[{"id":9152,"title":"Panamarenko","dimensions":"29 x 23.5 cm, 111 p, language : English, publisher : Hayward Gallery Publishing, London, ISBN : 1-85332-203-2","date_begin":"2000-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1997/687","stream_count_app":30,"permalink":"panamarenko--15","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/438/large/Untitled014.jpg?1395737194","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":474,"title":"Pastille-Motor","dimensions":"63 x 58 x 141 cm","date_begin":"1991-01-01","material":"wood, metal, plastic","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1991-01-01","reference":"BK006151","stream_count_app":49,"permalink":"pastille-motor","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003ePanamarenko m\u0026ouml;chte den Himmel, die Sonne, und die Sterne erreichen, nicht in einer Rakete, sondern in einer Maschine auf menschlichen Ma\u0026beta;stab. Daf\u0026uuml;r entwarf er eine neue Skala \u0026auml;u\u0026beta;erst leichtgewichtig und mit fast ger\u0026auml;uschlosen Motoren. Er nennt sie \u0026lsquo;sanfte Motoren\u0026rsquo;. Der \u003cem\u003ePastille-Motor \u003c/em\u003eist die verkleinerte Version des gigantischen Flugzeugmotors; der vom K\u0026uuml;nstler f\u0026uuml;r sein \u003cem\u003eRugzakvliegtuig\u003c/em\u003e (dt. R\u0026uuml;cksackflugzeug), 1984 entwickelt wurde. Der Metallmotor, Zylinder, und die anderen Teile stehen still. Der Tisch wird zum Sockel, und die Maschine wird zur Skulptur. Die Funktionalit\u0026auml;t dieser Art Ger\u0026auml;te findet man nicht in der Effizienz, sondern in der M\u0026ouml;glichkeit des Zuschauers sich in die Welt des K\u0026uuml;nstlers zu begeben. Seine Erfindungen sind nicht utilit\u0026auml;r. Es sind Erfindungen in der Bedeutung des 19. Jahrhunderts: stark verbunden mit der Verstellungskraft. Die Suggestion, dieser Motor erm\u0026ouml;glicht es uns zu fliegen, sowie Ikarus tr\u0026auml;umte, ist viel wichtiger als die Frage, ob man es wirklich schaffen w\u0026uuml;rde zu fliegen. Eine Erfindung Panamarenkos enth\u0026auml;lt Abenteuer; der Prozess von Erforschung und Entdeckung ist wichtiger als das Endergebnis.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/968/large/Pastille.jpg?1465915938","poster_credits":"(c)image: Syb'l. S. - Pictures","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003ePanamarenko wants to reach the heavens, the sun and the stars, not in a rocket but in a machine of human scale. For this he develops a new range of utterly light and near-soundless motors. He calls them \u0026lsquo;soft engines\u0026rsquo;. The \u003cem\u003ePastille-Motor\u003c/em\u003e is the reduced version of the giant airplane engine that the artist developed for his \u003cem\u003eBackpack Aircraft\u003c/em\u003e (1984). The metal motor, cylinder and other components are at standstill. The table serves as pedestal and the machine becomes sculpture. The functionality of this sort of craft lies not in its efficiency, but rather in the possibilities it offers visitors to enter into the artist\u0026rsquo;s world. His inventions are not (necessarily) utilitarian. They are inventions in the 19th-century sense: strongly bound to the power of imagination. The suggestion that this motor might make it possible to fly, as Icarus dreamt of, is of much greater importance than the question of whether or not it would actually work. An \u0026lsquo;invention\u0026rsquo; by Panamarenko contains adventure. The process of exploration and discovery is of more consequence than the final result.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003ePanamarenko wil de hemel, de zon en de sterren bereiken, niet in een raket, maar in een machine op menselijke schaal. Daarvoor ontwierp hij een nieuw gamma uiterst lichte en haast geluidloze motoren. Hij noemt ze \u0026lsquo;zachte motoren\u0026rsquo;. De \u003cem\u003ePastille-Motor\u003c/em\u003e is de verkleinde versie van de reusachtige vliegtuigmotor die de kunstenaar ontwikkelde voor zijn \u003cem\u003eRugzakvliegtuig\u003c/em\u003e (1984). De metalen motor, cilinder en de andere stukken staan stil. De tafel wordt sokkel en de machine wordt sculptuur. De functionaliteit van dit soort toestellen zit niet in de effici\u0026euml;ntie, wel in de mogelijkheid die ze bieden aan de toeschouwer om plaats te nemen in de wereld van de kunstenaar. Zijn uitvindingen zijn niet utilitair. Het zijn uitvindingen in de negentiende-eeuwse betekenis: sterk verbonden met verbeeldingskracht. De suggestie dat deze motor het mogelijk maakt om te vliegen, zoals Icarus het droomde, is van veel groter belang dan de vraag of het vliegen echt zou lukken. Een \u0026lsquo;uitvinding\u0026rsquo; van Panamarenko bevat avontuur; het proces van exploratie en ontdekking is belangrijker dan het eindresultaat.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003ePanamarenko d\u0026eacute;sire atteindre le ciel, le soleil et les \u0026eacute;toiles, non pas dans une fus\u0026eacute;e, mais dans un engin \u0026agrave; \u0026eacute;chelle humaine. Pour cela, il con\u0026ccedil;oit une nouvelle gamme de moteurs ultral\u0026eacute;gers et quasi silencieux qu\u0026rsquo;il appelle \u0026laquo;\u0026nbsp;moteurs doux\u0026nbsp;\u0026raquo;. Le \u003cem\u003ePastille-Motor\u003c/em\u003e (moteur-pastille) est la version r\u0026eacute;duite du moteur d\u0026rsquo;avion g\u0026eacute;ant que l\u0026rsquo;artiste a d\u0026eacute;velopp\u0026eacute; pour son \u003cem\u003eRugzakvliegtuig\u003c/em\u003e [avion-sac \u0026agrave; dos] (1984). Le moteur, le cylindre et les autres pi\u0026egrave;ces m\u0026eacute;talliques sont immobiles. La table devient le socle et la machine, la sculpture. La fonctionnalit\u0026eacute; de ce type d\u0026rsquo;appareils ne r\u0026eacute;side pas dans leur efficacit\u0026eacute;, mais dans la possibilit\u0026eacute; qu\u0026rsquo;ils offrent au spectateur d\u0026rsquo;entrer dans l\u0026rsquo;univers de l\u0026rsquo;artiste. Ses inventions ne sont pas utilitaires. Il s\u0026rsquo;agit d\u0026rsquo;inventions au sens du XIX\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;si\u0026egrave;cle, \u0026agrave; savoir surtout li\u0026eacute;es au pouvoir de l\u0026rsquo;imaginaire. La suggestion que ce moteur permet de voler, comme Icare le r\u0026ecirc;vait, est d\u0026rsquo;une bien plus grande importance que la question si le vol peut r\u0026eacute;ellement r\u0026eacute;ussir. Une \u0026laquo;\u0026nbsp;invention\u0026nbsp;\u0026raquo; de Panamarenko comporte de l\u0026rsquo;aventure\u0026nbsp;; le processus d\u0026rsquo;exploration et de d\u0026eacute;couverte est plus important que le r\u0026eacute;sultat final.\u003c/p\u003e\r\n"}]},{"id":7985,"title":"Zonder Titel 035 (Untitled 035)","dimensions":"30 x 23 cm","date_begin":null,"material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":1,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"Workstation 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The idea was\u0026nbsp;to inflate the suit, to counteract the effect of\u0026nbsp;low air pressure at high altitude. Panamarenko\u0026nbsp;probably bought it at an American army surplus\u003cbr\u003estore, and appeared with it for the first time at\u0026nbsp;the \u003ca href=\"http://ensembles.mhka.be/items/9030\"\u003e“KYRPWWAWAX” happening\u003c/a\u003e in Ostend on\u0026nbsp;6 August 1965. Already presenting himself at this\u0026nbsp;point as a ‘multimillionaire’, he then lent the suit\u0026nbsp;to Hugo Heyrman for later happenings, as it fitted\u0026nbsp;better with Heyrman’s utopian ‘happy space\u0026nbsp;maker’ image. This is why the aviator’s suit became\u0026nbsp;inextricably linked in the happening context\u0026nbsp;with space flight, and would go down in history as\u0026nbsp;the ‘spacesuit’.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDit vliegenierspak dateert uit het midden van\u0026nbsp;de jaren 1950 en is van Amerikaanse makelij. De\u0026nbsp;bedoeling was dat het pak opgeblazen werd om\u0026nbsp;weerstand te bieden aan de luchtdruk op grote\u0026nbsp;hoogte. Panamarenko kocht dit pak wellicht in\u003cbr\u003eeen ‘stock américain’ en verscheen hiermee voor\u0026nbsp;het eerst op de \u003ca href=\"http://ensembles.mhka.be/items/9030\"\u003eKYRPWWAWAX-happening\u003c/a\u003e in\u0026nbsp;Oostende op 6 augustus 1965. Panamarenko, die\u0026nbsp;zich toen reeds profileerde als ‘multimiljonair’,\u0026nbsp;leende tijdens de volgende happenings het pak\u0026nbsp;uit aan Hugo Heyrman. 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Already presenting himself at this\u0026nbsp;point as a ‘multimillionaire’, he then lent the suit\u0026nbsp;to Hugo Heyrman for later happenings, as it fitted\u0026nbsp;better with Heyrman’s utopian ‘happy space\u0026nbsp;maker’ image. This is why the aviator’s suit became\u0026nbsp;inextricably linked in the happening context\u0026nbsp;with space flight, and would go down in history as\u0026nbsp;the ‘spacesuit’.\u003c/p\u003e"}]},{"id":1473,"title":"Speelkaarten Panamarenko's Neen","dimensions":"9 x 6 x 2 cm","date_begin":"1986-01-01","material":"","short_description":"","art_status_id":48,"legal_status_id":12,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Workstation Biekorfstraat","cached_tag_list":"playing cards","publishing_process_id":1,"annotation":"\u003cp\u003eplaying cards for Panamarenko\u0026#39;s card 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The 7000-Meter High Flying Jungle and Mountain Machine,along the yellow banks in China discovering a giant Tillania flower","dimensions":"24 x 18 cm","date_begin":"1992-01-01","material":"offset, chinese paper","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"offset multiple","publishing_process_id":1,"annotation":"\u003cp\u003esigned in silver\u003c/p\u003e","date_end":null,"reference":"PAN-436","stream_count_app":15,"permalink":"k2-the-7000-meter-high-flying-jungle-and-mountain-machine-along-the-yellow-banks-in-china-discovering-a-giant-tillania-flower","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/942/large/P436.jpg?1309945971","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":1538,"title":"Portable Air Transport ( P.A.T.)","dimensions":"38 x 48 cm","date_begin":"1969-01-01","material":"ink, paper","short_description":"\u003cp\u003eposter\u003c/p\u003e","art_status_id":48,"legal_status_id":12,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Workstation Biekorfstraat","cached_tag_list":"exhibition poster","publishing_process_id":1,"annotation":"","date_end":null,"reference":"PAN-1097","stream_count_app":29,"permalink":"portable-air-transport-p-a-t","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/897/large/P1097.jpg?1378114784","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003eaffiche\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7987,"title":"Zonder Titel 037 (Untitled 037)","dimensions":"30 x 23 cm","date_begin":null,"material":"ink, pencil, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"Workstation Biekorfstraat","publishing_process_id":1,"annotation":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;ontwerp postzegel?)\u003c/em\u003e\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":15,"permalink":"zonder-titel-037-untitled-037","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/317/large/Untitled201.jpg?1407508753","poster_credits":"(c)image: M HKA, scan","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":3773,"title":"100.000 Revoluties/Minute Jet Turbine [100,000 Revolutions/Minute Jet Turbine]","dimensions":"60 x 40 cm, 42 x 18 x 5.5cm","date_begin":"1976-01-01","material":"mixed media","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"video drawing mixed media book assemblage","publishing_process_id":1,"annotation":"","date_end":"1993-01-01","reference":"S0067","stream_count_app":48,"permalink":"100-000-revoluties-minute-jet-turbine-100-000-revolutions-minute-jet-turbine","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/754/large/Panamarenko__0010_100.000_Revoluties_Minute_Jet_Turbine__1976.jpg?1340633275","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003ePanamarenko describes \u003ci\u003e100,000 Revolutions/Minute Jet Turbine\u003c/i\u003e as a revolutionary invention. It is a machine that can rotate fully around its own axis. Panamarenko constructed it out of simple materials like a bicycle chain and batteries. The contrast between the concept – the ‘revolutionary invention’ – and its execution – which is ‘cobbled together’ using simple materials – results in a piece that is both poetic and disarming.\u003c/p\u003e\u003cp\u003eIn the early 1970s, Panamarenko built a series of\u0026nbsp;accelerators, which he used to try to prove his\u0026nbsp;theory of ‘Closed System Power’. They consist\u0026nbsp;of engines that develop accelerated motion by\u0026nbsp;revolving on their own axis. The theory ultimately\u0026nbsp;proved unworkable in practice. Writing in 1975\u0026nbsp;(Panamarenko, Marzona, Bielefeld, 1975, pp. 11–\u0026nbsp;35), Panamarenko described the accelerators\u0026nbsp;as\u003ci\u003e ‘educational efforts without much success’\u003c/i\u003e,\u0026nbsp;adding: \u003ci\u003e‘The experiment will continue.’ \u003c/i\u003eThe accelerators\u0026nbsp;are experiments with a small internal\u0026nbsp;combustion engine, mounted on a wooden base\u003cbr\u003eand connected to a closed circuit. According to\u0026nbsp;Panamarenko’s theory, once applied, it ought to\u0026nbsp;be possible to generate the energy needed to\u0026nbsp;displace a given mass indefinitely, creating an\u0026nbsp;energetic snowball effect. The artist believes his\u003cbr\u003etheory was never taken seriously by the world of\u0026nbsp;science, because it was not formulated in standard\u0026nbsp;scientific language. Panamarenko continued\u0026nbsp;his research in the 1980s and ’90s, resulting in\u0026nbsp;his ‘Toy Model of Space’ – a theory described in\u0026nbsp;more detail in the chapter of \u003ca href=\"http://ensembles.mhka.be/ensembles/lift-the-machine\"\u003e‘Lift\u0026nbsp;the Machine’\u003c/a\u003e.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDe \u003ci\u003e100.000 Revoluties/ Minutes Jet Turbine\u003c/i\u003e noemt Panamarenko een revolutionaire uitvinding. Het is een machine die volledig rond zijn eigen as kan draaien. Panamarenko construeerde het met eenvoudige materialen zoals een fietsketting en batterijen. Het contrast tussen het concept – de ‘revolutionaire uitvinding’ – en de uitvoering – ‘geknutseld’ met eenvoudige materialen – resulteert in een geheel dat een poëtische en ontwapenende aanblik biedt.\u003c/p\u003e\u003cp\u003eBegin jaren 1970 bouwt Panamarenko een reeks\u0026nbsp;versnellers waarmee hij zijn theorie van de gesloten\u0026nbsp;systemen, de zogenaamde Closed System\u0026nbsp;Power, probeert te bewijzen. Het zijn motoren\u0026nbsp;die een versnelde beweging ontwikkelen op basis\u0026nbsp;van de omwenteling om de eigen as. Uiteindelijk\u0026nbsp;blijkt de theorie in de praktijk niet te\u0026nbsp;werken. In\u0026nbsp;een tekst uit 1975 (verschenen in Panamarenko,\u0026nbsp;Marzona, Bielefeld, 1975, pp. 11−35) omschrijft\u0026nbsp;Panamarenko de versnellers als\u0026nbsp;\u003ci\u003e‘leerzame\u0026nbsp;pogingen\u0026nbsp;zonder veel resultaat’\u003c/i\u003e, maar hij voegt eraan\u0026nbsp;toe dat \u003ci\u003e‘het experiment wordt voortgezet’\u003c/i\u003e. De\u0026nbsp;versnellers zijn experimenten met een kleine\u0026nbsp;verbrandingsmotor,\u0026nbsp;gemonteerd op een houten basis\u0026nbsp;en aangesloten op een gesloten circuit. Volgens\u0026nbsp;Panamarenko’s theorie moet de eenmalig\u0026nbsp;aangewende\u0026nbsp;energie die nodig is om een bepaalde\u0026nbsp;massa te verplaatsen, oneindig geregenereerd\u0026nbsp;kunnen worden, waardoor er een energetisch\u0026nbsp;sneeuwbaleffect optreedt. Volgens Panamarenko\u0026nbsp;werd zijn theorie nooit ernstig genomen door de\u0026nbsp;wetenschappelijke wereld, omdat ze niet is opgesteld\u0026nbsp;in\u0026nbsp;de geijkte wetenschappelijke taal. Tijdens\u0026nbsp;de jaren 1980 en 1990 zet Panamarenko zijn onderzoek\u0026nbsp;voort, wat resulteert in zijn Toymodel of\u0026nbsp;Space, een\u0026nbsp;ruimtetheorie die\u0026nbsp;verder wordt toegelicht in het hoofdstuk \u003ca href=\"http://ensembles.mhka.be/ensembles/lift-the-machine\"\u003e'Lift the Machine'\u003c/a\u003e.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePanamarenko appelle les *100.000 Revoluties/Minutes Jet Turbine* une invention révolutionnaire. Il s’agit d’une machine qui peut tourner entièrement sur son axe. Panamarenko l’a construite avec des matériaux simples, comme une chaîne de vélo et des piles. Le contraste entre le concept – « l’invention révolutionnaire » – et l’exécution plutôt « bricolée » réalisée avec des objets de récupération ou très peu sophistiqués résulte en un ensemble à l’aspect à la fois poétique et désarmant.\u003c/p\u003e"}]},{"id":3771,"title":"Toymodel of Space","dimensions":"00:14:00, 42 x 29 x 5,5 cm, 60 x 40 cm","date_begin":"1993-01-01","material":"mixed media","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Sculpture, object, video, book, print","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0062","stream_count_app":24,"permalink":"toymodel-of-space--6","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/186/large/Panamarenko__Toymodel_of_Space__video_still__1993.jpg?1343028026","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eIn the video film \u003cem\u003eToymodel of Spac\u003c/em\u003ee, Panamarenko sits in the pilot\u0026#39;s seat of his \u003cem\u003eV1 Barada Jet\u003c/em\u003e\u0026nbsp;\u0026ndash; a small, single-person fighter jet in balsa wood, a sort of V1 with sawn-off wings \u0026ndash; while he propounds on the nature of the universe. The ambitious aim of \u003cem\u003eToymodel of Space\u003c/em\u003e is articulated on the box of the video: namely, to reveal \u0026#39;the mechanical model behind Kwantum\u0026#39;. Panamarenko presents \u003cem\u003eToymodel of Space\u003c/em\u003e as a new way to understand the workings of the cosmos. \u003cem\u003eToymodel\u003c/em\u003e fits within a much broader theory, rooted in Panamarenko\u0026rsquo;s preference for pre-Einsteinian physics. Panamarenko\u0026rsquo;s point of departure is a skepticism towards every \u0026#39;given\u0026#39;. He believes in personal intuition as the artist\u0026#39;s driving force. He investigates and recalculates everything himself. From science, he distills his own diversions, theories and concoctions. In \u003cem\u003eToymodel\u003c/em\u003e he calls Einstein\u0026#39;s quantum theory into question - owing to it\u0026#39;s being too complex - and proposes an alternative based on a much simpler, mechanical model. For Panamarenko, the true picture of Nature must be far simpler and wondrous. The practical purpose of \u003cem\u003eToymodel of Space\u003c/em\u003e is equally describable in simple terms: the accomplishment of a \u0026#39;real\u0026#39; manned flight by making use of forces already present in the universe.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eOp de videofilm \u003cem\u003eToymodel of Space\u003c/em\u003e zit Panamarenko in de pilotenstoel van zijn \u003cem\u003eV1 Barada Jet\u003c/em\u003e \u0026ndash; een klein eenpersoonsstraalvliegtuig in balsahout, een soort V1 met afgezaagde vleugels \u0026ndash; terwijl hij over de natuur van het heelal praat. De ambitieuze bedoeling van \u003cem\u003eToymodel of Space\u003c/em\u003e wordt verwoord op de doos van de video: \u0026lsquo;het mechanisch model achter Kwantum\u0026rsquo; aan het licht brengen. Panamarenko presenteert \u003cem\u003eToymodel of Space\u003c/em\u003e als een nieuwe manier om de werkingen van het heelal te begrijpen. \u003cem\u003eToymodel\u003c/em\u003e kadert in een veel ruimere theorie, die wortelt in Panamarenko\u0026rsquo;s voorkeur voor pre-Einsteinfysica. Panamarenko\u0026rsquo;s uitgangspunt is dat hij niets zomaar aanneemt. Hij gelooft in de intu\u0026iuml;tie als drijvende kracht van de kunstenaar. Hij onderzoekt en herberekent alles zelf. Uit de wetenschap distilleert hij eigen afleidingen, theorie\u0026euml;n en brouwsels. In \u003cem\u003eToymodel\u003c/em\u003e stelt hij de kwantumtheorie van Einstein in vraag, wegens te complex, en stelt hij een alternatief voor op basis van het veel eenvoudiger mechanische model. Het echte beeld van de natuur moet volgens hem veel eenvoudiger en wonderlijker zijn. De praktische bedoeling van \u003cem\u003eToymodel of Space\u003c/em\u003e is ook te omschrijven in simpele termen: het realiseren van een \u0026lsquo;echte\u0026rsquo; bemande vlucht door krachten te gebruiken die al in het universum aanwezig zijn.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":3776,"title":"Copyright Panamarenko","dimensions":"60 x 45 cm","date_begin":"2005-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"edition multiple","publishing_process_id":1,"annotation":"\u003cp\u003eSigned and numbered. Edition: 100 ex. + AP Publisher: Antwerpse Luchtschipbouw\u003c/p\u003e\r\n","date_end":null,"reference":"S0340","stream_count_app":24,"permalink":"copyright-panamarenko","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/183/large/Panamarenko__0031_Copyright_panamarenko__2005_photo__clinckx.jpg?1343027547","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026quot;What\u0026#39;s most impressive about this picture, is that I have built, in real and in big, all the icons that are pell-mell on it! Wooow!\u0026quot;\u003c/em\u003e - Panamarenko\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026quot;Het indrukwekkende aan deze prent is dat ik alle iconen die hier kriskras door elkaar staan, ook in werkelijkheid en in het groot heb gebouwd! Waaauw!\u0026quot;\u003c/em\u003e - Panamarenko\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7988,"title":"Zonder Titel 038 (Untitled 038)","dimensions":"30 x 23 cm","date_begin":null,"material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"Workstation Biekorfstraat","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":14,"permalink":"zonder-titel-038-untitled-038","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/316/large/Untitled200.jpg?1407508678","poster_credits":"(c)image: M HKA, scan","translations":[{"locale":"en","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;brief Manpowered?)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;brief Manpowered?)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7996,"title":"Zonder Titel 046 (Untitled 046)","dimensions":"30 x 23 cm","date_begin":null,"material":"paper, ink","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":1,"collection":"Workstation Biekorfstraat - 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Dat heeft een zeker ritme, waarop de buizen zijn afgesteld.\u0026rsquo;\u003c/em\u003e\u003c/strong\u003e\u0026nbsp;/\u0026nbsp;\u0026copy;Hans Theys, vrij te gebruiken door het M HKA\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":18,"permalink":"zonder-titel-057-untitled-057","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/157/large/Untitled077.jpg?1407153886","poster_credits":"(c)image: M HKA, scan","translations":[{"locale":"en","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;geen idee, staketsel? 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Pictures","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e'Thanks to the plumbiet, vikings could navigate...' -\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThe installation \u003ci\u003eBig Plumbite\u003c/i\u003e is a magnetic rotor\u0026nbsp;consisting of four red drums, each of which\u0026nbsp;has sixty rectangular magnets fixed round the\u0026nbsp;outside. The drums are supported by two longitudinal\u0026nbsp;shafts perpendicular to each other. The\u003cbr\u003e10,000-volt plumbite motors rotate the synchronized\u0026nbsp;magnetic cylinder mechanism, generating\u0026nbsp;powerful magnetic forces in the field above the\u0026nbsp;machine, in which metal discs and flying saucers\u0026nbsp;can hover. The title of the installation refers to\u0026nbsp;the naturally magnetic lead ore ‘plumbite’.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e\"Dankzij de plumbiet konden de vikings navigeren.\" -\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDe installatie \u003ci\u003eGrote plumbiet\u003c/i\u003e is een magnetische\u0026nbsp;rotor, samengesteld uit vier rode trommels die\u0026nbsp;aan de buitenkant beplakt zijn met 60 rechthoekige\u0026nbsp;magneten. De trommels worden gedragen\u0026nbsp;door twee lengteassen die haaks op elkaar staan.\u0026nbsp;De plumbietmotoren met een elektrische energie\u0026nbsp;van 10.000 volt laten het gesynchroniseerde\u0026nbsp;mechanisme van de magnetische cilinders draaien,\u0026nbsp;waardoor er sterke magnetische krachten\u0026nbsp;ontstaan in het veld boven de machine. In dat\u0026nbsp;magnetische veld kunnen metalen schijven en\u0026nbsp;vliegende schotels zweven. De titel van de installatie\u0026nbsp;verwijst naar het gelijknamige looderts, een\u0026nbsp;natuurlijk magnetisch materiaal.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003eGrote Plumbiet\u003c/strong\u003e\u003c/i\u003e doit son nom au minerai naturellement magnétique qu’est le plombite [forme ionique du plomb lorsqu’il est sous forme d’un acide, n.d.t. (source – Wikipedia)]. En haut, les quatre tambours magnétiques rotatifs génèrent un champ magnétique sur lequel Panamarenko fait flotter une plaque métallique. Lors de l’émission \u003ci\u003eIJsbreker\u003c/i\u003e diffusée à la BRT\u003ci\u003e,\u003c/i\u003e Panamarenko fait une démonstration réussie de son fonctionnement. Une expérience dangereuse, car le moindre écart dans le champ magnétique suffit à faire partir en trombe la plaque métallique.\u003c/p\u003e"}]},{"id":8006,"title":"Zonder Titel 056 (Untitled 056)","dimensions":"30 x 23 cm","date_begin":null,"material":"paper, pencil","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"Workstation Biekorfstraat","publishing_process_id":1,"annotation":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026lsquo;Cabine van Donderwolk (1971), op \u0026eacute;\u0026eacute;n maand ineen geflanst, verkocht tijdens de eerste kunstmarkt in Berlijn. Anny De Decker moest de kinderen van de bezoekers uit het vliegtuig sleuren. 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Blotkamp (et al., red.), \u003cem\u003eMuseum in Motion? The modern art museum at issue/Museum in Beweging? \u003c/em\u003e\u003cem\u003eHet museum voor moderne kunst ter diskussie\u003c/em\u003e, Government Publishing Office/Staatsuitgeverij Den Haag 1979\u003c/p\u003e\r\n\r\n\u003cp\u003eAfter Jean Leering retired as director of the Van Abbemuseum in Eindhoven (1964-\u0026#39;73), collector Martin Visser took the initiative to document his work. Ultimately it becomes much more than a retrospective of ten years of museum directorship in Eindhoven. 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The modern art museum at issue/Museum in Beweging? \u003c/em\u003e\u003cem\u003eHet museum voor moderne kunst ter diskussie\u003c/em\u003e, Government Publishing Office/Staatsuitgeverij Den Haag 1979\u003c/p\u003e\r\n\r\n\u003cp\u003eNa het afscheid van Jean Leering als directeur van het Van Abbemuseum in Eindhoven (1964-\u0026lsquo;73) neemt verzamelaar Martin Visser het initiatief diens werk te documenteren. Uiteindelijk wordt het veel meer dan een terugblik op tien jaar museumdirecteurschap in Eindhoven. Verschillende essays van museummedewerkers, kunstenaars, critici en theoretici resulteren in een uitgebreide mix van institutionele kritiek, aangevuld met historische documenten en kunstgerelateerde statements. \u003cem\u003eMuseum in Motion \u003c/em\u003edocumenteert een opstoot van energie.\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/426/medium_500/Untitled036.jpg?1395699352","cached_actor_names":"Carel Blotkamp, Marjon van Caspel, Frans Haks, Frank van der Schoor, Jan van Toorn, Martin Visser,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/426/large/Untitled036.jpg?1395699352","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003ec. blotkamp (et al., red.), \u003cem\u003eMuseum in Motion? The modern art museum at issue/Museum in Beweging? \u003c/em\u003e\u003cem\u003eHet museum voor moderne kunst ter diskussie\u003c/em\u003e, Government Publishing Office/Staatsuitgeverij Den Haag 1979\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDe sociale relevantie van kunst\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eNa het afscheid van Jean Leering als directeur van het Van Abbemuseum in Eindhoven (1964-\u0026lsquo;73) neemt verzamelaar Martin Visser het initiatief diens werk te documenteren. Uiteindelijk wordt het veel meer dan een terugblik op tien jaar museumdirecteurschap in Eindhoven. 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Hij pleit voor een onafhankelijk museum, omgevormd tot een universiteit, waar het concept van creativiteit gelijk zou staan aan de mogelijkheid om de wereld vorm te geven. De bijdrage van Piet van Daalen gaat over A 379089 en de Vrije Actie Groep Antwerpen.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMuseum in Motion\u003c/em\u003e is een historisch document dat de kunst vat als maatschappelijk verschijnsel tussen 1968 en 1973. Maar het is ook een blik op de toekomst. Voor Jean Leering bestond de voornaamste taak van het museum erin de sociale relevantie van kunst duidelijk te maken. Het museum moet een plaats zijn voor avant-garde, maar mag nooit vergeten aansluiting te zoeken bij het bredere publiek. De activiteiten van een museum dienen om het publiek te engageren in de bewustwording van de eigen tijd en moeten daarbij dus in de eerste plaats aandacht geven aan kunstenaars die streven naar een meer concrete verhouding tussen kunst en samenleving. Maar het is ook belangrijk om historische tentoonstellingen te houden waarin de maatschappelijke werkzaamheid van de kunst benadrukt en geactualiseerd wordt.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMuseum in Motion\u003c/em\u003e is een pleidooi voor politisering. Politisering van de kunst betekent niet haar in dienst stellen van een politieke ideologie waardoor zij verwordt tot een propagandamiddel. Impliciet wordt er gesuggereerd dat waarden als originaliteit en authenticiteit eerder aanhollen achter een politiek die vrijhandel moet waarborgen, dan wel bijdragen tot een collectieve creativiteit. Kunst moet proberen aansluiting te vinden bij de sociaal relevante werkelijkheid. Het museum is geen politiek, maar een cultureel instrument, er vindt geen politieke besluitvorming plaats, maar het kan bijdragen tot kritische meningsvorming.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe kracht van het boek bestaat eruit dat het voluit gaat voor een collectieve creativiteit die historische en maatschappelijke aspecten boven puur artistieke kwaliteiten plaatst en in plaats van het museum bij de mensen te willen brengen, de wens uitspreekt de maatschappij in het museum te halen. Het museum heeft daarbij als belangrijkste taak aan beeld- en begripsvorming te doen die noodzakelijk is voor ori\u0026euml;ntatie in en identificatie met de werkelijkheid. 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J. Coppens","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7249,"title":"Feltra ","dimensions":"180 x 115 x 130 cm","date_begin":"1966-01-01","material":"styropor, felt","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":23,"stream_count":0,"collection":"collectie Vlaamse Gemeenschap, Langdurige bruikleen S.M.AK. Gent","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"WV6","stream_count_app":93,"permalink":"feltra","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/291/large/feltra_SMAK_Dirk_Pauwels.jpg?1407502472","poster_credits":"(c)image: SMAK, Dirk Pauwels","translations":[{"locale":"en","description":"\u003cp\u003eAfter \u003cem\u003eMolly Peters\u003c/em\u003e this was Panamarenko\u0026#39;s second felt doll, and it too was made following the likeness of a picture from Playboy.\u0026nbsp; \u003cem\u003eFeltra\u003c/em\u003e, monochrome white, sits provocatively with legs crossed in a leather chair.\u0026nbsp; During the \u003cem\u003eDe Premiere van de Hersen\u0026shy;expansie in Kleuren! \u003c/em\u003e(The Premier of Brain Expansion in Color), at the Wide White Space Gallery in Antwerp, \u003cem\u003eFeltra\u003c/em\u003e dangles from the ceiling just like \u003cem\u003eMolly Peters\u003c/em\u003e.\u003c/p\u003e\u003cp\u003eThe name \u003cem\u003eFeltra\u003c/em\u003e does not refer to the name of the Playboy model, but rather to the brand name of the felt serving to cover the doll.\u0026nbsp; Panamarenko purchased the felt in a local store, Veritas.\u0026nbsp; The brand name was printed on the inside of the felt.\u0026nbsp; In order to attain the right form and pose,\u003c/p\u003e\u003cp\u003ePanamarenko first shaved the polystyrene with a coarse rasp, and then used sandpaper for the finish.\u0026nbsp; Even without the felt cover, the dolls looked very well.\u0026nbsp; But the felt was necessary to hold everything together.\u0026nbsp; Otherwise, they would have lost their shape long ago.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;Feltra? That came from the Veritas store, that was just the name, the brand of that felt.\u0026#39; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eNa \u003cem\u003eMolly Peters\u003c/em\u003e is dit Panamarenko\u0026#39;s tweede vilten pop, eveneens gemaakt naar een afbeelding uit Playboy. \u0026nbsp;\u003cem\u003eFeltra\u003c/em\u003e, monochroom wit, zit uitdagend met gekruiste benen in een groene lederen zetel. Tijdens de tentoonstelling \u003cem\u003eDe Premiere van de Hersen\u0026shy;expansie in Kleuren!\u003c/em\u003e, in de Wide White Space Gallery te Antwerpen, bengelt \u003cem\u003eFeltra\u003c/em\u003e net als \u003cem\u003eMolly Peters\u003c/em\u003e aan het plafond.\u003c/p\u003e\u003cp\u003eDe naam \u003cem\u003eFeltra \u003c/em\u003everwijst niet naar de naam van het Playboy-\u0026shy;model, maar naar de merknaam van het vilt waarmee de pop werd overtrokken. Panamarenko kocht het vilt in de Veritas. De merknaam staat gedrukt op de binnenkant van het vilt. Om de juiste vorm en pose te verkrijgen, bewerkt Panamarenko de styropor eerst met een grove rasp. En dan snel met fijn schuur\u0026shy;papier polijsten en bijwerken. Zelfs zonder het vilt erover zagen de poppen er heel goed uit. Maar het vilt was nodig om alles beter bijeen te houden. Anders zouden ze nu allang uit model\u0026nbsp;geraakt zijn.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Feltra? Dat kwam uit de Veritas, dat heette zo, dat was het merk van dat vilt.\u0026quot;\u003c/em\u003e - Panamarenko\u0026nbsp;\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7261,"title":"Zakken [Sacks]","dimensions":"50 x 190 x 190 cm","date_begin":"1967-01-01","material":"polyester, seaweed, wooden sticks, rubber tubes","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection Kröller-Müller, The Netherlands","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1968-01-01","reference":"WV17","stream_count_app":25,"permalink":"zakken-sacks","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/336/medium_500/Untitled012.jpg?1373463265","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/336/large/Untitled012.jpg?1373463265","poster_credits":"(c)image: Tom Haartsen","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7246,"title":"Kreem-glace [Ice Cream]","dimensions":"99 x 85 x 52 cm","date_begin":"1966-01-01","material":"polyurethane, plastic, metal","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Private Collection at S.M.A.K., Ghent","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCollectie Isi Fiszman? titel: Cr\u0026egrave;me Glace?\u003c/p\u003e\r\n","date_end":null,"reference":"WV3","stream_count_app":39,"permalink":"kreem-glace-ice-cream","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/343/medium_500/PAN_ADD_010.jpg?1389771975","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/343/large/PAN_ADD_010.jpg?1389771975","poster_credits":"image: Raoul Van Den Boom, (c)image: Courtesy Anny De Decker","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003eKreem-glace\u003c/em\u003e uit 1966 is Panamarenko\u0026#39;s eerste po\u0026euml;tische object. Het is een objet trouv\u0026eacute;, door de kunstenaar onaangeroerd als kunstwerk gepresenteerd. Het is het resultaat van een ietwat uit de hand gelopen chemische demonstratie op een industrietentoonstelling te Gent, waarbij de verhitte kunststof in een van de twee plastic bassins overdreven uitzette en het bakje eronder deed smelten en de vorm deed aannemen ven een uit de kluiten gewassen bol vanille-ijs. (Johan Pas)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7250,"title":"Afwasbak [Sink with Dishes] ","dimensions":"91 x 79.5 x 80 cm ","date_begin":"1967-01-01","material":"perspex, tin ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"WV7","stream_count_app":24,"permalink":"afwasbak-sink-with-dishes","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/331/large/afwasbak.jpg?1373462520","poster_credits":"(c)image: Hans Theys","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7256,"title":"Walvis [Whale] ","dimensions":"102 x 34 x 136 cm","date_begin":"1967-01-01","material":"styropor, cellophane, tin","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection Milan","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003ePrivate Collection, courtesy Kewenig, Berlin\u003c/p\u003e","date_end":null,"reference":"WV13","stream_count_app":42,"permalink":"walvis-whale","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/022/359/large/PAN_AM_FOTO_1355.jpg?1397748809","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003eThis is the third work from the 1960s, following\u0026nbsp;on from the crocodiles and the ducks, that refers\u0026nbsp;to Panamarenko\u0026rsquo;s fascination with animals. The\u0026nbsp;whale we see here testifies to the young artist\u0026rsquo;s\u0026nbsp;desire to use new materials to make an entirely\u0026nbsp;individual, almost abstract sculpture. The simplicity\u0026nbsp;of materials and form, meanwhile, shows\u0026nbsp;immense aesthetic refinement. The angular form\u0026nbsp;\u0026ndash; at once both robust and elegant \u0026ndash; later gave\u0026nbsp;Panamarenko the idea of constructing \u003cem\u003e\u0026Pi;AHAMA\u0026nbsp;Nova Zemblaya\u003c/em\u003e based on the morphology of this\u0026nbsp;early W\u003cem\u003ehale\u003c/em\u003e.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eNa de \u003cem\u003eKrokodillen\u003c/em\u003e en de \u003cem\u003eEenden\u003c/em\u003e is dit het derde\u0026nbsp;werk uit de jaren 1960 dat verwijst naar\u0026nbsp;Panamarenko\u0026rsquo;s fascinatie voor dieren. De \u003cem\u003eWalvis\u0026nbsp;\u003c/em\u003edie we hier zien, verraadt ook de gedrevenheid\u0026nbsp;van de jonge kunstenaar om met nieuwe materialen\u003cbr /\u003eeen volstrekt eigenzinnige, bijna abstracte\u0026nbsp;sculptuur te maken. De eenvoud van de vorm en\u0026nbsp;van de gebruikte materialen getuigt bovendien\u0026nbsp;van een groot esthetisch raffinement. De hoekige\u0026nbsp;vorm \u0026minus; tegelijk robuust en verfijnd \u0026minus; brengt\u0026nbsp;Panamarenko later op het idee om zijn duikboot\u0026nbsp;\u003cem\u003e\u0026Pi;ahama Nova Zemblaya\u003c/em\u003e te bouwen naar de morfologie\u0026nbsp;van deze vroege \u003cem\u003eWalvis\u003c/em\u003e.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7253,"title":"Krokodillen [Crocodiles]","dimensions":"25 x 230 x 110 cm","date_begin":"1967-01-01","material":"sand, plastic wrap, cardboard, plastic tiles, cellophane, nets","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Private Collection at S.M.A.K., Ghent","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eEen niet onbelangrijk deel van de vroege objecten bestaat uit speelse realisaties die een sterk biografische aspect vertonen en vooral refereren aan Panamarenko\u0026#39;s kindertijd en jeugd. De\u0026nbsp;\u003cem\u003eKrokodillen\u003c/em\u003e\u0026nbsp;die ons de vertrouwde aanblik bieden van de luierende reptielen in de Antwerpse Zoo, zijn hiervan sprekende voorbeelden. (Johan Pas)\u003c/p\u003e","date_end":null,"reference":"WV10","stream_count_app":41,"permalink":"krokodillen-crocodiles","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/319/large/Untitled024.jpg?1373457897","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThis installation, comprising a basin and three\u0026nbsp;crocodiles, is another silent representation of a\u0026nbsp;childhood memory of the artist, who regularly\u0026nbsp;visited Antwerp Zoo as a boy. The basin is made\u0026nbsp;of cardboard, with rectangular sheets of cellophane\u003cbr /\u003efor the windows. Three crocodiles lie on\u0026nbsp;the plastic tiles of the basin. They are made of\u0026nbsp;coarse sand in a plastic sheath, wrapped in fishing\u0026nbsp;net. The atypical choice of materials adds to\u0026nbsp;the poetry of the installation.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDeze installatie, die een bassin met drie krokodillen\u0026nbsp;bevat, is opnieuw een verstilde weergave van\u0026nbsp;een jeugdherinnering van de kunstenaar, die als\u0026nbsp;jongen vaak de zoo van Antwerpen bezocht. Het\u0026nbsp;bassin is gemaakt van karton met rechthoekige\u0026nbsp;stukken cellofaan als raam. Op de plastic tegels\u0026nbsp;van het bassin liggen drie krokodillen, gemaakt\u0026nbsp;van grof zand in een plastic omhulsel, en gevat\u0026nbsp;in een visnet. De atypische materiaalkeuze versterkt\u0026nbsp;de po\u0026euml;zie van de installatie.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7280,"title":"Portable Air Transport I ","dimensions":"24 x 50 x 96 cm","date_begin":"1969-01-01","material":"metal, plastic, wood, fishing-net","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection Galerie Jamar, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eP.A.T. I\u003c/p\u003e","date_end":null,"reference":"WV28","stream_count_app":47,"permalink":"portable-air-transport-i","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/541/large/_WIM4960BIS.jpg?1408354626","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003eThe \u003cem\u003ePortable Air Transport\u003c/em\u003e, abbreviated as \u003cem\u003eP.A.T.\u003c/em\u003e, is a small, easily transportable flying device for making one\u0026#39;s way in the air.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;In the beginning, I had a problem with airplanes and wings, because you then always needed a runway for take-offs and landings.\u0026nbsp; In the city, you need something with a vertical take-off.\u0026nbsp; Then I just thought: if I make something helicopter-like, then I just need a rotor and a powerful motor, nothing else, and have it all fit in a small suitcase...\u0026#39;\u0026nbsp;\u003c/em\u003e- Panamarenko\u003c/p\u003e\u003cp\u003eFor his first P.A.T., Panamarenko drew inspiration from a design by the American Bell Telephone Company.\u0026nbsp; The design is an attempt to develop a device that could be worn on the back, driven by a water-peroxide fueled rocket and with a flight duration of three minutes.