{"id":2487,"name":"NADEZHDA GRISHINA","email":"","language_id":1,"permalink":"nadezhda-grishina","deleted":false,"legal_status_id":47,"url_1":"http://vimeo.com/68286926","twitter":null,"category_id":28,"date_of_birth":"1984-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"","lastname":"","annotation":"","url_2":"","url_3":"","cached_name":"NADEZHDA GRISHINA","date_of_death":null,"cached_name_asc":"NADEZHDA GRISHINA","stream_count_app":7,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/020/large/12198090531909861341man_silhouettesvgmed.png?1402585115","poster_credits":null,"media_count":1,"items_count":2,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eNadezhda Grishina links live performance to the moving image. Her video installations are both theatrical (because they hinge on movement, pace, rhythm and other expressions of physical intensity) and critical (because they diagnose and satirise the reality that they reformulate as spectacle).\u003c/p\u003e\u003cp\u003eGrishina\u0026rsquo;s work draws strength from some of the most powerful streams of Russian culture: the art of narration and the art of acting. Nevertheless, she rarely uses dialogue or professional performers. Instead she works experimentally with the semi-articulate, emotionally stunted reality of the \u0026lsquo;digital life\u0026rsquo; that many people live today. She has invented a new coming-together of edited footage and mechanical or electronic props where it can be difficult to separate men from machines. (AK)\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eNadjezjda Grisjina combineert live performance met bewegende beelden. Haar video-installaties zijn zowel theatraal (omdat ze zijn gebaseerd op beweging, tempo, ritme en andere uitingen van fysieke intensiteit) als kritisch (omdat ze de realiteit die ze herformuleren als spektakel diagnosticeren en hekelen). Grisjina\u0026rsquo;s werk put kracht uit enkele van de meest krachtige stromen van de Russische cultuur: de kunst van de vertelling en de kunst van het acteren. Toch gebruikt ze zelden dialoog of professionele artiesten, en verkiest ze experimenteel te werken met de semi-gearticuleerde, emotioneel onvolgroeide realiteit van het \u0026lsquo;digitale leven\u0026rsquo; dat veel mensen vandaag de dag hebben aangenomen. Ze heeft een nieuw soort assemblage van bewerkte beelden en mechanische of elektronische rekwisieten weten te realiseren, waarbij het moeilijk is om mens en machines van elkaar te onderscheiden. (AK)\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003eNadejda Grichina relie la performance en public et l\u0026rsquo;image en mouvement. Ses installations vid\u0026eacute;o sont \u0026agrave; la fois th\u0026eacute;\u0026acirc;trales (parce qu\u0026rsquo;elles reposent sur le mouvement, le rythme, l\u0026rsquo;allure et autres expressions d\u0026rsquo;intensit\u0026eacute; physique) et critiques (parce qu\u0026rsquo;elles posent un diagnostic et parodient la r\u0026eacute;alit\u0026eacute; qu\u0026rsquo;elles reformulent sous forme de spectacle). L\u0026rsquo;\u0026oelig;uvre de Grichina puise sa force dans certains des courants les plus puissants de la culture russe\u0026nbsp;: l\u0026rsquo;art de la narration et l\u0026rsquo;art du th\u0026eacute;\u0026acirc;tre. N\u0026eacute;anmoins, elle utilise rarement des dialogues et ne fait pas appel \u0026agrave; des acteurs professionnels. Elle travaille au contraire de mani\u0026egrave;re exp\u0026eacute;rimentale \u0026agrave; partir de la r\u0026eacute;alit\u0026eacute; semi-articul\u0026eacute;e de la \u0026laquo;\u0026nbsp;vie num\u0026eacute;rique\u0026nbsp;\u0026raquo;, \u0026eacute;tiol\u0026eacute;e sur le plan \u0026eacute;motionnel, tr\u0026egrave;s largement adopt\u0026eacute;e par nos contemporains. Elle a invent\u0026eacute; un nouvel assemblage de s\u0026eacute;quences mont\u0026eacute;es et d\u0026rsquo;accessoires m\u0026eacute;caniques ou \u0026eacute;lectroniques dans lesquels il est difficile de s\u0026eacute;parer l\u0026rsquo;humain de la machine. (AK)\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"Russian Federation","place":"","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"Russian Federation","place":"Moscow","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}