour-long declaration of love\u003cbr /\u003eto the art of performance.\u003cbr /\u003eThousands of eyes around our cage were witnesses\u003cbr /\u003eto it.\u003cbr /\u003e(I could not have imagined a finer birthday.)\u0026#39;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e(Jan Fabre, Paris, 14 December 2004)\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":36543,"title":"Walk Through Walls : A Memoir","dimensions":"19,5 x 13 cm, 370 p. language: English, publisher: Penguin Books, United Kingdom, ISBN: 978-0-241-97452-0","date_begin":"2016-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":141,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":6,"permalink":"walk-through-walls-a-memoir","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/093/730/medium_500/WalkThroughWalls_Abramovic.jpg?1736520086","cached_actor_names":"Marina Abramović","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/093/730/large/WalkThroughWalls_Abramovic.jpg?1736520086","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]}]