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Nicolás Uriburu

Items (11)

Project Coloration Bonapa...
Nicolás Uriburu, Project Coloration Bonaparte Dock Antwerp, 1974. Intervention, dia positives.
Uriburu kleuringen 1968-1...
Nicolás Uriburu, Uriburu kleuringen 1968-1974, 1974. Book, ink, paper, 28.8 x 21.7 cm, 51 p., language : Dutch, French, English, publisher : ICC/Internationaal Cultureel Centrum, Antwerpen.
Project coloration Trafal...
Nicolás Uriburu, Project coloration Trafalgar Square Fountains, 1974. Collage, b/w photograph, pencil, felt-tip pen, ink, plexi, frame, 83 x 107 cm.
7000 eiken (Beuys & Uribu...
Nicolás Uriburu, Joseph Beuys, 7000 eiken (Beuys & Uriburu), 1982. Miscellaneum, papier, 10,5 x 14,9 cm.
Coloration du port d’Anve...
Nicolás Uriburu, Coloration du port d’Anvers, dock Napoleon, 25 november 1974 , 1974. Intervention, kleurenfoto (ingelijst), 101 x 75 cm.
Portfolio (Manifesto)
Nicolás Uriburu, Portfolio (Manifesto), 1973. Print, zeefdruk op papier , 6 x (76.2 x 56.5 cm).
The Rebelión, Antagonism ...
Nicolás Uriburu, The Rebelión, Antagonism between Nature and Civilization (Green series), Paris, 1973, 1973. Painting, reproductie (origineel: olieverf op doek), 190 x 180 cm.
Dolphin-triptic of freedo...
Nicolás Uriburu, Dolphin-triptic of freedom-Paris, 1974. Painting, olieverf op hout , 80 x 130 cm.
Rhein Water Poluted (sic)
Nicolás Uriburu, Joseph Beuys, Rhein Water Poluted (sic), 1981. Object, fles met gekleurd rijnwater , 28 x ⌀ 7.5 cm.
Basta de contaminar (Stop...
Nicolás Uriburu, Basta de contaminar (Stop Polluting), 1999. Painting, synthetisch email op doek , 500 x 1500 cm.
Untitled (Apple and hand)
Nicolás Uriburu, Untitled (Apple and hand). Film, zeefdruk op doek, 73 x 60 cm .

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The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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