{"id":3036,"name":"","email":"ensembles@muhka.be","language_id":1,"permalink":"michel-auder","deleted":false,"legal_status_id":null,"url_1":"http://www.michelauder.com/index.html","twitter":null,"category_id":47,"date_of_birth":"1945-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"Futures Studies video photography","publishing_process_id":1,"can_log_in":false,"firstname":"Michel","lastname":"Auder","annotation":"\u003cp\u003eSelected Works:\u003c/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eKeeping Busy, 1969\u003c/li\u003e\r\n\t\u003cli\u003eCleopatra, 1970\u003c/li\u003e\r\n\t\u003cli\u003eThe Valerie Solanas Incident, 1971\u003c/li\u003e\r\n\t\u003cli\u003eChelsea Girls with Andy Warhol, 1971\u0026ndash;1976\u003c/li\u003e\r\n\t\u003cli\u003eChronicles: Family Diaries, 1971-1973 (Excerpts)\u003c/li\u003e\r\n\t\u003cli\u003eMade for Denise, 1978\u003c/li\u003e\r\n\t\u003cli\u003eSeduction of Patrick, 1979\u003c/li\u003e\r\n\t\u003cli\u003ePortrait of Alice Neel, 1976\u0026ndash;1982\u003c/li\u003e\r\n\t\u003cli\u003eChasing the Dragon, 1982\u003c/li\u003e\r\n\t\u003cli\u003eFlying, 1983\u003c/li\u003e\r\n\t\u003cli\u003eThe Games: Olympic Variations, 1984\u003c/li\u003e\r\n\t\u003cli\u003eMy Last Bag of Heroin (For Real), 1986\u003c/li\u003e\r\n\t\u003cli\u003eBrooding Angels, Made for R.L., 1988\u003c/li\u003e\r\n\t\u003cli\u003eRoman Variations, 1991\u003c/li\u003e\r\n\t\u003cli\u003eVoyage to the Center of the Phone Lines, 1993\u003c/li\u003e\r\n\t\u003cli\u003ePolariod Cocaine, 1993\u003c/li\u003e\r\n\t\u003cli\u003eLouis Waldon, 1994\u003c/li\u003e\r\n\t\u003cli\u003eThe Vanuatu Chronicles, 1998\u003c/li\u003e\r\n\t\u003cli\u003eT.W.U. Richard Serra, An Unsolicited Video by Michel Auder, 1980\u0026ndash;82, re-edit 2002\u003c/li\u003e\r\n\t\u003cli\u003eLouis Waldon in Chronicles: Los Angeles/Bel-Air (July 1999), 2002\u003c/li\u003e\r\n\t\u003cli\u003eChronicles: Columbian Wedding (April 1999), 2002\u003c/li\u003e\r\n\t\u003cli\u003eMorocco 1972: The Real Chronicles with Viva, 2002\u003c/li\u003e\r\n\t\u003cli\u003eChronicles: Van\u0026#39;s Last Performance, 1971, edited 2002\u003c/li\u003e\r\n\t\u003cli\u003eThe World Out of My Hands, 2006\u003c/li\u003e\r\n\t\u003cli\u003eNew Mexico Chronicles, 2006\u003c/li\u003e\r\n\t\u003cli\u003eThe Feature (with SeeThink Productions), 2007\u003c/li\u003e\r\n\t\u003cli\u003eEndless Column, 2011\u003c/li\u003e\r\n\u003c/ul\u003e\r\n","url_2":"","url_3":"","cached_name":"Michel Auder","date_of_death":null,"cached_name_asc":"Auder, Michel","stream_count_app":26,"gender":"male","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/035/192/large/Michel_Auder_1.jpg?1491334910","poster_credits":null,"media_count":1,"items_count":3,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eSince moving to New York in the 1960s and becoming part of the scene centred on Andy Warhol\u0026rsquo;s Factory, Michel Auder has been a \u0026lsquo;partial observer\u0026rsquo; of metropolitan life in its splendour and squalor. In quantum physics, this term denotes that observation (usually by an apparatus) becomes indistinguishable from what is being perceived, but also that there is no \u0026lsquo;total\u0026rsquo; or \u0026lsquo;impartial\u0026rsquo; observer. Auder observes life through hundreds of thousands of hours of video recordings.