{"id":144,"name":"OHO","email":"","language_id":1,"permalink":"oho","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":75,"date_of_birth":null,"place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"","lastname":"","annotation":"","url_2":"","url_3":"","cached_name":"OHO","date_of_death":null,"cached_name_asc":"OHO","stream_count_app":9,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/892/large/oho-weAreLiving.jpg?1326815783","poster_credits":"(c)image: Moderna Galerija, Ljubljana","media_count":1,"items_count":1,"translations":[{"locale":"en","short_description":"","description":"The OHO Movement (1965–1968) and the OHO Group (1969–1971) are important for the development of neo-avant-garde art in Slovenia. OHO involves artists with different ideas and interests. Critique of consumerist society paves the way for research about ‘the thing’ as distinguished from ‘the (consumer)\r\nobject’. The movement morphes into a group, whose initial members (Naško Križnar, Milenko Matanović, Marko Pogačnik, Andraž Šalamun) practise land art, body art, process art and conceptual art. Towards the end OHO is characterised as ‘transcendental conceptualism’, striving to make the artwork ‘a medium for the detection of transcendental, esoteric and other spiritual content’."},{"locale":"nl","short_description":"","description":"De OHO beweging (1965–1968) en OHO groep (1969–1971) zijn belangrijk voor de ontwikkeling van neo-avant-gardekunst in Slovenië. OHO brengt kunstenaars met verschillende ideeën en interesses samen. Kritiek op de consumptiemaatschappij beweegt OHO tot het onderzoeken van ‘het ding’, als iets anders dan ‘het (consumptie-) object’. De beweging gaat vervolgens over in een groep, waarvan de oorspronkelijke leden (Naško Križnar, Milenko Matanović, Marko Pogačnik, Andraž Šalamun) zich uitdrukken in conceptuele kunst, land art, body art en process art. Aan het einde wordt OHO omschreven als ‘transcendent conceptualisme’, dat ernaar streeft om het kunstwerk te maken tot ‘een medium voor het opsporen van transcendente, esoterische en andere spirituele inhoud’."},{"locale":"fr","short_description":"","description":"D’abord un mouvement (1965–1968) avant de devenir un groupe (1969–1971), OHO s’est révélé essentiel pour le développement de l’art néo-avant-garde en Slovénie. OHO réunit des artistes aux idées et aux centres d’intérêt différents, auxquels la critique de la société de consommation a ouvert la voie à la recherche de « la chose » distincte de « l’objet » (le consommateur). Au début, les premiers membres – Naško Križnar, Milenko Matanović, Marko Pogačnik, Andraž Šalamun – pratiquaient le land art, l’art corporel, le process art, et l’art conceptuel. Vers la fin, OHO se caractérise par un « conceptualisme transcendantal », qui aspire à faire de l’oeuvre d’art « un média de récognition de la teneur transcendantale, ésotérique et spirituelle au sens large. »"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[]}