[{"id":6078,"title":"Project Coloration Bonaparte Dock Antwerp","dimensions":"","date_begin":"1974-01-01","material":"Dia positives","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":129,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie ICC Antwerpen","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"AVM/DIA/79-193 tot AVM/DIA/79-327","stream_count_app":43,"permalink":"project-coloration-bonaparte-dock-antwerp","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/865/large/scannen0010.jpg?1349702733","poster_credits":"(c) M HKA","translations":[{"locale":"en","description":"\u003cp\u003eIn 1968, at the Venice Biennial, Nicol\u0026aacute;s Uriburu used a biologically innocuous liquid to color the Canal Grande in Venice green. This action was the first of many colorings of different waters across the globe, including this coloring of the Bonaparte dock in Antwerp, which took place in 1974 and was organized by the ICC.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eTijdens de Bi\u0026euml;nnale van Veneti\u0026euml; in 1968 gebruikte Nicol\u0026aacute;s Uriburu een biologisch gezien onschadelijke vloeistof om het Venetiaanse Canal Grande groen te doen kleuren. Deze actie was de eerste van een lange reeks kleuringen van verschillende wateren over de hele wereld - inclusief deze kleuring van het Bonapartedok in Antwerpen, die in 1974 plaatsvond en door het ICC georganiseerd was.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003ePendant la Biennale de Venise en 1968, Nicol\u0026aacute;s Uriburu a utilis\u0026eacute; un liquide sans danger sur le plan biologique pour colorer le Canal Grande de Venise en vert. Cette action a \u0026eacute;t\u0026eacute; la premi\u0026egrave;re d\u0026#39;une longue s\u0026eacute;rie de colorations de diff\u0026eacute;rentes eaux du monde entier, y compris la coloration du dock Bonaparte \u0026agrave; Anvers qui a eu lieu en 1974 et qui a \u0026eacute;t\u0026eacute; organis\u0026eacute;e par ICC.\u003c/p\u003e\r\n"}]},{"id":347,"title":"Project coloration Trafalgar Square Fountains","dimensions":"83 x 107 cm","date_begin":"1974-01-01","material":"b/w photograph, pencil, felt-tip pen, ink, plexi, frame","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":77,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCollection Foundation Gordon Matta-Clark\u003c/p\u003e\r\n\r\n\u003cp\u003eDeel van affiche, raster duidelijk zichtbaar, waarop z/w foto van Trafalgar Square in London, waarop verschillende delen met kleurpotlood en viltstift gekleurd zijn.\u003cbr /\u003e\r\noost-indische inkt, viltstift, kleurpotlood, affiche, achter plexi in verchroomde lijst.\u003c/p\u003e\r\n\r\n\u003cp\u003eNicolas Uriburu maakte zelf (samen met zijn assistent Claudio Alo) zijn aluminium frames, die zeer licht waren\u003c/p\u003e\r\n","date_end":null,"reference":"S0224","stream_count_app":42,"permalink":"project-coloration-trafalgar-square-fountains--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/814/medium_500/2022_Museum_In_Motion_Uriburu__TEN_F266.jpg?1673946899","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/814/large/2022_Museum_In_Motion_Uriburu__TEN_F266.jpg?1673946899","poster_credits":"© M HKA","translations":[{"locale":"en","description":"\u003cp\u003eIn 1974, Uriburu participated in \u0026quot;Art Systems in Latin America\u0026quot;, a group exhibition created through the close collaboration between Flor Bex and Jorge Glusberg, the director of the CAYC (Centro di Arte Y Communicacion) in Buenos Aires. The exhibition opened at the ICC in Antwerp and then travels on to the PSK in Brussels (Artistic Systems in Latin America, 28.5-28.6.1974), the ICA (London), the Espace Cardin (Paris) and the Galleria Civica d\u0026#39;Arte Moderna (Ferrara). On 29 November, the opening day of the exhibition at the ICA, he dyes the water of the fountains in Trafalgar Square. The choice of location is not accidental: it is the \u0026lsquo;front garden\u0026rsquo; of the National Gallery and is one of the most popular public spaces with open-air sculpture in London. The square is dominated by the statue of Lord Nelson on a gigantic column, surrounded by four lions at its base. Together with the other statues on their plinths \u0026ndash; including an equestrian statue of Charles I \u0026ndash; this square was designed in the 19th century as a symbol of the might of the \u0026lsquo;British Empire\u0026rsquo;. To get his (ecological) message across as effectively as possible, Uriburu opts for the element of repetition in his art actions: coloring of symbolically charged public spaces, all over the world.