\u0026nbsp; Panamarenko considered the principle to be too farfetched, and believed that a small, fast-rotating motor with the correct rotor could develop sufficient horsepower for the task.\u0026nbsp;\u003c/p\u003e\u003cp\u003eAn initial prototype, generally known as the \u003cem\u003ePortable Air Transport I\u003c/em\u003e, was born from the model that Panamarenko designed at the end of 1968-beginning 1969.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;That first P.A.T was not to be worn on the back.\u0026nbsp; You could sit on it.\u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\u003cp\u003eThe device has a metal frame, carrying a square net in the middle.\u0026nbsp; A motor is mounted on each side to drive the propellers.\u0026nbsp; The propellers each consist of two, oppositely-rotating rotors.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;The motors came from chainsaws and go-carts.\u0026nbsp; All of them two-stroke.\u0026nbsp; You could slide the components together and they\u0026#39;d fold into a kind of valise.\u0026nbsp; That\u0026#39;s why I called it \u0026#39;portable air transport\u0026#39;.\u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDe \u003cem\u003ePortable Air Transport\u003c/em\u003e, afgekort \u003cem\u003eP.A.T.\u003c/em\u003e, is een klein, draag\u0026shy;baar vliegapparaat waarmee men zich in de lucht kan verheffen.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;In het begin had ik last met vliegtuigen en vleugels, want om op te stijgen en te landen hebt ge altijd een landingsbaan nodig. In de stad moet ge iets hebben om loodrecht op te stijgen.Toen dacht ik gewoon: als ik nu eens iets helikopterachtigs maak, dan heb ik alleen een schroef en een krachtige motor nodig, voor de rest niks, en alles past zo ongeveer in een klein kofferke.\u0026quot;\u003c/em\u003e\u003cem\u003e\u0026nbsp;\u003c/em\u003e- Panamarenko\u003c/p\u003e\u003cp\u003eVoor zijn eerste P.A.T. laat Panamarenko zich inspireren door een ontwerp van de Amerikaanse Bell Telephone Company. Het ontwerp is een poging tot het ontwikkelen van een met\u0026nbsp;waterperoxide aangedreven raket die op de rug wordt gedragen en waarmee men drie minuten lang kan vliegen. Panamarenko is van oordeel dat het principe te vergezocht is en meent dat\u0026nbsp;kleine, sneldraaiende motoren met een aangepaste schroef voldoende paardenkracht kunnen ontwikkelen.\u003c/p\u003e\u003cp\u003eEen eerste prototype, algemeen bekend als de \u003cem\u003ePortable Air Transport I\u003c/em\u003e, ontstaat uit het model dat Panamarenko eind 1968, begin 1969 ontwerpt.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Die eerste P.A.T was niet om op de rug te dragen, maar om op te gaan zitten.\u003c/em\u003e\u003cem\u003e\u0026quot;\u003c/em\u003e\u003cem\u003e\u0026nbsp;\u003c/em\u003e- Panamarenko\u003cem\u003e \u003c/em\u003e\u003c/p\u003e\u003cp\u003eHet toestel heeft een metalen frame dat in het midden een vierkant net draagt. Aan beide zijden is een motor gemonteerd die de propellers aandrijven. De propellers bestaan telkens uit twee, in tegengestelde richting draaiende schroeven.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;De motoren waren afkomstig van boomzagen en gocarts. Allemaal tweetaktmotoren. Ge kondt die bijeenschuiven en dan heel het spel dichtklappen zoals een soort valies. Daarom noemde ik het \u0026#39;draagbaar luchttransport\u0026#39;.\u003c/em\u003e\u003cem\u003e\u0026quot;\u003c/em\u003e\u003cem\u003e\u0026nbsp;\u003c/em\u003e- Panamarenko\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"}]},{"id":7248,"title":"Molly Peters ","dimensions":"138 x 134 x 63 cm","date_begin":"1966-01-01","material":"styropor, felt, metal ","short_description":"","art_status_id":13,"legal_status_id":84,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Agnes \u0026 Frits Becht","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e\u0026nbsp;Collection Agn\u0026egrave;s and Frits Becht\u003c/p\u003e","date_end":null,"reference":"WV5","stream_count_app":56,"permalink":"molly-peters","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/290/large/Panamarenko_-_Molly_Peters__1966Copyright_Brigitta_Callens.jpg?1407502390","poster_credits":"(c)image: Brigitta Callens","translations":[{"locale":"en","description":"\u003cp\u003eA life-sized doll in pin-up pose, made from polystyrene and covered with felt.\u0026nbsp; The polystyrene used here was left over from construction of \u003cem\u003eDas Flugzeug\u003c/em\u003e.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;There was such an excess of pieces and edges that they could be easily pasted together to make the arms and torso.\u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\u003cp\u003e\u003cem\u003eMolly Peters\u003c/em\u003e was based on a picture of an actrice of this name in Playboy. To enhance its sensuality, Panamarenko provides the doll with bright red lips, a revealing outfit and pink hair.\u0026nbsp; She wears a massage glove on her left hand.\u0026nbsp; For the exhibition \u0026#39;\u003cem\u003eThe Premi\u0026egrave;re of Brain Expansion in Color\u003c/em\u003e\u0026#39;, the doll dangled from the ceiling by a thick rope fastened under its arms.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;I didn\u0026#39;t think of it as pop art.\u0026nbsp; Pop art was just a name that seemed to mean: make whatever you feel like making.\u0026nbsp; Well, I felt like making this kind of gal from Playboy myself, carving her by hand!\u0026#39;\u003c/em\u003e - Panamarenko\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eEen levensgrote pop in de pose van een pin-up, vervaardigd uit styropor en overtrokken met vilt. Ze is gemaakt met het restant styropor van \u003cem\u003eDas Flugzeug\u003c/em\u003e.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Er was zoveel overschot van stukken en hoeken dat die gemakkelijk tot armen en rompen samengeplakt konden worden.\u0026quot; \u003c/em\u003e- Panamarenko\u003c/p\u003e\u003cp\u003e\u003cem\u003eMolly Peters\u003c/em\u003e wordt gemaakt naar een afbeelding van de gelijknamige actrice in het tijdschrift Playboy.\u0026nbsp;Voor de sensualiteit voorziet Panamarenko de pop van felgekleurde rode lippen, een blauw badpak en roze haar. Aan haar linkerhand draagt ze een massagehandschoen. Op de tentoonstelling \u003cem\u003e\u0026lsquo;De Premi\u0026egrave;re van de Hersenexpansie in Kleuren\u0026rsquo;\u003c/em\u003e bengelt de pop aan het plafond met een dik koord onder de armen.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Ik denk niet dat het pop-art was. Pop-art was alleen maar een naam die leek te willen zeggen: maak maar waar ge goesting in hebt. Awel, ik had goesting om zo\u0026rsquo;n madam uit de Playboy eens zelf met de hand uit te schuren!\u0026quot; - \u003c/em\u003ePanamarenko\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7263,"title":"Dakgoot [Gutter]","dimensions":"69.5 x 128.5 x 91 cm","date_begin":"1968-01-01","material":"wood, asphalt-impregnated paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection Kröller-Müller, The Netherlands","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"WV19","stream_count_app":32,"permalink":"dakgoot-gutter","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/338/medium_500/dakgoot_oplosseschroeven.jpg?1373463672","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/338/large/dakgoot_oplosseschroeven.jpg?1373463672","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7247,"title":"Botten met sneeuw [Boots with Snow] ","dimensions":"24 x 37 x 20 cm, 28 x 25 x 28 cm, 18 x 44 x 23 cm","date_begin":"1966-01-01","material":"leather boots and bag, wood, polyurethane ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection Jonas Lohaus","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eVerzameling Lohaus - De Decker\u003c/p\u003e","date_end":null,"reference":"WV4","stream_count_app":50,"permalink":"botten-met-sneeuw-boots-with-snow","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/328/large/Botten-met-sneeuw.jpg?1373462178","poster_credits":"(c)image: Hans Theys","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;When it had snowed, and then started to thaw, you might see a pair of boots standing outside with a little layer of snow still on top, while the rest had already melted...\u0026#39;\u0026nbsp; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eFor his first exhibition at the Wide White\u0026nbsp;Space Gallery, Panamarenko announced that\u0026nbsp;he would be showing a large snow-covered\u0026nbsp;tree. The image of frozen layers of snow on\u0026nbsp;the branches was a childhood memory the artist\u003cbr /\u003ewanted to reconstruct using polyurethane\u0026nbsp;foam. It proved impossible to bring a whole\u0026nbsp;tree into the gallery, so Panamarenko limited\u0026nbsp;himself to a snow scene with boots, branches\u0026nbsp;and a leather satchel.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026lsquo;All of my early objects\u0026nbsp;came from childhood memories. When\u0026nbsp;I was little, you often saw things like this in\u0026nbsp;front of people\u0026rsquo;s houses or in the backyard\u0026nbsp;when it snowed. The boots with snow on them\u0026nbsp;were real. And it looked the same on branches\u0026nbsp;or a bag left outside.\u0026rsquo; \u003c/em\u003e\u003c/p\u003e\u003cp\u003eThese \u0026lsquo;snow objects\u0026rsquo;\u0026nbsp;prompted the idea in 1968 of completely covering\u0026nbsp;the \u003ca href=\"http://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/024/321/original/Panamarenko_photoM_HKAc2.jpg?1407768224\"\u003ePalais des Beaux-Arts\u003c/a\u003e in Brussels\u003cbr /\u003ewith plastic foam. Fear that public order would\u0026nbsp;somehow be compromised meant, however,\u0026nbsp;that the artist could not get permission for\u0026nbsp;his snow plans, and so the invitation is all that\u0026nbsp;remains of the action. The monument \u003ca href=\"http://ensembles.mhka.be/items/7606\"\u003e\u003cem\u003eKafka\u0026rsquo;s\u003cbr /\u003eCentury\u003c/em\u003e\u003c/a\u003e (1983 and 2002) was later created in\u0026nbsp;the same spirit as the snow-covered tree and\u0026nbsp;Palais.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;Als het gesneeuwd had en het begon daarna te dooien, dan stonden er bijvoorbeeld een paar botten buiten met vanboven nog een laagje sneeuw erop, terwijl de rest al was gesmolten...\u0026quot; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eVoor zijn eerste tentoonstelling in de Wide White\u0026nbsp;Space Gallery kondigt Panamarenko aan een\u0026nbsp;grote besneeuwde boom te tonen. Het beeld\u0026nbsp;van bevroren laagjes sneeuw op de takken is een\u0026nbsp;jeugdherinnering die de kunstenaar wil reconstrueren\u0026nbsp;met polyurethaanschuim. Het lukt echter\u0026nbsp;niet om een volledige boom in de galerie op\u0026nbsp;te stellen, zodat Panamarenko zich beperkt tot\u0026nbsp;een sneeuwtafereel met laarzen, takken en een\u0026nbsp;leren tas.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Al mijn eerste objecten zijn uit jeugdherinneringen\u0026nbsp;ontstaan. Toen ik nog klein was en\u0026nbsp;het had gesneeuwd, zag je bij de mensen voor de\u0026nbsp;deur of in de tuin overal van dat soort dingen. Die\u0026nbsp;laarzen met sneeuw erop, die stonden er in het\u0026nbsp;\u0026eacute;cht. En op takken of een achtergelaten koffer\u0026nbsp;zag dat er hetzelfde uit.\u0026quot; \u003c/em\u003e\u003c/p\u003e\u003cp\u003eIn het verlengde van\u0026nbsp;deze sneeuwobjecten ontstaat in 1968 het idee om het\u003ca href=\"http://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/024/321/original/Panamarenko_photoM_HKAc2.jpg?1407768224\"\u003e Paleis voor Schone Kunsten\u003c/a\u003e in Brussel\u0026nbsp;volledig met schuimplastic onder te sneeuwen.\u0026nbsp;Uit vrees dat de openbare orde verstoord zou\u0026nbsp;worden, krijgt de kunstenaar geen toestemming\u0026nbsp;voor zijn \u0026lsquo;besneeuwingswerken\u0026rsquo;, waardoor enkel\u0026nbsp;de uitnodigingskaart voor de actie bewaard bleef.\u0026nbsp;In dezelfde geest van de besneeuwde boom en\u0026nbsp;het besneeuwde Paleis ontstaat later het monument\u0026nbsp;\u003ca href=\"http://ensembles.mhka.be/items/7606\"\u003e\u003cem\u003eDe eeuw van Kafka\u003c/em\u003e\u003c/a\u003e (1983 en 2002).\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7259,"title":"Hofkes [Little Gardens]","dimensions":"35 x 123 x 70 cm, 35 x 92 x 68 cm, 35 x 56 x 121 cm","date_begin":"1967-01-01","material":"glass fibre, polyester, felt, thread, tin","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection at S.M.A.K., Ghent","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eHofkens?\u003c/p\u003e\r\n","date_end":null,"reference":"WV15","stream_count_app":29,"permalink":"hofkes-little-gardens","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/027/779/medium_500/PAN_AM_FOTO_2201.jpg?1427125592","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/027/779/large/PAN_AM_FOTO_2201.jpg?1427125592","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11545,"title":"Zonder Titel 059 [Untitled 059]","dimensions":"30 x 23 cm","date_begin":null,"material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Workstation Biekorfstraat - 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Het zou een balsahouten pedaaljet worden met luchtafzuiging via de vleugels. De staart is overtrokken met zijde, dat ziet er heel decoratief uit. 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As to the principle, it's just an insect with vibrating wings, but then more sophisticated.\u0026nbsp;\u003c/i\u003e As energy source to drive the wings, Panamarenko opts for human power.\u0026nbsp; \u003ci\u003eIf you'd use a heavy Volkswagen engine, the whole thing would just tear apart.\u0026nbsp; But if you set things in motion by pedaling, then you have a much better understanding of what's happening or should happen. With a motor, you don't get this kind of information because it just keeps turning...'\u0026nbsp;\u003c/i\u003e- Panamarenko\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e\" Het zotte van die vleugels is dat je bij die eerste slag geen rendement haalt, dat is verloren lucht, maar de tweede slag is al veel efficiënter, omdat de aankomende luchtvan die eerste slag ineens wordt weggeflapt, en dan, ja, dan zijt ge vertrokken,hé!\"\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e - Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDeze sculptuur is een verbeterde versie van de Meganeudons en Chisto's die Panamarenko in het begin van de jaren zeventig ontwikkelt. Met de \u003ci\u003eUmbilly\u003c/i\u003e tracht Panamarenko het trilmechanisme van de insectenvleugels nog te perfectioneren. De vaste vleugels van de Meganeudons worden vervangen door bewegende vleugels, en net als de Chisto wordt ook de \u003ci\u003eUmbilly\u003c/i\u003e uitgerust met een verend element dat bevestigd is op een frame van makrolon. Ondanks de aanpassingen, blijft het basisprincipe hetzelfde.\u003c/p\u003e\u003cp\u003e\u003ci\u003e\"De Umbilly I is eigenlijk een gewone Meganeudon die ik toevallig de naam Umbilly heb gegeven. Maar wat het principe betreft is dat gewoon een insect met trillende vleugels, alleen wat gesofisticeerder. Als energie voor de aandrijving van de vleugels kiest Panamarenko voor mensenkracht.\u0026nbsp;Als ge een zware Volkswagenmotor zou gebruiken, wordt het hele spul infrut uiteen getrokken. Maar als ge zoiets zelf in gang moet trap pen, dan begrijpt ge veel beter wat er allemaal gebeurt of zou moeten gebeuren. Met een motor hebt ge daar geen zicht op, want die blijft gewoon doordraaien ... \" -\u0026nbsp;\u003c/i\u003ePanamarenko\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7404,"title":"Klik-Klak (Exper. I, Electric motor, equivalent for steady manpower.) [Click-Clack]","dimensions":"88 x 39 x 23 cm","date_begin":"1976-01-01","material":"metal, electric motor, milled macrolon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Kröller-Müller, The Netherlands","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"WV57","stream_count_app":13,"permalink":"klik-klak-exper-i-electric-motor-equivalent-for-steady-manpower-click-clack","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/315/large/Untitled007.jpg?1373457285","poster_credits":"(c)image: Tom Haartsen","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7408,"title":"Umbilly (Detail)","dimensions":"43 x 268 x 82 cm ","date_begin":"1976-01-01","material":"steel, wire, nylon, glass fibre, epoxy","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Private Collection, Lier","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"WV63","stream_count_app":22,"permalink":"umbilly-detail","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/707/large/Umbilly_detail.jpeg?1409841620","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eIn order to improve the vibration-mechanism, Panamarenko started from the proposition that insects must have an elastic property in order to continue flying with just a few muscular impulses.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003eBut then each time at precisely the correct instant.\u0026nbsp; It took a long time for me to figure out how to build-in the right sort of timing...\u0026nbsp;\u003c/em\u003e- Panamarenko\u003c/p\u003e\u003cp\u003eBy utilizing a torsion spring, Panamarenko was able to optimize the frequency of the wing-beat.\u0026nbsp; He calls this \u003cstrong\u003ethe \u003c/strong\u003e\u003cem\u003e\u003cstrong\u003edouble trampoline effect.\u0026nbsp;\u003c/strong\u003e \u003c/em\u003eHe is of the opinion that if a person jumps on a rubber table with the right rhythm he can easily reach a height of 3 meters, something ruled out under different conditions.\u0026nbsp; In 1976, Panamarenko first incorporates the improved, elastic vibrating mechanism in his design \u003cem\u003eUmbilly Detail\u003c/em\u003e.\u0026nbsp; The wings are affixed to long steel rods, and run by virtue of a system of cogwheels.\u0026nbsp; They function as elastic torsion springs, and effectuate the wings\u0026#39; return beat.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;Because the wings are connected to a spring, they maintain each other in balance.\u0026nbsp; The wings spring open, air enters and is then expelled by the spring-driven return-beat.\u0026#39;\u0026nbsp;\u003c/em\u003e\u0026nbsp;- Panamarenko\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eOm het trilmechanisme te verbeteren, gaat Panamarenko uit van de veronderstelling dat insecten over een elastische eigenschap moeten beschikken om met slechts een enkele spierimpuls te blijven vliegen.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Maar dan wel iedere keer juist op het goede moment. Het duurde een hele tijd voor ik wist hoe ik de juiste timing moest inbouwen ...\u0026quot;\u0026nbsp;\u003c/em\u003e- Panamarenko\u003c/p\u003e\u003cp\u003eDoor gebruik te maken van een torsieveer optimaliseert Panamarenko de flap-frequentie. Hij noemt dit \u003cstrong\u003e\u003cem\u003ehet effect van de dubbele trampoline\u003c/em\u003e\u003c/strong\u003e. Panamarenko is van oordeel dat iemand die in het juiste ritme op een rubberen tafel springt, zonder moeite 3 m hoog raakt, wat in andere omstandigheden uitgesloten is. In 1976 past Panamarenko het verbeterde, elastische trilmechanisme voor het eerst toe op het ontwerp \u003cem\u003eUmbilly Detail\u003c/em\u003e. De vleugels zijn aan lange stalen stangen bevestigd die door een mechanisme van tandraderen lopen. Ze fungeren als elastische torsieveren die telkens een terugslag van de vleugels teweegbrengen.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Omdat de vleugels met een veer verbonden zijn, houden ze elkaar in balans. De vleugels klappen open, de lucht valt erin, en wordt vervolgens weer weggeduwd door de verende terugslag.\u0026quot;\u0026nbsp;\u003c/em\u003e\u0026nbsp;- Panamarenko\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7385,"title":"Donderwolk [Thundercloud]","dimensions":"300 x 500 x 500 cm","date_begin":"1970-01-01","material":"aluminium, plastic, rubber, wood, felt, leather, perspex ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Collectie Koninklijke Musea voor Schone Kunsten van België","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1971-01-01","reference":"WV47","stream_count_app":92,"permalink":"donderwolk-thundercloud","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/022/348/large/PAN_AM_FOTO_1360.jpg?1397747298","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003eThe \u003cem\u003eDonderwolk\u003c/em\u003e (Thundercloud) is a strong but light aircraft, with hybrid characteristics.\u0026nbsp; It at one and the same time a propeller plane, driven by a motor positioned at the rear, and a glider - provided with a delta-shaped Rogallo-wing.\u0026nbsp; The closed, compact cabin, that resembles that of an old fighter plane, is made of aluminum.\u0026nbsp; The dome is of plexiglas.\u0026nbsp; Above the craft\u0026#39;s hull there is a delta-shaped wing, the so-called \u0026#39;Rogallo-Flexwing\u0026#39;, named after the American NASA engineer who developed the Flexwing to help space capsules return safely to Earth.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;For my Rogallo-wing, I looked for a material that looked like a kind of membrane.\u0026nbsp; That turned out to be a cotton impregnated with rubber.\u0026nbsp; Because of the rubber\u0026#39;s dark color, it looked like a thundercloud.\u0026nbsp; My mother sewed that sail together on her own small sewing machine.\u0026nbsp; That\u0026#39;s the only thing she ever did: sew those slits for inserting the delta\u0026#39;s tubes.\u0026#39; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003eThe wing is steerable with the aid of traction cables controlled from the cabin via two levers.\u0026nbsp; The sail\u0026#39;s main beams are constructed so that the wing can tilt forwards and backwards as well as left and right.\u0026nbsp; A go-cart motor is fixed to the rear of the apparatus, and it has a capacity of 10 PK at 10,000 revolutions per minute.\u0026nbsp; The propeller has a diameter of 80 cm. and makes 5,000 revolutions per minute.\u0026nbsp; The gas-feed to the motor is controlled via a third lever in the cabin, and there is also a place to store a small, leather toolkit.\u0026nbsp; The interior of the cabin is lined with felt. \u0026nbsp; \u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;That was to dampen engine noise, and also and mainly to make the pilot\u0026#39;s seating more comfortable.\u0026nbsp; Otherwise the metal and the screws made it too painful for the knees.\u0026#39; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003eFrom two early drawings of this aircraft (dated 5 October 1970), it appears that Panamarenko originally wished to construct a human-powered device.\u0026nbsp; A bit later, he changed that: on two drawings from 1971, he represents it as propeller-driven.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;In the catalogue of Documenta V, I added this laconic comment with regards to the Donderwolk: \u0026#39;Strong, light aircraft - untested\u0026#39;.\u0026nbsp; This was to nip overzealous questioners in the bud, those who always want to know if I really had tried it out.\u0026#39; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDe \u003cem\u003eDonderwolk\u003c/em\u003e is een sterk maar licht toestel, met hybride eigenschappen. Het is tegelijk een propeller\u0026shy;vliegtuig, aangedreven door een achterwaarts geplaatste motor, en tegelijk een glijvluchtapparaat, voorzien van een flexibele, deltavormige Rogallo-vleugel. De gesloten, compacte cabine, die lijkt op die van een oud jacht\u0026shy;vliegtuig, is gemaakt van aluminium. De koepel is van plexiglas. Boven de romp is op een frame een deltavormig zeil gemonteerd, de zogenaamde \u0026#39;Rogallo-Flexwing\u0026#39;, genoemd naar de Ameri\u0026shy;kaanse ingenieur van de NASA, die de Flexwing ontwikkelde om ruimtecapsules veilig te laten terugkeren naar de aarde.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Ik heb voor mijn Rogallo-vleugel naar een materiaal gezocht dat op een soort membraan leek. Dat was katoen dat ge\u0026iuml;mpregneerd werd met caoutchouc. Door de donkere kleur van het rubber ziet het eruit als een donderwolk. Mijn moeder heeft dat zeil nog aaneengenaaid op zo\u0026#39;n kleine naaimachine. Dat is het enige wat ze ooit gedaan heeft: die sleuven naaien om de buizen van die delta in te schuiven.\u0026quot; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003eDe vleugel is bestuurbaar met behulp van trekkabels die vanuit de cabine met twee hendels bediend kunnen worden. De hoofdliggers van het zeil zijn zo geconstrueerd dat de vleugel naar voren en naar achteren, maar ook naar links en naar\u0026nbsp;rechts kan overhellen. Achteraan het toestel is een gocartmotor ingebracht met een vermogen van 10 PK bij 10.000 omwentelingen per minuut. De propeller heeft een doorsnede van 80 cm en maakt 5.000 omwentelingen per minuut. De gastoevoer van de motor wordt bediend door middel van een derde hendel in de cabine, waar zich eveneens een klein, lederen sleuteltasje bevindt om allerlei gereedschap in op te bergen. De binnenkant van de cabine is met vilt bekleed.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Dat was om het motorgeluid te dempen en vooral ook om het zitten zachter te maken voor de piloot, anders deden dat blik en die vijsjes te veel pijn aan de knie\u0026euml;n.\u0026quot; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003eUit twee vroege tekeningen van dit vliegtuig (gedateerd 5 oktober 1970) blijkt dat Panamarenko het toestel aanvankelijk als een mensenkrachtvliegtuig wilde construeren. Even later wijzigt hij dat: op twee tekeningen van 1971 beeldt hij het af als een propellervliegtuig.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;In de catalogus van Documenta V noteerde ik bij de Donderwolk de laconieke opmerking \u0026#39;Sterk, licht vliegtuig -niet uitgeprobeerd\u0026#39;. Dat was om hardnekkige doorvragers, die wilden weten of ik het wel echt uitgeprobeerd had, de mond te snoeren.\u0026quot; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7384,"title":"The Aeromodeller (Zeppelin) [The Aeromodeller (Zeppelin)]","dimensions":"2700 x Ø 600, 200 x 600 x 300 cm","date_begin":"1969-01-01","material":"PVC-film, woven rattan, wood, metal, engines, propellers ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":54,"stream_count":0,"collection":"Collection SMAK, Ghent","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1971-01-01","reference":"WV46","stream_count_app":274,"permalink":"the-aeromodeller-zeppelin-the-aeromodeller-zeppelin","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/772/large/Untitled059.jpg?1386156666","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e'I was looking for a good name, and I was visiting Martin and Mia Visser in Bergeijk, together with Richard Long.\u0026nbsp; We were talking about that magazine, that sometimes there was something good in there, and so forth.\u0026nbsp; And then Richard Long said: \"Well, why don't you just call your airship The Aeromodeller?\"\u0026nbsp; And that was that.' \u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e- Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003ePanamarenko built \u003ci\u003eThe Aeromodeller\u003c/i\u003e, the airship\u0026nbsp;that speaks most to the imagination, between\u0026nbsp;1969 and 1971. The dirigible is the embodiment\u0026nbsp;of the artist’s dream of being able to move freely\u0026nbsp;through the air at any time. The basketwork gondola\u0026nbsp;was designed as a living space. Two aircraft\u0026nbsp;engines on top of it are used to steer the imposing\u0026nbsp;airship, which is held aloft by a cigar-shaped\u0026nbsp;balloon, thirty metres long. Panamarenko tested\u0026nbsp;the airworthiness of his dirigible in 1971 in a field\u0026nbsp;belonging to the artist Jef Geys in Balen. The plan\u0026nbsp;was then to fly it to an arts festival in Sonsbeek in\u0026nbsp;the Netherlands. The Dutch aviation authorities\u0026nbsp;sent Panamarenko a telegram, however, banning\u0026nbsp;the flight. To make matters worse, a storm blew\u0026nbsp;up over Balen, causing the attempted take-off\u0026nbsp;to fail. \u003ci\u003eThe Aeromodeller\u003c/i\u003e has since become the\u0026nbsp;iconic work in Panamarenko’s oeuvre. In the decades\u0026nbsp;that followed, he built numerous variations\u0026nbsp;and prototypes of airships, each with a different\u0026nbsp;form, colours and proportions.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e\"Ik was op zoek naar een goede naam en op een keer zit ik in Bergeijk bij Martin en Mia Visser te lullen met Richard Long. Het ging over dat tijdschrift, dat er soms wel eens iets goed in stond en zo. En toen zei Richard Long:\"Awel waarom noemt ge uw luchtschip niet gewoon The Aeromodeller?\"En dat is het toen gebleven.\" \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e- Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eTussen 1969 en 1971 bouwt Panamarenko zijn\u0026nbsp;meest tot de verbeelding sprekende zeppelin,\u0026nbsp;\u003ci\u003eThe Aeromodeller\u003c/i\u003e. Het luchtschip belichaamt de\u0026nbsp;droom van de kunstenaar om zich te allen tijde\u0026nbsp;vrij te kunnen voortbewegen door het luchtruim.\u0026nbsp;De gondel van gevlochten rotan is geconcipieerd\u0026nbsp;als woonruimte. Boven op de gondel staan twee\u0026nbsp;vliegtuigmotoren voor de besturing van het imposante\u0026nbsp;luchtschip, dat gedragen wordt door een sigaarvormige\u003cbr\u003eballon van bijna 30 meter lang. In 1971\u0026nbsp;probeert Panamarenko de luchtwaardigheid van\u0026nbsp;de zeppelin te testen op de weide van kunstenaar\u0026nbsp;Jef Geys in Balen met als doel de oversteek te wagen\u0026nbsp;naar het kunstenevenement ‘Sonsbeek buiten\u0026nbsp;de perken’ in Nederland. De overtocht wordt echter\u0026nbsp;verboden door de Nederlandse luchtvaartpolitie,\u0026nbsp;die Panamarenko hiervan per telegram op de\u0026nbsp;hoogte brengt. Tot overmaat van ramp steekt boven\u0026nbsp;de weide in Balen een storm op, die de poging\u0026nbsp;om op te stijgen doet mislukken. \u003ci\u003eThe Aeromodeller\u0026nbsp;\u003c/i\u003egroeit uit tot het icoon van Panamarenko’s oeuvre.\u0026nbsp;In de decennia die volgen, bouwt Panamarenko tal\u0026nbsp;van variante modellen en prototypes voor luchtschepen,\u0026nbsp;telkens met andere vormen, kleuren en\u0026nbsp;verhoudingen.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7424,"title":"Magnetische velden [Magnetic Fields]","dimensions":"109.8 x 76 x 77 cm","date_begin":"1979-01-01","material":"table, capacitors, copper coils, metal disc with honeycomb motif","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Galerij De Vuyst, Lokeren","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":37,"permalink":"magnetische-velden-magnetic-fields","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/399/large/DSC_4453.jpg?1412253373","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eTo prepare for his construction of a large magnetic\u0026nbsp;interstellar spaceship, Panamarenko began\u0026nbsp;a quest in the mid-1970s for energy sources\u0026nbsp;powerful enough to carry a flying saucer out\u0026nbsp;of the Earth’s atmosphere and beyond the pull\u0026nbsp;of gravity. A 1979 experiment, which he called\u0026nbsp;\u003ci\u003eMagnetic Fields\u003c/i\u003e, suggested that an electromagnetic\u0026nbsp;drive offered the greatest chance of\u0026nbsp;success. He built a first prototype in 1979 on a\u0026nbsp;wooden table fitted with capacitors and copper\u003cbr\u003ecoils. To increase his understanding of how\u0026nbsp;magnetic fields and other interplanetary forces\u0026nbsp;operate, he threw himself into ufology and the\u0026nbsp;study of electromagnetism, which resulted in\u0026nbsp;the project \u003ci\u003eJourney to the Stars\u003c/i\u003e, under which\u0026nbsp;heading he conceived and designed numerous\u0026nbsp;hovering and flying saucers. In this way, he\u0026nbsp;gradually developed the overall theory he called\u0026nbsp;his ‘\u003ci\u003eToy Model of Space\u003c/i\u003e’.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eAls voorbereiding op de bouw van een groot interstellair\u0026nbsp;magnetisch ruimteschip start Panamarenko\u0026nbsp;halfweg de jaren 1970 zijn zoektocht naar energiebronnen\u0026nbsp;die krachtig genoeg zijn om een vliegende\u0026nbsp;schotel buiten de dampkring en buiten het bereik\u0026nbsp;van de zwaartekracht te brengen. Uit een experiment\u0026nbsp;uit 1979 dat hij \u003ci\u003eMagnetische velden\u003c/i\u003e noemt,\u003cbr\u003eblijkt dat een elektromagnetische aandrijving de\u0026nbsp;grootste kans op succes biedt. In 1979 bouwt hij\u0026nbsp;een eerste proefopstelling op een houten tafel\u0026nbsp;die voorzien is van condensatoren en koperen\u0026nbsp;spoelen. Om de werking van magnetische velden\u0026nbsp;en andere interplanetaire krachten beter te leren\u0026nbsp;kennen, verdiept hij zich verder in de ufologie en\u003cbr\u003ehet elektromagnetisme, wat uiteindelijk resulteert\u0026nbsp;in het totaalproject \u003ci\u003eReis naar de sterren\u003c/i\u003e. Onder\u0026nbsp;deze noemer bedenkt en ontwerpt hij tal van vliegende\u0026nbsp;en zwevende schotels. De ruimtetheorieën\u0026nbsp;die hij gaandeweg ontwikkelt, bundelt hij onder de\u0026nbsp;naam \u003ci\u003eToymodel of Space\u003c/i\u003e.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eTo prepare for his construction of a large magnetic\u0026nbsp;interstellar spaceship, Panamarenko began\u0026nbsp;a quest in the mid-1970s for energy sources\u0026nbsp;powerful enough to carry a flying saucer out\u0026nbsp;of the Earth’s atmosphere and beyond the pull\u0026nbsp;of gravity. A 1979 experiment, which he called\u0026nbsp;\u003ci\u003eMagnetic Fields\u003c/i\u003e, suggested that an electromagnetic\u0026nbsp;drive offered the greatest chance of\u0026nbsp;success. He built a first prototype in 1979 on a\u0026nbsp;wooden table fitted with capacitors and copper\u003cbr\u003ecoils. To increase his understanding of how\u0026nbsp;magnetic fields and other interplanetary forces\u0026nbsp;operate, he threw himself into ufology and the\u0026nbsp;study of electromagnetism, which resulted in\u0026nbsp;the project \u003ci\u003eJourney to the Stars\u003c/i\u003e, under which\u0026nbsp;heading he conceived and designed numerous\u0026nbsp;hovering and flying saucers. In this way, he\u0026nbsp;gradually developed the overall theory he called\u0026nbsp;his ‘\u003ci\u003eToy Model of Space\u003c/i\u003e’.\u003c/p\u003e"}]},{"id":7400,"title":"Deltavliegtuig P-1 (Piewan) [Deltaplane P-1 (Piewan)]","dimensions":"65 x 495 x 260 cm","date_begin":"1975-01-01","material":"aluminium, wood, perspex, rubber, metal","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":13,"stream_count":0,"collection":"Collection SMAK, Ghent","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"WV58","stream_count_app":69,"permalink":"deltavliegtuig-p-1-piewan-deltaplane-p-1-piewan","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/326/large/PIEWAN__SMAK_Dirk_Pauwels.jpg?1407830781","poster_credits":"(c)image: Dirk Pauwels, Collection S.M.A.K., Ghent","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003eDon\u0026#39;t be mistaken, this little device has a great deal of lift.\u0026nbsp; On the topside I mounted two rows of small motors will propellers that turn very fast.\u0026nbsp; If you ride along for ten meters, it takes off... \u003c/em\u003e(Panamarenko)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDit deltavormige vliegtuig, zonder romp en zonder zijroer, is volledig vervaardigd uit blik. Het is uitgerust met twintig motortjes met elk een kleine houten schroef. De motortjes staan hoven op de vleugels gerangschikt waardoor de deltavorm nog wordt geaccentueerd. Als krachtbron worden twee batterijen van elk 36 kg meegevoerd, waardoor het toestel bij het opstijgen een snelheid van 8o km per uur kan ontwikkelen, en vervolgens 10 minuten in de lucht kan blijven.\u003c/p\u003e\u003cp\u003e\u003cem\u003eVergis u niet, dit toestelletje heeft een heel groot hefvermogen. Aan de bovenkant heb ik twee rijen kleine moteurkes gezet met schroeven die heel snel draaien. Als ge er tien meter mee rijdt,\u0026nbsp;\u003c/em\u003e\u003cem\u003edan stijgt dat al op \u0026hellip;\u003c/em\u003e\u003c/p\u003e\u003cp\u003eIn het midden van het driehoekige vlieglichaam bevindt zich de zetel van de piloot in een verzonken, open cabine, uitgerust met een windscherm. Onderaan rust het toestel op drie kleine, uiterst wendbare aluminium wieltjes.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026nbsp;\u003c/em\u003e\u003cem\u003eHet toffe van de P1 was dat dat zo gemakkelijk gebouwd kon worden. Het is romp en vleugel tegelijk. Het is een dikke deltadriehoek waar de cabine in verzonken zit. Zo\u0026#39;n gladde vleugel\u0026nbsp;\u003c/em\u003e\u003cem\u003efunctioneert al op zich. Het is een vliegende vleugel met alles-in-\u0026eacute;\u0026eacute;n.\u003c/em\u003e\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026nbsp;\u003c/em\u003eHet opstijgen en zwenken verkrijgt men door het in-of uit\u0026shy;schakelen van sommige motoren: \u003cem\u003eEr waren twee knoppen voorzien, een voor elke rij moteurkes. Als ge naar rechts wilde, moest ge de linkerschroeven in volle gang zetten, en de rechter\u0026shy;schroeven compleet uit. (stilletjes: Ge zoudt nogal een bocht gepakt hebben, denk ik!). Ge kondt die schroeven natuurlijk ook afregelen en maar een beetje laten draaien, maar eigenlijk waren ze vooral bedoeld om heel die vleugel van hoven aan te blazen, waardoor er al een zuigkracht ontstond op voorhand.\u003c/em\u003e\u003c/p\u003e\u003cp\u003eDe inspiratie voor de benaming van het elektrisch vliegtuig komt uit Engeland. \u003cem\u003eEr was daar een vliegtuig gebouwd, een hele grote straaljager, en die heette The Electric P1. Maar dat was helemaal geen elektrisch vliegtuig, want die had straalmotoren. Die heette P1, en uitgesproken in het Engels is dat \u0026#39;piewan \u0026#39;. Fonetisch klopt dat perfect, en toevallig zou P1 ook nog Panamarenko Een kunnen zijn.\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7423,"title":"Vliegende schotel [Flying Saucer]","dimensions":"64.5 x 66.4 x 42.9 cm","date_begin":"1979-01-01","material":"cardboard base with two copper coils, plexiglas flying saucers with eight magnets, compass and a typed, signed and dated statement","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":7,"stream_count":0,"collection":"Collection Galerie Jos Jamar, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eBodem van karton met twee koperen spoelen, vliegende schotel uit plexiglas met 8 magneten, kompas en gesigneerde\u0026nbsp;en gedateerde getypte verklaring op A4.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":29,"permalink":"vliegende-schotel-flying-saucer","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/569/large/_WIM5089.jpg?1408452364","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003ePanamarenko believes that the development of\u0026nbsp;space travel could be boosted significantly by\u0026nbsp;relying exclusively on forces that already exist in\u0026nbsp;the universe. He describes the magnetic fields in\u0026nbsp;space as \u0026lsquo;cosmic highways\u0026rsquo; that could be used\u0026nbsp;to navigate between the planets. Panamarenko\u0026nbsp;wants to build his magnetic spacecraft according\u0026nbsp;to the principle of the monopole \u0026ndash; a magnet\u0026nbsp;with a single pole \u0026ndash; which would be attracted by\u0026nbsp;the opposite pole. Although many scientists deny\u0026nbsp;that a magnetic monopole exists, Panamarenko\u0026nbsp;persists in his quest for single-pole electrons, in\u0026nbsp;the hope of one day finding his way to a magnetic\u0026nbsp;field. The 1979 \u003cem\u003eFlying Saucer\u003c/em\u003e experiment\u0026nbsp;consists of two coils with copper wire, a small\u0026nbsp;saucer with eight magnets and a compass.\u0026nbsp;Panamarenko completed the installation with a\u0026nbsp;typed statement of his space theory.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003ePanamarenko is van oordeel dat de ontwikkeling\u0026nbsp;van de ruimtevaart vooruitgang kan boeken door\u0026nbsp;louter gebruik te maken van de reeds bestaande\u0026nbsp;krachten in het universum. Hij omschrijft de\u0026nbsp;magnetische velden in de ruimte als \u0026lsquo;kosmische\u0026nbsp;autostrades\u0026rsquo; die aangewend kunnen worden om\u0026nbsp;tussen de planeten te navigeren. Panamarenko\u0026nbsp;wil zijn magnetische ruimtetuigen bouwen volgens\u0026nbsp;het principe van de monopool, een eenpolige\u0026nbsp;magneet, waardoor ze door de tegengestelde\u0026nbsp;pool worden aangetrokken. Hoewel het bestaan\u0026nbsp;van een magnetische monopool door vele wetenschappers\u0026nbsp;wordt betwist, volhardt Panamarenko\u0026nbsp;in zijn zoektocht naar enkelpolige elektronen om\u0026nbsp;ooit in een magnetisch veld terecht te komen. 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A central, two-pole part that, by means of its gigantic magnetic field must get 'lift' vis-à-vis the Earth's magnetic field. And on both sides of that, a two-pole 'arm' to keep the balance.\u0026nbsp;\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eThis whole UFO legend is full of plates and flying cigars. The plates are the flying saucers belonging to the mother ship, and the mother ship is the cigar. The latter is actually a very big hollow tube. And those cylinders must by that big in order to be able to catch enough magnetic power. 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En die cilinders moeten zo groot zijn om voldoende magneetkracht te kunnen opvangen. Het is een ruimteschip van achthonderd meter lang en geschikt voor vierduizend man.”\u003c/i\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePanamarenko explore diverses possibilités d’utilisation des champs magnétiques interplanétaires, qu’il appelle les «\u0026nbsp;autoroutes cosmiques\u0026nbsp;» pour voyager dans l’espace. \u003ci\u003eFlying Cigar Called Flying Tiger\u0026nbsp;\u003c/i\u003eest un engin plutôt technique, d’apparence abstraite, composé de trois cylindres\u0026nbsp;: une partie centrale, bipolaire, censée s’élever du champ magnétique terrestre à la faveur de son gigantesque propre champ magnétique. Et de part et d’autre, un «\u0026nbsp;bras\u0026nbsp;» bipolaire pour maintenir l’équilibre.\u003c/p\u003e\u003cp\u003e«\u0026nbsp;Toute la légende des OVNI regorge d’assiettes et de cigares volants. 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Geschichte von heute und morgen.