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eSolo exhibitions, notably at the Renaissance Society in Chicago in 2002, at Extra City in Antwerp in 2007, at Lunds konsthall, Sweden, in 2010 and at Kunsthalle Basel in 2013. Numerous solo screenings at the Anthology Film Archives in New York. Numerous group exhibitions, including the 5th Berlin Biennial in 2008 and the 2014 Whitney Biennial. Participates in Documenta 14 in 2017.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"http://www.michelauder.com/index.html\"\u003eMore.\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eSinds Michel Auder in de late jaren 1960 naar New York verhuisde, waar hij deel uitmaakte van de sc\u0026egrave;ne rond Andy Warhol, is hij een \u0026lsquo;partieel waarnemer\u0026rsquo; van het grootstedelijke leven in al zijn pracht en verloedering. In de kwantumfysica verwijst deze term naar een observatie die samenvalt met het geobserveerde, maar ook naar het feit dat er geen onpartijdige waarnemer bestaat. Auder observeert het leven aan de hand van honderdduizenden uren video-opnames.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eMeerdere solotentoonstellingen, in het bijzonder in de Renaissance Society in Chicago in 2002, in Extra City in Antwerpen in 2007, in Lunds konsthall, Zweden in 2010 en in de Kunsthalle Basel in 2013. Meerdere solovertoningen bij de Anthology Film Archives in New York. Meerdere groepstentoonstellingen, waaronder de 5\u003csup\u003ee\u003c/sup\u003e Bi\u0026euml;nnale van Berlijn in 2008 en de Whitney Bi\u0026euml;nnale in 2014. Neemt deel aan Documenta 14 in 2017.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDepuis qu\u0026rsquo;il s\u0026rsquo;est install\u0026eacute; \u0026agrave; New York dans les ann\u0026eacute;es\u0026nbsp;60 o\u0026ugrave; il a fait partie de la sc\u0026egrave;ne qui gravitait autour de la Factory d\u0026rsquo;Andy Warhol, Michel Auder est un \u0026laquo;\u0026nbsp;observateur partiel\u0026nbsp;\u0026raquo; de la vie m\u0026eacute;tropolitaine dans toute sa splendeur et sa mis\u0026egrave;re. En physique quantique le terme d\u0026rsquo;observateur partiel indique \u0026agrave; la fois que l\u0026rsquo;observation (le plus souvent effectu\u0026eacute;e par des instruments) devient indiscernable de ce qui est per\u0026ccedil;u et qu\u0026rsquo;il n\u0026rsquo;existe ni d\u0026rsquo;observateur \u0026laquo;\u0026nbsp;total\u0026nbsp;\u0026raquo; ni \u0026laquo;\u0026nbsp;impartial\u0026nbsp;\u0026raquo; (le mot anglais \u003cem\u003epartial\u003c/em\u003e signifie aussi bien partiel que partial). Auder observe la vie \u0026agrave; travers des centaines de milliers d\u0026rsquo;heures d\u0026rsquo;enregistrements vid\u0026eacute;o.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eParmi ses expositions individuelles\u0026nbsp;: Renaissance Society \u0026agrave; Chicago en 2002, Extra City \u0026agrave; Anvers en 2007, Lunds konsthall (Su\u0026egrave;de) en 2010, Kunsthalle Basel en 2013. L\u0026rsquo;Anthology Film Archives \u0026agrave; New York projette r\u0026eacute;guli\u0026egrave;rement ses films. Parmi ses expositions de groupes\u0026nbsp;: 5\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;Biennale de Berlin en 2008 et la Biennale du Whitney Museum en 2014. Michel Auder participe cette ann\u0026eacute;e \u0026agrave; Documenta\u0026nbsp;14.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"FR","place":"","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}},{"country":"FR","place":"Soissons","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"US","place":"New York","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}