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe police take the artist into custody, and he is taken before the court at Bow Street days later. Before being released, he has to pay a fine for \u0026quot;offending the English Crown\u0026quot;. As for most \u0026#39;colorings\u0026#39;, this action is immortalised as an edited photograph.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn 1974 neemt Uriburu deel aan \u0026quot;Kunstsystemen in Latijns-Amerika\u0026quot;, een groepstentoonstelling die tot stand kwam door de nauwe samenwerking tussen Flor Bex en Jorge Glusberg, de directeur van het CAYC (Centro di Arte Y Communicacion) te Buenos Aires. De tentoonstelling hield eerst halt in het ICC in Antwerpen en reist dan verder naar naar het PSK te Brussel (Artistieke systemen in Latijns-Amerika, 28.5-28.6.1974), het ICA (Londen), de Espace Cardin (Parijs) en de Galleria Civica d\u0026rsquo;Arte Moderna (Ferrara). Op 29 november, de openingsdag van de tentoonstelling in het ICA verft hij het water van de fonteinen op Trafalgar Square. De keuze voor de locatie is niet toevallig. Dit plein is beladen met betekenis: het is de \u0026lsquo;voortuin\u0026rsquo; van de National Gallery en is \u0026eacute;\u0026eacute;n van de meest populaire publieke ruimtes met openluchtsculptuur in Londen. Het plein wordt gedomineerd door het beeld van Lord Nelson op een reusachtige zuil, omringd door leeuwen. Samen met de andere beelden op de sokkels, waaronder een ruiterstandbeeld van Karel I, werd dit plein in de negentiende eeuw ontworpen als symbool voor de macht van het \u0026lsquo;Britse Rijk\u0026rsquo;. Om zijn (ecologische) boodschap overal ingang te doen vinden, kiest Uriburu voor het herhalingselement in zijn acties: kleuringen van symbolisch geladen publieke ruimtes, overal ter wereld. \u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe politie neemt de kunstenaar in hechtenis, en hij wordt dagen later voorgeleid aan de rechtbank in Bow Street. Voordat hij wordt vrijgelaten, moet hij een boete betalen voor het \u0026quot;beledigen van de Engelse Kroon\u0026quot;. Zoals voor de meeste \u0026lsquo;kleuringen\u0026rsquo; wordt ook deze actie vereeuwigd als een bewerkte foto.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":33182,"title":"7000 eiken (Beuys \u0026 Uriburu)","dimensions":"10,5 x 14,9 cm","date_begin":"1982-01-01","material":"papier","short_description":"\u003cp\u003ePostcard,\u0026nbsp;Produktion der FREE INTERNATIONAL UNIVERSITY - FIU, Nr. 13 Magdalena Broska (Foto)\u003c/p\u003e\r\n\r\n\u003cp\u003eAn artist from Latin America, Uriburu was always sensitive to the exploitation of natural resources in underdeveloped countries for the sake of favourable economic relations with rich countries. With his \u0026quot;colourings\u0026quot; he wants to open people\u0026#39;s eyes, he uses mass meetings of the art world for visibility and does not shy away from collaborating with environmental organisations such as Greenpeace or with the first \u0026quot;Green\u0026quot; political parties. In 1981, he coloured the waters of the Rhine with Joseph Beuys. The action was part of a national day of protest against pollution, organised by the Green Party. The following year, Beuys invited the artist to join him in planting 7,000 oaks in Kassel on the occasion of Documenta 7.