\"","dimensions":"24.8 x 18.8 cm, 94 p, language : German, publisher : InK. Halle für internationale neue Kunst, Zürich","date_begin":"1978-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/493","stream_count_app":7,"permalink":"poetische-aufklarung-in-der-europaischen-kunst-der-gegenwart-bei-joseph-beuys-marcel-broodthaers-daniel-buren-jannis-kounellis-mario-merz-gerhard-richter-geschichte-von-heute-und-morgen","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/247/large/PAN_AM_BOOK_267_A.jpg?1412061698","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8196,"title":"Nu Happening van een bezette stad III [Now Happening of an Occupied City III]","dimensions":"29 x 18.5 cm","date_begin":"1965-01-01","material":"blue ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp - Panamarenko Archive","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eAffiche voor een happening ( met Panamarenko, Hugo Heyrman, Wout Vercammen en Yoshio Nakajima)\u003c/p\u003e\u003cp\u003eop 9 juli 1965 in Antwerpen\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":27,"permalink":"nu-happening-van-een-bezette-stad-iii-now-happening-of-an-occupied-city-iii","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/501/large/027.jpg?1376640169","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7602,"title":"DROMA","dimensions":"15.2 cm, 36.5 cm","date_begin":"1982-01-01","material":"metal, electric motor, magnets, electric cable","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection Raymond Tanghe","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":20,"permalink":"droma","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/155/large/_WIM5004.jpg?1411475196","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003eAs part of this overall \u003cem\u003eJourney to the Stars\u003c/em\u003e project,\u0026nbsp;Panamarenko has explored the possibility\u0026nbsp;of using magnetic forces to propel flying saucers\u0026nbsp;beyond the Earth\u0026rsquo;s gravity. Since 1976, he has\u0026nbsp;been seeking ways of flying through the cosmos\u003cbr /\u003eusing existing magnetic fields. His space project\u0026nbsp;was preceded by a substantial body of studies\u0026nbsp;and thought experiments, which Panamarenko\u0026nbsp;described in the article \u003cem\u003e\u0026lsquo;To the Stars with Flying\u0026nbsp;Saucers and Magnetic Forces\u0026rsquo;\u003c/em\u003e, published in the\u0026nbsp;1981 catalogue Struycken and Panamarenko. He\u0026nbsp;also built the objects \u003cem\u003eGyro-efflux\u003c/em\u003e and \u003cem\u003eDroma\u003c/em\u003e in\u003cbr /\u003ethis period. They are electromagnetic sculptures\u0026nbsp;in which a device consisting of discs, shafts,\u0026nbsp;gears and coils lifts a small metal plate. The object\u003cem\u003e\u0026nbsp;Droma\u003c/em\u003e \u0026ndash; derived from the Greek word dromos,\u0026nbsp;meaning \u0026lsquo;fast pace\u0026rsquo; \u0026ndash; has two electric motors\u0026nbsp;and a disc with magnets at the top, which\u0026nbsp;revolves very fast about its axis. This magnetic\u0026nbsp;rotor led to the construction in 1983 of \u003ca href=\"http://ensembles.mhka.be/items/3772\"\u003e\u003cem\u003ePlumbite\u003c/em\u003e\u003c/a\u003e.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eIn functie van het totaalproject \u003cem\u003eReis naar de sterren\u003c/em\u003e\u0026nbsp;onderzoekt Panamarenko de mogelijkheden\u0026nbsp;om vliegende schotels van het aardse veld af te\u0026nbsp;stoten met behulp van magnetische krachten.\u0026nbsp;Sinds 1976 is hij immers op zoek naar een manier\u0026nbsp;om door de kosmos te vliegen door gebruik te maken\u0026nbsp;van de bestaande magnetische velden in het\u0026nbsp;heelal. Aan het ruimteproject gaan heel wat studies\u0026nbsp;en gedachte-experimenten vooraf. Panamarenko\u0026nbsp;beschrijft ze in de tekst \u003cem\u003e\u0026lsquo;Naar de sterren met vliegende\u0026nbsp;schotels en magnetische krachten\u0026rsquo;\u003c/em\u003e, die in\u0026nbsp;1981 gepubliceerd wordt in de catalogus Struycken\u003cbr /\u003een Panamarenko. In deze periode bouwt hij ook de\u0026nbsp;objecten \u003cem\u003eGyro-efflux\u003c/em\u003e en \u003cem\u003eDroma\u003c/em\u003e. Het gaat om elektromagnetische\u0026nbsp;sculpturen waarbij een toestel met\u0026nbsp;schijven, assen, tandraderen en spoelen een klein\u0026nbsp;metalen plaatje optilt. Het object \u003cem\u003eDroma\u003c/em\u003e, afgeleid\u0026nbsp;van het Griekse woord dromos, dat snelle loop betekent,\u0026nbsp;heeft twee elektromotoren en bovenaan\u0026nbsp;een ronde schijf met magneten die zeer snel om\u0026nbsp;haar as draait. Deze magnetische rotor leidt in 1983\u0026nbsp;tot de bouw van de \u003ca href=\"http://ensembles.mhka.be/items/3772\"\u003e\u003cem\u003ePlumbiet\u003c/em\u003e\u003c/a\u003e.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":10443,"title":"La restauration en Belgique de 1830 à nos jours - Restauratie in België van 1830 tot heden - Restoration in Belgium from 1830 to the present","dimensions":"26.5 x 24.8 cm, 191 p, language : French, Dutch, English, publisher : Pierre Mardaga, éditeur, Liège, ISBN : 2-87009-486-8","date_begin":"1991-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/213","stream_count_app":7,"permalink":"la-restauration-en-belgique-de-1830-a-nos-jours-restauratie-in-belgie-van-1830-tot-heden-restoration-in-belgium-from-1830-to-the-present","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/280/large/PAN_AM_BOOK_111_A.jpg?1400743562","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7606,"title":"Le siècle de Kafka [Kafka's Century]","dimensions":"28 cm, 25 cm","date_begin":"1983-01-01","material":"mixed media ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eVerzameling J. 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2026/482","stream_count_app":5,"permalink":"ludion-gent-amsterdam-voorjaar-2005","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/172/large/PAN_AM_BOOK_211_A.jpg?1411566681","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11907,"title":"O - Driemaandelijks Tijdschrift voor Filosofische Beproevingen/Revue Philotropique Trimestriel (nr.13)","dimensions":"19.6 x 19.9 cm, 170 p, language : Dutch, publisher : Mythologisch Laboratorium vzw, Hoeilaart","date_begin":"1985-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":59,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/498","stream_count_app":6,"permalink":"o-driemaandelijks-tijdschrift-voor-filosofische-beproevingen-revue-philotropique-trimestriel-nr-13","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/360/large/PAN_AM_BOOK_250_A.jpg?1412162136","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11958,"title":"Magnetische Vliegende Sigaar [Magnetic Flying Cigar]","dimensions":"","date_begin":"1980-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Ludo De Schutter","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"magnetische-vliegende-sigaar-magnetic-flying-cigar--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/487/large/PAN_AM_FOTO_0170.jpg?1413539349","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7952,"title":"Zonder Titel 017 (Untitled 017)","dimensions":"15 x 23 cm","date_begin":null,"material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"Workstation Biekorfstraat","publishing_process_id":1,"annotation":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u0026lsquo;Ik denk niet dat ik die brief verstuurd heb, want ik vond die zogenaamde air unit helemaal niet goed. Het architectenbureau Haus-Rucker-Co had in 1972 een proper ballonnetje van PVC laten maken dat als een balkonnetje uit een raam van de Friedrichshal hing. Het was heel proper. Het trok op niks.\u0026rsquo;\u003c/strong\u003e\u003c/em\u003e /\u0026nbsp;\u0026copy;Hans Theys, vrij te gebruiken door het M HKA\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":17,"permalink":"zonder-titel-017-untitled-017","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/224/large/Untitled130.jpg?1407164764","poster_credits":"(c)image: M HKA, scan","translations":[{"locale":"en","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014; \u003cem\u003eDocumenta V, 1972)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u0026nbsp;\u003cem\u003eDocumenta V, 1972)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7769,"title":"Groene Rugzak [Green Rucksack]","dimensions":"172 x 86.36 x 91.44 cm","date_begin":"1984-01-01","material":"ceramic, copper wire, cement, plastic, macrolon, felt, plywood, wood, lexan, ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":27,"stream_count":0,"collection":"","cached_tag_list":"Furkapas","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":165,"permalink":"groene-rugzak-green-rucksack","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/320/large/PAN_AM_FOTO_0240.jpg?1395218362","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7849,"title":"K2. The 7000-Meter High Flying Jungle and Mountain Machine ","dimensions":"90 x 215 x 330 cm ","date_begin":"1991-01-01","material":"aluminium, styropor, polyurethane, nylon, kevlar, rubber, perspex, felt","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy The Deweer Collection, Otegem","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":68,"permalink":"k2-the-7000-meter-high-flying-jungle-and-mountain-machine","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/747/large/K2__tentoongesteld_bij_Deweer_Gallery.jpg?1409904612","poster_credits":"Courtesy Deweer Gallery Archives, Otegem, Belgium ","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;It had to be something without propellers, without wings, so as \u0026nbsp;not to collide with anything.\u0026nbsp; I though of a kind of air pillow, of sorts...\u0026#39; - \u003c/em\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eFollowing the poetic \u003cem\u003eProva Car\u003c/em\u003e in 1967 and the\u0026nbsp;\u003cem\u003ePolistes\u003c/em\u003e racing car in 1975, Panamarenko started\u0026nbsp;to build a hover car in 1991. The idea arose during\u0026nbsp;a trip to Peru in September 1990, when he decided\u0026nbsp;to make a hover car to fly between the trees: a\u0026nbsp;flying machine without rotor blades or wings. \u003cem\u003eK2\u003c/em\u003e\u0026nbsp;has a polystyrene body shaped like a rectangular\u0026nbsp;inflatable mattress with rounded corners, an\u0026nbsp;open cockpit with a Plexiglas windscreen in the\u0026nbsp;middle, and four Kevlar fans in the corners. The\u0026nbsp;machine is powered using the same principle as\u0026nbsp;his flying rucksacks: several propellers consisting\u0026nbsp;of two blades, each encased in a separate housing,\u0026nbsp;deliver powerful air displacement via nozzles.\u0026nbsp;The driver controls the speed of the central engine\u0026nbsp;using a joystick. The four propellers, which\u0026nbsp;suck in air and then blow it out again via the four\u003cbr /\u003ecurved nozzles, are located to the left and right,\u0026nbsp;front and rear of the vehicle. The nozzles also act\u0026nbsp;like a fender to shield the propeller blades.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;\u003c/em\u003e\u003cem\u003eHet moest iets zonder\u0026nbsp; schroeven en zonder vleugels zijn, want daar botst ge overal mee tegen. Ik dacht aan een soort luchtkussen of zo\u0026hellip;\u0026quot; - \u003c/em\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eNa de po\u0026euml;tische \u003cem\u003eProva Car\u003c/em\u003e uit 1967 en de racewagen\u0026nbsp;\u003cem\u003ePolistes\u003c/em\u003e uit 1975 start Panamarenko in\u0026nbsp;1991 met de bouw van een zwevende auto. Het\u0026nbsp;idee ontstaat tijdens een reis naar Peru in september\u0026nbsp;1990. De kunstenaar besluit een zwevende\u0026nbsp;auto te maken om tussen de bomen te\u0026nbsp;vliegen; een vliegapparaat zonder schroeven en\u0026nbsp;zonder vleugels. De \u003cem\u003eK2\u003c/em\u003e krijgt een koetswerk van\u0026nbsp;styropor in de vorm van een rechthoekig luchtkussen\u0026nbsp;met afgeronde hoeken, een open cabine\u0026nbsp;met een windscherm van plexiglas in het midden,\u0026nbsp;en vier fans van kevlar op de hoeken. De aandrijving\u0026nbsp;is op hetzelfde principe gebaseerd als\u0026nbsp;dat van zijn Vliegende rugzakken: verschillende\u0026nbsp;propellers met telkens twee schroefbladen, die\u0026nbsp;elk in een afzonderlijke behuizing ingekapseld\u0026nbsp;zitten, zorgen voor een grote luchtverplaatsing\u003cbr /\u003evia straalpijpen. Het toerental van de centrale\u0026nbsp;motor wordt door de bestuurder gecontroleerd\u0026nbsp;via een handgreep. De vier propellers die de\u0026nbsp;lucht aanzuigen en vervolgens langs de vier gebogen\u0026nbsp;straalpijpen weer uitstoten, bevinden zich\u0026nbsp;links en rechts, voor en achter aan het toestel.\u0026nbsp;De straalpijpen doen tevens dienst als spatbord\u0026nbsp;om de schroeven te beschermen.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7807,"title":"Chambres d'Amis ","dimensions":"97 x 105 x 67 cm ","date_begin":"1986-01-01","material":"wicker, paper, coconut mat","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection, Galerie Ronny Van de Velde, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":36,"permalink":"chambres-d-amis","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/723/large/PAN_AM_FOTO_1351.jpg?1409847589","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003eThis installation was Panamarenko\u0026#39;s contribution to the eponymous artistic event organized by Ghent\u0026#39;s Museum voor Hedendaagse Kunst during the summer of 1986.\u0026nbsp; Under the leadership of Jan Hoet, the museum was able to call upon around fifty inhabitants of that city to put their homes (or at least parts of them) at the disposal of a like-number of artists, and this for a period of three months.\u0026nbsp; The aim here was to break out from the museum\u0026#39;s hold of conserving exclusivity by placing today\u0026#39;s art within a social context.\u0026nbsp; This said, Panamarenko did not spare his criticism of the project.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;I always thought it was a rather annoying notion.\u0026nbsp; Normally speaking, I was busy with the stars and space travel and theories of bouncing between the planets and such like.\u0026nbsp; And then all of a sudden I\u0026#39;m supposed to go and make something for folks from the so-called art milieu who wanted something to set on their cabinets or hang on their walls! Yes, and something \u0026#39;modern\u0026#39; too, because they\u0026#39;d already once picked up a piece here and there.\u0026nbsp; Well, that means that they wanted a modern variant of all that old crap, without the content being any different, and that annoyed me...\u0026#39; \u0026nbsp; \u0026nbsp; \u0026nbsp;\u003c/em\u003e\u003cem\u003e\u0026nbsp;\u003c/em\u003e\u003c/p\u003e\u003cp\u003eNonetheless, Panamarenko does take part in the project.\u0026nbsp; His installation winds up at the home of Guido and Lieve De Wilde\u0026shy;Van Peteghem, on Ghent\u0026#39;s Olympiadeplein.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;I had hoped that it wouldn\u0026#39;t go through, but in the end it did.\u0026nbsp; And so I took a birdcage and stuffed it full of money, with a shoebox full of bills along with it (because people liked to say I had my money stowed away in shoeboxes at home), and as a final touch, a doormat where written in large was \u0026#39;Chambres d\u0026#39;Amis\u0026#39;. So there!\u0026#39;\u003c/em\u003e\u003c/p\u003e\u003cp\u003eThe event\u0026#39;s organizers did not take kindly to his contribution.\u0026nbsp; Added to this, Panamarenko conspicuously distanced himself from proceedings at the official opening.\u0026nbsp; He and artist Jef Geys kept themselves to themselves at a separate table, holding forth in animated conversation and eating oysters.\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDeze installatie is Panamarenko\u0026#39;s bijdrage voor de gelijknamige kunstmanifestatie die door het Museum voor Hedendaagse Kunst van Gent tijdens de zomer van 1986 wordt georganiseerd. Onder leiding van Jan Hoet vindt het museum een vijftigtal inwoners van Gent bereid gedurende drie maanden hun woning (of een deel ervan) aan evenveel kunstenaars ter beschikking te stellen. Het project moet de conserverende exclusiviteit van het museum doorbreken door actuele kunst in een maatschap\u0026shy;pelijke context te plaatsen. Panamarenko echter spaart zijn kritiek op het project niet.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Ik heb dat altijd een ambetant idee gevonden. Normaal was ik bezig met de sterren en ruimtereizen en theorie\u0026euml;n om tussen de planeten te botsen en zo, en ineens moest ik iets gaan maken voor mensen uit het zogenaamde kunstmilieu die iets wilden hebben om op de kast te zetten of aan hun muur te hangen! Maar dan wel iets modem he, want ze hadden hier en daar al wel eens iets gekocht. Awel, dat wil dus zeggen dat ze een moderne variant wilden van al die oude brol, zonder dat de inhoud anders is, en dat ergerde mij ...\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003ePanamarenko neemt niettemin deel aan het project en zijn installatie komt terecht in de woning van Guido en Lieve De Wilde \u0026shy;Van Peteghem op het Olympiadeplein in Gent.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Ik hoopte dat daar niets van zou komen, maar al die quatsch ging toch door. En toen heb ik een vogelkooi gepakt en die vol geld gepropt, met ook nog eens een schoendoos vol geld erbij (want iedereen zei toch altijd dat ik mijn geld in schoendozen vol had zitten) en ten slotte nog een deurmat erbij met in \u0026#39;t groot erop \u0026#39;Chambres d\u0026#39;Amis\u0026#39;. Voila se!\u0026quot;\u003c/em\u003e\u003c/p\u003e\u003cp\u003eDe organisatoren van de kunstmanifestatie nemen hem zijn bijdrage niet in dank af. Daar komt nog bij dat Panamarenko zich op de opening van de manifestatie ostentatief van het gebeuren distantieert. Samen met kunstenaar Jef Geys zondert hij zich af aan een tafeltje, waar heiden een ge\u0026euml;nsceneerd gesprek voeren en oesters eten.\u0026nbsp;\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7834,"title":"The Portuguese Man of War ","dimensions":"126 x 63 x 53 cm ","date_begin":"1990-01-01","material":"diving gear on a metal table, plexiglas, rubber neck ring, batteries, tape, air pump with pressure gauge, electrical cable and belt with lead","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Joseph, Foundation MUSAE, Bredene","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eDuikuitrusting op een metalen tafel, plexiglas, rubberen halsring, batterijen, tape, luchtpomp met manometer, elektrisch\u0026nbsp;snoer en riem met lood.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":36,"permalink":"the-portuguese-man-of-war","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/292/large/Portuguese_Man_Of_War_-_sculptuur.jpg?1407504096","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;This was no simple matter!\u0026nbsp; First of all, there was way too much current.\u0026nbsp; You were just blown out from under!\u0026nbsp; And when you eventually got deep enough, then that helmet would ascend with a lot of power.\u0026nbsp; It literally pulled you with 22 kilos on your head, and that was nuts!\u0026nbsp; After a while the lower edge of the helmet was right under your nose instead of under your chin!\u0026nbsp; I hadn\u0026#39;t foreseen that.\u0026#39; \u003c/em\u003e- Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eAlthough Panamarenko had already made the\u003cem\u003e\u0026nbsp;Whale\u003c/em\u003e and \u003cem\u003eCrocodile\u003c/em\u003es in the 1960s (works that\u0026nbsp;belonged to his silent objects), he did not create\u0026nbsp;his first real device for use in the water until\u0026nbsp;1990. This sophisticated diving suit, which he\u003cbr /\u003ecalled the \u003cem\u003ePortuguese Man of War\u003c/em\u003e, is intended\u0026nbsp;for walking over the gentle slopes of the seabed.\u003cbr /\u003eThe diving suit has a plastic dome helmet\u0026nbsp;and a small cylinder pump, ten centimetres in\u0026nbsp;diameter, to be worn on the back. The helmet is\u0026nbsp;supplied with oxygen by a cylinder with a piston\u0026nbsp;that goes up and down, a four-litre bladder that\u003cbr /\u003eserves as an extra lung, and a flexible hose that\u0026nbsp;floats on the water surface. Panamarenko tested\u0026nbsp;the diving suit in 1990 in the Maldives, as we\u0026nbsp;can see in the colour illustration that completes\u0026nbsp;the installation.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;Maar dat ging allemaal niet zo simpel!\u0026nbsp; Er was om te beginnen veel te veel stroming. Ge wordt gewoon onderuitgeblazen! En als ge uiteindelijk diep genoeg in het water geraakte, dan steeg die helm met een enorme kracht omhoog. Die trok letterlijk met 22 kilo aan uwe kop, dat was niet te doen! De onderste rand van die koepel zat op den duur vlak onder uw neus in plaats van onder uw kin! Ik had dat niet voorzien.\u0026quot; \u003c/em\u003e- Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eHoewel Panamarenko al in de jaren 1960 de\u003cem\u003e\u0026nbsp;\u003c/em\u003e\u003cem\u003eWalvis\u003c/em\u003e en de \u003cem\u003eKrokodillen\u003c/em\u003e maakte (werken die\u0026nbsp;tot zijn stille objecten behoren), cre\u0026euml;ert hij pas\u0026nbsp;in 1990 zijn eerste echte watertuig: een gesofisticeerde\u0026nbsp;duikuitrusting die hij \u003cem\u003eThe Portuguese\u0026nbsp;\u003c/em\u003e\u003cem\u003eMan of War\u003c/em\u003e noemt en die bedoeld is om over de\u0026nbsp;lichte hellingen van de zeebodem te wandelen. Bij\u0026nbsp;het duikpak horen een plastic koepelhelm en een\u0026nbsp;kleine cilinderpomp van tien centimeter diameter\u0026nbsp;om op de rug te dragen. De helm wordt van zuurstof\u0026nbsp;voorzien door een cilinder waarvan de zuiger\u0026nbsp;op- en neergaat, een waterblaas met een inhoud\u0026nbsp;van vier liter die dient als extra long, en ten slotte\u0026nbsp;een slurf die op het wateroppervlak blijft drijven.\u0026nbsp;Panamarenko testte de duikuitrusting in 1990 op\u0026nbsp;de Malediven, zoals te zien is op de kleurenafbeelding\u0026nbsp;die deze installatie vervolledigt.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7815,"title":"Pastille Motor n°5","dimensions":"137 x 40 x 40 cm, 200 x 200 x 300 cm","date_begin":"1987-01-01","material":"aluminium, metal, plastic, bakelite ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Galerie Ronny Van De Velde, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":32,"permalink":"pastille-motor-n-5","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/918/large/Panamarenko__Pastille_Motor__1994_photo_Syb'l._S._Pictures.JPG?1386776267","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eAluminium ignition engine and a flywheel of bakelite, mounted on a work table, presented in an iron cage with toolboxes tank.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe pastille motor is the drive mechanism\u0026nbsp;for several rucksack flying machines that\u0026nbsp;Panamarenko developed at the Furka Pass\u0026nbsp;in Switzerland from the late 1980s. To suppress\u0026nbsp;the sound of the engines, Panamarenko\u0026nbsp;mounted them in a rucksack, or at least made\u0026nbsp;a housing for them that could be carried on\u0026nbsp;the back. The pastille motor rucksacks do not\u003cbr /\u003e\r\nhave rotor blades like his rucksack helicopters,\u0026nbsp;but are driven by a flat, broad fan with\u0026nbsp;floating partitions, which provide thrust. The\u0026nbsp;name \u0026lsquo;\u003cem\u003epastille motor\u003c/em\u003e\u0026rsquo; comes from the round,\u0026nbsp;flattened shape of the drive mechanism,\u0026nbsp;which is reminiscent of a large pill or pastille.\u0026nbsp;The engine cannot weigh more than twelve\u0026nbsp;kilograms, and five kilograms of fuel must\u0026nbsp;be sufficient for twenty minutes of flight.\u0026nbsp;The propulsion mechanism of the rucksacks\u0026nbsp;steadily evolved over the years.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eAluminium motor met elektrische ontsteking en een vliegwiel van bakeliet, gemonteerd op een werktafel, gepresenteerd\u0026nbsp;in een ijzeren kooi met gereedschapskisten benzinetank.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe pastillemotor is het aandrijfmechanisme van\u0026nbsp;een aantal \u0026lsquo;rugzakvliegtuigen\u0026rsquo; die Panamarenko\u0026nbsp;vanaf het einde van de jaren 1980 op de Furkapas\u0026nbsp;ontwikkelt. Om het geluid van de motoren te\u0026nbsp;dempen, monteert Panamarenko ze in een rugzak,\u0026nbsp;of maakt hij er een behuizing voor die op de rug\u0026nbsp;gedragen kan worden. Kenmerkend voor de\u0026nbsp;rugzakken met een pastillemotor is dat ze geen\u0026nbsp;schroefbladen hebben zoals de rugzakhelikopters,\u0026nbsp;maar dat ze aangedreven worden door een platte,\u0026nbsp;brede fan met vlottende schotten die voor de\u0026nbsp;stuwkracht zorgen. De naam \u003cem\u003ePastille Motor\u003c/em\u003e vindt\u003cbr /\u003e\r\nzijn oorsprong in de ronde afgeplatte vorm van\u0026nbsp;het aandrijfmechanisme, dat doet denken aan een\u0026nbsp;grote aspirine. De motor mag niet meer dan twaalf\u0026nbsp;kilogram wegen, en vijf kilogram brandstof moet\u0026nbsp;volstaan om twintig minuten te kunnen vliegen.\u0026nbsp;Het aandrijfmechanisme van de rugzakken is in de\u0026nbsp;loop van de jaren blijven evolueren.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7808,"title":"Panamarenko's nee (Kaartendeler) [Panamarenko's No (Playing-card distributor)] ","dimensions":"","date_begin":"1986-01-01","material":"wood, iron, motor, playcards","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":9,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":35,"permalink":"panamarenko-s-nee-kaartendeler-panamarenko-s-no-playing-card-distributor","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/027/large/PAN_AM_FOTO_1631.jpg?1410941751","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003eConcurrent with \u003cem\u003eChambres d\u0026#39;Amis\u003c/em\u003e, a number of associations were founded pursuant to Ghent\u0026#39;s \u003cem\u003eInitiatief 86\u003c/em\u003e.\u0026nbsp; At the Sint-Pietersabdij in Ghent, they presented an overview of contemporary Belgian art.\u0026nbsp; For this exhibition, Panamarenko made an automatic playing-card dealer out of wood and iron. The cards were propelled by a motor and flew abundantly about.\u0026nbsp; On the cards was a representation of the drawing \u003cem\u003eLe Si\u0026egrave;cle de Kafka\u003c/em\u003e, with as title \u003cem\u003e\u0026#39;Panamarenko\u0026#39;s Nee\u003c/em\u003e\u0026#39; upon it.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;It was a \u0026#39;nee\u0026#39; (i.e. no) against the power games of the museum directors who organized this exhibition.\u0026nbsp; It was also a \u0026#39;no\u0026#39; against all that ballyhoo of Chambres d\u0026#39;Amis, going on in Ghent at the same time.\u0026nbsp; I wasn\u0026#39;t in love with the idea of going to make something at somebody\u0026#39;s house, and not being able to say \u0026#39;no\u0026#39;.\u0026nbsp; And so I expressed my \u0026#39;no\u0026#39; precisely by my taking part.\u0026nbsp; By showing all that money so ostentatiously, people felt that I was kicking them in the shins, I guess.\u0026nbsp; But you have to see it this way: take Mozart, for instance, rich and writing great operas for grand spectacles, and he\u0026#39;s asked to go around to someone\u0026#39;s house for a musical evening and write a little chamber piece or something... well, I don\u0026#39;t think he\u0026#39;d do it either! (vehemently)\u0026nbsp; That Mozart had other things in his head!\u0026nbsp; He might well have done it if he was broke... (dryly)\u0026nbsp; But if you\u0026#39;ve got some money, then you don\u0026#39;t do something like that!\u0026#39; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003cem\u003e \u0026nbsp;\u003c/em\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eIn dezelfde periode van Chambres d\u0026#39;Amis wordt door een aantal verenigingen uit het Gentse Initiatief 86 opgericht. In de Sint-Pietersabdij in Gent tonen zij een overzicht van de actuele kunst in Belgi\u0026euml;. Panamarenko maakt voor die tentoonstelling een automatische speelkaartenverdeler uit hout en ijzer. De speelkaarten worden door een motor aangedreven en vliegen bijgevolg kwistig in het rond. Op de kaarten staat een afbeelding van de tekening \u003cem\u003eLe Siecle de Kafka\u003c/em\u003e, met als titel \u003cem\u003e\u0026#39;Panamarenko\u0026#39;s Nee\u003c/em\u003e\u0026#39; erop.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;Het was een \u0026#39;nee\u0026#39; tegen de baasspelerij van de museumdirecteurs die deze tentoonstelling organiseerden. Het was ook een \u0026#39;nee\u0026#39; tegen dat gedoe van Chambres d\u0026#39;Amis dat tegelijkertijd in Gent liep. Ik had het er al niet mee om bij mensen thuis iets te moeten gaan maken, en om geen \u0026#39;nee\u0026#39; te moeten zeggen, zegde ik dan maar \u0026#39;nee\u0026#39; door er toch aan mee te doen. Door dat geld zo ostentatief te tonen voelden de mens en zich tegen hun schenen gestampt, denk ik. Maar ge moet het zo zien: neem nu die Mozart, als dat een rijke componist zou zijn geweest die alleen maar muziek maakte voor grote opera\u0026#39;s en zo, als ze die dan zouden vragen om bij mensen thuis op een avondje iets te komen componeren, zo\u0026#39;n kamermuziekske of zo, die zou dat toch ook niet doen, he! (heftig) Die Mozart zit toch met heel andere dingen in zijne kop! Maar hij deed het wel omdat hij geen geld had ... (droogjes:) Maar als ge wel centen hebt, dan doet ge zoiets niet!\u0026#39; - Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003cem\u003e\u0026nbsp;\u0026nbsp;\u003c/em\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7848,"title":"V1 Barada Jet","dimensions":"105 x 250 x 308 cm ","date_begin":"1991-01-01","material":"metal, balsa, felt ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Collection Deweer Gallery, Otegem","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":69,"permalink":"v1-barada-jet","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/545/large/V1.jpg?1408355006","poster_credits":"(c)image: Claudy Kremer, Courtesy The Deweer Collection, Otegem","translations":[{"locale":"en","description":"\u003cp\u003eThis object presents a wooden jet aircraft with short, solid wings. \u0026nbsp;At the back of the fuselage, Panamarenko mounted a classic reaction engine that has the appearance of a German V1.\u003c/p\u003e\u003cp\u003eThe fuselage and cockpit are the same as that of the \u003ca href=\"http://ensembles.mhka.be/items/8147\"\u003e\u003ci\u003eHelicopter Sir George Cayley\u003c/i\u003e\u003c/a\u003e from 1972, which exists only as a drawing and silkscreen print.\u0026nbsp; It was only in 1992 that Panamarenko elaborated this helicopter's hull in balsa wood and used it as the cockpit for his \u003ci\u003eBarada Jet\u003c/i\u003e.\u0026nbsp; This jet aircraft powered by a 'flying bomb' harks back to the artist's childhood memory during WWII.\u003c/p\u003e\u003cp\u003e\u003ci\u003eI was four years old and with my mother at the market in Deurne, on the Lakborslei right near the church.\u0026nbsp; Across the street were houses, with all sorts of market stalls in front.\u0026nbsp; I was just looking around when I saw a small aircraft approach, far away above the street.\u0026nbsp; All at once its motor cut out and it started its silent descent.\u0026nbsp; For a few seconds it spun on its own axis.\u0026nbsp; I was still watching it come down while everybody hit the street for cover.\u0026nbsp; Then the V1 started to shake, and each time it rose and fell, a red jet flame blew from its tail.\u0026nbsp; You heard it get close, brbrbrrrr ... , and the made a turn, brbrbrrrr ... , and then it looked like it was coming straight at us, that little V1, with a black cross on its back and red flames spewing out.\u0026nbsp; It hummed and growled, something terrible!\u0026nbsp; Remember, there were five-hundred kilos of heavy explosive inside!\u0026nbsp; At last, it rocked a few more times, brbrbrrrr ... , and roared just past the church tower, brbrbrrr ... , just above the houses until BAF!, and it came down a bit further off on a plot of no-man's-land and left an enormous crater!\u0026nbsp; Windows all over Deurne shattered!\u0026nbsp; And everyone who'd gotten up from the ground a little early, hit the decks again with that big crash.\u003c/i\u003e\u003c/p\u003e\u003cp\u003eThe name 'Barada' finds its origin in the 1951 Sci-Fi film \u003ca href=\"http://ensembles.mhka.be/items/11773\"\u003e\u003ci\u003eThe Day the Earth Stood Still\u003c/i\u003e\u003c/a\u003e, directed by Robert Wise.\u0026nbsp;\u003c/p\u003e\u003cp\u003e(source: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDit object stelt een houten straalvliegtuig met korte, massieve vleugels voor. Achteraan op de romp heeft Panamarenko een klassier reactiemotor gemonteerd, die lijkt op een Duiste V1.\u003c/p\u003e\u003cp\u003eDe romp en de cabine zijn dezelfde als die van de \u003ca href=\"http://ensembles.mhka.be/items/8147\"\u003e\u003ci\u003eHelikopter Sir George Cayley\u003c/i\u003e\u003c/a\u003e van 1972, die enkel als tekening en zeefdruk bestaat. Pas in 1991 voert Panamarenko de romp van deze helikopter uit in balsahout en gebruikt die als cabine voor zijn \u003ci\u003eBarada Jet\u003c/i\u003e. De door een straalmotor voortgestuwde ‘vliegende bom’ verwijst naar een herinngering uit de kindertijd van het oorlogskind Panamarenko.\u003c/p\u003e\u003cp\u003e\u003ci\u003e\"Ik was vier jaar en ik was met mijn moeder op de markt in Deurne op de Lakborslei, vlak bij de kerk. Aan de andere kant stonden huizen en op straat stonden allemaal kraampjes. Ik stond daar te gapen en ineens zag ik zo’n klein vliegtuigske aankomen, heel in de verte boven de straat. Toen viel ineens de motor stil en dat begon naar beneden te duiken , zonder geluid. Gedurende een aantal seconden draaide het om zijn eigen as. Ik zie het nog altijd op ons afkomen terwijl iedereen naar de grond dook. Toen begon die V1 heen en weer te schommelen, en iedere keer als het op en neer ging, knalde er langs achteren een rode steekvlam uit. Ge hoorde dat aankomen, brbrbrrrr ... , en dat maakte een bocht, brbrbrrrr .. . , en dat kwam recht onze richting uit he, dat V1-tje, met vanachter een zwart kruiske erop en aan de staart die rode vlam. En dat bromde als een motcheklet! Dat was iets verschrikkelijks! Want daar zat vijfhonderd kilo zware springstofin, he! Enfin, dat bleef een paar keer schommelen, brbrbrrrr .. . , scheerde vlak naast de kerktoren, brbrbrrr .. . , juist boven de huiskes van het gemeente­bestuur en zo, brbrbrrrr ... , en op het einde, BAF!, in een stukske niemandsland verderop zo'n groot gat in de grond! In heel Deurne alle ruiten kapot! En iedereen die te vroeg was recht­gestaan lag ineens weer op de grond van die knal.\"\u003c/i\u003e\u003c/p\u003e\u003cp\u003eDe benaming Barada vindt haar oorsprong in een scene uit de sciencefictionfilm \u003ca href=\"http://ensembles.mhka.be/items/11773\"\u003e\u003ci\u003eThe Day the Earth Stood Still\u003c/i\u003e\u003c/a\u003e van 1951, geregisseerd door Robert Wise.\u0026nbsp;\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in: \u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7821,"title":"Le Garage des Alpes ","dimensions":"116 x 258 x 136 cm, 45.5 x 143 x 84 cm ","date_begin":"1989-01-01","material":"wood, metal ","short_description":"\u003cp\u003eView of the installation \"Le garage des Alpes\" Furkapas. Workstation of the artist.\u003c/p\u003e","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":10,"stream_count":0,"collection":"Collection Musée d'Art Contemporain de Lyon, Lyon","cached_tag_list":"Furkapas","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":81,"permalink":"le-garage-des-alpes","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/905/large/PAN_AM_FOTO_0876.jpg?1396424167","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003eFrom 1984 on, Panamarenko designs various works in his studio in the Swiss Alps.\u0026nbsp; In the garage of the annex where he resided, he also built a track tank with which he could comfortably traverse the rocky terrain.\u0026nbsp; He provides the vehicle with caterpillar tracks driven by an electric motor, and with a large iron saddle in the middle.\u003c/p\u003e\u003cp\u003e\u003ci\u003e'You had to push on the control button right and left to ride straight ahead, and then you could go over anything.\u0026nbsp; If you hit against a table leg, it would just pull itself up and hop... right on the table top!\u0026nbsp; The caterpillar tread gripped anything it came into contact with.\u0026nbsp; That worked very well in the mountains.\u0026nbsp; It turned in a flash; you let up on the control button and it reacted immediately.\u0026nbsp; With all that power on the caterpillar track!\u0026nbsp; And it stopped automatically too, because the transmission was so big the tank couldn't move if the motor wasn't turning.\u0026nbsp; Anyway, his kind of tank on caterpillar treads worked much better than snowmobiles with skis underneath, because the tank could handle anything, rocks included...' \u003c/i\u003e- Panamarenko\u003c/p\u003e\u003cp\u003eAs part of the exhibition-series \u003ci\u003eFurk'Art\u003c/i\u003e, this mountain tank was exhibited in 1989 at the same location where it was designed.\u0026nbsp; The installation comprised a table with tools, a pastille motor and the tank, and was christened by Panamarenko as \u003ci\u003eLe Garage des Alpes\u003c/i\u003e.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e'After all, it was in the middle of the Alps, right!?\u0026nbsp; And on the front of the annex you still had 'Garage' written in large letters.\u0026nbsp; On top of that, you needed to have some place inside to keep that tank..' \u003c/i\u003e- Panamarenko\u003c/p\u003e\u003cp\u003ePanamarenko really 'road'-tested that tank as well.\u0026nbsp;\u003c/p\u003e\u003cp\u003e'\u003ci\u003eOn the face of it, it worked quite well, but I had to stop every 5 minutes for some repair or other.\u0026nbsp; That was because the terrain was so uneven and rocky, with protruding points and the like, that the catepillar tracks would keep getting stuck, and that would pull the whole mechanism apart.' \u003c/i\u003e- Panamarenko\u003c/p\u003e\u003cp\u003e(source: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eVanaf 1984 ontwerpt Panamarenko verscheidene werken in zijn atelier in de Zwitserse Alpen. In de garage van de dependance waar hij verblijft, ontwerpt hij ook een rups-tank waarmee hij op een comfortabele manier bergen, rotsen en andere oneffenheden wil overwinnen. Hij voorziet het toestel van rupsbanden die door een elektromotor worden aangedreven, en in het midden een groot ijzeren zadel.\u003c/p\u003e\u003cp\u003e\u003ci\u003eGe moest links en rechts op een knop duwen om vooruit te rijden, en dat geraakte overal op en over. Als ge tegen een tafelpoot botste trok dat zichzelf omhoog en hop ... tot op tafel! Die rupsband greep zich vast aan alles wat maar kon. Dat werkte heel goed voor in de bergen. Om te draaien ging dat vliegensvlug, ge liet een knop los en dat reageerde direct. Wat wilt ge, met die kracht op die rupsbanden! En stoppen deed het ook automatisch, want de overbrenging was zo groot, dat die tank niet kon bewegen wanneer de motor niet draaide. Zo'n tank met rupsen werkt in ieder geval veel beter dan die sneeuwscooters met ski's onder, want die tank kan alles aan, ook rotsen en zo.\u003c/i\u003e\u003c/p\u003e\u003cp\u003eIn het kader van de tentoonstellingsreeks \u003ci\u003eFurk'Art\u003c/i\u003e werd de bergtank in 1989 tentoongesteld op dezelfde locatie waar hij werd ontworpen. De installatie omvat een tafel met gereedschap, een pastillemotor en de tank, en wordt door Panamarenko \u003ci\u003eLe Garage des Alpes\u003c/i\u003e genoemd.\u003c/p\u003e\u003cp\u003e\u003ci\u003e'Het was toch midden in de Alpen!? En op de gevel van de dependance staat nog altijd in grote letters 'Garage'. Bovendien moet ge die tank toch kunnen binnenzetten ook, he?' -\u0026nbsp;\u003c/i\u003ePanamarenko\u003c/p\u003e\u003cp\u003ePanamarenko testte de tank ook werkelijk uit.\u003c/p\u003e\u003cp\u003e\u003ci\u003e'Op zich marcheerde dat heel goed, maar ik moest ze toch iedere 5 minuten herstellen. Dat kwam doordat het terrein daar zo oneffen en rotsig is, met uitstekende punten en zo, zodat die rupsbanden daar geregeld in bleven vasthaken, en die trokken dan heel het mechanisme kapot.'\u0026nbsp;\u003c/i\u003e- Panamarenko\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7763,"title":"Fruitvliegmechanisme [Fruit Fly Mechanism]","dimensions":"19 x 50.3 x 16 cm","date_begin":"1984-01-01","material":"bakelite, cellophane, wire, perspex, paint","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"fruitvliegmechanisme-fruit-fly-mechanism","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/463/large/_WIM7583.jpg?1412861170","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10441,"title":"De Vuyst (Lokeren - België) - Veiling 134 Oude en Moderne Kunst (Zaterdag 12 mei 2007)","dimensions":"22 x 16.5 cm, 399 p, language : Dutch, publisher : De Vuyst, Lokeren","date_begin":"2007-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Auction catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/212","stream_count_app":10,"permalink":"de-vuyst-lokeren-belgie-veiling-134-oude-en-moderne-kunst-zaterdag-12-mei-2007","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/266/large/PAN_AM_BOOK_106_A.jpg?1400741276","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11849,"title":"Het vliegt dus het staat - Een creatieve documentaire over Panamarenko","dimensions":"29.7 x 21 cm, 38 p, language : Dutch, publisher : Yves Jansen, Antwerpen","date_begin":"2001-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":113,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/455","stream_count_app":9,"permalink":"het-vliegt-dus-het-staat-een-creatieve-documentaire-over-panamarenko","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/888/large/PAN_AM_BOOK_220_A.jpg?1410508405","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11850,"title":"Deweer Art Gallery - Xth Anniversary Show 1979-1989 - Musée Temporaire/Voorlopig Museum/Die unvollendete Sammlung","dimensions":"20.9 x 21.2 cm, language : Dutch, publisher : Deweer Art Gallery, Otegem","date_begin":"1989-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":59,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/456","stream_count_app":11,"permalink":"deweer-art-gallery-xth-anniversary-show-1979-1989-musee-temporaire-voorlopig-museum-die-unvollendete-sammlung","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/895/large/PAN_AM_BOOK_233_A.jpg?1410510686","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11853,"title":"Panamarenko 'Kunst- en vliegwerk'","dimensions":"21 x 14.9 cm, language : Dutch, publisher : MUseum van Hedendaagse Kunst Antwerpen/Educatieve Dienst, Antwerpen","date_begin":"1989-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":138,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Educational publication","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/459","stream_count_app":10,"permalink":"panamarenko-kunst-en-vliegwerk","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/917/large/PAN_AM_BOOK_209_A.jpg?1410517531","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11883,"title":"Ceuleers \u0026 Van de Velde - Catalogue 13 'Once more unto the breach'","dimensions":"29.6 x 20.9 cm, language : Dutch, publisher : Ceuleers \u0026 Van de Velde Booksellers, Antwerpen","date_begin":"2003-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Sales catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/479","stream_count_app":7,"permalink":"ceuleers-van-de-velde-catalogue-13-once-more-unto-the-breach","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/165/large/PAN_AM_BOOK_279_A.jpg?1411550500","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11885,"title":"Kunst des 20. Jahrhunders - Freie Berufe sammeln (Malerei, Plastik, Objekte, Graphik)","dimensions":"19.9 x 20 cm, language : German, publisher : Städtische Kunsthalle Düsseldorf und Verband freier Berufe NRW, Düsseldorf","date_begin":"1971-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/481","stream_count_app":8,"permalink":"kunst-des-20-jahrhunders-freie-berufe-sammeln-malerei-plastik-objekte-graphik","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/170/large/PAN_AM_BOOK_257_A.jpg?1411565176","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7851,"title":"Maquette van Scimitar [Model of the Scimitar]","dimensions":"56 x 220 x 113 cm ","date_begin":"1992-01-01","material":"metal, rubber, nylon, tape, styropor, balsa","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection, Courtesy Samuel Vanhoegaerden Gallery,Knokke","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"maquette-van-scimitar-model-of-the-scimitar","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/328/large/MaquetScimit4.jpeg?1407833305","poster_credits":"(c)image: Luc Schrobiltgen, Courtesy Samuel Vanhoegaerden Gallery","translations":[{"locale":"en","description":"\u003cp\u003eThis model for the \u003cem\u003eScimitar\u003c/em\u003e is a small helicopter\u0026nbsp;with a single rotor and three curved rotor\u0026nbsp;blades. A small stabilizing tail rotor is fitted at\u0026nbsp;the back with a rod. The main rotor is positioned\u0026nbsp;at the aircraft\u0026rsquo;s centre of gravity, above the pilot.