M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Nicola L.

1932 - 2018

Born in Mazagan (MA), died in Los Angeles (US), works in New York (US), works in Parijs (FR), works in Ibiza (ES).

From the 1960s onwards Nicola L. (born Nicola Leuthe) blended fine arts, performance and design, with an enduring sense of humour and a constant desire for creating collective experiences. She explored the body relentlessly throughout her career, from anthropomorphic furniture in the spirit of pop art to installations inviting bodies and artwork to form a new, organic and communal entity. For her series of what she called 'pénétrables', she used the structural elements of traditional painting, a stretched canvas, but stitched pockets onto them for head, arms and legs, creating a work that could be worn as a garment or brought to life with the human body. When not inhabited, these paintings became hanging objects with a ghostly presence, hinting at a potential playful activation.

In 1976 Nicola L. was invited for a solo exhibition at M HKA’s predecessor organisation, the ICC (International Cultural Centre), in Antwerp. Banners, masks, drawings and installations were on display, as well as a large coat for eleven people which she took into the street. The action with the coat was repeated in various cities under the title Same Skin For Everybody and was first performed at the Isle of Wight Music Festival in 1970. Nicola L. always had a broad cultural interest, ranging from functional art (as she called it), to film and music. When she moved to New York in 1979 and settled in the Chelsea Hotel, she devoted herself to film, making works that included a short documentary about the punk rock band Bad Brains at the legendary club CBGB.

Works

>Nicola L., The Giant Foot, 1967.Sculpture, pur foam covered with a white vinyl cover, 58 x 183 x 71 cm.

>Nicola L., Femme, 1968.Sculpture, 31 x 208 x 85 cm.

>Nicola L., The Red Coat, 1969.Sculpture.

>Nicola L., Plastic plaques pour La Chambre en Fourrure (plastiek plaat voor bonte kamer), 1970.Object, vinyl, acrylic fur, 48.3 x 67.3 cm.

>Nicola L., Silence, 1972.Textile, inkt op textiel, 90 x 260 cm.

>Nicola L., Pénétrable (Terre), 1974-1978.Sculpture, ink on cotton, wood, 177.8 x 94 cm.

>Nicola L., Tapis gris pour cinq personnes (The Rug For Five People), 1975.Sculpture, acrylic fur, 400 x 400 cm.

>Nicola L., Nicola, 1976.Book, ink, paper, 296 x 21.1 cm, 39 p., language : Dutch, French, English, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen.

>Nicola L., Bad Brains at CBGB: My Picture in your Movie Baby, 1980.Film, super-8 film, 24:45.

Exhibitions & Ensembles

> Exhibition: Museum in Motion. 16 September 2022 - 08 January 2023.

> Exhibition: Museum in Motion - Nicola L. 16 September 2022 - 08 January 2023.

> Exhibition: The Situation is Fluid. 25 January 2025 - 03 January 2027.

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> Ensemble: ICC_Publications.