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":113,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA archief","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"7000-eiken-beuys-uriburu","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003ePrentkaart,\u0026nbsp;Produktion der FREE INTERNATIONAL UNIVERSITY - FIU, Nr. 13 Magdalena Broska (Foto)\u003c/p\u003e\r\n\r\n\u003cp\u003eAls kunstenaar uit Latijns-Amerika was Uriburu altijd gevoelig voor de exploitatie van natuurlijke hulpbronnen in onderontwikkelde landen ten behoeve van gunstige economische betrekkingen met rijke landen. Met zijn \u0026#39;kleuringen\u0026#39; wil hij mensen de ogen openen, hij gebruikt massabijeenkomsten van de kunstwereld voor zichtbaarheid en schuwt geen samenwerkingen met milieuorganisaties zoals Greenpeace of met de eerste \u0026quot;Groene\u0026quot; politieke partijen. In 1981 kleurt hij samen met Joseph Beuys het water van de Rijn. De actie maakte deel uit van een nationale dag van protest tegen vervuiling, georganiseerd door de Groene Partij. Het jaar daarop nodigt Beuys de kunstenaar uit om samen met hem 7000 eiken te planten in Kassel ter gelegenheid van Documenta 7.\u0026nbsp;\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/978/medium_500/Uriburu_FIU_recto_-_Copy.jpg?1663250892","cached_actor_names":"Joseph Beuys, Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/978/large/Uriburu_FIU_recto_-_Copy.jpg?1663250892","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003ePostcard,\u0026nbsp;Produktion der FREE INTERNATIONAL UNIVERSITY - FIU, Nr. 13 Magdalena Broska (Foto)\u003c/p\u003e\r\n\r\n\u003cp\u003eAn artist from Latin America, Uriburu was always sensitive to the exploitation of natural resources in underdeveloped countries for the sake of favourable economic relations with rich countries. With his \u0026quot;colourings\u0026quot; he wants to open people\u0026#39;s eyes, he uses mass meetings of the art world for visibility and does not shy away from collaborating with environmental organisations such as Greenpeace or with the first \u0026quot;Green\u0026quot; political parties. In 1981, he coloured the waters of the Rhine with Joseph Beuys. The action was part of a national day of protest against pollution, organised by the Green Party. The following year, Beuys invited the artist to join him in planting 7,000 oaks in Kassel on the occasion of Documenta 7.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003ePrentkaart,\u0026nbsp;Produktion der FREE INTERNATIONAL UNIVERSITY - FIU, Nr. 13 Magdalena Broska (Foto)\u003c/p\u003e\r\n\r\n\u003cp\u003eAls kunstenaar uit Latijns-Amerika was Uriburu altijd gevoelig voor de exploitatie van natuurlijke hulpbronnen in onderontwikkelde landen ten behoeve van gunstige economische betrekkingen met rijke landen. Met zijn \u0026#39;kleuringen\u0026#39; wil hij mensen de ogen openen, hij gebruikt massabijeenkomsten van de kunstwereld voor zichtbaarheid en schuwt geen samenwerkingen met milieuorganisaties zoals Greenpeace of met de eerste \u0026quot;Groene\u0026quot; politieke partijen. In 1981 kleurt hij samen met Joseph Beuys het water van de Rijn. De actie maakte deel uit van een nationale dag van protest tegen vervuiling, georganiseerd door de Groene Partij. Het jaar daarop nodigt Beuys de kunstenaar uit om samen met hem 7000 eiken te planten in Kassel ter gelegenheid van Documenta 7.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":33616,"title":"Coloration du port d’Anvers, dock Napoleon, 25 november 1974 ","dimensions":"101 x 75 cm","date_begin":"1974-01-01","material":"kleurenfoto (ingelijst)","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":129,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Verzameling Bex-De Deyne, Antwerpen","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"coloration-du-port-d-anvers-dock-napoleon-25-november-1974","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/885/medium_500/2022_Museum_In_Motion_URIBURU_photo_M_HKA_clinckx_TEN_F0_10.jpg?1664887060","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/885/large/2022_Museum_In_Motion_URIBURU_photo_M_HKA_clinckx_TEN_F0_10.jpg?1664887060","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":33617,"title":"Portfolio (Manifesto)","dimensions":"6 x (76.2 x 56.5 cm)","date_begin":"1973-01-01","material":"Zeefdruk op papier ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Colección Azul García Uriburu; The MET, New York; MoMA, New York; Tate, Londen; Colección MALBA, Museo de Arte Latinoamericano de Buenos Aires; MFA The museum of Fine Arts, Houston","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"portfolio-manifesto","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/888/medium_500/Uriburu_Portfolio_2.jpg?1664888695","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/888/large/Uriburu_Portfolio_2.jpg?1664888695","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":33618,"title":"The