{"id":787,"name":"","email":"ensembles@muhka.be","language_id":1,"permalink":"mona-hatoum","deleted":false,"legal_status_id":47,"url_1":"http://www.female-artists.net/mona-hatoum.html","twitter":null,"category_id":47,"date_of_birth":"1952-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"installation video","publishing_process_id":1,"can_log_in":false,"firstname":"Mona","lastname":"Hatoum","annotation":"","url_2":"","url_3":"","cached_name":"Mona Hatoum","date_of_death":null,"cached_name_asc":"Hatoum, Mona","stream_count_app":27,"gender":"female","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/252/large/20110127095224_1_8707_mona_hatoum_shand_kydd.jpg?1343048579","poster_credits":"(c)image: Shand Kydd","media_count":1,"items_count":2,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eMona Hatoum\u003c/strong\u003e was born in Beirut, but her family is of Palestinian origin. In 1975, during a visit to Great Britain, civil war broke out in Lebanon and she was forced into exile in London. She continued her studies there, and by the beginning of the 1980s had acquired fame with performances and video pieces. The human body was her leading motif in these works. Since the 1990s, Mona Hatoum also makes spatial works. Domesticity becomes one of her central themes, as in her famous series of gigantic kitchen appliances, which have viewers stumbling into a sort of nightmarish version of Alice in Wonderland. In Hatoum\u0026#39;s hands, everyday objects acquire an alienating, even threatening, character. Is it the threat of war that is being evoked here? Or is Hatoum pointing to the suffocating domestic shackles that girls were forced to submit to in the cultural tradition in which she grew up? Or is it the ambiguous stance of the artist vis-\u0026agrave;-vis the sense of security of a \u0026lsquo;home\u0026rsquo; that is represented?\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eMona Hatoum \u003c/strong\u003ewerd geboren in Beiroet, maar haar familie is van Palestijnse origine. In 1975, tijdens een bezoek aan Groot-Brittanni\u0026euml;, brak de oorlog in Libanon uit en zag zij zich genoodzaakt in Londen te blijven. Ze studeerde er en verwierf in het begin van de jaren tachtig bekendheid met performances en videowerk met een sterke klemtoon op het menselijk lichaam. Vanaf de jaren negentig realiseert zij ook ruimtelijk werk. Huiselijkheid wordt dan een van haar belangrijkste thema\u0026rsquo;s, met onder andere keukenapparatuur in gigantische uitvoeringen, alsof de toeschouwer in een soort nachtmerrieachtige versie van Alice in Wonderland is terechtgekomen. Alledaagse voorwerpen krijgen onder haar handen een bevreemdend, zelfs bedreigend karakter. Is het de bedreiging van de oorlog die hier wordt opgeroepen? Of stelt Hatoum het verstikkende huiselijke keurslijf voor waarin meisjes worden gedwongen door de culturele traditie waarin zij is opgegroeid? Of is het de dubbelzinnige houding van de kunstenares tegenover de geborgenheid van een \u0026lsquo;thuis\u0026rsquo; die wordt uitgebeeld?\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"LB","place":"Beirut","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"GB","place":"London","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}