\u0026nbsp;Panamarenko named the machine with the\u0026nbsp;curved wings after the curved sword of Saladin,\u0026nbsp;who had a scimitar made of Damascus steel.\u0026nbsp;Panamarenko made his helicopter\u0026rsquo;s bent rotor\u0026nbsp;blades from polystyrene around a balsa-wood armature\u0026nbsp;that narrows towards the tips. The wings\u0026nbsp;were coated with liquid putty and then covered\u0026nbsp;with silk. To operate the machine, the pilot lies on\u0026nbsp;a balsa-wood seat. The helicopter is powered by\u0026nbsp;a combination of arm and leg movements. A lever\u0026nbsp;on the pilot\u0026rsquo;s left-hand control rod adjusts the\u0026nbsp;position of the tail rotor and hence the direction\u003cbr /\u003eof the aircraft. The original flying machine, with a\u0026nbsp;span of 11 meters, has hung in the arrivals lounge\u0026nbsp;at Brussels International Airport.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDit model voor de \u003cem\u003eScimitar\u003c/em\u003e is een kleine helikopter\u0026nbsp;met \u0026eacute;\u0026eacute;n rotor en drie gebogen schroefbladen.\u0026nbsp;Achteraan bevindt zich een kleine stabiliserende\u0026nbsp;staartschroef die via een stang aan de romp is bevestigd.\u0026nbsp;De rotor bevindt zich ter hoogte van het\u0026nbsp;zwaartepunt, dus boven de piloot. Panamarenko\u0026nbsp;noemt het toestel met kromme vleugels naar het\u0026nbsp;kromzwaard van Saladin, die een scimitar bezat\u0026nbsp;uit staal van Damascus. Panamarenko vervaardigt\u0026nbsp;de gebogen rotorbladen van zijn helikopter\u0026nbsp;uit styropor met binnenin een draagbalk van\u0026nbsp;balsahout die naar de tippen toe versmalt. De\u0026nbsp;vleugels zijn behandeld met vloeibare stopverf en\u0026nbsp;vervolgens overtrokken met zijde. Om het toestel\u0026nbsp;te bedienen, installeert de piloot zich ruggelings\u0026nbsp;op een zitje van balsahout. De helikopter wordt\u0026nbsp;aangedreven door een gecombineerde arm- en\u0026nbsp;beenbeweging. Door middel van een hendel,\u0026nbsp;bevestigd aan de linkerhandstang, kan de piloot\u0026nbsp;de stand van de staartschroef en bijgevolg de\u0026nbsp;richting van het toestel bepalen. Het originele\u0026nbsp;vliegapparaat, met een spanwijdte van elf meter,\u0026nbsp;hangt sinds 1994 in de hal van de luchthaven in\u0026nbsp;Zaventem.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":11905,"title":"Kunst des XX. Jahrhunderts aus dem Van Abbemuseum Eindhoven","dimensions":"20.5 x 20.5 cm, 129 p, language : German, publisher : Kestnergesellschaft, Hannover","date_begin":"1976-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 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Panama 75 kg = eigen gewicht, betekenis; materiaal lichter maar Panamarenko wordt steeds zwaarder, er is geen werk dat zo heet maar klinkt wel goed ...)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;Breezy = titel? 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Je kan er een zien in de Biekorfstraat.\u0026rsquo;\u003c/em\u003e\u003c/strong\u003e / \u0026copy;Hans Theys, vrij te gebruiken door het M HKA\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":18,"permalink":"zonder-titel-027-untitled-027","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/139/large/Untitled114.jpg?1407145861","poster_credits":"(c)image: M HKA, scan","translations":[{"locale":"en","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;Vleugel Meganeudon?, in potlood = zit-helicopter, achtbladige schroef = multi-paradox of vliegend tapijt met schroefjes, test naast mekaar zetten van de schroeven)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;Vleugel Meganeudon?, in potlood = zit-helicopter, achtbladige schroef = multi-paradox of vliegend tapijt met schroefjes, test naast mekaar zetten van de schroeven)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7964,"title":"Zonder titel 029 (Untitled 029)","dimensions":"32.5 x 20.5 cm","date_begin":null,"material":"pencil, ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"Workstation Biekorfstraat","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"zonder-titel-029-untitled-029","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/143/large/Untitled103.jpg?1407146152","poster_credits":"(c)image: M HKA, scan","translations":[{"locale":"en","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;?)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;?)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7963,"title":"Zonder Titel 028 (Untitled 028)","dimensions":"30 x 23 cm","date_begin":null,"material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":1,"collection":"Workstation Biekorfstraat - 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waarom heet dit zo?)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u003cem\u003e\u0026nbsp;40 ft = 12 m, Continental?, U-Control III?, Marmaduke?, Astrokid?, Eendebek - waarom heet dit zo?)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7950,"title":"Zonder Titel 015 (Untitled 015)","dimensions":"29.5 x 21 cm","date_begin":null,"material":"ink, pencel, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":1,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"Workstation Biekorfstraat","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":14,"permalink":"zonder-titel-015-untitled-015","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/245/large/Untitled133.jpg?1407327997","poster_credits":"(c)image: M HKA, scan","translations":[{"locale":"en","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014; \u003cem\u003eHerberts, 1967, notitie van vleugel? van 42m lang - maar Panamarenko heeft nooit iets gemaakt dat 42 m lang is, lijm -\u0026gt; voor ballon te plakken - is vroeg maar zou kunnen - te checken bij Frederika Huys - heeft in ieder geval in twee fases aan ballon gewerkt - Panamarenko heeft in Huis A sloten vervangen en dan ballon gemaakt - wanneer juist?)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e(cfr. gesprek met Hans Theys, 17.06.2014;\u0026nbsp;\u003cem\u003eHerberts, 1967, notitie van vleugel? van 42m lang - maar Panamarenko heeft nooit iets gemaakt dat 42 m lang is, lijm -\u0026gt; voor ballon te plakken - is vroeg maar zou kunnen - te checken bij Frederika Huys - heeft in ieder geval in twee fases aan ballon gewerkt - Panamarenko heeft in Huis A sloten vervangen en dan ballon gemaakt - wanneer juist?)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":7984,"title":"Zonder Titel 034 (Untitled 034)","dimensions":"30 x 23 cm","date_begin":null,"material":"ink, pencil, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":159,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":1,"collection":"Workstation Biekorfstraat - 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Je kan niet meer kracht uit een veer halen dan je er hebt in gestoken. 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From this issue a [poster](http://ensembles.mhka.be/items/1532) was also printed on different paper, showing the name of the artist and the gallery and dates of the exhibition. This poster is not numbered or signed. Panamarenko painted this poster himself. Later on he also designed some clothes for the young gentleman and lady in the middle. The gentleman\u0026#39;s outfit was made up of a white suit with wide collar, a black belt with a round knob, ribbed stockings and high heels. (source: Hans Theys, \u0026#39;Panamarenko Multiples 1966 - 1994; Galerie Jamar, 1995, p. 4-5)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eGesigneeerd en genummerd, Oplage: 40 exemplaren + X A.P., Uitgave: Wide White Space Gallery, Antwerpen, Belgi\u0026euml;, Tentoongesteld exemplaar: AP III/X Noot: deze uitgave is een editie op zwaarder papier van de affiche van een tentoonstelling in de Wide White Space Gallery, van 24 november tot 20 december 1967. Op de [affiche](http://ensembles.mhka.be/items/1532) staan ook de naam van de kunstenaar, de begin - en einddatum van de tentoonstelling en het adres van de galerie vermeld. Deze affiche is niet gesigneerd of genummerd. Panamarenko heeft deze affiche zelf geschilderd. Later ontwierp hij ook kleren voor de jongeman en de jongedame in het midden. De uitrusting van de jongeman bestond uit een wit pak met een grote kraag, een zwarte riem met een ronde knop, *collants* met dikke ribbels en schoenen met hoge hakken. 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(B 1993/325)\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":28,"permalink":"encarsia-formosa","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/820/large/Encarsia-Formosa.Jpeg?1386326468","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThe fact that the experiments undertaken by Panamarenko to imitate insect flight were particularly innovative, is something he proved during the \u0026#39;70s and \u0026#39;80s with his Meganeudons, Chisto\u0026rsquo;s and Umbilly\u0026#39;s.\u0026nbsp; To mimic the vibrational motion of insect wings, he makes use of a torsion-rod as drive-mechanism to allow the wings to vibrate and/or snap shut.\u0026nbsp; Ingenious as this was, it long remained uncertain as to whether there really were insects that actually propelled themselves according to this vibratory mechanism as envisioned and developed by Panamarenko.\u0026nbsp; After his exhibition in 1977-\u0026#39;78 in Eindhoven\u0026#39;s Van Abbemuseum, where among other things the \u003cem\u003eUmbilly I\u003c/em\u003e was for the first time put on view, Prof. Charles Hirsch shows the artist a scientific article pointing to an insect apparently having just such a mechanism.\u0026nbsp; Panamarenko was triumphant: \u003cstrong\u003e\u0026#39;\u003cem\u003eI had imagined the principle of that vibrating and snapping-shut sort of wing much earlier, but science had never built this sort of system.\u0026nbsp; I knew it had to be a spring system, because otherwise the wings would simply break off.\u0026nbsp; Real insects have to do that too.\u0026nbsp; It\u0026#39;s not like they fly just by flapping their wings any old way like we might do with our arms!\u0026nbsp; This sort of insect has a mechanism that works automatically, that is instinctive...\u0026#39; \u0026nbsp;\u0026nbsp;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThe insect\u0026#39;s name is \u003cem\u003eEncarsia formosa\u003c/em\u003e, a parasitic wasp which near-exclusively exists as tiny female examples around 0.6 mm. in length. This insect is an ideal biological pesticide against whitefly, a typical greenhouse pest that endangers many plant varieties. In 1987, Panamarenko gives the name of this parasitoid to an object with two transparent wings driven by an electric motor. The object was made in an edition of fifty examples, and offered as a corporate gift by the Belgian Banking Association. Panamarenko built a round base (as a kind of piggy bank!) upon which he mounted the wings of the Encarsia-Formosa. When a coin is dropped into the slot, the mechanism starts and the wings begin to flutter.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;In any case, that piece proves that my mechanism\u0026#39;s a valid one, because such an insect really does exist!\u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDat de experimenten waarmee Panamarenko de insectenvlucht nabootst bijzonder innoverend zijn, bewijst hij tijdens de jaren zeventig en tachtig met zijn Meganeudons, Chisto\u0026#39;s en Umbilly\u0026#39;s. Om de trilbeweging van de insectenvleugels te imiteren, maakt hij gebruik van een torsie\u0026shy;stang als verend mechanisme om de vleugels te laten trillen en/of terugklappen. Hoe ingenieus ook, het blijft lange tijd de vraag of er ook werkelijk insecten bestaan die zich voortbewegen volgens het door Panamarenko ontwikkelde trilmechanisme. Na zijn tentoonstelling in 1977-78 in het Van Abbemuseum in Eindhoven, waar onder meer de \u003cem\u003eUmbilly I\u003c/em\u003e voor het eerst wordt getoond, laat professor Hirsch Panamarenko een wetenschappelijk artikel lezen waaruit blijkt dat een dergelijk insect wel degelijk bestaat. Panamarenko triomfeert: \u003cstrong\u003e\u0026quot;\u003cem\u003eIk had dat principe van de trillende en wegflappende vleugels allang voordien bedacht, maar de wetenschap heeft nooit zo \u0026#39;n systeem gebouwd. Ik wist dat het met een verend systeem moest, omdat de vleugels anders gewoon zouden afbreken. Echte insecten moeten het trouwens ook zo doen. Het is niet dat die zomaar wat met hun vleugels zwaaien zoals wij dat met ons armen doen, he! Zo\u0026#39;n insect heeft een mechanisme dat automatisch werkt, dat is instinctief.. .\u0026quot;\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eHet insect heet encarsia formosa, een sluipwesp waarvan bijna uitsluitend vrouwelijke exemplaren van ongeveer o,6 mm groot bestaan. Die wesp is een ideaal biologisch bestrijdingsmiddel tegen de witte vlieg, een typische kasplaag die vele gewassen bedreigt. In 1987 geeft Panamarenko de naam van de sluipwesp aan een object met twee doorzichtige vleugels die aangedreven worden door een elektromotor. Het object wordt uitgegeven op vijftig exemplaren en dient als relatiegeschenk voor de Belgische Vereniging der Banken. Panamarenko construeert de ronde sokkel waarop de vleugels van de Encarsia-Formosa gemonteerd zijn dan ook als een spaarpot. Zodra er een muntstuk in de gleuf geworpen wordt, start het mechanisme en beginnen de vleugels te klappen.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Dat artikel bewees in elk geval dat mijn mechanisme\u0026nbsp; een goed mechanisme is, want zo\u0026#39;n insect bestaat in het echt!\u0026quot; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":10534,"title":"The Fascinating Faces of Flanders 58/98 Two hours wide or two hours long","dimensions":"29.5 x 22.5 cm, 257 p, language : English, publisher : City of Antwerp/ Luc Denys, Antwerp","date_begin":"1998-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1997/17","stream_count_app":13,"permalink":"the-fascinating-faces-of-flanders-58-98-two-hours-wide-or-two-hours-long","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/251/large/PAN_AM_BOOK_100_A.jpg?1400739241","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10537,"title":"Van Alechinsky tot Panamarenko (Belgische kunst 1940-2000)","dimensions":"34.2 x 25.3 cm, one volume of two, language : Dutch, publisher : Lannoo nv, Tielt, ISBN : 90 209 5059 2","date_begin":"2002-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2021/658","stream_count_app":12,"permalink":"van-alechinsky-tot-panamarenko-belgische-kunst-1940-2000","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/256/large/PAN_AM_BOOK_102_A.jpg?1400740067","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8197,"title":"Persis Clambatta II","dimensions":"29 x 39 x 15.5 cm","date_begin":"2001-01-01","material":"wood, clay, solar cells, electrical cells","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"model","publishing_process_id":1,"annotation":"\u003cp\u003e= Persis Lamabata II (Archaeopterix)?\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":18,"permalink":"persis-clambatta-ii","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/402/large/DSC_4450.jpg?1412254125","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003ePanamarenko attempts to solve the nagging technical problem of the control mechanism in his second-generation Archaeopteryxes (starting in 2001).\u0026nbsp; Gradually he abandons the too-heavy electronic controls, and replaces them with a completely mechanical system.\u0026nbsp; It is mainly in his workshop in the Furka Pass in the Swiss Alps, that he likes to \u0026#39;fiddle around\u0026#39; with his chickens, as he likes to say.\u0026nbsp; The \u003cem\u003ePersis Clambatta\u003c/em\u003e from 2001 is a fresh attempt to arrive at a moving chicken-robot.\u0026nbsp; The construction is still partly electronic, including eight servomotors.\u0026nbsp; The name of the chicken is a wink to the actress Persis Khambatta, who played in the science-fiction film \u003cem\u003eStar Trek: The Motion Picture\u003c/em\u003e from 1979.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;I liked her look, and on top of that the film was full of all kinds of little robots...\u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eMet een tweede generatie Archaeopterixen (vanaf 2001) tracht Panamarenko\u0026nbsp;de bekende technische problemen met de besturing op te lossen. Gaandeweg laat hij de elektronica voor wat ze waard is, en vervangt hij de besturing uiteindelijk door een volledig mechanisch systeem. Het is vooral in de depen\u0026shy;dance op de Furkapas in de Zwitserse Alpen dat hij graag aan de kippen zit te frutselen, zoals hij dat noemt. De \u003cem\u003ePersis Clambatta\u003c/em\u003e van 2001 is een nieuwe poging om tot een bewegende kiprobot te komen. De constructie bevat nog een gedeelte elektronica, dat onder meer uit acht servomotoren bestaat. De naam van de kip verwijst naar de filmster Persis Khambatta, die in de sciencefictionfilm \u003cem\u003eStar Trek\u003c/em\u003e van 1979 te zien was.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Ik vond dat een knappe, en bovendien kwam dat uit een futuristische film met allemaal robottekes en zo, he ...\u0026quot; \u003c/em\u003e- Panamarenko\u0026nbsp;\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8235,"title":"PAHAMA, Spitsbergen, Nova Zemblaya","dimensions":"63.8 x 47.5 cm","date_begin":"1996-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, 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Multiples","dimensions":"72 x 59 cm","date_begin":"1988-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"panamarenko-multiples","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/624/large/086.jpg?1376918270","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8211,"title":"Panamarenko Multimillionair stelt voor in Wide White Space; het geheim der specialisten, de fijne vliegtuigmechanica P.A.T.: Portable Air Transport.","dimensions":"38 x 48 cm","date_begin":"1969-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"panamarenko-multimillionair-stelt-voor-in-wide-white-space-het-geheim-der-specialisten-de-fijne-vliegtuigmechanica-p-a-t-portable-air-transport","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/616/large/072.jpg?1376916522","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8207,"title":"De première van de hersenexpansie in kleuren! [The première of the brain expansion in color!]","dimensions":"83 x 60 cm","date_begin":"1966-01-01","material":"ink, yellow paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"collection M HKA, Panamarenkoarchief","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003ePanamarenko en Hugo Heyrman, Wide White Space Gallery, Antwerpen, 16 december 1966 - januari 1967\u003c/p\u003e\u003cp\u003eTentoonstellingsaffiche, kleurendruk op geel papier.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":14,"permalink":"de-premiere-van-de-hersenexpansie-in-kleuren-the-premiere-of-the-brain-expansion-in-color","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/598/large/073.jpg?1376910295","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7816,"title":"Pastille Motor n°9","dimensions":"40 x 30 x 30 cm ","date_begin":"1987-01-01","material":"metal, metal stand","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"items, objects","publishing_process_id":1,"annotation":"\u003cp\u003e81 x 35 x 30 cm metal stand\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":19,"permalink":"pastille-motor-n-9","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/022/788/large/PAN_AM_FOTO_0367.jpg?1399274426","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;If you always remain inquisitive, that pure idea will suddenly appear\u0026hellip;\u0026#39;\u003c/em\u003e - Panamarenko\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;Als ge altijd nieuwsgierig zijt, komt ineens het zuivere idee\u0026hellip;\u0026quot;\u003c/em\u003e \u003c/strong\u003e- Panamarenko\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8201,"title":"Knikkebeen [Crooked Leg]","dimensions":"170 x 100 x 210 mm","date_begin":"1994-01-01","material":"aluminium, leather,motor","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Collection Mulier Mulier Gallery, Knokke","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":37,"permalink":"knikkebeen-crooked-leg","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/896/large/PAN_AM_FOTO_1096.jpg?1396419607","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e'I've indeed sat upon it, there are even photos to prove it, but really take a promenade... I don't think I'd dare... ' -\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003ePanamarenko designed this insect-like machine\u0026nbsp;on high aluminium legs, to enable him to walk\u0026nbsp;around the Swiss mountains more easily. \u003ci\u003eCrooked\u0026nbsp;Leg\u003c/i\u003e is powered by a boat engine and is operated\u0026nbsp;using two vertical levers on either side of the\u0026nbsp;device. Panamarenko tested it out in December\u0026nbsp;1994 in a Flemish meadow.\u003cbr\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e\u0026nbsp;\"Ik ben er wel op gaan zitten, daar zijn zelfs foto's van, maar er echt mee rondwandelen, nee dat dierf ik niet…\"\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e- Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003ePanamarenko ontwerpt dit insectachtige toestel\u0026nbsp;op hoge aluminium poten om beter in het\u0026nbsp;Zwitserse gebergte te kunnen rondlopen. De\u0026nbsp;\u003ci\u003eKnikkebeen\u003c/i\u003e wordt aangedreven door een bootmotor\u0026nbsp;en bediend door twee opstaande hendels\u0026nbsp;aan weerskanten van het toestel. Panamarenko\u0026nbsp;test het toestel in december 1994 op een stuk\u0026nbsp;weiland in Vlaanderen.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8227,"title":"Panamarenko, een overzicht 1965 - 1985","dimensions":"60 x 30 cm and 83.5 x 59 cm","date_begin":"1989-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":23,"permalink":"panamarenko-een-overzicht-1965-1985","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/628/large/064.jpg?1376918956","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8203,"title":"KYRPWWAWAX, International Happening News, Happening in een heerlijke stad IV [KYRPWWAWAX, International Happening News]","dimensions":"28 x 44 cm","date_begin":"1965-01-01","material":"black ink, pink paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Panamarenkohuis Biekorfstraat","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eAffiche voor een happening (met Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman)\u0026nbsp;\u003c/p\u003e\u003cp\u003eop 16 augustus 1965 in Oostende.\u003c/p\u003e\u003cp\u003eOok pagina van het tijdschrift Milkyways and happenings nr.4, p.2, 1965\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":42,"permalink":"kyrpwwawax-international-happening-news-happening-in-een-heerlijke-stad-iv-kyrpwwawax-international-happening-news","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/594/medium_500/018.jpg?1376907078","cached_actor_names":" Panamarenko, Wout Vercammen, Yoshio Nakajima, Dr. Hugo Heyrman","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/594/large/018.jpg?1376907078","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003eThe happenings with which Panamarenko was\u0026nbsp;involved were announced by a series of posters,\u0026nbsp;which were distributed, hung in cafés and posted\u0026nbsp;at various locations around the city, including\u0026nbsp;the walls of the Academy of Fine Arts. The posters\u0026nbsp;were designed by Wout Vercammen, Hugo\u0026nbsp;Heyrman and Panamarenko. The first one, produced\u0026nbsp;by Wout Vercammen, refers both formally\u0026nbsp;and in terms of its content to Paul van Ostaijen’s\u0026nbsp;famous collection of poems \u003ca href=\"http://fleursdumal.nl/mag/paul-van-ostaijen-bezette-stad-1921\"\u003e\u003ci\u003eOccupied City\u003c/i\u003e\u003c/a\u003e (1921),\u0026nbsp;which fell somewhere between Expressionism\u0026nbsp;and Dadaism. This Dadaist line was extended\u0026nbsp;into the following posters by, for instance, turning\u0026nbsp;a poem from \u003ci\u003eOccupied City\u003c/i\u003e into a collage.\u0026nbsp;Heyrman continued to apply and develop the collage\u0026nbsp;medium in the posters that followed, giving\u0026nbsp;the happenings a title and a form, and preserving\u0026nbsp;their otherwise ephemeral visibility.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePoster for the\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/i\u003e\u003ca href=\"http://ensembles.mhka.be/items/9030\"\u003e\u003ci\u003e\u003cstrong\u003ehappening\u003c/strong\u003e\u003c/i\u003e\u003c/a\u003e\u003ci\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(with Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman) on August 6, 1965 in Ostend.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eAlso included in the magazine, \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eMilkyways and happenings\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e\u0026nbsp;nr.4, p.2, 1965.\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDe happenings waar Panamarenko bij betrokken\u0026nbsp;was, gingen vergezeld van een serie aankondigingsaffiches.\u003cbr\u003eDie affiches werden uitgedeeld,\u0026nbsp;opgehangen in cafés of geplakt op onder meer\u0026nbsp;de buitenmuren van de Academie voor Schone\u0026nbsp;Kunsten in Antwerpen. De affiches werden\u0026nbsp;geconcipieerd door Wout Vercammen, Hugo\u0026nbsp;Heyrman en Panamarenko. De eerste affiche,\u0026nbsp;ontworpen door Wout Vercammen, verwijst zowel\u0026nbsp;inhoudelijk als vormelijk naar het bekende,\u0026nbsp;tussen expressionisme en dadaïsme in staande\u0026nbsp;werk\u0026nbsp;\u003ca href=\"http://fleursdumal.nl/mag/paul-van-ostaijen-bezette-stad-1921\"\u003e\u003ci\u003eBezette stad\u003c/i\u003e\u003c/a\u003e\u0026nbsp;(1921) van Paul van Ostaijen.\u0026nbsp;Deze dadaïstische lijn werd doorgetrokken in de\u0026nbsp;volgende affiches, onder meer door een gedicht\u0026nbsp;uit\u0026nbsp;\u003ci\u003eBezette stad\u003c/i\u003e\u0026nbsp;om te vormen tot een collage.\u0026nbsp;Heyrman bleef de techniek van de collage in zijn\u0026nbsp;daaropvolgende affiches hanteren en werkte ze\u0026nbsp;verder uit. De affiches hebben ertoe bijgedragen\u0026nbsp;dat de happenings een titel en een vorm meekregen,\u0026nbsp;waardoor hun efemere zichtbaarheid\u0026nbsp;toch gewaarborgd bleef.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eAffiche voor de\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003e\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003ca href=\"http://ensembles.mhka.be/items/9030\"\u003e\u003ci\u003e\u003cstrong\u003ehappening\u003c/strong\u003e\u003c/i\u003e\u003c/a\u003e\u003cstrong\u003e\u0026nbsp;(met Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman) \u0026nbsp;op 6 augustus 1965 in Oostende.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eOok opgenomen in het tijdschrift\u0026nbsp;\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eMilkyways and happenings\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003enr.4, p.2, 1965.\u003c/strong\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eThe happenings with which Panamarenko was\u0026nbsp;involved were announced by a series of posters,\u0026nbsp;which were distributed, hung in cafés and posted\u0026nbsp;at various locations around the city, including\u0026nbsp;the walls of the Academy of Fine Arts. The posters\u0026nbsp;were designed by Wout Vercammen, Hugo\u0026nbsp;Heyrman and Panamarenko. The first one, produced\u0026nbsp;by Wout Vercammen, refers both formally\u0026nbsp;and in terms of its content to Paul van Ostaijen’s\u0026nbsp;famous collection of poems \u003ca href=\"http://fleursdumal.nl/mag/paul-van-ostaijen-bezette-stad-1921\"\u003e\u003ci\u003eOccupied City\u003c/i\u003e\u003c/a\u003e (1921),\u0026nbsp;which fell somewhere between Expressionism\u0026nbsp;and Dadaism. This Dadaist line was extended\u0026nbsp;into the following posters by, for instance, turning\u0026nbsp;a poem from \u003ci\u003eOccupied City\u003c/i\u003e into a collage.\u0026nbsp;Heyrman continued to apply and develop the collage\u0026nbsp;medium in the posters that followed, giving\u0026nbsp;the happenings a title and a form, and preserving\u0026nbsp;their otherwise ephemeral visibility.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003ePoster for the\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/i\u003e\u003ca href=\"http://ensembles.mhka.be/items/9030\"\u003e\u003ci\u003e\u003cstrong\u003ehappening\u003c/strong\u003e\u003c/i\u003e\u003c/a\u003e\u003ci\u003e\u003cstrong\u003e \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e(with Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman) on August 6, 1965 in Ostend.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eAlso included in the magazine, \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eMilkyways and happenings\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e\u0026nbsp;nr.4, p.2, 1965.\u003c/strong\u003e\u003c/p\u003e"}]},{"id":8250,"title":"Bing of the Ferro Lusto (model)","dimensions":"160 x 130 cm","date_begin":"2002-01-01","material":"original model in epoxy, resin, electric motor, presented on a metal base","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection Deweer Art Gallery, Otegem","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":24,"permalink":"bing-of-the-ferro-lusto-model--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/120/large/Deweer5.jpg?1387535704","poster_credits":"(c)image: Courtesy Deweer Art Gallery, Otegem","translations":[{"locale":"en","description":"\u003cp\u003eAfter the\u0026nbsp;\u003cem\u003eGeneral Spinaxis\u003c/em\u003e\u0026nbsp;of 1968, Panamarenko\u0026#39;s interest in flying saucers and their propulsion systems progressively increases.\u0026nbsp; The following years saw not only the construction of new spacecraft, he would also research into the various possibilities of using existing magnetic fields as cosmic highways by which his flying saucers might traverse the solar system.\u0026nbsp; For this space project - that ever since the 1970s he\u0026#39;d been expanding and improving upon - he hit on the umbrella title of\u0026nbsp;\u003cem\u003eJourney to the Stars\u003c/em\u003e.\u0026nbsp; Influenced by UFO-logy and a range of Sci-Fi films, he succeedingly designed the spacecrafts\u0026nbsp;\u003cem\u003eWorp I\u003c/em\u003e,\u0026nbsp;\u003cem\u003eAdamski Schotel\u003c/em\u003e\u0026nbsp;and\u0026nbsp;\u003cem\u003eFlying Cigar called Flying Tiger\u003c/em\u003e.\u003c/p\u003e\u003cp\u003eIn 1997 his fascination for the cosmos resulted in the final project\u0026nbsp;\u003cem\u003eFerro Lusto\u003c/em\u003e\u0026nbsp;that he describes as\u0026nbsp;\u003cem\u003ea spaceship of 800 meters in length and fit for a crew of 4000\u003c/em\u003e.\u0026nbsp;\u003c/p\u003e\u003cp\u003ePanamarenko sees the Ferro Lusto as the mother ship that would carry various smaller craft, that he calls Bings.\u0026nbsp; His flying saucer Bing of the Ferro Lusto can also be seen as a component of a much larger whole, which can navigate between the planets and from the mother spaceship.\u0026nbsp; From a 1990 drawing, it appears that the motor employed by Panamarenko to drive these craft\u0026nbsp; was originally christened the\u0026nbsp;\u003cem\u003eQuadrac Motor\u003c/em\u003e.\u0026nbsp; This motor consists of two pairs of cylinders arranged parallel in a metal block.\u0026nbsp; The word \u0026#39;quadrac\u0026#39; indicated that the motor disposes of four pistons, in turn producing an upwards and sidewards motion.\u003c/p\u003e\u003cp\u003eFor the name\u0026nbsp;\u003cem\u003eFerro Lusto\u003c/em\u003e, Panamarenko was once again inspired by the 1947 Orson Welles film\u0026nbsp;\u003cem\u003eThe Lady from Shanghai\u003c/em\u003e.\u0026nbsp; As he says:\u0026nbsp;\u003cem\u003eAt a certain point you hear a commercial on the radio: \u0026#39;Brillo Lusto, this is your hair, this is your man!\u0026#39;\u0026nbsp; And I thought to myself: That doesn\u0026#39;t sound bad, but I\u0026#39;ll make it \u0026#39;Ferro\u0026#39; Lusto.\u0026nbsp; Because \u0026#39;ferro\u0026#39; means iron, and Ferro Lusto sounds like a good name for a flying\u0026nbsp;\u003c/em\u003e\u003cem\u003esaucer.\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eNa de\u0026nbsp;\u003cem\u003eGeneral Spinaxis\u003c/em\u003e\u0026nbsp;van 1968 neemt Panamarenko\u0026#39;s interesse voor vliegende schotels en hun aandrijfmechanisme gaandeweg toe. In de jaren die volgen bouwt hij niet alleen nieuwe ruimtetuigen, hij onderzoekt ook de verschillende mogelijkheden om de bestaande magnetische velden in de ruimte aan te wenden als kosmische autostrades waarop zijn vliegende schotels tussen de planeten kunnen zweven. Voor dit ruimteproject, dat hij vanaf de jaren zeventig blijft uitbreiden en verbeteren, bedenkt hij de omvattende titel\u0026nbsp;\u003cem\u003eReis naar de Sterren\u003c/em\u003e. Onder invloed van de ufologie en tal van sciencefictionfilms ontwerpt hij achtereenvolgens de ruimtetuigen\u0026nbsp;\u003cem\u003eWorp I\u003c/em\u003e,\u0026nbsp;\u003cem\u003eAdamski Schotel\u003c/em\u003e\u0026nbsp;en\u0026nbsp;\u003cem\u003eFlying Cigar called Flying Tiger\u003c/em\u003e\u0026nbsp;.\u003c/p\u003e\u003cp\u003eIn 1997 resulteert zijn fascinatie voor de kosmos in het ultieme project\u0026nbsp;\u003cem\u003eFerro Lusto\u003c/em\u003e, dat hij omschrijft als\u0026nbsp;\u003cem\u003eeen ruimteschip van achthonderd meter lang en geschikt voor vierduizend man\u003c/em\u003e.\u003c/p\u003e\u003cp\u003ePanamarenko omschrijft de Ferro Lusto als het moederschip dat verschillende transportmiddelen, die hij de \u0026#39;Bings\u0026#39; noemt, aan boord heeft. Zijn vliegende schotel\u0026nbsp;\u003cem\u003eBing of the Ferro Lusto\u003c/em\u003e\u0026nbsp;moet dan ook gezien worden als een deel van een veel groter geheel, dat zich tussen de planeten en het ruimteschip moet kunnen verplaatsen. Uit een tekening van 1990 blijkt dat de motor die Panamarenko voor het transportmiddel gebruikt, aanvankelijk de\u0026nbsp;\u003cem\u003eQuadrac Motor\u003c/em\u003e\u0026nbsp;genoemd wordt. De motor bestaat uit twee paar cilinders die parallel in een metalen blok ingebracht worden. Het woord \u0026#39;quadrac\u0026#39; verraadt dat de motor over vier zuigers beschikt, die beurtelings een opwaartse en een zijwaartse beweging maken.\u003c/p\u003e\u003cp\u003eVoor de naam\u0026nbsp;\u003cem\u003eFerro Lusto\u003c/em\u003e\u0026nbsp;laat Panamarenko zich dan weer inspireren door de film\u0026nbsp;\u003cem\u003eThe Lady from Shanghai\u003c/em\u003e\u0026nbsp;van Orson Welles uit 1947.\u0026nbsp;\u003cem\u003eOp een bepaald moment hoor je op de radio een reclameboodschap: \u0026#39;Brillo Lusto, this is your hair, this is your man!\u0026#39; En toen dacht ik: dat klinkt niet slecht, maar ik maak er \u0026#39;Ferro\u0026#39; Lusto van. Want ferro is ijzer en Ferro Lusto klinkt heel goed voor een vliegende schotel.\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8302,"title":"Grote Plumbiet [Big Plumbite]","dimensions":"10 x 15 cm","date_begin":"1984-01-01","material":"felt-tipped pen, tape, tracing-paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":26,"permalink":"grote-plumbiet-big-plumbite--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/901/large/P116.jpg?1378116136","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8289,"title":"Stepstraal, machine met raketaandrijving [Step Ray, Rocket-Propelled Machine]","dimensions":"65 x 100 cm","date_begin":"1971-01-01","material":"felt-tipped pen, pencil, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection Galerie Ronny Van De Velde, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":20,"permalink":"stepstraal-machine-met-raketaandrijving-step-ray-rocket-propelled-machine","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/403/large/DSC_4491.jpg?1412254348","poster_credits":"(c)image: M HKA, Christine Clinckx","translations":[{"locale":"en","description":"\u003cp\u003eIn 1971, Panamarenko returns to the \u003cem\u003eP.A.T.\u003c/em\u003e theme in the design for \u003cem\u003eStepstraal\u003c/em\u003e.\u0026nbsp; The device consists of a tubular frame to which two propeller-motors are attached, and has two foot-supports for the pilot, who during flight remains standing upright.\u0026nbsp; The drawing again shows a hydrogen-peroxide fueled rocket.\u0026nbsp; When the fluid is expelled under high pressure, two \u0026#39;streams\u0026#39; are visible behind the pilot.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;The name \u0026#39;Stepstraal\u0026#39; is really a combination to indicate \u0026#39;stepping on\u0026#39; and \u0026#39;jetting-away\u0026#39;...\u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eIn 1971 neemt Panamarenko het thema van de \u003cem\u003eP.A.T.\u003c/em\u003e opnieuw op in het ontwerp \u003cem\u003eStepstraal\u003c/em\u003e. Het toestel bestaat uit een buizenframe waarop twee propellermotoren zijn bevestigd, en twee voetsteunen voor de piloot, die tijdens de vlucht blijft rechtstaan. De tekening geeft een door waterperoxide aangedreven raket weer. Wanneer het water onder hoge druk wordt weggestuwd, zijn achter de piloot twee stralen zichtbaar.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;De naam \u0026#39;Stepstraal\u0026#39; is eigenlijk een samenstelling. Dat komt van \u0026#39;opstappen\u0026#39; en \u0026#39;wegstralen\u0026#39; ...\u0026quot; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8236,"title":"Panamarenko","dimensions":"103 x 72.5 cm","date_begin":"1992-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"panamarenko--8","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/636/large/011.jpg?1376920611","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8249,"title":"IJsvogel","dimensions":"260 x 900 x 400 cm","date_begin":"2004-01-01","material":"PVC, aluminum, iron, tape, nylon","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Courtesy Deweer Gallery, Otegem, Belgium","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":38,"permalink":"ijsvogel","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/744/large/Ijsvogel_2__tentoongesteld_bij_Deweer_Gallery.jpg?1409904408","poster_credits":"Courtesy Deweer Gallery Archives, Otegem, Belgium ","translations":[{"locale":"en","description":"\u003cp\u003ePanamarenko\u0026rsquo;s constructions are deceptively\u0026nbsp;simple. Although his aircraft often lack more\u0026nbsp;essential elements than they possess, the few\u0026nbsp;features they do display are more than enough\u0026nbsp;to create a sense of airworthiness and efficiency.\u003cbr /\u003eThis is especially so in the case of the elegant\u0026nbsp;\u003cem\u003eKingfisher\u003c/em\u003e \u0026ndash; a gossamer-light aircraft made of\u0026nbsp;transparent Plexiglas, with little flappers at the\u0026nbsp;tip of each wing, marked with a small red cross.\u0026nbsp;The design might be too fragile ever to take to the\u003cbr /\u003esky, but Panamarenko ascribes special properties\u0026nbsp;to it.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u0026lsquo;This work is pure entertainment. There\u0026rsquo;s\u0026nbsp;no need for any stupid artistic pronouncements.\u0026nbsp;It\u0026rsquo;s entertaining, but ultimately it has depth, because\u0026nbsp;it says something to me, because it speaks.\u0026nbsp;Because there\u0026rsquo;s more to it than just a toy; because\u0026nbsp;it has a kind of power, an energy. And when\u0026nbsp;that happens, I put it on display.\u0026rsquo; - Panamarenko\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003ePanamarenko maakt constructies van een\u0026nbsp;bedrieglijke eenvoud. Zijn tuigen mogen dan vaak\u0026nbsp;meer essenti\u0026euml;le elementen missen dan dat ze er\u0026nbsp;bezitten, de weinige eigenschappen waarover\u0026nbsp;ze w\u0026eacute;l beschikken, volstaan ruimschoots om\u0026nbsp;het gevoel van deugdelijkheid en effici\u0026euml;ntie te\u0026nbsp;wekken. Dit geldt eens te meer voor de sierlijke\u0026nbsp;\u003cem\u003eIJsvogel\u003c/em\u003e. Dit vederlichte luchttuig van doorzichtig\u0026nbsp;plexiglas heeft kleine flappers aan de beide\u0026nbsp;uiteinden van de vleugels, aangegeven met een\u0026nbsp;rood kruisje. Dit fragiele werk is mogelijk te broos\u0026nbsp;om ooit de lucht in te gaan, maar Panamarenko\u003cbr /\u003edicht het bijzondere eigenschappen toe.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;Dit werk\u0026nbsp;is gewoon amusement. Daar moeten geen dwaze\u0026nbsp;artistieke uitspraken over gedaan worden. Het is\u0026nbsp;amusement, maar aan het eind krijgt het diepte,\u0026nbsp;omdat het mij iets zegt, omdat het spreekt.\u0026nbsp;Omdat het iets meer heeft dan speelgoed, omdat\u0026nbsp;het een soort kracht heeft, een energie. En als\u0026nbsp;dat zo is, dan stel ik het tentoon.