Rebelión, Antagonism between Nature and Civilization (Green series), Paris, 1973","dimensions":"190 x 180 cm","date_begin":"1973-01-01","material":"Reproductie (origineel: olieverf op doek)","short_description":"\u003cp\u003eAfter the then uprising Black Power, Uriburu stands up for Green Power. A common symbol of revolt against oppression, the fist was probably first depicted as such by French artist Honor\u0026eacute; Daumier in his 1848 \u0026#39;The Uprising\u0026#39;; at the centre of the painting is a man with his sleeves rolled up and a clenched fist. The iconic red fist was later used internationally for various social tendencies.\u0026nbsp;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eGereproduceerd voor de tentoonstelling \u003cem\u003eMuseum in Motion\u003c/em\u003e (M HKA 2022) met toestemming van de Nicol\u0026aacute;s Garc\u0026iacute;a Uriburu Foundation.\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":15,"permalink":"the-rebelion-antagonism-between-nature-and-civilization-green-series-paris-1973","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eNaar analogie met de toen in zwang geraakte Black Power breekt Uriburu een lans voor de Green Power. De vuist is een algemeen symbool van opstand tegen onderdrukking en werd waarschijnlijk voor het eerst als dusdanig verbeeld door de Franse kunstenaar Honor\u0026eacute; Daumier in zijn \u0026#39;De Opstand\u0026#39; uit 1848; in het midden van het schilderij staat een man met opgestroopte mouwen en een gebalde vuist. De iconische rode vuist is later internationaal gebruikt voor verschillende sociale tendensen.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/889/medium_500/Uriburu_Rebelion_1.jpg?1664889043","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/889/large/Uriburu_Rebelion_1.jpg?1664889043","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eAfter the then uprising Black Power, Uriburu stands up for Green Power. A common symbol of revolt against oppression, the fist was probably first depicted as such by French artist Honor\u0026eacute; Daumier in his 1848 \u0026#39;The Uprising\u0026#39;; at the centre of the painting is a man with his sleeves rolled up and a clenched fist. The iconic red fist was later used internationally for various social trendences.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eNaar analogie met de toen in zwang geraakte Black Power breekt Uriburu een lans voor de Green Power. De vuist is een algemeen symbool van opstand tegen onderdrukking en werd waarschijnlijk voor het eerst als dusdanig verbeeld door de Franse kunstenaar Honor\u0026eacute; Daumier in zijn \u0026#39;De Opstand\u0026#39; uit 1848; in het midden van het schilderij staat een man met opgestroopte mouwen en een gebalde vuist. De iconische rode vuist is later internationaal gebruikt voor verschillende sociale tendensen.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":33619,"title":"Dolphin-triptic of freedom-Paris","dimensions":"80 x 130 cm","date_begin":"1974-01-01","material":"Olieverf op hout ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Colección Azul García Uriburu","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"dolphin-triptic-of-freedom-paris","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/892/medium_500/Uriburu_1974_dolphin.jpg?1664889586","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/892/large/Uriburu_1974_dolphin.jpg?1664889586","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":33620,"title":"Rhein Water Poluted (sic)","dimensions":"28 x ⌀ 7.5 cm","date_begin":"1981-01-01","material":"Fles met gekleurd Rijnwater ","short_description":"\u003cp\u003eAn artist from Latin America, Uriburu was always sensitive to the exploitation of natural resources in underdeveloped countries for the sake of favourable economic relations with rich countries. With his \u0026quot;colourings\u0026quot; he wants to open people\u0026#39;s eyes, he uses mass meetings of the art world for visibility and does not shy away from collaborating with environmental organisations such as Greenpeace or with the first \u0026quot;Green\u0026quot; political parties. In 1981, he coloured the waters of the Rhine with Joseph Beuys. The action was part of a national day of protest against pollution, organised by the Green Party. The following year, Beuys invited the artist to join him in planting 7,000 oaks in Kassel on the occasion of Documenta 7.