[{"id":2258,"title":"Untitled","dimensions":"153 x 386 cm","date_begin":"1989-01-01","material":"acrylic, canvas, MDF","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":79,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK5668_M72","stream_count_app":37,"permalink":"untitled--88","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/891/large/W%C3%A9ry,%200002%20Marthe,%20Zonder%20Titel,%201989%20photo%20Philippe%20De%20Gobert.jpg?1315232934","poster_credits":"(c)image: Phiippe De Gobert, Brussels","translations":[{"locale":"en","description":"\u003cp\u003eThis series of three paintings by Marthe W\u0026eacute;ry form a single entity with the wall. Marthe W\u0026eacute;ry plays with the boundary of the painting: where does the work begin and end? She examines the relationship between the frame and the picture plane and their mutual interchangeability. In this way the painting also becomes an installation, and is inseparable from the space between and around it. A painting becomes an object and enters into dialogue with the space where it is exhibited. Marthe W\u0026eacute;ry sees each work as another step in her continuing study of painting. Originally, in her monochrome works, she concentrated mainly on investigating the basic components of painting: support, format, colour and brushwork. She asks the question \u0026lsquo;what makes something a painting?\u0026rsquo; She later shifted her attention to the relationship between her work and the surroundings. Click [here] to read the full text.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe reeks van drie schilderijen van Marthe W\u0026eacute;ry vormt \u0026eacute;\u0026eacute;n geheel met de muur. Het werk kan enkel bestaan in nauwe samenhang met de ruimte, het is onscheidbaar van de ruimte waarbinnen het wordt gepresenteerd. Marthe W\u0026eacute;ry speelt met de begrenzing van het schilderij: waar houdt het werk op en waar begint het? Ze onderzoekt de verhouding tussen de lijst en het beeldvlak en hun onderlinge inwisselbaarheid. Het schilderij wordt op die manier tegelijk een installatie, het is onafscheidelijk van de ruimte ertussenin en eromheen. Zoals een woord binnen een aaneenschakeling van woorden in een zin haar betekenis krijgt, zo functioneert ook dit werk. Een schilderij wordt een object, het gaat in dialoog met de ruimte waar het tentoongesteld wordt. De ruimte bepaalt het schilderij, het schilderij voedt zich met de ruimte. Klik [hier] om de volledige tekst te lezen.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eLa s\u0026eacute;rie de trois peintures de Marthe W\u0026eacute;ry constitue un ensemble avec le mur. L\u0026rsquo;\u0026oelig;uvre ne peut exister qu\u0026rsquo;en relation \u0026eacute;troite avec l\u0026rsquo;espace dans laquelle elle est pr\u0026eacute;sent\u0026eacute;e et dont elle est indissociable. Marthe W\u0026eacute;ry joue avec les d\u0026eacute;limitations de la peinture : o\u0026ugrave; s\u0026rsquo;arr\u0026ecirc;te l\u0026rsquo;\u0026oelig;uvre et o\u0026ugrave; commence-t-elle ? Elle analyse les rapports entre le cadre et la surface de l\u0026rsquo;\u0026oelig;uvre, et leur convertibilit\u0026eacute;. Ainsi, le tableau devient \u0026agrave; la fois une installation, indissociable de l\u0026rsquo;espace entre et autour de l\u0026rsquo;\u0026oelig;uvre. \u0026Agrave; l\u0026rsquo;instar d\u0026rsquo;un mot qui prend son sens dans une succession de mots, l\u0026rsquo;\u0026oelig;uvre prend son sens dans l\u0026rsquo;espace. Le tableau devient objet et entre en dialogue avec l\u0026rsquo;espace dans lequel il est expos\u0026eacute;. L\u0026rsquo;espace d\u0026eacute;termine la peinture, la peinture se nourrit de l\u0026rsquo;espace. Cliquez [ici] pour lire le texte int\u0026eacute;gral.\u003c/p\u003e\r\n"}]},{"id":13237,"title":"Marthe Wéry - Peinture, Montréal 84","dimensions":"28 x 21 cm, language : French, authors : Gilles Godmer \u0026 Andre Menard, publisher : Musée d'Art Contemporain de Montréal/Éditions Lebeer Hossmann, Montréal/Bruxelles, ISBN : 2-551-06463-5","date_begin":"1984-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Artist publication ; Artist book Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2002/769","stream_count_app":10,"permalink":"marthe-wery-peinture-montreal-84","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/380/large/photoM_HKAclinckx_80.jpg?1453457207","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":15623,"title":"Calais","dimensions":"","date_begin":"1995-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Province de Hainaut / Dépôt BPS22, Charleroi","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"2004-01-01","reference":"","stream_count_app":15,"permalink":"calais","description_ru":"","description_de":"\u003cp\u003eMitte