\u0026quot;\u003c/em\u003e - Panamarenko\u003c/strong\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":1270,"title":"Blimp (studie Aeromodeller)","dimensions":"22 x 28 cm","date_begin":"1967-01-01","material":"felt-pen, paper","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":20,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA / Workstation Biekorfstraat","cached_tag_list":"original 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Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8205,"title":"Air-Base, van happening over happening naar milky-ways [Air-Base, From Happening about Happening to milky-ways]","dimensions":"32.5 x 22 cm","date_begin":"1966-01-01","material":"black ink on yellow paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Panamarenkohuis Biekorfstraat","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eAir-Base, van happening over happening naar milky-ways, 1966\u003c/p\u003e\r\n\r\n\u003cp\u003eAffiche voor een happening (met Panamarenko, Hugo Heyrman en Bernd Lohaus) op 12 maart 1966 op de Antwerpse\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eGroenplaats.\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":19,"permalink":"air-base-van-happening-over-happening-naar-milky-ways-air-base-from-happening-about-happening-to-milky-ways","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/596/large/026.jpg?1376907368","poster_credits":"(c)image: Wim Van 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Ich verwende Poster, um den Traum zu zeigen, der mich gerade besch\u0026auml;ftigt. Mit der richtigen Zeichnungsskizze, oder was auch immer, kann man die Atmosph\u0026auml;re von Abenteuer heraufbeschw\u0026ouml;ren, das weitaus mehr \u0026uuml;ber mein Werk aussagt als eine blo\u0026szlig;e Einladungskarte mit meinem Namen und Datum darauf... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eJahr f\u0026uuml;r Jahr hat Panamarenko die Kunstwelt mit einer eigenartigen, spielerischen und eindrucksvollen Sch\u0026ouml;nheit in Staunen versetzt. Mit diesen Zeichnungen, Collagen, wissenschaftlichen Ausstellungen und utopischen Pamphleten hat er fortw\u0026auml;hrend neue Wege beschritten \u0026ndash; egal, ob kosmisch oder intergalaktisch.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDiese Massigkeit und Unterschiede lassen sich von einer eindrucksvollen Zahl von Panamarenko-Postern ablesen. Eine kleine Auswahl wird hier ausgestellt. Einige von ihnen sind ikonische Abbildungen vom Gesamtwerk des K\u0026uuml;nstlers.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/623/large/081.jpg?1376917981","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;I always thought that posters have a special impact, which goes far beyond the purely informative. I use the poster to show the dream of what I\u0026#39;m busy with in advance. With the right sketch of drawing or whatever you can evoke the atmosphere of adventure, which says much more than my oeuvre than just an invitation card with my name and date on it ... \u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eYear after year Panamarenko has amazed the art world with spectacular constructions with a peculiar beauty, playful and impressive. With his drawings, collages, scientific expositions and utopian pamphlets he has constantly found new ways - whether or not cosmic or intra-galactic.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThose bulknesses and differences can be read from an impressive number of Panamarenko posters. A small selection is shown here. Some of them are iconic images in the artist\u0026#39;s oeuvre.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;J\u0026#39;ai toujours pens\u0026eacute; que les posters ont un impact particulier qui va bien au-del\u0026agrave; de l\u0026#39;information pure. J\u0026#39;utilise le poster pour montrer le r\u0026ecirc;ve de ce sur quoi je travaille en avance. Avec le bon croquis ou tout ce qui peut \u0026eacute;voquer l\u0026#39;atmosph\u0026egrave;re d\u0026#39;aventure, qui en dit plus que mon oeuvre, plus qu\u0026#39;un carton d\u0026#39;invitation avec mon nom et une date... \u0026nbsp;\u0026raquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAnn\u0026eacute;e apr\u0026egrave;s ann\u0026eacute;e, Panamarenko a \u0026eacute;merveill\u0026eacute; le monde de l\u0026#39;art avec des constructions spectaculaires d\u0026#39;une beaut\u0026eacute; particuli\u0026egrave;re, espi\u0026egrave;gle et impressionnante. 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Certaines de ces images sont iconiques de l\u0026#39;oeuvre de l\u0026#39;artiste.\u003c/p\u003e\r\n"}]},{"id":8237,"title":"Panamarenko, Raven's Variable Matrix","dimensions":"49 x 72 cm","date_begin":"2000-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":20,"permalink":"panamarenko-raven-s-variable-matrix","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026bdquo;Ich war immer der Meinung, dass Poster eine besondere Wirkung aus\u0026uuml;ben, die weit \u0026uuml;ber das rein Informative hinausgeht. Ich verwende Poster, um den Traum zu zeigen, der mich gerade besch\u0026auml;ftigt. Mit der richtigen Zeichnungsskizze, oder was auch immer, kann man die Atmosph\u0026auml;re von Abenteuer heraufbeschw\u0026ouml;ren, das weitaus mehr \u0026uuml;ber mein Werk aussagt als eine blo\u0026szlig;e Einladungskarte mit meinem Namen und Datum darauf... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eJahr f\u0026uuml;r Jahr hat Panamarenko die Kunstwelt mit einer eigenartigen, spielerischen und eindrucksvollen Sch\u0026ouml;nheit in Staunen versetzt. Mit diesen Zeichnungen, Collagen, wissenschaftlichen Ausstellungen und utopischen Pamphleten hat er fortw\u0026auml;hrend neue Wege beschritten \u0026ndash; egal, ob kosmisch oder intergalaktisch.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDiese Massigkeit und Unterschiede lassen sich von einer eindrucksvollen Zahl von Panamarenko-Postern ablesen. Eine kleine Auswahl wird hier ausgestellt. 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I use the poster to show the dream of what I\u0026#39;m busy with in advance. With the right sketch of drawing or whatever you can evoke the atmosphere of adventure, which says much more than my oeuvre than just an invitation card with my name and date on it ... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eYear after year Panamarenko has amazed the art world with spectacular constructions with a peculiar beauty, playful and impressive. With his drawings, collages, scientific expositions and utopian pamphlets he has constantly found new ways - whether or not cosmic or intra-galactic.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThose bulknesses and differences can be read from an impressive number of Panamarenko posters. A small selection is shown here. Some of them are iconic images in the artist\u0026#39;s oeuvre.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;J\u0026#39;ai toujours pens\u0026eacute; que les posters ont un impact particulier qui va bien au-del\u0026agrave; de l\u0026#39;information pure. J\u0026#39;utilise le poster pour montrer le r\u0026ecirc;ve de ce sur quoi je travaille en avance. 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Certaines de ces images sont iconiques de l\u0026#39;oeuvre de l\u0026#39;artiste.\u003c/p\u003e\r\n"}]},{"id":8208,"title":"Panamarenko","dimensions":"49 x 59.5 cm","date_begin":"1984-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":20,"permalink":"panamarenko","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/612/large/068.jpg?1376915865","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8423,"title":"Toekan","dimensions":"30.4 x 44 cm","date_begin":"2001-01-01","material":"colour photocopy","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"print","publishing_process_id":1,"annotation":"\u003cp\u003eSigned in silver pen \u0026lsquo;Panamarenko\u003cbr /\u003eEdition: 100 copies + XX + a few AP\u003cbr /\u003eIssued by: SMAK, Ghent\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":16,"permalink":"toekan","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/697/large/P432.jpg?1409558210","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8406,"title":"Viaggio alle stelle","dimensions":"44 x 76 cm","date_begin":"1996-01-01","material":"BL\u0026W print, montage depicting Adamski Saucer","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":" Collection Marc Coucke","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eSigned centre left\u003c/p\u003e\u003cp\u003eGesigneerd midden links\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":15,"permalink":"viaggio-alle-stelle--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/797/large/42%29_Panamarenko__Viaggio_alle_Stelle__1996_photo_Fabien_de_C.jpg?1386165336","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eZwart-witdruk met afbeelding van de Adamski-schotel, uitgegeven in een editie \u0026nbsp;van 25 gesigneerde exemplaren\u003c/p\u003e\u003cp\u003edoor galleria Continua, San Gimingnano.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8437,"title":"Catapult Max","dimensions":"197.5 x 123 cm","date_begin":"2002-01-01","material":"colour print with punced parts stuck on, and heightened with silver paint. Colour print stuck on.","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eKleurendruk met gestanste en opgekleefde partijen, opgehoogd met zilverstift, opgekleefde kleurenfoto, in een editie\u003c/p\u003e\u003cp\u003evan16 gesigneerde en genummerde exempleren, uitgegeven \u0026nbsp;door Galerie Jos Jamar.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":17,"permalink":"catapult-max","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/427/large/_WIM1541.jpg?1408011392","poster_credits":"(c)image: Wim Van Eesbeek, Archief Panamarenko Collectief","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10538,"title":"Brussels Airport (Jaspers - 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Plakate / Posters","dimensions":"30.5 x 24.5 cm, 95 p, language : German, English, publisher : Versicherungskammer Bayern//Prestel Verlag, München, ISBN : 3-7913-3106-X","date_begin":"2004-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/217","stream_count_app":9,"permalink":"joseph-beuys-plakate-posters","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/241/large/PAN_AM_BOOK_095_A.jpg?1400679624","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10541,"title":"Panamarenko - Drawings and unique objects","dimensions":"32.9 x 24.5 cm, 42 p, language : English, publisher : Samuel Vanhoegaerden Gallery, Knokke","date_begin":"2009-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/218","stream_count_app":9,"permalink":"panamarenko-drawings-and-unique-objects","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/239/large/PAN_AM_BOOK_094_A.jpg?1400679178","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10543,"title":"Place Saint-Lambert | Investigations","dimensions":"40.5 x 28.3 cm, language : French, Dutch, publisher : Espace 251 Nord, Liège","date_begin":"1985-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/220","stream_count_app":11,"permalink":"place-saint-lambert-investigations","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/234/large/PAN_AM_BOOK_092_A.jpg?1400678307","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10545,"title":"Liefde voor het boek - Een keuze bibliofiele boeken, kunstenaarsboeken en boekobjecten in Vlaanderen vanaf 1900 tot 2010","dimensions":"23.1 x 23 cm, 120 p, language : Dutch, publisher : Cultuurcentrum Hasselt, Hasselt","date_begin":"2010-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2024/471","stream_count_app":10,"permalink":"liefde-voor-het-boek-een-keuze-bibliofiele-boeken-kunstenaarsboeken-en-boekobjecten-in-vlaanderen-vanaf-1900-tot-2010","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/224/large/PAN_AM_BOOK_089_A.jpg?1400675921","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8580,"title":"Super Pepto Bismo","dimensions":"100 x 150 x 80 cm","date_begin":"1996-01-01","material":"twelve propellers, engine, electric ignition, drive belts, metal, leather belt","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection of the Flemish Community, Flemisch Government architect, Brussels","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":41,"permalink":"super-pepto-bismo","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/465/medium_500/2014_exhibition_view_Panamarenko_Universum_M_HKAphoto_clinckx27.jpg?1412862296","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/465/large/2014_exhibition_view_Panamarenko_Universum_M_HKAphoto_clinckx27.jpg?1412862296","poster_credits":"(c)image: M HKA, Christine Clinckx","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;In fact, this was a particularly simple invention, the kind you\u0026#39;d think someone had already thought of, but hadn\u0026#39;t.\u0026nbsp; That\u0026#39;s because most of minihelicopters are in reality super dangerous.\u0026nbsp; They have one large rotor, and it\u0026#39;s impossible to land, because if you lean a bit forward or hang at a slant, then the rotor crashes against the ground. And, moreover, if you come down with that thing on your back amidst a group of people... \u0026quot; \u003c/em\u003e- Panamarenko\u003c/strong\u003e \u003cem\u003e\u0026nbsp; \u0026nbsp; \u0026nbsp; \u0026nbsp;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003ePanamarenko designed his first \u003cem\u003ePortable Air\u0026nbsp;Transport\u003c/em\u003e in 1969. The idea of raising yourself\u0026nbsp;into the air using a motor and a propeller led to\u0026nbsp;numerous flying rucksacks in the 1980s. The\u0026nbsp;first \u003cem\u003ePepto Bismo\u003c/em\u003e \u0026ndash; a high-performance, portable\u003cbr /\u003e\r\nflying machine worn on the pilot\u0026rsquo;s back \u0026ndash; was\u0026nbsp;created in 1994, followed by \u003cem\u003eSuper Pepto Bismo\u003c/em\u003e\u0026nbsp;two years later. Rather than air displacement via\u0026nbsp;a fan, as in the rucksacks, the machine is propelled\u0026nbsp;by a series of short rotor blades driven by\u003cbr /\u003e\r\nsmall but powerful engines. The helicopter principle\u0026nbsp;allows the pilot to take off vertically and to\u0026nbsp;steer entirely by moving his or her body. In the\u0026nbsp;years that followed, Panamarenko came up with\u0026nbsp;variations in which the rotors \u0026ndash; which revolve\u003cbr /\u003e\r\nin opposite directions \u0026ndash; are driven by powerful\u0026nbsp;nickel and cadmium batteries. He developed a\u0026nbsp;newer version still in 2002, which he mounted on\u0026nbsp;a dummy, dressed as an aviator. The pilot wears\u0026nbsp;a crash helmet and a headset. The new design\u0026nbsp;sought to address the problem earlier versions\u0026nbsp;had with overheating batteries. The issue was\u0026nbsp;solved using six small petrol engines, placed on\u0026nbsp;a metal shaft located horizontally above the pilot\u0026rsquo;s\u0026nbsp;shoulders. A bronze version of \u003cem\u003ePepto Bismo\u003c/em\u003e\u0026nbsp;was installed in 2003 as a monument on Sint-Jansplein in Antwerp.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;Eigenlijk gaat het om een bijzonder simpele uitvinding waarvan ge zoudt denken dat ze al lang gerealiseerd zou moeten zijn, maar toch niet. Dat komt omdat de meeste minihelikopters in de praktijk super gevaarlijk zijn. Die hebben \u0026eacute;\u0026eacute;n grote rotor, maar daar kunt ge onmogelijk meelanden, want als ge een beetje voorover bukt of schuin hangt, dan slaat die rotor in de grond. Bovendien als ge met zo\u0026#39;n ding op uw rug tussen de mensen terechtkomt...\u0026quot; \u003c/em\u003e- Panamarenko\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eIn 1969 ontwerpt Panamarenko zijn eerste draagbare\u0026nbsp;vliegapparaat, de \u003cem\u003ePortable Air Transport\u003c/em\u003e. Het\u0026nbsp;idee om zich door middel van een motor en een\u0026nbsp;schroef in het luchtruim te verheffen, resulteert\u0026nbsp;tijdens de jaren 1980 in tal van Vliegende rugzakken.\u0026nbsp;In 1994 ontstaat de eerste \u003cem\u003ePepto Bismo\u003c/em\u003e, een\u0026nbsp;performant en draagbaar vliegapparaat dat door de\u0026nbsp;piloot op de rug wordt gedragen, in 1996 gevolgd\u0026nbsp;door de \u003cem\u003eSuper Pepto Bismo\u003c/em\u003e. De voortstuwing van\u0026nbsp;het vliegapparaat gebeurt niet door de luchtverplaatsing\u0026nbsp;via een fan, zoals bij de rugzakken, maar\u0026nbsp;door een reeks korte hefschroeven die aangedreven\u0026nbsp;worden door kleine maar krachtige motoren.\u0026nbsp;Het helikopterprincipe stelt de piloot in staat loodrecht\u0026nbsp;op te stijgen terwijl de besturing volledig door\u0026nbsp;de lichaamsbeweging gebeurt. In de daaropvolgende\u0026nbsp;jaren bedenkt Panamarenko varianten, waarvan\u0026nbsp;de schroeven, die in tegengestelde richting draaien,\u0026nbsp;aangedreven worden door krachtige nikkel- en cadmiumbatterijen.\u0026nbsp;In 2002 ontwikkelt Panamarenko\u0026nbsp;nog een nieuwe versie, die hij op een paspop monteert\u0026nbsp;en vervolgens uitrust als vliegenier. De piloot\u0026nbsp;draagt een valhelm, een hoofdtelefoon en een microfoon.\u0026nbsp;De nieuwe versie wil een technische oplossing\u0026nbsp;bieden voor de oververhitte batterijen van\u0026nbsp;de vorige versies. Het probleem wordt verholpen\u0026nbsp;door gebruik te maken van zes kleine benzinemotoren,\u0026nbsp;op een metalen as geplaatst die zich in horizontale\u0026nbsp;positie boven de schouders van de piloot\u0026nbsp;bevindt. Een bronzen variant van de \u003cem\u003ePepto Bismo\u003c/em\u003e\u0026nbsp;wordt in 2003 ge\u0026iuml;nstalleerd als monument op het\u0026nbsp;Sint-Jansplein in Antwerpen.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":8583,"title":"Bing of the Ferro Lusto X","dimensions":"300 x 700 cm","date_begin":"1997-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection/Long-term loan to M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eVerdec, Lieven De Clerck, in depot bij SMAK, Gent\u003c/p\u003e\u003cp\u003eCollection Verdec - 2023 in depot bij Verbeke Foundation, Kemzeke\u003c/p\u003e","date_end":null,"reference":"BRDC_01","stream_count_app":46,"permalink":"bing-of-the-ferro-lusto-x","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/138/medium_500/2023_Panamarenko_Transport_F009.jpeg?1695129411","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/137/large/2023_Panamarenko_Transport_F009.jpeg?1695129380","poster_credits":"(c)Panamarenko,  photo: M HKA, 2023","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003eThere were a lot of problems with Bing-motors.\u0026nbsp; To get them right we needed a better titanium layer, but that was in the domain of the American space industry, and they don't give anything away… (Panamarenko)\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eOrson Welles' The Lady from Shanghai from 1947. \u0026nbsp;At a certain moment, you hear a commercial on the radio: \"Brillo Lusto, this is your hair, this is your man!\" \u0026nbsp;And then I thought: that doesn't sound bad, but I'll make it \"Ferro\" Lusto. Because Ferro is iron and Ferro Lusto sounds right for a flying saucer.\u0026nbsp;(Panamarenko)\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003eEr waren veel problemen met Bing-motoren. Om ze helemaal goed te krijgen is er een betere titaniumlegering nodig, en die hebben ze alleen maar bij de\u0026nbsp; Amerikaanse ruimtevaartindustrie en die willen niks vrijgeven… (Panamarenko)\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Lady from Shangai van Orson Welles uit 1947. Op een bepaald moment hoor je op de radio een reclameboodschap:\"Brillo Lusto, this your hair, this is your man!\" En toen dacht ik: dat klinkt niet slecht, maar ik maak er \"Ferro\" Lusto van. Want Ferro is ijzer en Ferro Lusto klinkt heel goed voor een vliegende schotel. (Panamarenko)\u003c/i\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003e\u003ci\u003eBing Of The Ferro Lusto\u003c/i\u003e est un prototype – grandeur nature – d’un ensemble de véhicules qui appartiennent à la station mère (jamais réalisée) Ferro Lusto et assurent un service de navette entre le vaisseau spatial et les planètes. Les moteurs Bing sont construits selon les principes énoncés dans \u003ci\u003eToy Model of Space\u003c/i\u003e. Dans son atelier de la rue Biekorf, Panamarenko façonne les segments de la sphère et de la jupe de \u003ci\u003eBing Of The FerroLusto\u003c/i\u003e, pour lesquels il utilise un nouveau matériau sandwich en fibre de verre imprégné d’époxy. La jupe est parfois aussi appelée la «\u0026nbsp;sous-tasse\u0026nbsp;» ou le «\u0026nbsp;grand sombrero\u0026nbsp;».\u003c/p\u003e\u003cp\u003e\u003cspan style=\"color:black;\"\u003e«\u0026nbsp;Il y avait beaucoup de problèmes aux moteurs Bing. Pour qu’ils fonctionnent parfaitement, il faut un meilleur alliage de titane, qui n’est disponible que dans l’industrie aérospatiale américaine. Mais elle n’en autorise aucune vente…\u0026nbsp;»\u003c/span\u003e\u003c/p\u003e"}]},{"id":8539,"title":"Meikever (Salto Arte) [May-bug (Salto Arte)]","dimensions":"29 x 50 x 44 cm, box: 16.6 x 37.1 x 38 cm","date_begin":"1972-01-01","material":"metal, wood, plastic, propeller, motor","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection SMAK, Ghent","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":45,"permalink":"meikever-salto-arte-may-bug-salto-arte","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/143/large/meikever_1975.jpg?1381151179","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003ePanamarenko built his first \u003ca href=\"http://ensembles.mhka.be/items/7264\"\u003e\u003ci\u003eMaybug\u003c/i\u003e\u003c/a\u003e in 1968 –\u0026nbsp;an installation still closely linked with his poetic\u0026nbsp;objects. The overall piece comprises a small iron\u0026nbsp;table with a sheet of glass. There is a wooden\u0026nbsp;box on top with an electric cable, to which a\u0026nbsp;small mechanical Maybug is fastened. The insect\u0026nbsp;has an electric motor and wings made of iron\u0026nbsp;wire and cellophane.\u003c/p\u003e\u003cp\u003ePanamarenko built a larger,\u0026nbsp;better-functioning version in 1975, which he\u0026nbsp;demonstrated on 25 May that year in a circus tent\u0026nbsp;on Place Flagey in Brussels. The artist stressed\u0026nbsp;the fairytale character of the demonstration by\u0026nbsp;dressing up in the robes of a Chinese magician. He\u0026nbsp;brought a red typewriter case with him, containing\u0026nbsp;a giant mechanical Maybug he had made. The\u0026nbsp;case was decorated with a picture of a circus\u0026nbsp;act performed by a Chinese conjurer, captioned\u0026nbsp;‘Salto Arte’. The iron beetle was connected by a\u0026nbsp;cable to a battery, also located in the case, and its\u0026nbsp;wing-cases were painted white, with red stars. An\u0026nbsp;electric motor with a concealed propeller beneath\u0026nbsp;the wing-cases caused the wings to move. During\u003cbr\u003ethe performance, Panamarenko made the Maybug\u0026nbsp;take off, its wings flapping noisily. The cable was a\u0026nbsp;little too short, so the insect was pulled off balance\u0026nbsp;and crashed to the floor. Having been repaired,\u0026nbsp;the beetle became a museum exhibit and was not\u0026nbsp;used in any further demonstrations.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eIn 1968 bouwt Panamarenko zijn eerste\u0026nbsp;\u003ca href=\"http://ensembles.mhka.be/items/7264\"\u003e\u003ci\u003eMeikever\u003c/i\u003e\u003c/a\u003e.Het betreft een installatie die nog nauw aansluit bij\u003cbr\u003ezijn poëtische objecten. Het geheel bestaat uit een\u0026nbsp;tafeltje met een ijzeren onderstel en een glasplaat,\u003cbr\u003emet daarop een houten kist met een elektrisch\u0026nbsp;snoer waaraan een kleine meikever bevestigd is.\u0026nbsp;Het diertje is voorzien van een elektromotor en\u0026nbsp;heeft vleugels die gemaakt zijn van ijzerdraad en\u0026nbsp;cellofaan.\u003c/p\u003e\u003cp\u003eIn 1975 creëert Panamarenko een grotere\u0026nbsp;en meer performante variant, die hij op 23\u0026nbsp;mei van dat jaar demonstreert in een circustent op\u0026nbsp;het Brusselse Flageyplein. Om het sprookjesachtige\u0026nbsp;karakter van de demonstratie te benadrukken,\u003cbr\u003eheeft Panamarenko zich in het gewaad van een\u0026nbsp;Chinese tovenaar gehuld. Hij heeft een rood schrijfmachinekoffertje\u003cbr\u003ebij met daarin een zelfgemaakte\u0026nbsp;reuzenmeikever. Op de koffer is een afbeelding te\u0026nbsp;zien van het circusnummer, uitgevoerd door een\u0026nbsp;Chinese tovenaar, onder het opschrift ‘Salto Arte’.\u0026nbsp;De ijzeren kever is met een elektrisch snoer aan\u003cbr\u003eeen batterij verbonden die zich ook in de koffer bevindt.\u0026nbsp;De kever heeft witgeschilderde dekschilden\u0026nbsp;met rode sterretjes erop. Onder de dekschilden zit\u0026nbsp;een elektromotor met een schroef verborgen, die\u0026nbsp;de vleugels in beweging zet. Tijdens de opvoering\u0026nbsp;laat Panamarenko de meikever met luid gefladder\u0026nbsp;opstijgen. Omdat het snoer wat te kort is, raakt het\u003cbr\u003ediertje uit evenwicht en valt het op de grond uiteen.\u0026nbsp;Na herstelling krijgt de kever een museale bestemming\u0026nbsp;en volgen er geen demonstraties meer.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8579,"title":"Noordzee pedalo [North Sea Pedalo]","dimensions":"95 x 160 x 390 cm","date_begin":"1994-01-01","material":"metal, polyurethane foam","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Mu.Zee, Ostend","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":31,"permalink":"noordzee-pedalo-north-sea-pedalo","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/056/826/medium_500/550_295_200_FSImage_0_Noordzeepedalo__2_-d56e0b98857e123fa34f7327e9282270.png?1589401269","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/056/826/large/550_295_200_FSImage_0_Noordzeepedalo__2_-d56e0b98857e123fa34f7327e9282270.png?1589401269","poster_credits":"(c)photo : Steven Decroos. Collection Mu.ZEE, Ostend","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e*Noordzee pedalo* vormt een hoogtepunt van Panamarenko\u0026rsquo;s waterexperimenten. Deze onderwaterpedalo is bedoeld om \u0026eacute;\u0026eacute;n persoon de Noordzee te laten oversteken. De piloot neemt plaats op een zadel en wordt dichtgesnoerd met verschillende veiligheidsgordels. De fietspedalen activeren een kleine propeller achter aan de romp. Door een vier meter lange metalen staaf met een loden gewicht van 10 kg wordt het vaartuig onder water in balans gehouden. \u0026lsquo;Om de golven te trotseren heb ik van de pedalo een soort duikbootje gemaakt dat net onder de golfslag zit. Door de lange stabilisatiestang wordt het zwaartepunt verlegd zodat het toestel stabiel blijft.\u0026rsquo;\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":8585,"title":"Grote Quadru Flip-Flop [Big Quadru Flip-Flop]","dimensions":"60 x 168 x 300 cm","date_begin":"1998-01-01","material":"Metal, epoxy","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Private collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"grote-quadru-flip-flop-big-quadru-flip-flop","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/215/large/2014_Panamarenko_photocc.jpg?1411725590","poster_credits":"(c)image: M HKA, Christine Clinckx","translations":[{"locale":"en","description":"\u003cp\u003ePanamarenko harks back in this work to his pedal-powered flying machines with insect wings\u0026nbsp;from the early 1970s. The four-winged aircraft is\u0026nbsp;powered by a pilot who tensions a spring by pedalling.\u0026nbsp;When the spring causes the wings to flap\u003cbr /\u003eopen, they continue to vibrate afterwards at high\u0026nbsp;speed. Panamarenko drew his preliminary design\u0026nbsp;for \u003cem\u003eBig Quadru Flip-Flop\u003c/em\u003e in 1990, but it was not\u0026nbsp;finally constructed until 1998.\u003cbr /\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eMet dit werk grijpt Panamarenko terug naar zijn\u0026nbsp;luchttuigen met insectenvleugels en pedaalaandrijving\u0026nbsp;uit de vroege jaren 1970. Dit viervleugelige\u0026nbsp;luchttuig wordt aangedreven door een piloot\u0026nbsp;die al trappend een veer opspant. Wanneer die\u003cbr /\u003emet grote kracht de vleugels laat openklappen,\u0026nbsp;blijven deze met grote snelheid natrillen. In 1990\u0026nbsp;ontwerpt Panamarenko een eerste tekening voor\u0026nbsp;de \u003cem\u003eGrote Quadru Flip-Flop\u003c/em\u003e; de uiteindelijke realisatie\u0026nbsp;volgt pas in 1998.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8588,"title":"Arlikoop","dimensions":"117 x 28 x 26 cm","date_begin":"2004-01-01","material":"polystyrene, metal, optical lens, electric motor, servos","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection Deweer Art Gallery, Belgium","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003ehttp://artalog.net/artwork/artwork.php?id=884\u0026amp;lang=en\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":28,"permalink":"arlikoop","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/174/large/img_884.jpeg?1381838735","poster_credits":"(c)image: Courtesy Deweer Art Gallery, Belgium","translations":[{"locale":"en","description":"\u003cp\u003eAn early drawing by Panamarenko, dated\u0026nbsp;15 January 1970, shows his first developed\u0026nbsp;project for a robot, to which he gave the title\u0026nbsp;\u003cem\u003eAluminaut\u003c/em\u003e. The robot has a spherical body\u0026nbsp;with a single lens for an eye. Only in 2004 did\u0026nbsp;Panamarenko decide to turn the design into a\u0026nbsp;working robot. He took the machine with him\u0026nbsp;that summer to the North Pole, where he shot\u0026nbsp;a series of videos with \u003cem\u003eArlikoop\u003c/em\u003e, set in the expanse\u0026nbsp;of snow and ice.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eOp een vroege tekening van Panamarenko,\u0026nbsp;gedateerd 15 januari 1970, is zijn eerste uitgewerkte\u0026nbsp;project voor een robot te zien, met als\u0026nbsp;titel \u003cem\u003eAutomaat alluminaut\u003c/em\u003e. De robot heeft een\u0026nbsp;bolvormig lichaam met \u0026eacute;\u0026eacute;n lens als oog. Pas in\u0026nbsp;2004 besluit Panamarenko het ontwerp uit te\u0026nbsp;voeren als werkende robot. Tijdens de zomer\u0026nbsp;van dat jaar neemt hij de \u003cem\u003eArlikoop\u003c/em\u003e mee naar de\u0026nbsp;Noordpool, waar hij een reeks opnames maakt\u0026nbsp;van zijn creatie met uitgestrekte sneeuw- en ijsvlakten\u0026nbsp;als decor.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8581,"title":"PAHAMA, Spitsbergen, Nova Zemblaya","dimensions":"600 x 210 x 370 cm","date_begin":"1996-01-01","material":"steel, plexiglas, engine, generator, video camera, monitor, switchboard","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":35,"stream_count":0,"collection":"Collection Fondation Cartier pour l'Art Contemporain, Paris","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":201,"permalink":"pahama-spitsbergen-nova-zemblaya--3","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/179/large/panamanova.jpg?1381839906","poster_credits":"(c)image: SMAK, Dirk Pauwels","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e\"My mother didn't like this submarine. She said: 'Can't you make anything nice anymore?'\u0026nbsp; And I said: 'But it's a beauty!'\u0026nbsp; 'No', she said, 'nobody's going to think that that's pretty'.\u0026nbsp; I answered: 'The whole world thinks it's beautiful', and she says: 'Yeah, they dare not think otherwise!' (roaring laughter) ... You couldn't invent that kind of joke if you tried! \" \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e-\u0026nbsp;Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003ePanamarenko had always wanted to build a submarine to take to the open seas and defy any storm.\u0026nbsp; His ultimate purpose was to use this craft to journey to the Far North.\u0026nbsp; Nonetheless, it took until the middle of the 19990s before the project really got under way.\u0026nbsp; When one day out walking around the port of Antwerp he saw a green-painted 17 KW diesel engine in a supplier's window, he knew he'd seen the perfect power source for his underwater adventure.\u003c/p\u003e\u003cp\u003eThe form of the submarine that Panamarenko wished to build around that motor, finds its origin in an earlier work from 1967, called \u003ca href=\"http://ensembles.mhka.be/items/7256\"\u003e\u003ci\u003eWalvis \u003c/i\u003e(Whale)\u003c/a\u003e: '\u003ci\u003eI once made a model for a whale, and even then I thought: that's really a lumbering, square box where you could easily stand up in, this kind of whale.\u0026nbsp; It would be good for a little submarine, because I didn't want anything big, but still wanted to be able to stand, because at sea it lasts too long if you have to just keep sitting all the time... ' -\u0026nbsp;\u003c/i\u003ePanamarenko\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e\"Mijn moeder zag die duikboot niet graag en ze zij: 'Kunt ge nu eens niks schoon meer maken?' En ik zei: 'maar dit is iets schoons!', 'Nee', zei ze,'niemand vindt dat schoon'. Waarop ik zei:'Heel de wereld vindt dat schoon', en zij:'Ja, omdat ze\u0026nbsp;niet anders durven!' ( buldergelach)... Zo'n mop kunt ge niet uitvinden, hé?!\" \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e-\u0026nbsp;Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003ePanamarenko heeft altijd een compacte duikboot willen maken die het ruime sop kiest en de storm trotseert. Het ligt immers in zijn bedoeling ermee naar het Hoge Noorden te varen. Toch duurt het tot halfweg de jaren negentig voor hij aan de bouw begint. Wanneer hij op een dag in de vitrine van een winkel in de Antwerpse haven een schitterende, groengeschilderde dieselmotor van 17 kW te koop ziet staan, weet hij dat hij de gedroomde aandrijving voor zijn onderzeeër heeft gevonden.\u003c/p\u003e\u003cp\u003eDe vorm van de duikboot die Panamarenko rond de motor wil bouwen, vindt zijn oorsprong in een vroeger werk, met name zijn \u003ca href=\"http://ensembles.mhka.be/items/7256\"\u003e\u003ci\u003eWalvis\u003c/i\u003e\u003c/a\u003e\u003ci\u003e \u003c/i\u003evan 1967: \"\u003ci\u003eIk had eens een model voor een walvis gemaakt, en toen dacht ik al: dat is eigenlijk een logge, vierkante bak waarin ge gemakkelijk kunt rechtstaan, zo 'n walvis. Dat zou goed zijn voor een duikbootje, want ik wil geen groot model, maar wel een waarin ge kunt rechtstaan, want op zee duurt het te lang als ge de hele tijd moet zitten …\"\u0026nbsp;\u003c/i\u003e\u0026nbsp;- Panamarenko\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8600,"title":"Donnariet","dimensions":"60 x 90 x 48 cm","date_begin":"2003-01-01","material":"mixed media","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"object multiple edition","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":28,"permalink":"donnariet","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/595/medium_500/donnariet_1.jpg?1385044205","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/595/large/donnariet_1.jpg?1385044205","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eSigned and numbered. Edition: 24 ex. + 4 AP + 1 HC + 1 prototype\u0026nbsp;\u003c/p\u003e\u003cp\u003ePublisher: Deweer Art Gallery\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eSigned and numbered. Edition: 24 ex. + 4 AP + 1 HC + 1 prototype\u0026nbsp;\u003c/p\u003e\u003cp\u003ePublisher: Deweer Art Gallery\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eSigned and numbered. Edition: 24 ex. + 4 AP + 1 HC + 1 prototype\u0026nbsp;\u003c/p\u003e\u003cp\u003ePublisher: Deweer Art Gallery\u003c/p\u003e"}]},{"id":8584,"title":"Katapult Max [Catapult Max]","dimensions":"200 x 300 cm","date_begin":"1997-01-01","material":"wood, metal, elastic rubber, nylon, felt","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Private Collection, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCatapult Max?\u0026nbsp;Collectie Leiser?\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":40,"permalink":"katapult-max-catapult-max","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/324/large/panamarenko1.jpg?1407830275","poster_credits":"(c)image: Panamarenko Archive, Courtesy Galerie Ronny Van de Velde, Antwerp","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;Because it is in fact an enormous catapult, and \u0026#39;max\u0026#39; comes from maximal!\u0026nbsp; That device is made in a V-form with two propellers on top, left and right, and underneath are two spaghetti strands made from a hundred meters of rubber that\u0026#39;s one centimeter thick, coming together at a point.\u0026nbsp; If you twist them and let go, then you shoot-off a few meters in the distance.\u0026#39; \u0026nbsp;-\u0026nbsp;\u003c/em\u003ePanamarenko\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eIn 1997, Panamarenko extended his \u003cem\u003ePepto Bism\u003c/em\u003eo\u0026nbsp;portable air transport series with a new helicopter\u0026nbsp;he called \u003cem\u003eCatapult Max\u003c/em\u003e. The machine\u0026rsquo;s rotors\u0026nbsp;are not driven by a traditional jet or electric engine\u0026nbsp;but, surprisingly, by the seemingly everyday\u0026nbsp;principle of elasticity. The pilot, who wears the\u0026nbsp;device on his back, manually winds up the elastic\u0026nbsp;bands using two handles, which Panamarenko\u0026nbsp;calls \u0026lsquo;rack-a-jacks\u0026rsquo;. Once the elastic bands have\u0026nbsp;been wound up, the pilot pulls the pin out of the\u0026nbsp;handles, so that the tension in the bands is transferred\u0026nbsp;to the rotors via two bevel gears. This allows\u0026nbsp;the pilot to leap safely into the air and to\u0026nbsp;clear obstacles.\u003cbr /\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;Omdat dat eigenlijk een enorme katapult is, en max komt van maximaal! Dat toestel is gemaakt in een V- vorm met boven links en rechts twee schroeven, en daaronder tweespaghettistrengen van honderd meter caoutchouc van een centimeter dik, die samenkomen in een punt. Als ge die opdraait en dan loslaat, dan schiet ge\u0026nbsp; gewoon\u0026nbsp; meters\u0026nbsp; ver weg.\u0026quot;\u0026nbsp;\u003c/em\u003e- Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eAls voortzetting van de draagbare vliegapparaten\u0026nbsp;die de naam \u003cem\u003ePepto Bismo\u003c/em\u003e kregen, ontwikkelt\u0026nbsp;Panamarenko in 1997 een nieuwe hefschroefhelikopter\u0026nbsp;die hij \u003cem\u003eKatapult Max\u003c/em\u003e noemt. De propellers\u0026nbsp;van het toestel worden niet aangedreven\u0026nbsp;door een klassieke jet- of elektromotor, maar\u0026nbsp;verrassend genoeg door het veeleer alledaagse\u0026nbsp;principe van de elastische kracht. De rekkers\u0026nbsp;worden door de piloot, die het toestel op de rug\u0026nbsp;draagt, manueel opgedraaid middels twee hendels,\u0026nbsp;door Panamarenko omschreven als racka-\u0026nbsp;jacks. Zodra de rekkers opgedraaid zijn, kan\u0026nbsp;de piloot de pin uit de hendels trekken waardoor\u0026nbsp;de spankracht van de rekkers via twee conische\u0026nbsp;tandwielen op de propellers wordt overgedragen.\u0026nbsp;Op die manier kan de piloot een veilige\u0026nbsp;luchtsprong maken en hindernissen overwinnen.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8582,"title":"Hazerug [Hareback]","dimensions":"90 x 70 x 50 cm","date_begin":"1997-01-01","material":"motor, kevlar, expoxy, plastic, propeller, felt, metal","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection FIBAC, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":95,"permalink":"hazerug-hareback--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/546/large/Hazerug_detoure%C2%A6%C3%BC.jpg?1408355121","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003e\u003cem\u003e\u0026quot;Yes, that Hazerug made quite a deafening racket in Hirsch\u0026#39;s laboratory.\u0026nbsp; The windows would burst open and all the students would run away!\u0026nbsp; First just to the stairwell, then out onto the street!\u0026nbsp; But that test-dummy with the Hazerug really flew high!\u0026nbsp; If you put that backpack on for a real flight, you\u0026#39;d die from the noise and vibrations.\u0026nbsp; You\u0026#39;d just shake apart!\u0026quot; \u003c/em\u003e-\u0026nbsp;\u003cem\u003ePanamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003eSince the project \u003cem\u003eRucksackflug \u003c/em\u003ethat Panamarenko began in the middle-1980s in the Swiss Alps, diverse drive-mechanisms for backpack flyers continued to evolve.\u0026nbsp; At the start of the 1990s,\u0026nbsp;Panamarenko set himself the task of developing a backpack device that would give the pilot the feeling of flying like a bird, \u003cem\u003esomething that could just streak away in a flash...\u003c/em\u003e\u003c/p\u003e\u003cp\u003eThe construction of the propeller and the motor remained the major obstacles.\u0026nbsp; \u003cem\u003eI fiddled around with that motor for half-a-year \u0026#39;til I got what I wanted, \u003c/em\u003ePanamarenko explains.\u0026nbsp; The backpack cannot have too big a propeller, \u003cem\u003ebecause you have to be able to take-off and land anywhere and a large propeller is an encumbrance.\u0026nbsp; So the smaller the better from that angle, but then you need more thrust to get off the ground... \u003c/em\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eFinally, Panamarenko mounts the motor in a round housing, with the propeller at the rear in a vertical position.\u0026nbsp; Via the round housing, the displaced air is expelled below under high pressure through wide jet nozzles.\u0026nbsp; Panamarenko uses a Suzuki engine with sawed-off cooling fins.\u0026nbsp; On the one hand to cut down on weight, and on the other to avert impeded air flow.\u0026nbsp; Together with Prof. Charles Hirsch, Panamarenko tests the backpack in a laboratory at the Vrije Universiteit in Brussels.\u0026nbsp; The backpack is mounted on an iron dummy, weighed down with lead blocks.\u0026nbsp; Panamarenko stands alongside the motor, wearing a helmet and earguards.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026#39;That backpack had a special resonance pan to boost the motor, but the propeller and the air-displacement in the fans made for even more of a racket!\u0026nbsp; It was deafening!\u0026nbsp; Anybody close by just took-off from fright, but that thing really shot high!\u0026nbsp; Afterwards I tried starting that motor once or twice, but the propeller flew off in pieces.\u0026nbsp; After the first attempt, everything came loose because of the vibrations...\u0026#39;\u0026nbsp;\u003c/em\u003e- Panamarenko\u003c/p\u003e\u003cp\u003eThe name \u003cem\u003eHazerug\u003c/em\u003e is completely connected to the device\u0026#39;s speed.\u0026nbsp; Because a hare is so quick, and with that backpack you shot off in a flash.\u0026nbsp; \u003cem\u003eThat\u0026#39;s like running with a hare on your back, right?!