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie M HKA, Antwerpen / Collectie Vlaamse Gemeenschap","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK009540","stream_count_app":14,"permalink":"rhein-water-poluted-h2o-10-000-poisons-green-coloration-dusseldorf-9-28-1981","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eAls kunstenaar uit Latijns-Amerika was Uriburu altijd gevoelig voor de exploitatie van natuurlijke hulpbronnen in onderontwikkelde landen ten behoeve van gunstige economische betrekkingen met rijke landen. Met zijn \u0026#39;kleuringen\u0026#39; wil hij mensen de ogen openen, hij gebruikt massabijeenkomsten van de kunstwereld voor zichtbaarheid en schuwt geen samenwerkingen met milieuorganisaties zoals Greenpeace of met de eerste \u0026quot;Groene\u0026quot; politieke partijen. In 1981 kleurt hij samen met Joseph Beuys het water van de Rijn. De actie maakte deel uit van een nationale dag van protest tegen vervuiling, georganiseerd door de Groene Partij. Het jaar daarop nodigt Beuys de kunstenaar uit om samen met hem 7000 eiken te planten in Kassel ter gelegenheid van Documenta 7.\u0026nbsp;\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/893/medium_500/Uriburu_bottle.jpg?1664889956","cached_actor_names":"Nicolás Uriburu, Joseph Beuys","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/893/large/Uriburu_bottle.jpg?1664889956","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eAn artist from Latin America, Uriburu was always sensitive to the exploitation of natural resources in underdeveloped countries for the sake of favourable economic relations with rich countries. With his \u0026quot;colourings\u0026quot; he wants to open people\u0026#39;s eyes, he uses mass meetings of the art world for visibility and does not shy away from collaborating with environmental organisations such as Greenpeace or with the first \u0026quot;Green\u0026quot; political parties. In 1981, he coloured the waters of the Rhine with Joseph Beuys. The action was part of a national day of protest against pollution, organised by the Green Party. The following year, Beuys invited the artist to join him in planting 7,000 oaks in Kassel on the occasion of Documenta 7.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align:justify\"\u003eNa gelijkaardige acties in Parijs, Veneti\u0026euml; en New York, kleurde Nicolas Uriburu in 1981 samen met Joseph Beuys het water van de Rijn. De actie demonstreerde zijn bekommernis om het milieu. Ze maakte deel uit van een nationale dag van protest tegen vervuiling, georganiseerd door de Groene Partij. Er was initieel gepland dat de actie zou plaatsvinden in Keulen, maar daar werd ze geschrapt wegens protest van het lokale bestuur.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align:justify\"\u003eNadat de kunstenaar de krachten bundelde met Joseph Beuys vond de actie dus plaats in D\u0026uuml;sseldorf,\u0026nbsp; en werd ze bekend als de zogenaamde \u003cem\u003eRhein-Aktion\u003c/em\u003e. Ze werd gevolgd door een tentoonstelling van beelden, tekeningen en documentatie van de actie, waarbij deze multiple \u003cem\u003eRhein Water Poluted\u003c/em\u003e [sic] werd uitgegeven. Het jaar daarop nodigde Beuys de kunstenaar uit om samen met hem 7000 eiken te planten in Kassel ter gelegenheid van Documenta 7.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align:justify\"\u003eHet werk is een fles met gekleurd water, waarop een label is gekleefd. Het water was oorspronkelijk groen gekleurd, maar vandaag oogt het eerder roestkleurig. Op het label is volgende tekst getypt: \u0026#39;Rhein Water Poluted, H2O + 10.000 Poisons. Green Coloration, D\u0026uuml;sseldorf 9-28-1981\u0026#39;, ondertekend door beide kunstenaars. Tijdens de tentoonstelling \u003cem\u003eMuseum in beweging\u003c/em\u003e (M HKA, 2022) werd een ander exemplaar van deze editie getoond.