der 90er Jahre entwickelt Marthe W\u0026eacute;ry \u0026laquo;\u0026nbsp;neue Malweisen\u0026nbsp;\u0026raquo;, um die Potentiale der Fl\u0026auml;che des Gem\u0026auml;ldes zu erschlie\u0026szlig;en\u0026nbsp;; auf eine radikale Periode folgt eine Periode mit mehr Farbe aber immer noch sehr streng, wo verschiedene \u0026auml;ltere Sorgen deutlich werden (Architektur, Beleuchtung usw.). Das ist der Fall der offenen Serie \u003cem\u003eCalais\u003c/em\u003e, die 1995 begonnen wurde und mit dem Tod der K\u0026uuml;nstlerin beendet wurde\u0026nbsp;: eine gro\u0026szlig;e Installation von MDF-Platten, die mit Himmelblau bedeckt sind, vom dunklen Blaugrau auf ein Wei\u0026szlig;blau mit einer gro\u0026szlig;en Frische, die je nach Ausstellungsraum anders konfiguriert werden kann. Die Einheit, die heute als \u0026laquo; variables Medium\u0026nbsp;\u0026raquo; bezeichnen, d.h. eine Art plastische Partitur (im musikalischen Sinn des Wortes), die bei jeder Pr\u0026auml;sentation neu ausgelegt werden kann. Wie jede musikalische Interpretation ist die Pr\u0026auml;sentation Gegenstand einer unterschiedlichen Bewertung des Werks.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/998/large/2017_SUPERDEMOCRATIE_Senaat_photo_M_HKA_6_13.jpg?1506693485","poster_credits":"image: (c) M HKA, Collection Province de Hainaut / Dépôt BPS22, Charleroi","translations":[{"locale":"en","description":"\u003cp\u003eIn the mid-90s, Marthe W\u0026eacute;ry developed \u0026lsquo;new ways\u0026rsquo; of painting, in order to use the potentialities of the surface of the painting; a radical period is followed by a more colourful but always rigorous period, in which some older preoccupations (architecture, luminosity, etc.) were expressed differently. This is the case of the open series \u003cem\u003eCalais\u003c/em\u003e, begun in 1995 and prematurely ended at the death of the artist, made of a vast installation of MDF panels, covered with a sky blue, ranging from a dark blue grey to a very refreshing blue-white, which can be reconfigured according to the space of exposure. The ensemble is what we call today a \u0026lsquo;variable media\u0026rsquo;, that is to say a sort of plastic score (in the musical sense of the term) that must be reinterpreted at each presentation. Like any musical interpretation, presentation is the subject of a distinct appreciation of the work.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eMidden jaren negentig ontwikkelt Marthe W\u0026eacute;ry \u0026ldquo;nieuwe manieren\u0026rdquo; om te schilderen om de mogelijkheden van het doekoppervlak optimaal te benutten; een periode van radicaliteit gaat over in een meer kleurrijke, zij het nog altijd rigoureuze fase waarin bepaalde thema\u0026rsquo;s die op de achtergrond waren verdwenen, terug opduiken (architectuur, licht, enz.). Hiervan getuigt de reeks \u003cem\u003eCalais\u003c/em\u003e, begonnen in 1995 en stopgezet met het overlijden van de kunstenares. Het betreft een grote installatie van mdf-panelen, in een lichtblauwe kleur die van donker blauwgrijs overgaat naar een heel fris lichtblauw. Het geheel is wat we vandaag een \u0026ldquo;variabel medium\u0026rdquo; noemen, i.e. een soort plastische partituur (in de muzikale betekenis van de term), die bij elke voorstelling opnieuw moet worden vertolkt. Net als bij een vertolking van een muziekstuk, wordt de voorstelling van het werk telkens weer op een andere manier onthaald.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eAu milieu des ann\u0026eacute;es 90, Marthe W\u0026eacute;ry d\u0026eacute;veloppe de \u0026quot;nouvelles mani\u0026egrave;res\u0026quot; de peindre, afin d\u0026rsquo;exploiter les potentialit\u0026eacute;s de la surface du tableau\u0026nbsp;; \u0026agrave; une p\u0026eacute;riode radicale succ\u0026egrave;de ainsi une p\u0026eacute;riode plus color\u0026eacute;e, mais toujours rigoureuse, o\u0026ugrave; s\u0026rsquo;expriment diff\u0026eacute;remment certaines pr\u0026eacute;occupations plus anciennes (architecture, luminosit\u0026eacute;, etc.). C\u0026rsquo;est le cas de la s\u0026eacute;rie ouverte \u003cem\u003eCalais\u003c/em\u003e, commenc\u0026eacute;e en 1995 et arr\u0026ecirc;t\u0026eacute;e au d\u0026eacute;c\u0026egrave;s de l\u0026rsquo;artiste, faite d\u0026rsquo;une vaste installation de panneaux de MDF, couverts d\u0026rsquo;un bleu ciel, allant d\u0026rsquo;un bleu-gris sombre \u0026agrave; un bleu-blanc d\u0026rsquo;une grande fra\u0026icirc;cheur, qu\u0026rsquo;il est possible de reconfigurer en fonction de l\u0026rsquo;espace d\u0026rsquo;exposition. L\u0026rsquo;ensemble est ce que l\u0026rsquo;on appelle aujourd\u0026rsquo;hui un \u0026laquo;\u0026nbsp;media variable\u0026nbsp;\u0026raquo;, c\u0026rsquo;est-\u0026agrave;-dire une sorte de partition plastique (au sens musical du terme) qui doit \u0026ecirc;tre r\u0026eacute;interpr\u0026eacute;t\u0026eacute;e \u0026agrave; chaque pr\u0026eacute;sentation. Comme toute interpr\u0026eacute;tation musicale, la pr\u0026eacute;sentation fait l\u0026rsquo;objet d\u0026rsquo;une appr\u0026eacute;ciation distincte de l\u0026rsquo;\u0026oelig;uvre.