\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(source: Hans Willemse andc Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cem\u003e\u0026quot;Ja die hazerug in het labo van Hirsch maakte ongelooflijk veel laweit\u0026hellip; amaai mijn oren! De vensters sprongen en alle studenten gingen lopen! Eerst tot aan de trappen, en daarna zelfs tot op straat! Maar die paspop\u0026nbsp; met de Hazerug ging echt omhoog\u0026hellip;!\u0026nbsp; Maar als ge die rugzak aangespt om te gaan vliegen, dan zijt ge dood van het lawaai en van de trillingen. Ge rammelt gewoon uit mekaar!\u0026quot; \u0026nbsp;- Panamarenko\u003c/em\u003e\u003c/p\u003e\u003cp\u003eSinds het project \u003cem\u003eRucksackflug \u003c/em\u003edat Panamarenko midden de jaren tachtig opstart in de Zwitserse Alpen, blijven de diverse aandrijfmechanismen van de rugzakvliegtuigen evolueren. Begin jaren negentig neemt Panamarenko zich voor een rugzakvliegtuigje te ontwikkelen dat de piloot opnieuw het gevoel geeft een vogel in de lucht te zijn, \u003cem\u003ezoiets dat heel rap kan wegschieten ...\u003c/em\u003e\u003c/p\u003e\u003cp\u003eDe constructie van de schroef en de motor blijft het belangrijkste probleem. \u003cem\u003eIk heb een half jaar aan die motor zitten prutsen tot hij gaf wat ik wilde\u003c/em\u003e verduidelijkt Panamarenko. De rugzak mag geen te grote schroef hebben, \u003cem\u003eomdat ge er overal mee moet kunnen landen en opstijgen, en met een grate schroef zoudt ge overal tegen zitten. Hoe kleiner de schroef hoe beter dus, maar\u0026nbsp;\u003c/em\u003e\u003cem\u003edan is er weer meer vermogen no dig om te kunnen opstijgen \u0026hellip;\u003c/em\u003e\u003c/p\u003e\u003cp\u003eTen slotte monteert Panamarenko de motor in een ronde behuizing, met de propeller achteraan in een verticale positie. De verplaatste lucht wordt onder hoge druk via de ronde behuizing door brede straalpijpen naar beneden afgebogen. Panamarenko gebruikt een Suzuki-motor waarvan hij de koelvinnen afzaagt. Enerzijds om gewicht te besparen, anderzijds\u0026nbsp;omdat ze de luchtstroom zouden hinderen. Samen met prof. Hirsch test Panamarenko de rugzak uit in de laboratoria van de Vrije Universiteit Brussel. De rugzak wordt op een ijzeren paspop gemonteerd, verzwaard met blokken lood. Panamarenko staat naast de motor, en draagt een helm met oorkleppen.\u003c/p\u003e\u003cp\u003e\u003cem\u003e\u0026quot;Die rugzak had een speciale resonantiepot om de motor nog wat op te drijven, maar de schroef en de lucht\u0026shy;verplaatsing in de fans maakten daardoor nog veel meer lawaai! Dat was oorverdovend! Iedereen in de buurt was ineens verdwenen van \u0026#39;t verschieten, maar dat ding schoot wel omhoog! Ik heb de motor nadien nog een tweede keer willen starten, maar toen vloog de schroef in stukken. Na de eerste poging was alles losgetrild ...\u0026quot; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\u003cp\u003eDe benaming \u003cem\u003eHazerug\u003c/em\u003e heeft alles te maken met de snelheid van het toestel. Omdat een haas heel snel is, en met die rugzak schoot ge heel snel weg. \u003cem\u003eDat is als rondlopen met een haas op uw rug, he!\u003c/em\u003e\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8593,"title":"Noordpool Arlikoop","dimensions":"136 x 102 cm","date_begin":"2004-01-01","material":"inkjet print, polyester coated canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Courtesy Deweer Gallery, Otegem, Belgium","cached_tag_list":"print","publishing_process_id":1,"annotation":"\u003cp\u003eSigned and numbered. Edition: 24 ex. + 4 AP + 2 HC Publisher: Deweer Art Gallery\u003c/p\u003e\u003cp\u003eEd. 24 + IV A/P/ + II H.C.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":27,"permalink":"noordpool-arlikoop","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/598/large/NoordpoolArlikoop.jpg?1385046876","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10542,"title":"Blockade '69 - Räume von Beuys Palermo Hödicke Panamarenko Lohaus Giese Knoebel Ruthenbeck Polke","dimensions":"28.9 x 20.7 cm, language : German, publisher : Galerie René Block, Berlin","date_begin":"1969-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/219","stream_count_app":9,"permalink":"blockade-69-raume-von-beuys-palermo-hodicke-panamarenko-lohaus-giese-knoebel-ruthenbeck-polke","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/237/large/PAN_AM_BOOK_093_A.jpg?1400678553","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10544,"title":"We Humans are Free : From the Collection of S.M.A.K., Museum of Contemporary Art, Ghent","dimensions":"26.9 x 21.1 cm, 67 p, language : Japanese, English, publisher : 21st Century Museum of Contemporary Art, Kanazawa, Japan, ISBN : 4-903205-03-7","date_begin":"2006-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/221","stream_count_app":11,"permalink":"we-humans-are-free-from-the-collection-of-s-m-a-k-museum-of-contemporary-art-ghent","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/228/large/PAN_AM_BOOK_090_A.jpg?1400677360","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10546,"title":"Nature Morte ?? (Tentoonstellingsproject rond Kunst en Ecologie)","dimensions":"15.2 x 22 cm, 124 p, language : Dutch, English, French, publisher : Uitgeverij P/Cultureel Centrum Leuven, Leuven, ISBN : 90-73214-38-6","date_begin":"1997-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/222","stream_count_app":10,"permalink":"nature-morte-tentoonstellingsproject-rond-kunst-en-ecologie","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/231/large/PAN_AM_BOOK_091_A.jpg?1400677825","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10566,"title":"Collectie Becht - Beeldende kunst uit de verzameling van Agnes en Frits Becht / The Becht Collection - Visual art from the Agnes and Frits Becht collection","dimensions":"26.6 x 22.5 cm, 240 p, language : Dutch, English, publisher : Stedelijk Museum Amsterdam/Uitgeverij Reflex|Openbaar Kunstbezit, Amsterdam/Utrecht/Weesp, ISBN : 90-6322-096-0","date_begin":"1984-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/224","stream_count_app":11,"permalink":"collectie-becht-beeldende-kunst-uit-de-verzameling-van-agnes-en-frits-becht-the-becht-collection-visual-art-from-the-agnes-and-frits-becht-collection","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/219/large/PAN_AM_BOOK_088_A.jpg?1400674812","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8587,"title":"Brazil","dimensions":"130 x 100 x 650 cm","date_begin":"2004-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Collection Galerie Jamar, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003ePrivate Collection?\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":44,"permalink":"brazil","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/175/large/Brazil.jpg?1381838958","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThe fact that Panamarenko at that time lived outside the city and closer to the natural world, is something that greatly influenced this work.\u0026nbsp; The sculpture consists of a flyer attached to a winged construction with a span of some six and a half meters.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026#39;Yes, its birth was here in the meadows of Michelbeke.\u0026nbsp; You could run quite a long ways in that meadow, and so it\u0026#39;s easy to take-off.\u0026nbsp; With those wings, you just couldn\u0026#39;t do it in the city.\u0026nbsp; You\u0026#39;d need a backpack motor for vertical ascent...\u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\r\n\r\n\u003cp\u003eThe device\u0026#39;s title refers to the \u003ca href=\"http://ensembles.mhka.be/items/11775\"\u003efilm\u003c/a\u003e of the same name from 1985, where there\u0026#39;s a character that dreams of flying with just this sort of folding wings.\u0026nbsp; The first drawing of the design had the title\u0026nbsp;\u003cem\u003eBrazil Ornitopter\u003c/em\u003e, indicating bird-flight.\u0026nbsp; The word \u0026#39;ornitopter\u0026#39; is\u0026nbsp; composed from the Greek \u0026#39;ornis\u0026#39; (bird) and \u0026#39;pteron\u0026#39; (wing).\u003c/p\u003e\r\n\r\n\u003cp\u003eThe device is worn by a mannequin wearing an officer\u0026#39;s uniform from the American Civil War.\u0026nbsp; Panamarenko made the figure by first making a wooden skeleton, with a head from cement that he carves to his own image.\u0026nbsp; A gray coat is impregnated with epoxy and then painted dark blue.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThat gray didn\u0026#39;t stand out well against the translucent plastic of the wings.\u0026nbsp; It was much better in blue... \u003c/em\u003eThe wing made of polyethylene film is fixed to a framework of aluminum tubes, and this by means of four pivot-points that can fold in and out.\u0026nbsp; On the wings\u0026#39; fold-line, Panamarenko has glued a few bands of tape, \u003cem\u003eto\u003c/em\u003e \u003cem\u003eso enhance the fold of the pre-formed shape...\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eThe pilot can take-off as soon as he attains a speed of 40 km. per hour.\u0026nbsp; To help him reach this, he is provided with a powerful electro-motor on his back, pushing him forwards with a force of 12 kg.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eThis way you can get going with folded-in wings.\u0026nbsp; With a constant push of 12 kg. at your back, when the moment\u0026#39;s right you have to deploy the wings.\u0026nbsp; Then they start to lift, and... HOP!\u0026nbsp; You\u0026#39;re off!\u0026nbsp; I reckon you can have take-off after a hundred meters.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e(source: Hans Willemse andPaul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eHet feit dat Panamarenko thans buiten de stad woont en dichter bij de natuur leeft, heeft dit werk sterk be\u0026iuml;nvloed. De sculptuur bestaat uit een vliegenier die op de rug een vleugelconstructie van zes en een halve meter spanwijdte draagt.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;Ja, dat is hier in de weiden van Michelbeke ontstaan. In een wei kunt ge ver lopen, en dat is gemakkelijk om op te stijgen. In de stad met die vleugels gaat dat niet, daar hebt ge een rugzakske met een motor nodig om loodrecht op te stijgen ...\u0026quot; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\r\n\r\n\u003cp\u003eDe titel van het tuig verwijst naar de gelijknamige \u003ca href=\"http://ensembles.mhka.be/items/11775\"\u003efilm\u003c/a\u003e van 1985, waarin een personage voorkomt dat ervan droomt om met zo\u0026#39;n opvouwbare vleugel te kunnen vliegen. De eerste tekening van het ontwerp krijgt als titel \u003cem\u003eBrazil Ornitopter\u003c/em\u003e, wat op de vogel\u0026shy;vlucht wijst. Het woord ornitopter is immers samengesteld uit het Griekse \u0026#39;ornis\u0026#39; (vogel) en \u0026#39;pteron\u0026#39; (vleugel).\u003c/p\u003e\r\n\r\n\u003cp\u003eHet apparaat wordt gedragen door een mannequin die is uitgedost als een officier van de Zuidelijke troepen tijdens de Amerikaanse burgeroorlog. Panamarenko ontwerpt de officier door vooreerst een houten skelet te maken, met een hoofd van cement dat hij slijpt naar zijn eigen beeltenis. Een grijze jas wordt met epoxy ge\u0026iuml;mpregneerd en vervolgens donkerblauw geschilderd.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;De vleugel van polyethyleen film is aan een constructie van aluminiumbuizen bevestigd, die door middel van vier scharnierpunten in-of uitgeklapt kunnen worden. Op de vouwlijn van\u0026nbsp;de vleugel heeft Panamarenko enkele stroken tape gekleefd, \u003cem\u003ezodat dat wat voorgevormd is om goed te plooien ...\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eDe piloot kan opstijgen zodra hij 40 km per uur loopt. Om hem daarbij te helpen, krijgt hij een kleine maar krachtige elektromotor op de rug, die hem met 12 kg voortduwt.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;Hierdoor kunt ge u met gesloten vleugels in gang lopen. Als ge constant met twaalf kilo in uw rug geduwd wordt, moet ge op een zeker moment de vleugel opentrekken. Die begint dan te liften en ... HOP! Dan zijt ge vertrokken, he! Ik denk dat ge na honderd meter moet kunnen opstijgen.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":8586,"title":"Monocedo","dimensions":"130 x 240 cm","date_begin":"2000-01-01","material":"wood, plywood, rubber, textiles, adhesives, Styrofoam, motor, silencers, rotor blade","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection VERDEC","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":30,"permalink":"monocedo--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/544/large/18_Monocedo.jpg?1408354924","poster_credits":"(c)Deweer Gallery, Otegem","translations":[{"locale":"en","description":"\u003cp\u003eThe \u003cem\u003eMonocedo\u003c/em\u003e is a helicopter with two floats, so making it able to take-off and land on both land and water.\u0026nbsp; Because the floats look like string beans (they are curved and of irregular shape), the device was also once called \u003cem\u003eSnijboon\u003c/em\u003e (string bean in Dutch).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026#39;The floats are made from bags.\u0026nbsp; The material was a kind of rubberized cloth that I bought in a camping store, De Kampeerder, on Leopoldstraat in Antwerp.\u0026nbsp; That was the only right sort of material they had there.\u0026nbsp; The right color and the right structure.\u0026nbsp; It was naturally beige in color, not painted or anything.\u0026nbsp; I just glued those bags together, and that went quite well.\u0026nbsp; Then they were filled-up with polyurethane foam.\u0026#39;\u0026nbsp;\u003c/em\u003e- Panamarenko\u003c/p\u003e\r\n\r\n\u003cp\u003eBetween the two pontoon floats, there is a wooden pilot\u0026#39;s seat attached to a metal axis.\u0026nbsp; The helicopter has a single asymmetric rotor blade.\u0026nbsp; This blue wing, mounted behind the pilot on an upright bar, is set in motion via a small propeller that is itself driven by a powerful two-cylinder engine.\u0026nbsp; The engine and the small propeller are positioned on the other end of the rotor blade, and thus function as counterweight.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026#39;That mechanism has no gears, but rather operated via direct drive to the wing itself.\u0026nbsp; With that single blade and a counterweight on the other side, it flies very well owing to centrifugal force.\u0026nbsp; That single blade rotates fast enough.\u0026#39;\u0026nbsp;\u003c/em\u003e\u0026nbsp;- Panamarenko\u003c/p\u003e\r\n\r\n\u003cp\u003eThe apparatus took its name from that of a medicine, \u003cem\u003eMonocedocard\u003c/em\u003e, a vasodilator used in the treatment of cardiovascular disease.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026#39;Monocedo alone sufficed as a name, otherwise it sounded too much like \u0026#39;car\u0026#39;, so I dropped it.\u0026nbsp; Furthermore, the \u0026#39;Mono\u0026#39; refers to that single wing... \u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\r\n\r\n\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe \u003cem\u003eMonocedo\u003c/em\u003e is een helikopter die dankzij twee vlotters overal kan landen en opstijgen, zowel te land als te water. Omdat de vlotters op snijbonen lijken (ze zijn krom en ongelijk gevormd) wordt het tuig ook weel eens \u003cem\u003eSnijboon\u003c/em\u003e genoemd.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;De vlotters zijn van zakken gemaakt. Dat was een soort caoutchouc-toile, een campingmateriaal. Ik heb dat gevonden bij De Kampeerder in Antwerpen, in de Leopoldstraat. Dat was de enige goeie stof die ze daar hadden. Goed van kleur en goed van structuur. Dat had uit zichzelf een beige kleur, dat is niet geschilderd of zo, en ik heb die zakken aaneengeplakt met wonderlijm, dat ging heel goed. Daarna werden ze volgegoten met componentenschuim.\u0026quot; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\r\n\r\n\u003cp\u003eTussen de beide vlotters is op een metalen as een houten zitje voor de bestuurder bevestigd. De helikopter heeft een enkel asymme\u0026shy;trisch rotorblad. Deze blauwe vleugel, die achter de bestuurder op een rechtopstaande staaf gemonteerd is, wordt in beweging gebracht door een kleine propeller die op zijn beurt door een krachtige tweecilinder aangedreven wordt. De motor en de kleine propeller bevinden zich aan het andere uiteinde van het rotorblad, en fungeren op die manier als tegengewicht.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;Dat mechanisme heeft geen tandwielen of zo, maar een aandrijving rechtstreeks op de vleugel zelf. Met dat enkele blad en een tegengewicht aan de andere kant, vliegt dat heel goed omdat het om een centrifugaalkracht gaat. Dat enkele blad draait snel genoeg.\u0026quot; \u003c/em\u003e- Panamarenko\u003c/p\u003e\r\n\r\n\u003cp\u003eHet toestel wordt met de naam van het geneesmiddel \u003cem\u003eMonocedo Card\u003c/em\u003e bedacht. Het medicijn behoort tot de groep van vaat\u0026shy;verwijdende middelen die voor de behandeling van hart-en vaat\u0026shy;ziekten gebruikt worden.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;Monocedo alleen was genoeg als naam, anders klonk het te veel als \u0026#39;car\u0026#39;, dus heb ik dat laatste weggelaten. Bovendien verwijst Mono naar die enkele vleugel ...\u0026quot; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\r\n\r\n\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003cem\u003e\u0026#39;Copyright Panamarenko\u0026#39;\u003c/em\u003e, 2005)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":8618,"title":"Bing II","dimensions":"150 x 300 cm","date_begin":"2003-01-01","material":"metal, balsa wood, plexiglas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jos Jamar, Antwerpse Luchtschipbouw","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":34,"permalink":"bing-ii","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/547/large/BingII_orig.jpg?1408355292","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003ePanamarenko developed \u003ci\u003eBing of the Ferro Lusto\u003c/i\u003e and \u003ci\u003eBing II\u003c/i\u003e as hybrid machines suitable for flying through both the atmosphere and outer space. They were intended to travel between the planets and the cosmic mother-ship \u003ci\u003eFerro Lusto\u003c/i\u003e, and these flying saucers have to be seen as part of a much larger whole. \u003ci\u003eBing II\u003c/i\u003e was powered using air and has three 4D booster engines developed on the basis of the \u003ci\u003eToymodel of Space\u003c/i\u003e theory. The engine consists of two cylinders set in parallel in a metal block. Four pistons make alternate upward and sideways movements. The drive power develops on the basis of the difference in speed and mass in contrast with the direction of movement of the earth and solar system, boosted by centrifugal force. Panamarenko was optimistic about the good performance of the device: \u003ci\u003e‘If my theory is right, it signals of the bankruptcy of all the oil sheiks, because I directly tap the energy of the Big Bang…’\u003c/i\u003e\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003ePanamarenko ontwikkelt \u003ci\u003eBing of the Ferro Lusto\u003c/i\u003e en \u003ci\u003eBing II \u003c/i\u003eals hybride machines die geschikt zijn om zowel door de atmosfeer als door de ruimte te vliegen. Bedoeld om zich tussen de planeten en het kosmisch moederschip \u003ci\u003eFerro Lusto\u003c/i\u003e te verplaatsen, moeten de vliegende schotels gezien worden als een deel van een veel groter geheel. De \u003ci\u003eBing II\u003c/i\u003e wordt aangedreven met lucht en is voorzien van drie 4D-stuwmotoren, die ontwikkeld worden op basis van de \u003ci\u003eToymodel of Space\u003c/i\u003e-theorie. De motor bestaat uit twee paar cilinders die parallel in een metalen blok ingebracht worden. Vier zuigers maken beurtelings een opwaartse en een zijwaartse beweging. Vanuit het verschil van snelheid en massa tegenover de vliegrichting van de aarde en het zonnestelsel ontwikkelt zich, door centrifugale krachten versterkt, de stuwkracht. Over de goede prestaties van het toestel is Panamarenko optimistisch: \u003ci\u003e“Als mijn theorie klopt, betekent dat het failliet van alle oliesjeiks, want ik tap de energie rechtstreeks af van de Big Bang...”\u003c/i\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePanamarenko developed \u003ci\u003eBing of the Ferro Lusto\u003c/i\u003e and \u003ci\u003eBing II\u003c/i\u003e as hybrid machines suitable for flying through both the atmosphere and outer space. They were intended to travel between the planets and the cosmic mother-ship \u003ci\u003eFerro Lusto\u003c/i\u003e, and these flying saucers have to be seen as part of a much larger whole. \u003ci\u003eBing II\u003c/i\u003e was powered using air and has three 4D booster engines developed on the basis of the \u003ci\u003eToymodel of Space\u003c/i\u003e theory. The engine consists of two cylinders set in parallel in a metal block. Four pistons make alternate upward and sideways movements. The drive power develops on the basis of the difference in speed and mass in contrast with the direction of movement of the earth and solar system, boosted by centrifugal force. Panamarenko was optimistic about the good performance of the device: \u003ci\u003e‘If my theory is right, it signals of the bankruptcy of all the oil sheiks, because I directly tap the energy of the Big Bang…’\u003c/i\u003e\u003c/p\u003e"}]},{"id":8616,"title":"Bing of the Ferro Lusto (model)","dimensions":"60 x 110 cm","date_begin":"2002-01-01","material":"metal, painted epoxy, 4 electric motors, presented on a metal standard","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Mulier Mulier Gallery, Knokke","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eSigned in the middle.\u003c/p\u003e\u003cp\u003eGesigneerd in het midden.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":21,"permalink":"bing-of-the-ferro-lusto-model","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/332/large/Panamarenko_Bing_of_the_ferro_lusto___model_.jpg?1412071624","poster_credits":"(c)image: Niels Donckers, Courtesy Mulier Mulier Gallery - Knokke","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e\u0026#39;\u003cem\u003eThere were a lot of problems with Bing-motors.\u0026nbsp; To get them right we needed a better titanium layer, but that was in the domain of the American space industry, and they don\u0026#39;t give anything away\u0026hellip;\u0026#39; -\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;Er waren veel problemen met Bing-motoren. Om ze helemaal goed te krijgen is er een betere titaniumlegering nodig, en die hebben ze alleen maar bij de\u0026nbsp; Amerikaanse ruimtevaartindustrie en die willen niks vrijgeven\u0026hellip;\u0026quot;\u0026nbsp;\u003c/em\u003e\u0026nbsp;- Panamarenko\u003c/strong\u003e\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":8643,"title":"Helikopter Cockpit","dimensions":"26.5 x 35.5 cm","date_begin":null,"material":"pencil, pen, watercolour, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003egesigneerd in het midden.\u003c/p\u003e\u003cp\u003esigned in the middle.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":14,"permalink":"helikopter-cockpit","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/448/large/_WIM5732.jpg?1408021030","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8659,"title":"Japanese Flying Pack","dimensions":"33 x 48 cm","date_begin":"2000-01-01","material":"pencil, pen, Tipp-Ex, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003esigned right under\u003c/p\u003e\u003cp\u003egesigneerd rechtsonder\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":26,"permalink":"japanese-flying-pack","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/436/large/_WIM5694.jpg?1408017855","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8657,"title":"Elastiek Max","dimensions":"33 x 21 cm","date_begin":null,"material":"colour pencil, pen, Tipp-Ex, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":6,"permalink":"elastiek-max","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/450/large/_WIM5750.jpg?1408022032","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8632,"title":"Witte meeuwen","dimensions":"33 x 21 cm","date_begin":"1979-01-01","material":"pencil, pen, paint, colour pencil, Tipp-Ex, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eSigned right centre.\u003c/p\u003e\u003cp\u003eGesigneerd rechts midden.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":7,"permalink":"witte-meeuwen","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/429/large/_WIM5729.jpg?1412345499","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8612,"title":"Raven's variable matrix","dimensions":"165 x 510 x 364 cm","date_begin":"2000-01-01","material":"motor, aluminium, felt, polycarbonate","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":1,"collection":"Collection Mianko, Belgium","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003etitle?; The Matrix? The Raven?\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":42,"permalink":"raven-s-variable-matrix--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/235/large/Panamarenko_Ran's_variable_matrix_photo_M_HKAclinckx3.jpg?1411996373","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026#39;I first wanted to find out exactly how that mechanism worked.\u0026nbsp; A seagull, for instance, that\u0026#39;s really just a triangular sail like a delta-glider, with at most flapping ends...\u0026#39; \u0026nbsp;-\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eThis one-man aircraft recalls Panamarenko\u0026rsquo;s frail\u0026nbsp;insect flying machines from the seventies. Its\u0026nbsp;construction is not based on the wing mechanism\u0026nbsp;of insects, however, but on the flapping method\u0026nbsp;of birds. The structure comprises a long steel\u0026nbsp;tube with a seat for the pilot at the front, and a tail\u0026nbsp;rudder at the back. The wings have an aluminium\u0026nbsp;frame and are covered with transparent\u0026nbsp;macrolon. The wingtips are made of black foam\u0026nbsp;rubber, which provides the resistance needed to\u0026nbsp;maintain the wings in an optimum position at a\u0026nbsp;speed of 50 km/h.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;Ik wilde eerst weten hoe dat mechanisme precies in elkaar zit. 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Mit der richtigen Zeichnungsskizze, oder was auch immer, kann man die Atmosphäre von Abenteuer heraufbeschwören, das weitaus mehr über mein Werk aussagt als eine bloße Einladungskarte mit meinem Namen und Datum darauf... \"\u003c/i\u003e\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003e− Panamarenko\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003eJahr für Jahr hat Panamarenko die Kunstwelt mit einer eigenartigen, spielerischen und eindrucksvollen Schönheit in Staunen versetzt. Mit diesen Zeichnungen, Collagen, wissenschaftlichen Ausstellungen und utopischen Pamphleten hat er fortwährend neue Wege beschritten – egal, ob kosmisch oder intergalaktisch.\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003eDiese Massigkeit und Unterschiede lassen sich von einer eindrucksvollen Zahl von Panamarenko-Postern ablesen. Eine kleine Auswahl wird hier ausgestellt. Einige von ihnen sind ikonische Abbildungen vom Gesamtwerk des Künstlers.\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/835/large/078.jpg?1386588307","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003e\"I always thought that posters have a special impact, which goes far beyond the purely informative. I use the poster to show the dream of what I'm busy with in advance. With the right sketch of drawing or whatever you can evoke the atmosphere of adventure, which says much more than my oeuvre than just an invitation card with my name and date on it ... \"\u003c/i\u003e\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003e− Panamarenko\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003eYear after year Panamarenko has amazed the art world with spectacular constructions with a peculiar beauty, playful and impressive. With his drawings, collages, scientific expositions and utopian pamphlets he has constantly found new ways - whether or not cosmic or intra-galactic.\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003eThose bulknesses and differences can be read from an impressive number of Panamarenko posters. A small selection is shown here. Some of them are iconic images in the artist's oeuvre.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eOffsetdruk gekleefd op karton, in een oplage van120 gesigneerde en genummerde exemplaren, uitgegeven door\u003c/p\u003e\u003cp\u003ehet Kölnischer Kunstverein, Keulen.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003e«\u0026nbsp;J'ai toujours pensé que les posters ont un impact particulier qui va bien au-delà de l'information pure. J'utilise le poster pour montrer le rêve de ce sur quoi je travaille en avance. Avec le bon croquis ou tout ce qui peut évoquer l'atmosphère d'aventure, qui en dit plus que mon oeuvre, plus qu'un carton d'invitation avec mon nom et une date... \u0026nbsp;»\u003c/i\u003e\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003e− Panamarenko\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003eAnnée après année, Panamarenko a émerveillé le monde de l'art avec des constructions spectaculaires d'une beauté particulière, espiègle et impressionnante. Avec ses dessins, ses collages, ses expositions scientifiques et ses pamphlets utopiques, il a constamment trouvé de nouveaux moyens de s'exprimer, qu'ils soient ou non cosmiques ou intergalactiques.\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003eCes volumes et ces différences peuvent être lus à partir d'un nombre impressionnant de posters de Panamarenko. Une petite sélection est présentée ici. Certaines de ces images sont iconiques de l'oeuvre de l'artiste.\u003c/p\u003e"}]},{"id":9192,"title":"Panamarenko, Visite a Dunkerque","dimensions":"50 x 70 cm","date_begin":"1992-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":14,"permalink":"panamarenko-visite-a-dunkerque","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026bdquo;Ich war immer der Meinung, dass Poster eine besondere Wirkung aus\u0026uuml;ben, die weit \u0026uuml;ber das rein Informative hinausgeht. Ich verwende Poster, um den Traum zu zeigen, der mich gerade besch\u0026auml;ftigt. Mit der richtigen Zeichnungsskizze, oder was auch immer, kann man die Atmosph\u0026auml;re von Abenteuer heraufbeschw\u0026ouml;ren, das weitaus mehr \u0026uuml;ber mein Werk aussagt als eine blo\u0026szlig;e Einladungskarte mit meinem Namen und Datum darauf... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eJahr f\u0026uuml;r Jahr hat Panamarenko die Kunstwelt mit einer eigenartigen, spielerischen und eindrucksvollen Sch\u0026ouml;nheit in Staunen versetzt. Mit diesen Zeichnungen, Collagen, wissenschaftlichen Ausstellungen und utopischen Pamphleten hat er fortw\u0026auml;hrend neue Wege beschritten \u0026ndash; egal, ob kosmisch oder intergalaktisch.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDiese Massigkeit und Unterschiede lassen sich von einer eindrucksvollen Zahl von Panamarenko-Postern ablesen. Eine kleine Auswahl wird hier ausgestellt. Einige von ihnen sind ikonische Abbildungen vom Gesamtwerk des K\u0026uuml;nstlers.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/861/large/043.jpg?1386599837","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;I always thought that posters have a special impact, which goes far beyond the purely informative. I use the poster to show the dream of what I\u0026#39;m busy with in advance. With the right sketch of drawing or whatever you can evoke the atmosphere of adventure, which says much more than my oeuvre than just an invitation card with my name and date on it ... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eYear after year Panamarenko has amazed the art world with spectacular constructions with a peculiar beauty, playful and impressive. With his drawings, collages, scientific expositions and utopian pamphlets he has constantly found new ways - whether or not cosmic or intra-galactic.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThose bulknesses and differences can be read from an impressive number of Panamarenko posters. A small selection is shown here. Some of them are iconic images in the artist\u0026#39;s oeuvre.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;J\u0026#39;ai toujours pens\u0026eacute; que les posters ont un impact particulier qui va bien au-del\u0026agrave; de l\u0026#39;information pure. J\u0026#39;utilise le poster pour montrer le r\u0026ecirc;ve de ce sur quoi je travaille en avance. Avec le bon croquis ou tout ce qui peut \u0026eacute;voquer l\u0026#39;atmosph\u0026egrave;re d\u0026#39;aventure, qui en dit plus que mon oeuvre, plus qu\u0026#39;un carton d\u0026#39;invitation avec mon nom et une date... \u0026nbsp;\u0026raquo;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAnn\u0026eacute;e apr\u0026egrave;s ann\u0026eacute;e, Panamarenko a \u0026eacute;merveill\u0026eacute; le monde de l\u0026#39;art avec des constructions spectaculaires d\u0026#39;une beaut\u0026eacute; particuli\u0026egrave;re, espi\u0026egrave;gle et impressionnante. Avec ses dessins, ses collages, ses expositions scientifiques et ses pamphlets utopiques, il a constamment trouv\u0026eacute; de nouveaux moyens de s\u0026#39;exprimer, qu\u0026#39;ils soient ou non cosmiques ou intergalactiques.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCes volumes et ces diff\u0026eacute;rences peuvent \u0026ecirc;tre lus \u0026agrave; partir d\u0026#39;un nombre impressionnant de posters de Panamarenko. Une petite s\u0026eacute;lection est pr\u0026eacute;sent\u0026eacute;e ici. Certaines de ces images sont iconiques de l\u0026#39;oeuvre de l\u0026#39;artiste.\u003c/p\u003e\r\n"}]},{"id":9163,"title":"Bing of the Ferro Lusto","dimensions":"76 x 51 cm","date_begin":"2000-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":18,"permalink":"bing-of-the-ferro-lusto--4","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/840/large/044.jpg?1386593091","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10662,"title":"VTOL military research aircraft","dimensions":"27.5 x 21.2 cm, 248 p, language : English, publisher : Haynes Publishing Group, Sparkford, Nr. Yeovil (Somerset), ISBN : 0-85429-675-1","date_begin":"1989-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/248","stream_count_app":10,"permalink":"vtol-military-research-aircraft","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/281/large/PAN_AM_BOOK_112_A.jpg?1400745629","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10665,"title":"Science Journal (September 1970, volume 6, number 9)","dimensions":"29.5 x 21.8 cm, 84 p, language : English, publisher : IPC Business Press Ltd., London","date_begin":"1970-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":59,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/250","stream_count_app":9,"permalink":"science-journal-september-1970-volume-6-number-9","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/286/large/PAN_AM_BOOK_114_A.jpg?1400746284","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10666,"title":"La Biennale di Venezia (XLVII Esposizione Internazionale d'Arte 97) - General Catalogue","dimensions":"29 x 24 cm, 728 p, language : English, publisher : Biennale di Venezia/Electa, Venezia/Milano, ISBN : 88-435-6152-9","date_begin":"1997-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1996/458","stream_count_app":10,"permalink":"la-biennale-di-venezia-xlvii-esposizione-internazionale-d-arte-97-general-catalogue","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/327/large/PAN_AM_BOOK_132_A.jpg?1400752770","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10667,"title":"La Biennale di Venezia (XLVII Esposizione Internazionale d'Arte 97) - Future Present Past","dimensions":"28.9 x 24 cm, 700 p, language : English, publisher : Biennale di Venezia/Electa, Venezia/Milano, ISBN : 88-435-6154-5","date_begin":"1997-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/251","stream_count_app":9,"permalink":"la-biennale-di-venezia-xlvii-esposizione-internazionale-d-arte-97-future-present-past","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/324/large/PAN_AM_BOOK_131_A.jpg?1400752579","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9236,"title":"Panamarenko. Objecten, Tekeningen, Multiples","dimensions":"42 x 30 cm","date_begin":"2008-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":14,"permalink":"panamarenko-objecten-tekeningen-multiples","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/894/large/039.jpg?1386671266","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9222,"title":"Panamarenko. Eiland \u0026 Loxodrome","dimensions":"60.5 x 43 cm","date_begin":"2004-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"panamarenko-eiland-loxodrome","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/885/large/037.jpg?1386668873","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9221,"title":"Panamarenko. Multiples.","dimensions":"84 x 59.5 cm","date_begin":"2004-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"panamarenko-multiples--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/884/large/012.jpg?1386668733","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9216,"title":"Panamarenko. Man Powered Papaver.","dimensions":"97.5 x 80 cm","date_begin":"2002-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":14,"permalink":"panamarenko-man-powered-papaver","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/881/large/006.jpg?1386668264","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":10668,"title":"Vleugels","dimensions":"24.5 x 18.8 cm, 252 p, language : Dutch, publisher : N.V. 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Kluwer, Deventer","date_begin":"1948-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/252","stream_count_app":11,"permalink":"vleugels","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/311/large/PAN_AM_BOOK_136_A.jpg?1400751481","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9217,"title":"Panamarenko. Alles leren Alles kunnen Alles doen.","dimensions":"59.5 x 42 cm and 119 x 84 cm","date_begin":"2003-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":13,"permalink":"panamarenko-alles-leren-alles-kunnen-alles-doen","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/882/large/005.jpg?1386668364","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9251,"title":"Panamarenko. ","dimensions":"25.5 x 18 cm","date_begin":"1993-01-01","material":"paper, ink","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Panamarenkohuis Biekorfstraat","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":16,"permalink":"panamarenko--14","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/895/large/017.jpg?1386675212","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9224,"title":"Panamarenko. 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Thermo Voltaic Convertor","dimensions":"49 x 70 cm","date_begin":"2001-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":23,"permalink":"panamarenko-thermo-voltaic-convertor","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026bdquo;Ich war immer der Meinung, dass Poster eine besondere Wirkung aus\u0026uuml;ben, die weit \u0026uuml;ber das rein Informative hinausgeht. Ich verwende Poster, um den Traum zu zeigen, der mich gerade besch\u0026auml;ftigt. Mit der richtigen Zeichnungsskizze, oder was auch immer, kann man die Atmosph\u0026auml;re von Abenteuer heraufbeschw\u0026ouml;ren, das weitaus mehr \u0026uuml;ber mein Werk aussagt als eine blo\u0026szlig;e Einladungskarte mit meinem Namen und Datum darauf... \u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eJahr f\u0026uuml;r Jahr hat Panamarenko die Kunstwelt mit einer eigenartigen, spielerischen und eindrucksvollen Sch\u0026ouml;nheit in Staunen versetzt. Mit diesen Zeichnungen, Collagen, wissenschaftlichen Ausstellungen und utopischen Pamphleten hat er fortw\u0026auml;hrend neue Wege beschritten \u0026ndash; egal, ob kosmisch oder intergalaktisch.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDiese Massigkeit und Unterschiede lassen sich von einer eindrucksvollen Zahl von Panamarenko-Postern ablesen. Eine kleine Auswahl wird hier ausgestellt. Einige von ihnen sind ikonische Abbildungen vom Gesamtwerk des K\u0026uuml;nstlers.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/877/large/059.jpg?1386667438","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;I always thought that posters have a special impact, which goes far beyond the purely informative. I use the poster to show the dream of what I\u0026#39;m busy with in advance. With the right sketch of drawing or whatever you can evoke the atmosphere of adventure, which says much more than my oeuvre than just an invitation card with my name and date on it ... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eYear after year Panamarenko has amazed the art world with spectacular constructions with a peculiar beauty, playful and impressive. With his drawings, collages, scientific expositions and utopian pamphlets he has constantly found new ways - whether or not cosmic or intra-galactic.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThose bulknesses and differences can be read from an impressive number of Panamarenko posters. A small selection is shown here. Some of them are iconic images in the artist\u0026#39;s oeuvre.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;J\u0026#39;ai toujours pens\u0026eacute; que les posters ont un impact particulier qui va bien au-del\u0026agrave; de l\u0026#39;information pure. J\u0026#39;utilise le poster pour montrer le r\u0026ecirc;ve de ce sur quoi je travaille en avance. Avec le bon croquis ou tout ce qui peut \u0026eacute;voquer l\u0026#39;atmosph\u0026egrave;re d\u0026#39;aventure, qui en dit plus que mon oeuvre, plus qu\u0026#39;un carton d\u0026#39;invitation avec mon nom et une date... \u0026nbsp;\u0026raquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAnn\u0026eacute;e apr\u0026egrave;s ann\u0026eacute;e, Panamarenko a \u0026eacute;merveill\u0026eacute; le monde de l\u0026#39;art avec des constructions spectaculaires d\u0026#39;une beaut\u0026eacute; particuli\u0026egrave;re, espi\u0026egrave;gle et impressionnante. 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Scotch Gambit.","dimensions":"80 x 100 cm","date_begin":"2002-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"panamarenko-scotch-gambit","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026bdquo;Ich war immer der Meinung, dass Poster eine besondere Wirkung aus\u0026uuml;ben, die weit \u0026uuml;ber das rein Informative hinausgeht. Ich verwende Poster, um den Traum zu zeigen, der mich gerade besch\u0026auml;ftigt. Mit der richtigen Zeichnungsskizze, oder was auch immer, kann man die Atmosph\u0026auml;re von Abenteuer heraufbeschw\u0026ouml;ren, das weitaus mehr \u0026uuml;ber mein Werk aussagt als eine blo\u0026szlig;e Einladungskarte mit meinem Namen und Datum darauf... \u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eJahr f\u0026uuml;r Jahr hat Panamarenko die Kunstwelt mit einer eigenartigen, spielerischen und eindrucksvollen Sch\u0026ouml;nheit in Staunen versetzt. Mit diesen Zeichnungen, Collagen, wissenschaftlichen Ausstellungen und utopischen Pamphleten hat er fortw\u0026auml;hrend neue Wege beschritten \u0026ndash; egal, ob kosmisch oder intergalaktisch.