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":33621,"title":"Basta de contaminar (Stop Polluting)","dimensions":"500 x 1500 cm","date_begin":"1999-01-01","material":"Synthetisch email op doek ","short_description":"\u003cp\u003eNicolas Uriburu is the only artist who has collaborated with Greenpeace. They share the concern of making ecological injustice visible and also share the method of carrying out their actions in public spaces without authorization. Rather than researching and lobbying, they are strongly image-oriented. Where Greenpeace began in 1971, the artist decided to colour the Grand Canal in Venice as early as 1968.\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Colección Azul García Uriburu","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003ehttp://www.greenpeace.org/argentina/es/noticias/uriburu-greenpeace-riachuelo/\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":17,"permalink":"basta-de-contaminar-stop-polluting","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eNicolas Uriburu is de enige kunstenaar die heeft samengewerkt met Greenpeace. Zij delen de zorg om ecologisch onrecht zichtbaar te maken en delen ook de methode van hun acties uit te voeren in de openbare ruimte zonder toestemming. Eerder dan onderzoek en lobbying zijn ze sterk beeldgericht. Waar Greenpeace begon in 1971, besloot de kunstenaar al in 1968 het Canal Grande in Veneti\u0026euml; in te kleuren.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/894/medium_500/Uriburu_Basta_2.jpg?1664890290","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/894/large/Uriburu_Basta_2.jpg?1664890290","poster_credits":"(c)foto: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eIn the 1990s, Uriburu began collaborating with Greenpeace to protest industrial pollution, nuclear waste and endangered species in Argentina. The collaboration between the Argentine artist, who has been at the forefront of ecological art since 1960, and Greenpeace, a nongovernmental organization founded in 1971, is exceptional in that the NGO has never been very eager to get involved in the artistic sphere (they reportedly refused a Joseph Beuys proposal for collaboration).\u003c/p\u003e\r\n\r\n\u003cp\u003eBetween 1998 and 2010, the artist and Greenpeace activists collaborated three times in public spaces to expose environmental scandals. The first action took place in 1998 against the construction of a trans-Andean gas pipeline, the route of which would cut in half the natural habitat of the Yaguaret\u0026eacute;s, an endangered species of jaguar. Against the wishes of the management of the Buenos Aires National Museum of Fine Arts, where Uriburu was exhibiting, they secretly climbed the fa\u0026ccedil;ade to hang a 10-by-15-meter banner. The banner depicts the animal cut in half with the word GASODUCTO.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn 1999 and in 2010, they took action on the Riachuelo River in Buenos Aires. The river is still one of the most polluted places in the world, contaminated with toxic heavy metals. For both actions, Uriburu designed a banner. \u0026quot;Basta de contaminar\u0026quot; depicts fish skeletons and skulls and was hung from a bridge. For \u0026quot;Riachuelo: 200 years of pollution,\u0026quot; an allusion to the celebration of Argentina\u0026#39;s bicentennial, the river was coloured green.\u0026nbsp; Uriburu and Greenpeace traded national revelry for anger by highlighting the 200-year history of pollution of this urban river \u0026ndash; from waste and by-products of tanneries and slaughterhouses in 1810 to contemporary industrial waste and untreated sewage in 2010.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eIn de jaren negentig begon Uriburu samen te werken met Greenpeace om te protesteren tegen industri\u0026euml;le vervuiling, nucleair afval en bedreigde diersoorten in Argentini\u0026euml;. De samenwerking tussen de Argentijnse kunstenaar die die sinds 1960 een rol heeft gespeeld op het gebied van ecologische kunst, en Greenpeace, een niet-gouvernementele organisatie opgericht in 1971, is uitzonderlijk omdat de NGO nooit erg enthousiast geweest is zich te mengen in de artistieke sfeer (ze zouden een voorstel van Joseph Beuys voor samenwerking hebben geweigerd).