\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":20767,"title":"Untitled (jaune/ocre)","dimensions":"","date_begin":null,"material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Courtesy Galerie Micheline Szwajcer","cached_tag_list":"Art's Birthday Salon de Peinture","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"untitled-jaune-ocre","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/230/medium_500/MartheWery_photo_M_HKAcc.jpg?1548161145","cached_actor_names":"Marthe Wéry","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/230/large/MartheWery_photo_M_HKAcc.jpg?1548161145","poster_credits":"Courtesy Galerie Micheline Szwajcer, image: (c) M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":35012,"title":"Utrecht Après","dimensions":"3 x (50 x 41 x 3 cm)","date_begin":"1992-01-01","material":"oil on panel","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Stad Antwerpen, in langdurige bruikleen in M HKA","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"SCA0052","stream_count_app":23,"permalink":"utrecht-apres","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/261/medium_500/W%C3%A9ry_Marthe_Utrecht_apres_1.jpg?1708515858","cached_actor_names":"Marthe Wéry","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/261/large/W%C3%A9ry_Marthe_Utrecht_apres_1.jpg?1708515858","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eMarthe Wéry (1930, Etterbeek – 2005, Brussel) experimenteert radicaal met alle onderdelen van het schilderij: drager, vorm, lijst en kleur. Haar doeken zijn als het ware kleurtoetsen die op de muur worden geschikt. De spanning tussen vorm en formaat wordt op schaal van de muur verplaatst waardoor scenografie en architectuur een steeds meer bepalende rol gaan spelen. In \u003ci\u003eUtrecht Aprês\u003c/i\u003e is naast het analytische minimalisme ook een meer poëtische laag aanwezig, die misschien niet rationeel of formeel zichtbaar is, maar wel voelbaar. Het kleurgebruik van Wéry wordt versterkt als ze installaties maakt met meerdere schilderijen, die samen haast iets lyrisch hebben.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eMarthe Wéry wordt vertegenwoordigd door galerie Geukens \u0026amp; De Vil.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":4106,"title":"Zonder titel [Untitled]","dimensions":"10 x (30 x 80 cm)","date_begin":"1974-01-01","material":"acrylic, canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collectie M HKA, Antwerpen / Foundation Gordon Matta-Clark","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0239","stream_count_app":37,"permalink":"zonder-titel-untitled--91","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/572/medium_500/S0239.jpg?1343303555","cached_actor_names":"Marthe Wéry","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/572/large/S0239.jpg?1343303555","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eThese ten rectangular panels appear to have no beginning or end, you could suspect they are interchangeable and go on forever. In a sense this is what Marthe W\u0026eacute;ry aims for with her oeuvre. She sees each artwork as part of a never-ending experiment, leading to new, constantly evolving possibilities.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDeze serie grijze gelijnde schilderijen uit 1974 is exemplarisch is voor het werk van Marthe W\u0026eacute;ry. In die periode scharniert W\u0026eacute;ry\u0026rsquo;s strakke werk tussen haar \u0026lsquo;vroege\u0026rsquo; geometrische en constructivistische composities en haar \u0026lsquo;recente\u0026rsquo; onderzoek rond drager en huid dat zich vertaalt in subtiele monochromen. Deze reeks kan men situeren bij de fundamentele schilderkunst vanwege de duidelijke interesse voor de rechthoekige vorm en de vlakheid van de drager en de aandacht voor het werkproces. In deze tien gestifte werken is de lijn, als grenswaarde van de ontlede vorm, immers het middel om een oppervlak te beroeren en te beleven. De \u0026lsquo;vroege\u0026rsquo; vormen vallen op deze doeken uiteen in lijnen. Lijnen die in het latere werk op hun beurt samenkomen en kleurvlakken vormen.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]}]