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDiese Massigkeit und Unterschiede lassen sich von einer eindrucksvollen Zahl von Panamarenko-Postern ablesen. Eine kleine Auswahl wird hier ausgestellt. 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I use the poster to show the dream of what I\u0026#39;m busy with in advance. With the right sketch of drawing or whatever you can evoke the atmosphere of adventure, which says much more than my oeuvre than just an invitation card with my name and date on it ... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eYear after year Panamarenko has amazed the art world with spectacular constructions with a peculiar beauty, playful and impressive. With his drawings, collages, scientific expositions and utopian pamphlets he has constantly found new ways - whether or not cosmic or intra-galactic.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThose bulknesses and differences can be read from an impressive number of Panamarenko posters. A small selection is shown here. Some of them are iconic images in the artist\u0026#39;s oeuvre.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;J\u0026#39;ai toujours pens\u0026eacute; que les posters ont un impact particulier qui va bien au-del\u0026agrave; de l\u0026#39;information pure. J\u0026#39;utilise le poster pour montrer le r\u0026ecirc;ve de ce sur quoi je travaille en avance. Avec le bon croquis ou tout ce qui peut \u0026eacute;voquer l\u0026#39;atmosph\u0026egrave;re d\u0026#39;aventure, qui en dit plus que mon oeuvre, plus qu\u0026#39;un carton d\u0026#39;invitation avec mon nom et une date... \u0026nbsp;\u0026raquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAnn\u0026eacute;e apr\u0026egrave;s ann\u0026eacute;e, Panamarenko a \u0026eacute;merveill\u0026eacute; le monde de l\u0026#39;art avec des constructions spectaculaires d\u0026#39;une beaut\u0026eacute; particuli\u0026egrave;re, espi\u0026egrave;gle et impressionnante. 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Certaines de ces images sont iconiques de l\u0026#39;oeuvre de l\u0026#39;artiste.\u003c/p\u003e\r\n"}]},{"id":10669,"title":"Kunst in België na 45","dimensions":"33.5 x 25.5 cm, 448 p, language : Dutch, publisher : Mercatorfonds, Antwerpen, ISBN : 90-6153-118-7","date_begin":"1983-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1995/404","stream_count_app":9,"permalink":"kunst-in-belgie-na-45","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/298/large/PAN_AM_BOOK_119_A.jpg?1400750455","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9235,"title":"Panamarenko. 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Ontbijt op de Groenplaats","dimensions":"","date_begin":"1987-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":155,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"happeners-opnieuw-verenigd-ontbijt-op-de-groenplaats","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Joris Ghekiere,  Panamarenko, Dr. Hugo Heyrman, Wout Vercammen, Diana Van Strijdonck","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e**08/05/1987**\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e**08/05/1987**\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e**08/05/1987**\u003c/p\u003e\r\n"}]},{"id":9504,"title":"IJsblokkenactie [Ice Block Action]","dimensions":"","date_begin":"1968-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":155,"platform_id":1,"deleted":false,"asset_count":10,"stream_count":0,"collection":"","cached_tag_list":"VAGA","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":36,"permalink":"ijsblokkenactie-ice-block-action","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Dr. Hugo Heyrman,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/212/large/PAN_AM_FOTO_1188.jpg?1411724323","poster_credits":"(c)image: Panamarenko Archive","translations":[{"locale":"en","description":"\u003cp\u003eThe events of May 1968 reverberated in Belgium\u0026nbsp;too, at the Universit\u0026eacute; Libre de Bruxelles first of\u0026nbsp;all, and then at the Palais des Beaux-Arts, also\u0026nbsp;in Brussels, on 28 May 1968. Antwerp followed\u0026nbsp;suit two days later with the creation of the Vrije\u0026nbsp;Aktiegroep Antwerpen (\u0026lsquo;Antwerp Free Action\u0026nbsp;Group\u0026rsquo; \u0026ndash; VAGA). This loose group of individuals\u0026nbsp;reacted against the rigid policies of the city\u0026rsquo;s\u0026nbsp;Museum of Fine Art, focusing primarily on social\u0026nbsp;and ecological issues. VAGA declared, for instance, via a manifesto and a non-violent occupation\u0026nbsp;with a sit-in on 23 June 1968, that it\u0026nbsp;wanted Conscienceplein, a square in Antwerp,\u0026nbsp;to become a car-free zone. The following week,\u0026nbsp;the demonstrators brought road signs with them bearing the words \u0026lsquo;Autovrije zone\u0026rsquo;. The local police\u0026nbsp;countered the demonstration by blocking off\u0026nbsp;neighbouring Wolstraat with their van, forcing\u0026nbsp;cars to drive across Conscienceplein.\u003c/p\u003e\r\n\r\n\u003cp\u003eAnd then\u0026nbsp;it happened: Ludo Loose drove\u0026nbsp;up in a truck and asked the police if he could park\u0026nbsp;on the square to unload blocks of ice for a restaurant\u0026rsquo;s\u0026nbsp;refrigeration system. Permission was\u0026nbsp;granted, but rather than delivering the blocks\u0026nbsp;to the restaurant, he unloaded them \u0026ndash; assisted\u0026nbsp;by Hugo Heyrman and Panamarenko \u0026ndash; onto\u0026nbsp;the road. Panamarenko had the idea of stacking\u0026nbsp;the blocks to form a cube shape, with the result\u0026nbsp;that they stuck together and froze onto the\u0026nbsp;road surface, turning the ice into a natural traffic\u0026nbsp;barrier. The structure is strongly reminiscent of\u0026nbsp;Allan Kaprow\u0026rsquo;s \u003ca href=\"http://ensembles.mhka.be/items/9504/assets/25211\"\u003e\u003cem\u003eFluids\u003c/em\u003e\u003c/a\u003e (1967), albeit on a smaller\u0026nbsp;scale and with a bigger social impact. The police\u0026nbsp;had no option but to reopen Wolstraat to traffic.\u0026nbsp;The campaigners\u0026rsquo; success was celebrated exuberantly\u0026nbsp;on the square the following week, in a\u0026nbsp;full-on street party. White balloons were handed\u0026nbsp;out, turf laid, bands invited and films screened,\u0026nbsp;including Marcel Broodthaers\u0026rsquo;s \u003ca href=\"http://www.youtube.com/watch?v=p4RSW-G5ZTE\"\u003e\u003cem\u003eLe Corbeau et le\u0026nbsp;Renard\u003c/em\u003e\u003c/a\u003e and Joseph Beuys\u0026rsquo;s Eurasienstab. The\u0026nbsp;city council eventually gave in to the demands to\u003cbr /\u003e\r\npedestrianize the square.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eDe gebeurtenissen van mei 1968 zinderden ook na in Belgi\u0026euml;. Eerst aan de Universit\u0026eacute; libre de\u0026nbsp;Bruxelles en vervolgens in het Brusselse Paleis\u0026nbsp;voor Schone Kunsten op 28 mei 1968. Twee dagen\u0026nbsp;later zou Antwerpen volgen met de oprichting\u0026nbsp;van de Vrije Aktiegroep Antwerpen (VAGA).\u0026nbsp;Deze losse groepering van individuen ageerde\u0026nbsp;tegen het strakke beleid van het Museum voor\u0026nbsp;Schone Kunsten en richtte zich vooral op sociale\u0026nbsp;en ecologische pijnpunten. Zo maakte VAGA via\u0026nbsp;een manifest en een geweldloze bezetting met\u0026nbsp;een sit-in op 23 juni 1968 duidelijk dat ze het\u0026nbsp;Antwerpse Conscienceplein wilden uitroepen\u0026nbsp;tot een autovrije zone. De week daarna brachten\u0026nbsp;de demonstranten ook verkeersborden mee\u0026nbsp;waarop \u0026lsquo;Autovrije zone\u0026rsquo; vermeld stond. De lokale\u0026nbsp;politie plande hierop een tegenzet door de aangrenzende\u0026nbsp;Wolstraat voor het autoverkeer af te\u0026nbsp;sluiten met hun combi, zodat de automobilisten\u0026nbsp;verplicht werden het Conscienceplein op te rijden.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn toen gebeurde het.Ludo Loose, die een vrachtwagen bestuurde, vroeg\u0026nbsp;aan de politie of hij even op het plein mocht parkeren\u0026nbsp;om ijsblokken te lossen voor de koeling van\u0026nbsp;een restaurant. De toestemming werd verleend,\u003cbr /\u003e\r\nmaar in plaats van de blokken aan een restaurant\u0026nbsp;te leveren, laadde hij ze, met de hulp van Hugo\u0026nbsp;Heyrman en Panamarenko, uit op de openbare\u0026nbsp;weg. Panamarenko had het idee om de ijsblokken\u0026nbsp;in kubusvorm op te stapelen, waardoor ze\u0026nbsp;aaneenklitten en aan de grond vastvroren. De\u0026nbsp;hele structuur fungeerde op die manier als een\u0026nbsp;natuurlijke barricade tegen het autoverkeer. Die\u0026nbsp;structuur doet sterk denken aan Allan Kaprows\u0026nbsp;\u003ca href=\"http://ensembles.mhka.be/items/9504/assets/25211\"\u003e\u003cem\u003eFluids\u003c/em\u003e\u003c/a\u003e (1967), zij het kleiner in omvang en met\u0026nbsp;een grotere maatschappelijke impact. De politie\u0026nbsp;van haar kant zag zich genoodzaakt om de\u0026nbsp;Wolstraat weer voor het verkeer open te stellen.\u0026nbsp;Het succes van de actievoerders werd een week\u0026nbsp;later op het plein uitbundig gevierd met een heus\u0026nbsp;volksfeest. Witte ballonnen werden uitgedeeld,\u0026nbsp;graszoden aangebracht, muziekgroepen uitgenodigd\u0026nbsp;en films, zoals\u003cem\u003e \u003ca href=\"http://www.youtube.com/watch?v=p4RSW-G5ZTE\"\u003eLe Corbeau et le Renard\u003c/a\u003e\u003c/em\u003e\u0026nbsp;van Marcel Broodthaers en \u003cem\u003eEurasienstab\u003c/em\u003e van\u0026nbsp;Joseph Beuys, geprojecteerd. Het stadsbestuur\u0026nbsp;gaf uiteindelijk toe aan de eisen om het plein autovrij\u0026nbsp;te maken.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e(06/07/2014)\u003c/p\u003e\r\n"}]},{"id":9508,"title":"Happening News 2","dimensions":"299 x 224 mm, 9 p","date_begin":"1965-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":59,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"pamphlet original edition","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":24,"permalink":"happening-news-2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Dr. Hugo Heyrman,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e2. Second issue (Ocober 1965): 9 pp. Xeroxed in black on white card, recto/verso (299 x 224 mm). This issue contains the xeroxed heads of the four protagonists, Panamarenko, Wout Vercammen, Hugo Heyrman and Bernd Lohaus. Tony Rombouts and Jeroen Henneman both contributed with a single page composition/ poem. One composition by Hugo Heyrman bears the date '13 oktober 1965'. (www.doctorhugo.org)\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7252,"title":"Zwitserse fiets [Swiss Bicycle]","dimensions":"61.5 x 60 x 66 cm ","date_begin":"1967-01-01","material":"tin, cardboard, linen","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"WV9","stream_count_app":71,"permalink":"zwitserse-fiets-swiss-bicycle","description_ru":"","description_de":"\u003cp\u003eIn der zweiten Hälfte der 60er Jahre baut Panamarenko eine Serie von poetischen Objekten, oft inspiriert von Jugenderinnerungen. Weil bei diesen Kunstwerken der Nachdruck auf das Formliche liegt und noch nicht auf das Funktionieren, werden sie als ‘stille Objekte’ bezeichnet. 1965 stößt Panamarenko in einer amerikanischen wissenschaftlichen Zeitschrift auf das Bild eines Bergfahrrads mit einem auffälligen kleinen Vorderrad. Nach einem Aufenthalt in der Schweiz entscheidet der Künstler sich, dieses Fahrrad als Objekt nachzubauen. Mit \u003ci\u003eZwitserse fiets \u003c/i\u003e(dt. Schweizerischen Fahrrad) tritt langsam die Faszination für Technologie in den Vordergrund.\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/369/large/PAN_ADD_023.jpg?1389775664","poster_credits":"(c)photo: R. Van Den Bremt, Courtesy Anny De Decker, Antwerp","translations":[{"locale":"en","description":"\u003cp\u003eIn the second half of the 1960s, Panamarenko built a series of poetic objects, often inspired by memories of his youth. Because the emphasis in these works is on their formal qualities and not yet on function or technology, they are referred to as ‘silent objects’. In 1965 Panamarenko comes across, in an American scientific magazine, the picture of a mountain bike with a strikingly small front wheel. After a sojourn to Switzerland, the artist decides to imitate the bicycle as object. In \u003ci\u003eZwitserse fiets\u003c/i\u003e the fascination for technology comes to the fore.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e\"Zo'n klein compact velooke. Met een hele grote overbrenging, een groot achterwiel en een klein voorwiel, dat nu niet niét bergop kan rijden ...\" (Panamarenko, 2005)\u003c/i\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003eIn de tweede helft van de jaren 60 bouwt Panamarenko een reeks poëtische objecten, vaak geïnspireerd op herinneringen uit zijn jeugd. Omdat bij deze werken de nadruk op het vormelijke ligt en nog niet op het functioneren, worden ze aangeduid als ‘stille objecten’. In 1965 stuit Panamarenko in een Amerikaans wetenschappelijk tijdschrift op de afbeelding van een bergfiets met een opvallend klein voorwiel. Na een verblijf in Zwitserland besluit de kunstenaar de fiets na te bouwen als object. Met \u003ci\u003eZwitserse fiets\u003c/i\u003e komt stilaan de fascinatie voor technologie op de voorgrond.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eDans la seconde moitié des années 60, Panamarenko construit une série d’objets poétiques, souvent inspirés de souvenirs de jeunesse. L’accent étant surtout mis sur la forme de ces œuvres et non sur leur fonctionnement ou leur technologie, on les qualifie d’objets silencieux. En 1965, dans une revue scientifique états-unienne, Panamarenko tombe sur l’image d’un vélo de montagne avec une roue avant remarquablement petite. Après un séjour en Suisse, il décide de reproduire le vélo en tant qu’objet. La fascination pour la technologie apparaît nettement dans l’œuvres \u003ci\u003eZwitserse fiets\u003c/i\u003e.\u003c/p\u003e"}]},{"id":13781,"title":"Panamarenko - Posters","dimensions":"28.6 x 23.5 cm, 95 p., language : English, Dutch, publisher : Panamarenko Collectief \u0026 Museum van Hedendaagse Kunst Antwerpen/Ludion, Antwerpen, ISBN : 9789055447756","date_begin":"2008-01-01","material":"Ink, paper","short_description":"\u003cp\u003eEditing \u0026amp; Texts : Hans Willemse (Panamarenko Collectief vzw, Antwerpen) \u0026amp; Paul Morrens (Collector).\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2006/196","stream_count_app":7,"permalink":"panamarenko-posters","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/322/large/__Photo_M_HKA__20.jpg?1458557784","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eEditing \u0026amp; Texts : Hans Willemse (Panamarenko Collectief vzw, Antwerpen) \u0026amp; Paul Morrens (Collector).\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eEditing \u0026amp; Texts : Hans Willemse (Panamarenko Collectief vzw, Antwerpen) \u0026amp; Paul Morrens (Collector).\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEditing \u0026amp; Texts : Hans Willemse (Panamarenko Collectief vzw, Antwerpen) \u0026amp; Paul Morrens (Collector).\u003c/p\u003e\r\n"}]},{"id":13808,"title":"Panamarenko Universum","dimensions":"30.6 x 23.5 cm, 223 p., language : Dutch, publisher : Museum van Hedendaagse Kunst Antwerpen \u0026 Ludion, ISBN : 9789491819193","date_begin":"2014-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/525","stream_count_app":6,"permalink":"panamarenko-universum","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/276/large/__Photo_M_HKA__4.jpg?1458551121","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eCoordination : Hans Willemse (Panamarenko Collectief, Antwerpen).\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Philip Heylen, Anders Kreuger (Curator M HKA), Viktor Misiano, Stefaan Wauters \u0026amp; Hans Willemse.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eCoordination : Hans Willemse (Panamarenko Collectief, Antwerpen).\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Philip Heylen, Anders Kreuger (Curator M HKA), Viktor Misiano, Stefaan Wauters \u0026amp; Hans Willemse.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eCoordination : Hans Willemse (Panamarenko Collectief, Antwerpen).\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Philip Heylen, Anders Kreuger (Curator M HKA), Viktor Misiano, Stefaan Wauters \u0026amp; Hans Willemse.\u003c/p\u003e\r\n"}]},{"id":13786,"title":"Panamarenko - Workstation Biekorfstraat","dimensions":"30.7 x 23.7 cm, 295 p., language : Dutch, English, publisher : Museum van Hedendaagse Kunst/Linkeroever Uitgevers, Antwerpen","date_begin":"2010-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2020/910","stream_count_app":12,"permalink":"panamarenko-workstation-biekorfstraat-e5b5306d-c6c6-4a79-a88f-468b80215dcf","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/324/large/__Photo_M_HKA__17.jpg?1458558122","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eEditing \u0026amp; concept : Hans Willemse.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Didier Coulon, Luc Deleu \u0026amp; Hans Willemse (Panamarenko Collectief vzw).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable in the M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eEditing \u0026amp; concept : Hans Willemse.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Didier Coulon, Luc Deleu \u0026amp; Hans Willemse (Panamarenko Collectief vzw).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVerkrijgbaar in de M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eEditing \u0026amp; concept : Hans Willemse.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Didier Coulon, Luc Deleu \u0026amp; Hans Willemse (Panamarenko Collectief vzw).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisponible dans le M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":13809,"title":"Panamarenko Universum","dimensions":"30.6 x 23.5 cm, 223 p., language : English, publisher : Museum van Hedendaagse Kunst \u0026 Ludion, ISBN : 9789491819209","date_begin":"2014-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/526","stream_count_app":7,"permalink":"panamarenko-universum-e8cf4877-2790-4559-917f-ffd629201f5a","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/275/large/__Photo_M_HKA__4.jpg?1458551032","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eCoordination : Hans Willemse (Panamarenko Collectief, Antwerpen).\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Philip Heylen, Anders Kreuger (Curator M HKA), Viktor Misiano, Stefaan Wauters \u0026amp; Hans Willemse.\u003c/p\u003e\r\n\r\n\u003cpre\u003e\r\n\u003cb\u003eAvailable in the M HKA - bookshop.\u003c/b\u003e\u003c/pre\u003e\r\n\r\n\u003cpre\u003e\r\n\r\n\u0026nbsp;\u003c/pre\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eCoordination : Hans Willemse (Panamarenko Collectief, Antwerpen).\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Philip Heylen, Anders Kreuger (Curator M HKA), Viktor Misiano, Stefaan Wauters \u0026amp; Hans Willemse.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVerkrijgbaar in de M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eCoordination : Hans Willemse (Panamarenko Collectief, Antwerpen).\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Bart De Baere (Director M HKA), Philip Heylen, Anders Kreuger (Curator M HKA), Viktor Misiano, Stefaan Wauters \u0026amp; Hans Willemse.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisponible dans le M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":11559,"title":"Panamarenko - 1989 - Een overzicht 1965-1985 [book]","dimensions":"27.5 x 21 cm, 128 p., language : Dutch, French, English, publisher : Museum van Hedendaagse Kunst, Antwerpen","date_begin":null,"material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA Antwerp.","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1994/883","stream_count_app":38,"permalink":"panamarenko-een-overzicht-1965-1985--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko, Hans Theys, Liliane Dewachter","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/354/large/PAN_AM_BOOK_155_A.jpg?1407926331","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eForeword by Lillian Dewachter, Curator MuHKA. Texts by Jan Fonc\u0026eacute;, Curator, Paul Morrens, Anny De Decker, Hans Theys.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSOLD OUT\u0026nbsp;in the M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eForeword by Lillian Dewachter, Curator MuHKA. Texts by Jan Fonc\u0026eacute;, Curator, Paul Morrens, Anny De Decker, Hans Theys.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eUITVERKOCHT in de M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eForeword by Lillian Dewachter, Curator MuHKA. Texts by Jan Fonc\u0026eacute;, Curator, Paul Morrens, Anny De Decker, Hans Theys.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e\u0026eacute;puis\u0026eacute;\u0026nbsp;dans le M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":11553,"title":"Atelier Panamarenko - vondsten uit de Biekorfstraat","dimensions":"15.3 x 21.5 cm, language : Dutch, publisher : Panamarenko Collectief vzw \u0026 Museum van Hedendaagse Kunst, Antwerpen, ISBN : 9789081234610","date_begin":"2007-01-01","material":"Ink, paper","short_description":"\u003cpre\u003e\r\n\u003cb\u003e \u003c/b\u003e\u003c/pre\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp.","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2002/413","stream_count_app":15,"permalink":"atelier-panamarenko-vondsten-uit-de-biekorfstraat--2","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/341/large/PAN_AM_BOOK_161_A.jpg?1407918999","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cb\u003eAvailable in the M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003e\u003cb\u003eVerkrijgbaar in de M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003e\u003cb\u003eDisponible dans le M HKA - bookshop.\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":14931,"title":"Meganeudon","dimensions":"15.3 x 36 x 12.5 cm","date_begin":"1973-01-01","material":"fiberglas, hout, plexi, ijzer, motor","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"M HKA","publishing_process_id":1,"annotation":"\u003cp\u003e50 ex. + 2 AP, dit werk is 28/50\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cspan lang=\"NL-BE\" style=\"margin: 0px;\"\u003e\u003cfont color=\"#000000\" face=\"Calibri\" size=\"3\"\u003ePanamarenko studeerde aan de Antwerpse Academie. V\u0026oacute;\u0026oacute;r 1968 leunde hij aan bij de pop-art, maar hij raakte algauw in de ban van het vliegtuig en vliegen op eigen kracht. Panamarenko is een pseudoniem en een samentrekking van \u0026quot;Pan American Airlines and Company\u0026quot;. Aldus ontstonden, sinds 1970, zijn schaalmodellen van talrijke imaginaire voertuigen, vliegtuigen, ballonnen of helikopters in alle mogelijke origineel-verrassende vormen. Het zijn evenveel varianten op de droom van het vliegen van de mythologische figuur Icarus.\u003c/font\u003e\u003c/span\u003e\u003cspan lang=\"NL-BE\" style=\"margin: 0px; font-family: \u0026quot;Arial\u0026quot;,sans-serif;\"\u003e\u003cfont color=\"#000000\" size=\"3\"\u003e \u003c/font\u003e\u003c/span\u003e\u003cspan lang=\"NL-BE\" style=\"margin: 0px;\"\u003e\u003cfont color=\"#000000\" face=\"Calibri\" size=\"3\"\u003eIn Het mechanisme van de meganeudon (gepubliceerd in de catalogus Panamarenko, Berlijn, Otterlo, Brussel, 1978, p. 169-176.), wijst Panamarenko op de oorsprong van de naam Meganeudon. Hij bestrijdt de overtuiging van natuurkundigen dat hoog frequent flappen geen effici\u0026euml;nt vliegmechanisme zou zijn \u0026quot;voor grotere toestellen dan insekten\u0026quot;. \u0026quot;Ik ben zelf van het tegendeel overtuigd\u0026quot;, schrijft hij, \u0026quot;ten eerste omdat ze geen enkel wetenschappelijk bewijs geven, waar ze anders altijd zo vlug mee zijn, verder zijn er wel bewijzen gevonden dat er in de prehistorie, duizenden jaren, insekten gevlogen hebben met een vleugelspanwijdte van \u0026eacute;\u0026eacute;n meter vijftig. Libellen ontdekt in de fossiele lagen van het devoon (de Meganeudons)\u0026quot;. \u003c/font\u003e\u003c/span\u003e\u003cspan style=\"margin: 0px;\"\u003e\u003cfont color=\"#000000\" face=\"Calibri\" size=\"3\"\u003eVanaf het begin van de jaren 70 probeert Panamarenko het trilmechanisme van insectenvleugels te vertalen naar lichte vliegtoestellen met pedaalaandrijving. Flappende vleugels zouden volgens Panamarenko wel eens de meest effici\u0026euml;nte vorm van vliegen op mensenkracht kunnen zijn. Maar hoewel de kloppende vleugel er op het eerste gezicht eenvoudig uit ziet, is hij veel complexer dan de vaste vleugel of de helikopter. Omdat bij mensen een natuurlijk mechanisme ontbreekt, moeten we dit volgens Panamarenko opvangen door een zelfgemaakte constructie die onze sterk ontwikkelde beenspieren gebruikt. De verschillende \u003c/font\u003e\u003ci\u003e\u003cfont color=\"#000000\" face=\"Calibri\" size=\"3\"\u003eMeganeudons\u003c/font\u003e\u003c/i\u003e\u003cfont color=\"#000000\" face=\"Calibri\" size=\"3\"\u003e en \u003c/font\u003e\u003ci\u003e\u003cfont color=\"#000000\" face=\"Calibri\" size=\"3\"\u003eUmbilly\u0026rsquo;s\u003c/font\u003e\u003c/i\u003e\u003cfont color=\"#000000\" face=\"Calibri\" size=\"3\"\u003e gaan steeds uit van dezelfde basisgedachte: tussen de aandrijving en de vleugels zit een veer die het typisch trillen van insectenvleugels voortbrengt. Omdat beide vleugels met de veer verbonden zijn, houden ze elkaar in evenwicht en wordt elke vleugelslag automatisch gevolgd door een verende terugslag.\u003c/font\u003e\u003c/span\u003e\u003c/p\u003e\r\n","date_end":null,"reference":"28/50","stream_count_app":30,"permalink":"meganeudon-eafab5b1-d60c-446e-9541-1d2b889a98f0","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003eSeit Anfang der 70er-Jahre versucht Panamarenko den Schwingmechanismus von Insektenfl\u0026uuml;geln auf leichte Luftfahrzeuge mit Pedalantrieb zu \u0026uuml;bertragen. Flatternde Fl\u0026uuml;gel k\u0026ouml;nnten sich Panamarenko zufolge als die effizienteste Form des Fliegens durch Menschenkraft erweisen. Doch obwohl der schlagende Fl\u0026uuml;gel auf den ersten Blick einfach aussieht, ist er viel komplexer als der feste Fl\u0026uuml;gel oder der Hubschrauber. Da bei Menschen ein nat\u0026uuml;rlicher Mechanismus fehlt, m\u0026uuml;ssen wir diesen Mangel laut Panamarenko durch eine selbstgemachte Konstruktion ausgleichen, die unsere stark ausgepr\u0026auml;gten Beinmuskeln nutzt. Die verschiedenen \u003ci\u003eMeganeudons\u003c/i\u003e und \u003ci\u003eUmbillys\u003c/i\u003e gehen stets von demselben Grundgedanken aus: zwischen Antrieb und Fl\u0026uuml;geln befindet sich eine Feder, die das typische Schwingen von Insektenfl\u0026uuml;geln erzeugt. Da beide Fl\u0026uuml;gel mit einer Feder verbunden sind, halten sie sich gegenseitig im Gleichgewicht und auf jeden Fl\u0026uuml;gelschlag folgt automatisch ein federnder R\u0026uuml;ckschlag.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u0026ldquo;\u003c/strong\u003e\u003cb\u003e\u003ci\u003eIch dachte, dass flatternde Fl\u0026uuml;gel einen gr\u0026ouml;\u0026szlig;eren Winkel haben und somit mehr Luft verdr\u0026auml;ngen k\u0026ouml;nnten. Da die zwei Fl\u0026uuml;gel mittels einer Feder miteinander verbunden sind, halten sie sich gegenseitig im Gleichgewicht. Die Fl\u0026uuml;gel, die wie eine Membran aussehen, \u0026ouml;ffnen sich wie eine Feder. Die Luft, die hineinf\u0026auml;llt, wird anschlie\u0026szlig;end wieder durch den R\u0026uuml;ckschlag der Feder weggedr\u0026uuml;ckt. Eine sehr effiziente Art und Weise des Fliegens, aber nat\u0026uuml;rlich auch viel komplizierter\u003c/i\u003e\u003c/b\u003e\u003cem\u003e\u003cb\u003e\u0026hellip;\u0026rdquo;\u003c/b\u003e\u003c/em\u003e\u003cstrong\u003e.\u003c/strong\u003e \u003cstrong\u003e(Panamarenko)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eUm die theoretische M\u0026ouml;glichkeit eines Flugmechanismus nachzuweisen, der mit sehr weiten, flatternden Fl\u0026uuml;geln schwere Massen heben kann, beruft sich Panamarenko auf ein Ur-Insekt, das sogenannte \u0026bdquo;Meganeudon\u0026ldquo;. Es verf\u0026uuml;gte \u0026uuml;ber eine enorme Fl\u0026uuml;gelspannweite von 1,5 Metern. In den wissenschaftlichen Nachschlagewerken findet das \u0026bdquo;Meganeudon\u0026ldquo; jedoch keine Erw\u0026auml;hnung; das Meganeuron hingegen schon, welches im fossilen Zeitalter der Karbonzeit angesiedelt wird. Es handelt sich um einen 280 bis 230 Millionen Jahre alten Vorl\u0026auml;ufer unserer heutigen Libellen. Panamarenko: \u0026bdquo;\u003ci\u003eIch habe aus diesem \u0026bdquo;R\u0026ldquo; ein \u0026bdquo;D\u0026ldquo; gemacht, das h\u0026ouml;rt sich mehr wie ein Dinosaurier an!\u0026ldquo;\u003c/i\u003e. Das Verf\u0026auml;lschen von objektiven Elementen, um sie in einen neuen Zusammenhang zu integrieren, geh\u0026ouml;rt zu den Merkmalen der Happenings und von Fluxus.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e(Quelle:\u0026nbsp; Morrens, P., Willemse, H., 2005, \u003cem\u003eCopyright Panamarenko\u003c/em\u003e, Antwerpen: Ludion, S. 105 - 108)\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/034/002/large/Panamarenko_Meganeudon_1973__photo_M_HKAcc.jpg?1480341200","poster_credits":"(c)image: M HKA ","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eSince the early 70s, Panamarenko has tried to translate the vibration mechanism of insect wings for pedal-driven light aircraft. According to Panamarenko, flapping wings could well be the most efficient form of manpower-driven flying. But while the beating wing looks simple at first glance, it is much more complex than the fixed wing or helicopter. Since a natural mechanism is missing in humans, we must, according to Panamarenko, compensate for this with a homemade design that uses our highly developed leg muscles. Different Meganeudons and Umbillies are always based on the same basic principle: between the drive and the wings, there is a spring that produces the typical flickering of insect wings. Since both wings are connected to the spring, they keep each other in balance and every wing beat is automatically followed by a spring-loaded recoil.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u0026quot;I thought flapping wings could make a greater angle and thus could move more air. Because the two wings are connected to each other by means of a spring, they keep each other in balance. The wings, which look like a membrane, open up like a spring. The air that is caught in it, is subsequently pushed back by the spring-loaded recoil of the wing. That is a very efficient way of flying, but also much more complex ... \u0026quot;.\u003c/strong\u003e (Panamarenko)\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eTo demonstrate the theoretical possibility of a flight mechanism that can lift heavy weights with very wide, flapping wings, Panamarenko refers to the prehistoric dragonfly, called \u0026lsquo;Meganeudon\u0026#39;, which has an enormous wingspan of 1.5 m. In the scientific reference books, however, there is no sign of the \u0026#39;Meganeudon\u0026#39; anywhere.\u0026nbsp; There is mention of the Meganeuron, though, is situated in the carboniferous fossil age. It is a 280 to 230 million year-old precursor of today\u0026#39;s dragonflies. Panamarenko: \u0026quot;It\u0026rsquo;s true, I did swap the \u0026#39;r\u0026#39; for a \u0026#39;d\u0026#39;, to make it sound more dinosaur-like!\u0026#39;. Twisting objective data in order to integrate them into a new context is one of the characteristics of the happenings and Fluxus.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e(Source: Morrens, P. Willemse, H., 2005. Copyright Panamarenko, Antwerp Ludion, pp 105-108)\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eVanaf het begin van de jaren 70 probeert Panamarenko het trilmechanisme van insectenvleugels te vertalen naar lichte vliegtoestellen met pedaalaandrijving. Flappende vleugels zouden volgens Panamarenko wel eens de meest effici\u0026euml;nte vorm van vliegen op mensenkracht kunnen zijn. Maar hoewel de kloppende vleugel er op het eerste gezicht eenvoudig uit ziet, is hij veel complexer dan de vaste vleugel of de helikopter. Omdat bij mensen een natuurlijk mechanisme ontbreekt, moeten we dit volgens Panamarenko opvangen door een zelfgemaakte constructie die onze sterk ontwikkelde beenspieren gebruikt. De verschillende \u003cem\u003eMeganeudons\u003c/em\u003e en \u003cem\u003eUmbilly\u0026rsquo;s\u003c/em\u003e gaan steeds uit van dezelfde basisgedachte: tussen de aandrijving en de vleugels zit een veer die het typisch trillen van insectenvleugels voortbrengt. Omdat beide vleugels met de veer verbonden zijn, houden ze elkaar in evenwicht en wordt elke vleugelslag automatisch gevolgd door een verende terugslag.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u0026ldquo;\u003cem\u003eIk dacht dat fladderende vleugels een grotere hoek konden maken en dus meer lucht konden verplaatsen. Omdat de twee vleugels door middel van een veer aan elkaar verbonden zijn, houden ze elkaar in balans. De vleugels, die eruitzien als een membraan, klappen open als een veer. De lucht die erin valt, wordt vervolgens weer weggeduwd door de verende terugslag van de vleugel. Dat is een heel effici\u0026euml;nte manier van vliegen, maar natuurlijk ook veel gecompliceerder\u0026hellip;\u0026rdquo;\u003c/em\u003e.\u003c/strong\u003e \u003cstrong\u003e(Panamarenko)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eOm de theoretische mogelijkheid aan te tonen van een vliegmechanisme dat met zeer wijde, fladderende vleugels zware massa\u0026rsquo;s kan optillen, beroept Panamarenko zich op het bestaan van een voorhistorische waterjuffer, \u0026lsquo;Meganeudon\u0026rsquo; genaamd. Die beschikt over de enorme vleugelwijdte van 1.5 m. In de wetenschappelijke naslagwerken vindt men de \u0026lsquo;Meganeudon\u0026rsquo; echter nergens terug; wel de Meganeuron, die gesitueerd wordt in het fossiele tijdperk van de Carboon. Het betreft een 280 tot 230 miljoen jaar oude voorloper van onze hedendaagse libellen. Panamarenko: \u0026ldquo;\u003cem\u003eIk heb van die \u0026lsquo;r\u0026rsquo; een \u0026lsquo;d\u0026rsquo; gemaakt ja, dat klinkt zo wat meer dinosaurusachtig!\u0026rsquo;\u003c/em\u003e. Het verdraaien van objectieve gegevens om ze in een nieuw verband te integreren, behoort tot de kenmerken van de happenings en de fluxus.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e(Bron:\u0026nbsp; Morrens, P., Willemse, H., 2005, \u003cem\u003eCopyright Panamarenko\u003c/em\u003e, Antwerpen: Ludion, pp. 105 - 108)\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eDepuis le d\u0026eacute;but des ann\u0026eacute;es 70, Panamarenko essaie de traduire le m\u0026eacute;canisme vibratoire des ailes d\u0026#39;insectes en appareils volants l\u0026eacute;gers entra\u0026icirc;n\u0026eacute;s par des p\u0026eacute;dales. Selon Panamarenko, les ailes qui battent pourraient bien \u0026ecirc;tre la forme de vol par la force humaine la plus efficace. Cependant, bien que l\u0026#39;aile battante semble simple \u0026agrave; premi\u0026egrave;re vue, elle est nettement plus complexe que l\u0026#39;aile fixe ou l\u0026#39;h\u0026eacute;licopt\u0026egrave;re. Etant donn\u0026eacute; qu\u0026#39;il manque \u0026agrave; l\u0026#39;homme un m\u0026eacute;canisme naturel, Panamarenko pense que nous devons le compenser par une structure r\u0026eacute;alis\u0026eacute;e par nos soins et utilisant les muscles de nos jambes, fortement d\u0026eacute;velopp\u0026eacute;s. Les diff\u0026eacute;rents \u003cem\u003eMeganeudons\u003c/em\u003e et \u003cem\u003eUmbilly\u0026rsquo;s\u003c/em\u003e partent toujours de la m\u0026ecirc;me r\u0026eacute;flexion de base : entre l\u0026#39;entra\u0026icirc;nement et les ailes, un ressort produit la vibration typique des ailes d\u0026#39;insectes. Etant donn\u0026eacute; que les deux ailes sont reli\u0026eacute;es par le ressort, elles se maintiennent en \u0026eacute;quilibre et chaque battement d\u0026#39;aile est automatiquement suivi par effet retour r\u0026eacute;silient.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u0026laquo;\u0026nbsp;\u003cem\u003eJe pensais que les ailes voletantes pouvaient r\u0026eacute;aliser un angle plus important et pouvaient donc d\u0026eacute;placer plus d\u0026#39;air. Etant donn\u0026eacute; que les deux ailes sont reli\u0026eacute;es par un ressort, elles se maintiennent en \u0026eacute;quilibre. Les ailes, qui ressemblent \u0026agrave; une membrane, s\u0026#39;ouvrent en battant comme un ressort. L\u0026#39;air qui se prend dedans est ensuite repouss\u0026eacute; par le retour r\u0026eacute;silient de l\u0026#39;aile. C\u0026#39;est une mani\u0026egrave;re tr\u0026egrave;s efficace de voler mais bien entendu, c\u0026#39;est aussi beaucoup plus compliqu\u0026eacute;\u0026hellip;\u0026nbsp;\u0026raquo;\u003c/em\u003e.\u003c/strong\u003e \u003cstrong\u003e(Panamarenko)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAfin de prouver la possibilit\u0026eacute; th\u0026eacute;orique d\u0026#39;un m\u0026eacute;canisme de vol pouvant soulever des masses lourdes avec des ailes tr\u0026egrave;s larges, voletantes, Panamarenko s\u0026#39;en r\u0026eacute;f\u0026egrave;re \u0026agrave; l\u0026#39;existence d\u0026#39;une libellule pr\u0026eacute;historique appel\u0026eacute;e \u0026#39;Meganeudon\u0026#39;. Ses ailes ont une \u0026eacute;norme envergure de 1,5m. Dans les ouvrages de r\u0026eacute;f\u0026eacute;rence scientifiques, cependant, vous ne trouverez le \u0026#39;Meganeudon\u0026#39; nulle part mais vous trouverez le Meganeuron, situ\u0026eacute; pendant l\u0026#39;\u0026egrave;re fossile du Carbone. Il s\u0026#39;agit d\u0026#39;un pr\u0026eacute;d\u0026eacute;cesseur de 280 \u0026agrave; 230 millions d\u0026#39;ann\u0026eacute;es de nos libellules actuelles. Panamarenko : \u0026laquo;\u0026nbsp;\u003cem\u003eJ\u0026#39;ai transform\u0026eacute; ce \u0026lsquo;r\u0026rsquo; en \u0026lsquo;d\u0026rsquo; car oui, \u0026ccedil;a sonne un peu plus comme un nom de dinosaure de cette fa\u0026ccedil;on !\u0026nbsp;\u0026raquo;\u003c/em\u003e. Le fait d\u0026#39;alt\u0026eacute;rer des donn\u0026eacute;es objectives pour les int\u0026eacute;grer dans une nouvelle relation fait partie des caract\u0026eacute;ristiques des happenings et du mouvement Fluxus.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e(Source :\u0026nbsp; Morrens, P., Willemse, H., 2005, \u003cem\u003eCopyright Panamarenko\u003c/em\u003e, Anvers : Ludion, pp. 105 - 108)\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"}]},{"id":15341,"title":"Reis naar de sterren [Voyage to the Stars]","dimensions":"22 x 41 x 55 cm","date_begin":"1979-01-01","material":"ijzer, koper, hout, motor, object in plexi box","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK7899","stream_count_app":20,"permalink":"reis-naar-de-sterren-voyage-to-the-stars-84fff2cc-c9c1-4c70-a2c1-95bd737d43e9","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"/files/medium_500/missing.png","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/034/621/large/Panamarenko_Reis_naar_de_sterren__photo_M_HKAcc.jpg?1484046233","poster_credits":"(c)image: M HKA, Antwerp","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":1524,"title":"Panamarenko - 1993 - Cars \u0026 other stuff [book]","dimensions":"29.5 x 23 cm","date_begin":null,"material":"ink, paper","short_description":"","art_status_id":48,"legal_status_id":12,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Workstation Biekorfstraat - Collection M HKA, Antwerp","cached_tag_list":"Catalog","publishing_process_id":1,"annotation":"\u003cp\u003eGalerie Tokoro, Tokyo\u003c/p\u003e\r\n","date_end":null,"reference":"PAN-1086","stream_count_app":18,"permalink":"panamarenko-cars-other-stuff-465adcdf-8af8-4f6f-beee-32ce8b7aa28e","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Hans Theys,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/920/large/Cover_Panamarenko_Cars___Other_Stuff_1993.JPG?1506605857","poster_credits":"(c)image: Hans Theys","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8206,"title":"Panamarenko. Das Flugzeug.","dimensions":"45.5 x 65 cm","date_begin":"1968-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"collection M HKA, Panamarenkoarchief","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":23,"permalink":"panamarenko-das-flugzeug","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026bdquo;Ich war immer der Meinung, dass Poster eine besondere Wirkung aus\u0026uuml;ben, die weit \u0026uuml;ber das rein Informative hinausgeht. Ich verwende Poster, um den Traum zu zeigen, der mich gerade besch\u0026auml;ftigt. Mit der richtigen Zeichnungsskizze, oder was auch immer, kann man die Atmosph\u0026auml;re von Abenteuer heraufbeschw\u0026ouml;ren, das weitaus mehr \u0026uuml;ber mein Werk aussagt als eine blo\u0026szlig;e Einladungskarte mit meinem Namen und Datum darauf... \u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eJahr f\u0026uuml;r Jahr hat Panamarenko die Kunstwelt mit einer eigenartigen, spielerischen und eindrucksvollen Sch\u0026ouml;nheit in Staunen versetzt. Mit diesen Zeichnungen, Collagen, wissenschaftlichen Ausstellungen und utopischen Pamphleten hat er fortw\u0026auml;hrend neue Wege beschritten \u0026ndash; egal, ob kosmisch oder intergalaktisch.\u003cbr /\u003e\r\nDiese Massigkeit und Unterschiede lassen sich von einer eindrucksvollen Zahl von Panamarenko-Postern ablesen. Eine kleine Auswahl wird hier ausgestellt. Einige von ihnen sind ikonische Abbildungen vom Gesamtwerk des K\u0026uuml;nstlers.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/597/large/060.jpg?1376910058","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;I always thought that posters have a special impact, which goes far beyond the purely informative. I use the poster to show the dream of what I\u0026#39;m busy with in advance. With the right sketch of drawing or whatever you can evoke the atmosphere of adventure, which says much more than my oeuvre than just an invitation card with my name and date on it ... \u0026quot; \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026minus;\u0026nbsp;\u003c/em\u003ePanamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eYear after year Panamarenko has amazed the art world with spectacular constructions with a peculiar beauty, playful and impressive. With his drawings, collages, scientific expositions and utopian pamphlets he has constantly found new ways - whether or not cosmic or intra-galactic.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThose bulknesses and differences can be read from an impressive number of Panamarenko posters. A small selection is shown here. Some of them are iconic images in the artist\u0026#39;s oeuvre.