\u003c/p\u003e\r\n\r\n\u003cp\u003eTussen 1998 en 2010 hebben de kunstenaar en de activisten van Greenpeace drie keer samengewerkt in de openbare ruimte om milieuschandalen aan de kaak te stellen. De eerste actie vond plaats in 1998 tegen de aanleg van een trans-Andische gasleiding, waarvan de route de natuurlijke habitat van de de Yaguaret\u0026eacute;s, een bedreigde jaguarsoort, doormidden zou snijden. Tegen de wil van de directie van het Buenos Aires Nationaal Museum voor Schone Kunsten, waar Uriburu tentoonstelde, beklommen ze stiekem de fa\u0026ccedil;ade om er een doek van 10 op 15 meter op te hangen. Op de banner is het dier afgebeeld dat in twee\u0026euml;n wordt gesneden met het woord GASODUCTO.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn 1999 en in 2010 voerden ze actie op de Riachuelo-rivier in Buenos Aires. De rivier is nog steeds \u0026eacute;\u0026eacute;n van de meest vervuilde plekken ter wereld, besmet met giftige zware metalen. Voor beide acties ontwierp Uriburu opnieuw een banner. \u0026ldquo;Basta de contaminar\u0026rdquo; beeld visskeletten en doodshoofden af en werd aan een brug gehangen. Voor \u0026quot;Riachuelo: 200 jaar vervuiling\u0026quot;, een toespeling op de viering van het tweehonderdjarig bestaan van Argentini\u0026euml;, werd de rivier groen gekleurd. \u0026nbsp;Uriburu en Greenpeace ruilden de nationale feestvreugde voor woede door de aandacht te vestigen op de 200-jarige geschiedenis van de vervuiling van deze stadsrivier \u0026ndash; van afval en bijproducten van leerlooierijen en slachthuizen in 1810 tot hedendaags industrieel afval en onbehandeld rioolwater in 2010.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":33622,"title":"Untitled (Apple and hand)","dimensions":"73 x 60 cm ","date_begin":null,"material":"Zeefdruk op doek","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":182,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Colección Azul García Uriburu","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"untitled-apple-and-hand","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/896/medium_500/Uriburu_apple.jpg?1664890600","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/896/large/Uriburu_apple.jpg?1664890600","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":34470,"title":"URIBURU \"KLEURINGEN\" ","dimensions":"64x43 cm","date_begin":"1974-01-01","material":"ink on paper","short_description":"\u003cfigure class=\"table\" style=\"width:264px;\"\u003e\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003eUriburu \"Kleuringen\" ICC Internationaal Cultureel Centrum, meir 50 Antwerpen, Van 23 november tot 22 december 1974. Dagelijks vrij toegankelijk van 10u tot 17u, Ministerie van Nationale Opvoeding en Nederlandse Cultuur\u003c/td\u003e\u003c/tr\u003e\u003c/tbody\u003e\u003c/table\u003e\u003c/figure\u003e","art_status_id":220,"legal_status_id":84,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, ICC Archive","cached_tag_list":"ICC","publishing_process_id":1,"annotation":"","date_end":null,"reference":"AFF_0052","stream_count_app":11,"permalink":"uriburu-kleuringen","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/553/medium_500/AFF_0052.jpg?1689170037","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/553/large/AFF_0052.jpg?1689170037","poster_credits":"(c) Nicolás Uriburu, ICC Archive, photo: M HKA, 2023","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":18156,"title":"URIBURU \"KLEURINGEN\" 1968-1974","dimensions":"28.8 x 21.7 cm, 51 p., language : Dutch, French, English, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen","date_begin":"1974-01-01","material":"ink, paper","short_description":"\u003cp\u003eICC publication.\u003c/p\u003e\u003cp\u003eEditors : Florent Bex \u0026amp; Claude Devos.\u003c/p\u003e\u003cp\u003eAuthor : Pierre Restany.\u003c/p\u003e\u003cp\u003eExhibition : ICC/Internationaal Cultureel Centrum Antwerpen (23.11. - 22.12.1974)\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2025/553","stream_count_app":14,"permalink":"uriburu-kleuringen-1968-1974","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/829/medium_500/20180228075359894_0001.jpg?1519800926","cached_actor_names":"Nicolás Uriburu","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/039/829/large/20180228075359894_0001.jpg?1519800926","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]}]