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;J\u0026#39;ai toujours pens\u0026eacute; que les posters ont un impact particulier qui va bien au-del\u0026agrave; de l\u0026#39;information pure. J\u0026#39;utilise le poster pour montrer le r\u0026ecirc;ve de ce sur quoi je travaille en avance. Avec le bon croquis ou tout ce qui peut \u0026eacute;voquer l\u0026#39;atmosph\u0026egrave;re d\u0026#39;aventure, qui en dit plus que mon oeuvre, plus qu\u0026#39;un carton d\u0026#39;invitation avec mon nom et une date... \u0026nbsp;\u0026raquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026minus; Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAnn\u0026eacute;e apr\u0026egrave;s ann\u0026eacute;e, Panamarenko a \u0026eacute;merveill\u0026eacute; le monde de l\u0026#39;art avec des constructions spectaculaires d\u0026#39;une beaut\u0026eacute; particuli\u0026egrave;re, espi\u0026egrave;gle et impressionnante. Avec ses dessins, ses collages, ses expositions scientifiques et ses pamphlets utopiques, il a constamment trouv\u0026eacute; de nouveaux moyens de s\u0026#39;exprimer, qu\u0026#39;ils soient ou non cosmiques ou intergalactiques.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCes volumes et ces diff\u0026eacute;rences peuvent \u0026ecirc;tre lus \u0026agrave; partir d\u0026#39;un nombre impressionnant de posters de Panamarenko. Une petite s\u0026eacute;lection est pr\u0026eacute;sent\u0026eacute;e ici. Certaines de ces images sont iconiques de l\u0026#39;oeuvre de l\u0026#39;artiste.\u003c/p\u003e\r\n"}]},{"id":9171,"title":"Panamarenko. Ping of the Ferro Lusto.","dimensions":"76 x 51 cm","date_begin":"2000-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":10,"permalink":"panamarenko-ping-of-the-ferro-lusto","description_ru":"","description_de":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026bdquo;Ich war immer der Meinung, dass Poster eine besondere Wirkung aus\u0026uuml;ben, die weit \u0026uuml;ber das rein Informative hinausgeht. Ich verwende Poster, um den Traum zu zeigen, der mich gerade besch\u0026auml;ftigt. Mit der richtigen Zeichnungsskizze, oder was auch immer, kann man die Atmosph\u0026auml;re von Abenteuer heraufbeschw\u0026ouml;ren, das weitaus mehr \u0026uuml;ber mein Werk aussagt als eine blo\u0026szlig;e Einladungskarte mit meinem Namen und Datum darauf... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eJahr f\u0026uuml;r Jahr hat Panamarenko die Kunstwelt mit einer eigenartigen, spielerischen und eindrucksvollen Sch\u0026ouml;nheit in Staunen versetzt. Mit diesen Zeichnungen, Collagen, wissenschaftlichen Ausstellungen und utopischen Pamphleten hat er fortw\u0026auml;hrend neue Wege beschritten \u0026ndash; egal, ob kosmisch oder intergalaktisch.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDiese Massigkeit und Unterschiede lassen sich von einer eindrucksvollen Zahl von Panamarenko-Postern ablesen. Eine kleine Auswahl wird hier ausgestellt. Einige von ihnen sind ikonische Abbildungen vom Gesamtwerk des K\u0026uuml;nstlers.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/846/large/038.jpg?1386594872","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026quot;I always thought that posters have a special impact, which goes far beyond the purely informative. I use the poster to show the dream of what I\u0026#39;m busy with in advance. With the right sketch of drawing or whatever you can evoke the atmosphere of adventure, which says much more than my oeuvre than just an invitation card with my name and date on it ... \u0026quot;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eYear after year Panamarenko has amazed the art world with spectacular constructions with a peculiar beauty, playful and impressive. With his drawings, collages, scientific expositions and utopian pamphlets he has constantly found new ways - whether or not cosmic or intra-galactic.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThose bulknesses and differences can be read from an impressive number of Panamarenko posters. A small selection is shown here. Some of them are iconic images in the artist\u0026#39;s oeuvre.\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026laquo;\u0026nbsp;J\u0026#39;ai toujours pens\u0026eacute; que les posters ont un impact particulier qui va bien au-del\u0026agrave; de l\u0026#39;information pure. J\u0026#39;utilise le poster pour montrer le r\u0026ecirc;ve de ce sur quoi je travaille en avance. Avec le bon croquis ou tout ce qui peut \u0026eacute;voquer l\u0026#39;atmosph\u0026egrave;re d\u0026#39;aventure, qui en dit plus que mon oeuvre, plus qu\u0026#39;un carton d\u0026#39;invitation avec mon nom et une date... \u0026nbsp;\u0026raquo;\u003c/em\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u0026minus;\u0026nbsp;Panamarenko\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAnn\u0026eacute;e apr\u0026egrave;s ann\u0026eacute;e, Panamarenko a \u0026eacute;merveill\u0026eacute; le monde de l\u0026#39;art avec des constructions spectaculaires d\u0026#39;une beaut\u0026eacute; particuli\u0026egrave;re, espi\u0026egrave;gle et impressionnante. Avec ses dessins, ses collages, ses expositions scientifiques et ses pamphlets utopiques, il a constamment trouv\u0026eacute; de nouveaux moyens de s\u0026#39;exprimer, qu\u0026#39;ils soient ou non cosmiques ou intergalactiques.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCes volumes et ces diff\u0026eacute;rences peuvent \u0026ecirc;tre lus \u0026agrave; partir d\u0026#39;un nombre impressionnant de posters de Panamarenko. Une petite s\u0026eacute;lection est pr\u0026eacute;sent\u0026eacute;e ici. Certaines de ces images sont iconiques de l\u0026#39;oeuvre de l\u0026#39;artiste.\u003c/p\u003e\r\n"}]},{"id":8209,"title":"Panamarenko Multimillionair, Tree.Tree with Beautiful White Snow","dimensions":"39.5 x 14 cm","date_begin":"1966-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":14,"permalink":"panamarenko-multimillionair-tree-tree-with-beautiful-white-snow","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/614/large/025.jpg?1376916170","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8997,"title":"Bing II","dimensions":"60 x 60 x 18 cm","date_begin":"2003-01-01","material":"mixed media","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"object","publishing_process_id":1,"annotation":"\u003cp\u003eSigned and numbered. Edition: 40 ex. Publisher: Antwerpse Luchtschipbouw\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":17,"permalink":"bing-ii--3","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/592/large/BingII_2.Jpeg?1385043064","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":8303,"title":"Dakgoot [Gutter]","dimensions":"54.9 x 73 cm","date_begin":"1968-01-01","material":"pencil, ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"dakgoot-gutter--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/902/medium_500/P1015.jpg?1378116600","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/902/large/P1015.jpg?1378116600","poster_credits":"(c)photo: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":9029,"title":"NU Happening van een bezette stad II, dancing-, music-, photography-, movies-, pantomime and other actions","dimensions":"","date_begin":"1965-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":155,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":24,"permalink":"nu-happening-van-een-bezette-stad-ii-dancing-music-photography-movies-pantomime-and-other-actions","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Wout Vercammen, Yoshio Nakajima, Dr. Hugo Heyrman,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/537/large/download.jpg?1391436474","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eVrijdag 9/07/1965 *\u0026ldquo;Deel I. Heyrman in legerjasje voert Nakajima aan een touw de Groenplaats op. Heyrman schrijft het woord ATOM op de grond. Nakajima rukt hem het jasje van het lijf; hij heeft zijn gezicht met windsel omhuld. Kaarsen en wierook worden gebrand. Onder de toeschouwers een groepje ge\u0026uuml;niformeerde jongeren van de rechtse Volksunie. Deel II in het Museum voor Vlaams Cultuurleven. Daar worden kleurdia\u0026rsquo;s vertoond: beelden van de bezette stad Antwerpen, door heyrman overal in de stad genomen als tekens van onvrijheid en geconditioneerdheid. Het is de bedoeling dat Rudy Witse, Tony Rombouts, Lucienne Stassart en Fr. Neels hun gedichten voorlezen. Wim [= later Wannes] van de Velde zingt Antwerpse straatliedjes. Panamarenko neemt polaroidfoto\u0026rsquo;s, die meteen geprojecteerd worden. Nakajima wikkelt zich in touwen, verband en plastic, is bezig met water en allerlei voorwerpen.\u0026rdquo;* (Cat. Panamarenko,1978, p. 34-35)\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":8589,"title":"Scotch Gambit","dimensions":"6 x 10 x 16 m","date_begin":"1966-01-01","material":"aluminium, metal, inox","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":39,"stream_count":0,"collection":"Private Collection Mark Deweer, Otegem","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003evliegboot\u003c/p\u003e","date_end":"1999-01-01","reference":"","stream_count_app":112,"permalink":"scotch-gambit--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/817/large/panamarenko.jpg?1386233813","poster_credits":"(c)image: SMAK, Dirk Pauwels","translations":[{"locale":"en","description":"\u003cp\u003eThe imposing flying boat \u003ci\u003eScotch Gambit \u003c/i\u003eis\u0026nbsp;linked with the dirigible \u003ci\u003eThe Aeromodeller\u003c/i\u003e, as\u0026nbsp;both devices were conceived as mobile homes,\u0026nbsp;in which to travel around freely. Although the\u0026nbsp;flying boat was not finally completed until 1999,\u0026nbsp;the project first cropped up in Panamarenko’s\u0026nbsp;work at an early stage. The first known drawing\u0026nbsp;dates from 1966, and a large drawing from 1970\u0026nbsp;already lists all the details for the construction\u0026nbsp;of an \u003ci\u003eAeroship Speedboat\u003c/i\u003e, as the project\u003cbr\u003ewas initially called.\u003c/p\u003e\u003cp\u003ePanamarenko changed the\u0026nbsp;name to \u003ci\u003eScotch Gambit\u003c/i\u003e in the early 1970s. It\u0026nbsp;was only in 1990, however, that he produced\u003cbr\u003ehis first scale model. The flying boat became\u0026nbsp;an armoured vessel, made of stainless steel\u0026nbsp;plates. Scotch Gambit is sixteen metres long,\u0026nbsp;six high and nine wide. It is designed to reach\u0026nbsp;a speed of a hundred kilometres per hour, to\u003cbr\u003ewhich end it is fitted with twin air-cooled,\u0026nbsp;six-cylinder, 370 Lycomming aircraft engines.\u0026nbsp;The hull is supported by eight canoe-shaped\u0026nbsp;floats, fixed to the body in pairs via insect-like\u0026nbsp;legs. The cabin is not in the water, but hovers\u0026nbsp;elegantly nine metres above the surface. There\u0026nbsp;is an opening at the back of the hull, with two\u0026nbsp;large flap doors providing access to the ship.\u003cbr\u003eThe inside walls are covered with eiderdowns\u0026nbsp;and there is a steering mechanism that has to\u0026nbsp;be operated standing up. The mighty flying\u0026nbsp;boat was the centrepiece at the opening of the\u0026nbsp;brand-new SMAK museum in Ghent in 1999.\u0026nbsp;The plan to give it a permanent mooring at the\u0026nbsp;Bonaparte Dock in Antwerp was blocked politically.\u0026nbsp;Waterway safety was cited once again,\u0026nbsp;as it had been in the case of the submarine\u0026nbsp;\u003ci\u003eΠAHAMA Nova Zemblaya\u003c/i\u003e.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDe imposante vliegboot \u003ci\u003eScotch Gambit\u003c/i\u003e sluit aan\u0026nbsp;bij de zeppelin \u003ci\u003eThe Aeromodeller\u003c/i\u003e. Beide toestellen\u0026nbsp;zijn immers door Panamarenko geconcipieerd als\u0026nbsp;mobiele woning om vrij mee te kunnen rondtrekken.\u0026nbsp;Hoewel de vliegboot pas in 1999 definitief\u0026nbsp;klaar is, duikt het project al vroeg in Panamarenko's\u0026nbsp;oeuvre op. De eerste bekende tekening dateert\u0026nbsp;uit 1966; een grote tekening uit 1970 vermeldt\u0026nbsp;reeds alle details voor de bouw van een \u003ci\u003eAeroship\u0026nbsp;Speedboat\u003c/i\u003e, zoals het project aanvankelijk heette.\u003c/p\u003e\u003cp\u003eIn de vroege jaren 1970 verandert Panamarenko\u0026nbsp;de naam van de boot in \u003ci\u003eScotch Gambit\u003c/i\u003e. Het zal\u0026nbsp;nog tot 1990 duren voor Panamarenko een eerste\u0026nbsp;schaalmodel van de \u003ci\u003eScotch Gambit\u003c/i\u003e maakt.\u0026nbsp;De vliegboot wordt een gepantserd vaartuig, vervaardigd\u0026nbsp;uit roestvrije staalplaten. Het uiteindelijke\u0026nbsp;toestel is zestien meter lang, zes meter hoog\u0026nbsp;en negen meter breed. Het moet 100 kilometer\u0026nbsp;per uur halen en is daartoe uitgerust met twee\u0026nbsp;luchtgekoelde Lycommingvliegtuigmotoren van\u0026nbsp;370 pk en zes cilinders. De romp van het toestel\u0026nbsp;rust op acht kanovormige vlotters die twee aan\u0026nbsp;twee op insectenlange poten aan het lichaam zijn\u0026nbsp;vastgemaakt. De cabine ligt niet in het water,\u0026nbsp;maar bevindt zich sierlijk negen meter boven het\u0026nbsp;wateroppervlak. Achter aan de romp is een opening\u0026nbsp;voorzien met twee grote klapdeuren die toegang\u0026nbsp;geven tot het schip. Binnenin zijn de wanden\u0026nbsp;bekleed met donsdekens en is er een stuurinrichting\u0026nbsp;die rechtstaand moet worden bediend. In\u0026nbsp;1999 is de machtige vliegboot de blikvanger op de\u0026nbsp;opening van het S.M.A.K. in Gent. Het plan om\u0026nbsp;de boot een permanente ligplaats te geven in het\u0026nbsp;Bonapartedok in de Antwerpse haven wordt politiek\u0026nbsp;geboycot. Er wordt opnieuw geschermd met\u0026nbsp;de veiligheid van de waterweg, net zoals dat bij de\u003cbr\u003eduikboot \u003ci\u003eЛahama Nova Zemblaya\u003c/i\u003e het geval was…\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":7258,"title":"Cockpit [Cockpit]","dimensions":"105 x 105 x 145 cm","date_begin":"1967-01-01","material":"tin, cellophane, polyester ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eDestroyed\u003c/p\u003e\r\n","date_end":null,"reference":"WV14","stream_count_app":13,"permalink":"cockpit-cockpit","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/356/medium_500/PAN_ADD_008.jpg?1389773355","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/356/large/PAN_ADD_008.jpg?1389773355","poster_credits":"image: R. Van Den Bremt, (c)image: Courtesy Anny De Decker","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11848,"title":"KLEINSCULPTUUR in België","dimensions":"19 x 18.9 cm, language : Dutch, publisher : Gemeentekrediet - Pro Civitate, Antwerpen","date_begin":"1973-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2026/454","stream_count_app":12,"permalink":"kleinsculptuur-in-belgie","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko, Jo F. Du Bois, C. Swinnen","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/886/large/PAN_AM_BOOK_255_A.jpg?1410506806","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":27891,"title":"Zonder titel","dimensions":"","date_begin":"1967-01-01","material":"","short_description":"\u003cp style=\"text-align: justify;\"\u003eDoosje met vijf multiples uitgegeven door Wide White Space Gallery als nieuwjaarsgeschenk; visitekaartje met handgeschreven nieuwjaarswens en op verso getypte namen van kunstenaars en titels van de multiples. Antwerpen, 1967. Multiples van Marcel Broodthaers, Jeroen Henneman, Hugo Heyrman, Bernd Lohaus, Panamarenko\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":46,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"M00337","stream_count_app":16,"permalink":"zonder-titel-217b227c-32a0-40a7-87ed-2ed642b1e76f","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/906/medium_500/1966_nieuwjaarscadeau_WWS.jpg?1663233631","cached_actor_names":"Marcel Broodthaers,  Panamarenko, Jeroen Henneman, Dr. Hugo Heyrman, Bernd Lohaus","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/906/large/1966_nieuwjaarscadeau_WWS.jpg?1663233631","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":11574,"title":"Hedendaagse Belgische Schilders en Beeldhouwers / Peintres et Sculpteurs belges Contemporains ","dimensions":"21 x 17.5 cm, language : French, Dutch, publisher : Paleis voor Schone Kunsten/Palais des Beaux-Arts/Centre for Fine Arts, Brussel","date_begin":"1972-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition Catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 2000/146","stream_count_app":26,"permalink":"peintres-et-sculpteurs-belges-contemporains-hedendaagse-belgische-schilders-en-beeldhouwers","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/384/medium_500/JV_18_14.jpg?1668088415","cached_actor_names":"Jef Verheyen, Phil Mertens,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/384/large/JV_18_14.jpg?1668088415","poster_credits":"(c) Scan: CKV, 2022 - 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His work combines art and technology in the form of poetic and ingenious rigs and constructions. In 1984 he coined the name ‘Rucksackflug’ for the Flying-Backpacks-project he had in mind. A number of drawings from 1972 already show propeller-driven harnesses representing a flying backpack, but it is not until 1984 that he proceeds to implement them. The intention is to build a compact but highly efficient aircraft that will allow the pilot to land and take off anywhere, whether in the mountains or in the city.\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003eThe aircraft \u003ci\u003eRugzakvlucht 4KW\u003c/i\u003e, along with the \u003ci\u003eGroene Rugzak\u003c/i\u003e, belongs to one of his very first experimental rigs to make an air jump with hands free. The weight of the aircraft is carried by the shoulders and back, which are also responsible for manoeuvrability. The motor and propeller are mounted in the body of the backpack, with finely deflected air channels to divert the propellers' produced thrust downward. To maintain balance, the airflow should remain the same on both sides of the body. The propulsion mechanism of backpack planes has continued to evolve over the years (propellers, pastille motors, flying or paddle wheels), as has the housing, which ranges from epoxy, bakelite and makrolon to balsa wood and fiberglass.\u003c/p\u003e\u003cp style=\"text-align:justify;\"\u003eIn total, the artist manufactures a dozen or so backpacks, all of which fall under the original title \u003ci\u003ePortable Air Transport\u003c/i\u003e (his first design for a portable air device from 1969). In execution, the helicopter \u003ci\u003eRugzakvlucht 4KW\u003c/i\u003e, also called the ‘Zilveren Rugzak’, is as robustly built as it is elegantly presented.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003ePanamarenko\u003cstrong\u003e \u003c/strong\u003e(1940-2019) is een van de meest opmerkelijke Belgische kunstenaars uit de tweede helft van de twintigste eeuw. In zijn werk komen kunst en technologie samen in de vorm van poëtische en ingenieuze tuigen en constructies. In 1984 bedenkt hij de naam ‘Rucksackflug’ voor het Vliegende-Rugzakken-project dat hij voor ogen heeft. Op een aantal tekeningen uit 1972 zijn al door propellers aangedreven tuigen te zien die een vliegende rugzak voorstellen, maar pas in 1984 gaat hij over tot de uitvoering ervan. De bedoeling is een compact maar uiterst efficiënt toestel te bouwen waarmee de piloot waar dan ook kan landen en opstijgen, zowel in de bergen als in de stad.\u003c/p\u003e\u003cp\u003eHet toestel \u003ci\u003eRugzakvlucht 4KW\u003c/i\u003e behoort samen met de \u003ci\u003eGroene Rugzak\u003c/i\u003e tot een van zijn allereerste experimentele tuigen om een luchtsprong te kunnen maken met de handen vrij. Het gewicht van het toestel wordt gedragen door de schouders en de rug, die ook instaan voor de wendbaarheid. De motor en propeller zijn in de behuizing van de rugzak gemonteerd, met fijn afgebogen luchtkanalen om de geproduceerde stuwkracht van de propellers naar beneden af te leiden. Om het evenwicht te behouden dient de luchtstroom aan beide zijden van het lichaam gelijk te blijven. Het aandrijfmechanisme van de rugzakvliegtuigen is in de loop der jaren steeds blijven evolueren (propellers, pastillemotors, vlieg- of schoepenwielen), net als de behuizing die varieert van epoxy, bakeliet en makrolon tot balsahout en fiberglas.\u003c/p\u003e\u003cp\u003eIn totaal vervaardigt de kunstenaar een tiental rugzakken die allemaal ressorteren onder de oorspronkelijke noemer \u003ci\u003ePortable Air Transport\u003c/i\u003e (zijn eerste ontwerp voor een draagbaar luchtapparaat uit 1969). De helikopter \u003ci\u003eRugzakvlucht 4KW\u003c/i\u003e, ook de Zilveren Rugzak genaamd, is in uitvoering even robuust gebouwd als elegant gepresenteerd. \u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":11650,"title":"Vogelmarkt [Bird Market]","dimensions":"200 x 250 x 100 cm","date_begin":"2004-01-01","material":"installation with three tables with sunshade, three walking chickens","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":4,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":28,"permalink":"vogelmarkt-bird-market","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/548/large/Afbeelding_086.jpg?1408355404","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003ePanamarenko built this poetic installation consisting\u0026nbsp;of three tables with a sunshade as the stage\u0026nbsp;on which to demonstrate three walking chickens.\u0026nbsp;The three brightly coloured birds were fitted with\u0026nbsp;a small electric motor driven by a battery. The\u003cbr\u003emechanism used to make the chickens walk refers\u0026nbsp;back to \u003ci\u003eCrooked Leg\u003c/i\u003e from 1994.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eIn 2004 bouwt Panamarenko deze poëtische installatie\u0026nbsp;van drie tafels annex luifel als setting om\u0026nbsp;er drie stappende kippen op te demonstreren. De\u0026nbsp;drie kippen in felle kleuren zijn uitgerust met een\u0026nbsp;kleine elektromotor die aangedreven wordt door\u003cbr\u003eeen batterij. 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Portable Air Transport. Gas Turbines.","dimensions":"63 x 15 cm","date_begin":"1969-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Panamarenkohuis Biekorfstraat","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eClosed System Power Devices for Space. Portable Air Transport. Gas Turbines,\u003c/p\u003e\u003cp\u003eJohn Gibson \u0026nbsp;Commissions Inc., New York.\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":19,"permalink":"closed-system-power-devices-for-space-portable-air-transport-gas-turbines","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/615/large/085.jpg?1376916350","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":1215,"title":"Vliegende schotel (experiment Spiegelschijf)","dimensions":"dia 72, H ca 21","date_begin":"1980-01-01","material":"Aluminum plate with magnetic poles and copper windings.","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie M HKA, Panamarenko Biekorfstraat","cached_tag_list":"prototype","publishing_process_id":1,"annotation":"","date_end":"1985-01-01","reference":"PAN-046","stream_count_app":18,"permalink":"vliegende-schotel-experiment-spiegelschijf","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/647/medium_500/P046.jpg?1376921649","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/647/large/P046.jpg?1376921649","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eAluminium schotel met magneetspoelen en koperwikkeling.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":9172,"title":"Panamarenko. Rucksack.","dimensions":"59.5 x 42 cm","date_begin":"1987-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":15,"permalink":"panamarenko-rucksack","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/848/large/075.jpg?1386595317","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":7806,"title":"ELF-zender [ELF-transmitter]","dimensions":"28 x 16 x 16.5 cm","date_begin":"1986-01-01","material":"copper, magnets, aluminium, copper wire ","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Samuel Vanhoegaerden Gallery, Knokke","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"elf-zender-elf-transmitter","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/093/782/medium_500/ELF-zender.jpeg?1737730182","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/093/782/large/ELF-zender.jpeg?1737730182","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp style=\"text-align:justify;\"\u003e\u003cspan style=\"color:black;\"\u003eFrequencies in the radio spectrum between 3 and 30 Hz. are referred to as 'extremely low frequencies' or ELF. The radio waves have a wavelength of 10.000 till 100.000 kilometres. Apart from the application of sending signals to submarines at great depth, ELF signals can be used to catch the natural fluctuations of Earth's electromagnetic field. Later, in his attic at the Biekorfstraat, Panamarenko starts a project he never completed, namely to construct a 'Sterrenvolger' (star follower), that should map the magnetic fields in the universe.\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003cspan style=\"color:black;\"\u003eMet ‘extremely low frequency’ of ELF worden frequenties in het radiospectrum aangeduid tussen 3 en 30 Hz. De radiogolven hebben een golflengte van 10.000 tot 100.000 kilometer. Naast de toepassing om signalen naar duikboten op grote diepte te sturen, kunnen ELF-signalen gebruikt worden de natuurlijke fluctuaties in het elektromagnetisch veld van de aarde op te vangen. Later begint Panamarenko op de zolder van de Biekorfstraat aan een nooit voltooid project om een ‘Sterrenvolger’ te bouwen, die de magnetische velden in het heelal in kaart zou moeten brengen.\u0026nbsp;\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003e\u003cspan style=\"color:black;\"\u003eLes «\u0026nbsp;extrêmement basses fréquences\u0026nbsp;» ou EBF désignent les fréquences du spectre radio-électrique comprises entre 3 et 30\u0026nbsp;Hz. Les ondes radio ont une longueur d’onde de 10 000 à 100 000\u0026nbsp;kilomètres. Outre leur application pour envoyer des signaux à des sous-marins à de grandes profondeurs, les signaux EBF peuvent être utilisés pour capter les fluctuations naturelles du champ électromagnétique de la Terre. Par la suite, dans le grenier de la rue Biekorf, Panamarenko commence à travailler à un projet inachevé, à savoir la construction d’un «\u0026nbsp;traqueur d’étoiles\u0026nbsp;» censé cartographier les champs magnétiques de l’univers.\u003c/span\u003e\u003c/p\u003e"}]},{"id":8190,"title":"Flying Carpet","dimensions":"33.5 x 39.5 cm","date_begin":"1992-01-01","material":"ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"flying-carpet--3","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/485/medium_500/panamarenko-1940-belgium-flying-carpet-2652099.jpg?1376490843","cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/485/large/panamarenko-1940-belgium-flying-carpet-2652099.jpg?1376490843","poster_credits":"(c)Panamarenko","translations":[{"locale":"en","description":"\u003cp\u003eSecond edition of the multiple \u003ci\u003eVliegend Tapijt\u003c/i\u003e. Signed, numbered and dated, Edition: 30 copies + 10 A.P.,\u0026nbsp;\u003c/p\u003e\u003cp\u003ePublisher: Galerie Vega, Liège, Belgium.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eHeruitgave van de multiple \u003ci\u003eVliegend Tapijt\u003c/i\u003e. Gesigneerd, genummerd en gedateerd, Oplage: 30 exemplaren + 10 A.P., Uitgave: Galerie Vega, Luik, België.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003eSecond edition of the multiple \u003ci\u003eVliegend Tapijt\u003c/i\u003e. Signed, numbered and dated, Edition: 30 copies + 10 A.P.,\u0026nbsp;\u003c/p\u003e\u003cp\u003ePublisher: Galerie Vega, Liège, Belgium.\u003c/p\u003e"}]},{"id":10533,"title":"Panamarenko","dimensions":"129 p","date_begin":"1992-01-01","material":"Ink on paper","short_description":"","art_status_id":220,"legal_status_id":84,"category_id":26,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp - Hans Theys Archive","cached_tag_list":"Hans Theys Panamarenko","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1994/882","stream_count_app":26,"permalink":"panamarenko--22","description_ru":"","description_de":"\u003cp style=\"margin-left:0px;\"\u003eBunkamura Museum, Tokyo, 1992\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eEnglish, Japanese\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e132 p., ISBN: none\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWording, Author, Designer\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u003ca href=\"https://youtu.be/YA70wk4gEwU?si=xamN4x9TNT1RZsGe\"\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eTrailer\u003c/span\u003e\u003c/a\u003e\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/249/large/PAN_AM_BOOK_099_A.jpg?1400738834","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp style=\"margin-left:0px;\"\u003eBunkamura Museum, Tokyo, 1992\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eEnglish, Japanese\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e132 p., ISBN: none\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWording, Author, Designer\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u003ca href=\"https://youtu.be/YA70wk4gEwU?si=xamN4x9TNT1RZsGe\"\u003e\u003cspan style=\"color:hsl(0, 0%, 0%);\"\u003eTrailer\u003c/span\u003e\u003c/a\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp style=\"margin-left:0px;\"\u003eBunkamura Museum, Tokyo, 1992\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eEnglish, Japanese\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e132 p., ISBN: none\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWording, Author, Designer\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u003ca href=\"https://youtu.be/YA70wk4gEwU?si=xamN4x9TNT1RZsGe\"\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eTrailer\u003c/span\u003e\u003c/a\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cp style=\"margin-left:0px;\"\u003eBunkamura Museum, Tokyo, 1992\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eEnglish, Japanese\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e132 p., ISBN: none\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWording, Author, Designer\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u003ca href=\"https://youtu.be/YA70wk4gEwU?si=xamN4x9TNT1RZsGe\"\u003e\u003cspan style=\"color:hsl(0,0%,0%);\"\u003eTrailer\u003c/span\u003e\u003c/a\u003e\u003c/p\u003e"}]},{"id":7245,"title":"Magnetische schoenen [Magnetic Shoes]","dimensions":"34 x 28.5 x 23 cm","date_begin":"1966-01-01","material":"leather boots, electric wires, switches","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":8,"stream_count":0,"collection":"Courtesy The Deweer Collection, Otegem","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e\u003ci\u003eBy turning the current in the magnets alternately on and off, I could hang upside down from the ceiling and walk around.\u0026nbsp; I thought: well, I can at least do this.\u0026nbsp; It was a start, kind of flying a little. \u0026nbsp;-\u0026nbsp;\u003c/i\u003ePanamarenko\u003c/p\u003e\u003cp\u003eMagnetische schoenen, 1966 - 67\u003c/p\u003e\u003cp\u003eElektromagneten, elektrisch snoer met schakelaars, lederen schoenen (maat 6 1/2). De kepi werd later toegevoegd door de kunstenaar.\u003c/p\u003e","date_end":"1967-01-01","reference":"WV2","stream_count_app":77,"permalink":"magnetische-schoenen-magnetic-shoes","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/323/large/Untitled031.jpg?1373458417","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eThe \u003ci\u003eMagnetic Shoes\u003c/i\u003e represent a key work from Panamarenko's early period.\u0026nbsp; They were requisites for a happening that took place at the KVS theatre in Brussels in 1967.\u0026nbsp; Later that year, the happening was repeated on the Flemish television program 'Echo'.\u0026nbsp; The shoes themselves - according to Panamarenko they were military boots from the former East Block - came from his mother's shoe store ('Goliatje') in Antwerp's Offerandestraat.\u003c/p\u003e\u003cp\u003e\u003ci\u003eThose shoes were really strong: mock-leather on the outside, and with wooden plugs on the sole!\u0026nbsp; Something indicative of those old Iron Curtain techniques...\u003c/i\u003e\u003c/p\u003e\u003cp\u003eIn those days Panamarenko would frequent the 'Stock Americain' (army surplus store), where on sale was all manner of American military gear at cheap prices.\u0026nbsp; He purchased a number of electric motors there, took them apart, and removed the copper stator coils.\u0026nbsp; He would weld the coils' magnets to a rod and then trapped an electrical charge.\u0026nbsp; \u003ci\u003eThe result was amazing!\u0026nbsp; If you then touched a piece of metal to it, you couldn’t get it off no matter how hard you pulled!\u0026nbsp;\u003c/i\u003e In a green rucksack (where military personnel would keep their walkie-talkies) are the lead batteries to provide the current.\u0026nbsp; \u003ci\u003eBy alternatingly turning the current in the magnets on and off, I could hang upside down from a ceiling and walk around.\u0026nbsp; I thought: well, that's a start... a little bit like flying...\u003c/i\u003e\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eDe \u003ci\u003eMagnetische Schoenen\u003c/i\u003e vormen een sleutelwerk uit Panamarenko's begin­periode. Het betreft de rekwisieten van een happening die voor het eerst wordt uitgevoerd in de KVS in Brussel in 1967. Later dat jaar wordt de happening nog eens over­gedaan in een studio van de toenmalige BRT voor het programma \u003ci\u003eEcho\u003c/i\u003e. De schoenen, volgens Panamarenko militaire bottines uit het voormalige Oostblok, komen uit zijn moeders schoenwinkel Goliatje in de Offerandestraat te Antwerpen.\u003c/p\u003e\u003cp\u003e\u003ci\u003e\"Die schoenen waren heel sterk: langs de buitenkant met van dat broebel-leder, en met houten stoppen in het rubber van de zoo!, wat verwijst naar een oude techniek van achter het IJzeren Gordijn.\"\u003c/i\u003e\u003c/p\u003e\u003cp\u003ePanamarenko frequenteert in die tijd de Stock Americain, waar grote hoeveelheden Amerikaans oorlogsmateriaal tegen spotprijzen worden verkocht. Hij koopt er een aantal elektrische motoren, demonteert ze en haalt er de koperen statorwikkelingen uit. De magneten in de wikkeling last hij op een staafje en hij sluit er vervolgens elektriciteit op aan. \u003ci\u003eHet resultaat was verbluffend. Als ge daarmee aan een stuk ijzer kwam, kreegt ge dat er met geen geweld meer af!\u003c/i\u003e In een groen rugzakje (waar militairen hun walkietalkies in bewaarden) zitten de loodbatterijen om de uitvinding van stroom te voorzien. \u003ci\u003eDoor de stroom in de magneten afwisselend aan en uit te schakelen, kon ik\u0026nbsp;ondersteboven aan een stalen plafond hangen en rondstappen. Ik dacht: dat kan ik dan tenminste toch al. Dat was een begin, al een beetje zoals vliegen.\u0026nbsp;\u003c/i\u003e\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":171,"title":"Prova Car","dimensions":"95 x 200 x 290 cm","date_begin":"1967-01-01","material":"tin, cellophane","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":72,"platform_id":1,"deleted":false,"asset_count":36,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003e\u003cstrong\u003eFR \u003c/strong\u003e-\u003ci\u003e Prova-Car\u003c/i\u003e\u0026nbsp;est une sorte de version humaine et poétique de l’automobile de formule 1. Elle évoque des images d’anciens prototypes technologiques, autrefois révolutionnaires. Avec des œuvres comme\u003ci\u003e Prova-Car\u003c/i\u003e, Panamarenko fait référence à l’image de l’ingénieur-artiste. Parallèlement, il la relativise. Les « inventions » de Panamarenko n’ont pas vraiment vocation à être fonctionnelles, elles sont avant tout des œuvres d’art. Dans l’œuvre de Panamarenko, la technique est au service de la poésie.\u003c/p\u003e","date_end":null,"reference":"BKS002","stream_count_app":183,"permalink":"prova-car","description_ru":"","description_de":"","description_es":"","description_el":"\u003cp\u003eΤο \u003ci\u003eΑυτοκίνητο Prova \u003c/i\u003e[Prova-Car] είναι ένα είδος ανθρώπινης, ποιητικής εκδοχής του αγωνιστικού αυτοκινήτου Formula 1. Φέρνει στον νου εικόνες από παλιά, επαναστατικά στην εποχή τους τεχνολογικά πρωτότυπα. Με έργα όπως το \u003ci\u003eΑυτοκίνητο Prova\u003c/i\u003e, ο Παναμαρένκο σκιαγραφεί την εικόνα του μηχανικού-καλλιτέχνη. Ταυτόχρονα, βάζει μια προοπτική στην εικόνα. Φυσικά, οι «εφευρέσεις» του Παναμαρένκο δεν προορίζονται να λειτουργήσουν: είναι, πρώτα και κύρια, έργα τέχνης. Στο έργο του Παναμαρένκο, η τεχνική υποτάσσεται στην ποίηση.\u003c/p\u003e\u003cp\u003e\u003ci\u003e«Ο Νουβολάρι ήταν ο καλύτερος οδηγός αγωνιστικών αυτοκινήτων στον κόσμο προπολεμικά.\u0026nbsp; Απλά το σανίδωνε, δεν φρέναρε ποτέ.\u0026nbsp; Τον θυμάμαι να φοράει ένα κράνος σαν πιλότου αεροπλάνου και να κάθεται στο μεγάλο «prova» του, το δοκιμαστικό αυτοκίνητό του. …\u0026nbsp; Μετά τον Β' Παγκόσμιο Πόλεμο, τα αγωνιστικά\u0026nbsp; Formula 1 έγιναν εξαιρετικά γρήγορα, και δεν μπορούσε πια παρά να φρενάρει.» – Παναμαρένκο\u003c/i\u003e\u003c/p\u003e","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/286/large/Panamarenko%20Prova%20Car,%201967%20collectie%20M%20HKA.JPG?1300264114","poster_credits":"(c)image: LUKAS ART IN FLANDERS VZW, 2009","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003eProva-Car\u003c/i\u003e is a sort of human, poetic version of the Formula-1 racing car. It conjures up images of old, once revolutionary technological prototypes. With works like this \u003ci\u003eProva-Car\u003c/i\u003e, Panamarenko refers to the image of the engineer-artist. At the same time, he relativises the image. Of course, Panamarenko’s ‘inventions’ are not intended to actually work: they are artworks first and foremost. In Panamarenko’s work, technique is a slave to poetry.\u003c/p\u003e\u003cp\u003e\u003ci\u003e\"Nuvolari was the best racecar driver in the world before the war.\u0026nbsp; He just floored it, never braked.\u0026nbsp; I remember how he wore a kind of pilot's headgear seated in his big 'prova', his test car.\u0026nbsp; (...)\u0026nbsp; After WWII the Formula 1 cars got too fast, and then he indeed had to brake.\" \u0026nbsp;- Panamarenko\u003c/i\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003eProva-Car\u003c/i\u003e is een soort menselijke, poëtische versie van de Formule1-wagen. Hij roept beelden op van oude, ooit revolutionaire technologische prototypes. Met werken als deze \u003ci\u003eProva-Car\u003c/i\u003e verwijst Panamarenko naar het beeld van de ingenieur-kunstenaar. Tegelijk relativeert hij dat beeld. De ‘uitvindingen’ van Panamarenko zijn immers niet bedoeld om echt te functioneren, het zijn in de eerste plaats kunstwerken. Techniek staat in Panamarenko’s werk ten dienste van de poëzie.\u003c/p\u003e\u003cp\u003e\u003ci\u003e\"Nuvolari was voor de oorlog de beste autorenner ter wereld. Die gaf altijd plankgas en remde nooit. Ik herinner me dat hij zo 'n vliegeniersmuts droegen vanachter op zijn auto stond in het groot 'prova', van proefwagen. (…) Na de Tweede Wereldoorlog zijn de Formule I- wagens te snel geworden, en toen moest hij wel afremmen.\" - Panamarenko\u003c/i\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003e\u003ci\u003eProva-Car\u003c/i\u003e\u0026nbsp;est une sorte de version humaine et poétique de l’automobile de formule 1. Elle évoque des images d’anciens prototypes technologiques, autrefois révolutionnaires. Avec des œuvres comme\u003ci\u003e Prova-Car\u003c/i\u003e, Panamarenko fait référence à l’image de l’ingénieur-artiste. Parallèlement, il la relativise. Les « inventions » de Panamarenko n’ont pas vraiment vocation à être fonctionnelles, elles sont avant tout des œuvres d’art. Dans l’œuvre de Panamarenko, la technique est au service de la poésie.\u003c/p\u003e"}]},{"id":8620,"title":"Pepto Bismo","dimensions":"185 x 145 x 70 cm","date_begin":"2003-01-01","material":"bronze, 6 engines, propellers","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":72,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":41,"permalink":"pepto-bismo--4","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":" Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/271/large/PANAMARENKO_Pepto_Bismo.jpg?1412070642","poster_credits":"(c)image: Wim Van Eesbeek","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e'In fact, it was a quite simple invention, the kind you'd think someone would have already thought of, but hadn't.\u0026nbsp; That's because most of the mini-helicopters are in reality super dangerous.\u0026nbsp; They have a big rotor, but it's impossible to safely land with that.\u0026nbsp; If you lean a bit too much forward, or slant a bit, then the rotor slams into the ground.\u0026nbsp; And if you come down with that thing on your back amidst a group of people...' \u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e- Panamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003ePanamarenko developed his first portable flying device, the \u003ci\u003ePortable Air Transport\u003c/i\u003e, in 1969.\u0026nbsp; The idea of taking to the air via means of motor and rotor, again emerges in the 1980s with his \u003ci\u003eRucksackflug\u003c/i\u003e project, and produced a number of flying backpacks.\u0026nbsp; In 1994, the same theme results in the \u003ci\u003ePepto Bismo\u003c/i\u003e, an efficient portable flying device worn on the pilot's back.\u0026nbsp; Its name comes from the American over-the-counter remedy \u003ci\u003ePepto Bismol\u003c/i\u003e.\u0026nbsp; By dropping the last letter of the name, the new name leaves a lasting impression and also takes on a mythical character.\u003c/p\u003e\u003cp\u003eThe propulsion for the \u003ci\u003ePepto Bismo\u003c/i\u003e is not from air-displacement via a fan, as is the case with the backpacks, but rather by a series of short rotor-propellers, each driven by its own small but powerful motor.\u0026nbsp; The helicopter principal allows the pilot to take-off vertically, controlling the apparatus by body movement.\u003c/p\u003e\u003cp\u003eThe clothing of the \u003ci\u003ePepto Bismo\u003c/i\u003e comes from Panamarenko's own personal wardrobe.\u0026nbsp;\u003c/p\u003e\u003cp\u003e'\u003ci\u003eThat was a long Russian military coat, a full five centimeters thick, that I'd once bought near the Brandenburger Tor in Berlin.\u0026nbsp; Now you can't find them anymore, or else they're knock-offs...' -\u0026nbsp;\u003c/i\u003ePanamarenko\u003c/p\u003e\u003cp\u003eIn 2003, gallery owner Ronny Van de Velde had six bronzes made of the \u003ci\u003ePepto Bismo II\u003c/i\u003e.\u0026nbsp; One of them was acquired by the City of Antwerp as a public monument for the town's Sint-Jansplein, right in the middle of the working-class district where Panamarenko lived and worked for over three decades.\u0026nbsp; The statue had its public inauguration during the 'Panamarenko Summer' in 2003, when the artist was also celebrated by having simultaneous exhibitions in the Rubenshuis, the MUHKA and the Antwerpse Luchtschipbouw.\u003c/p\u003e\u003cp\u003e(source: Hans Willemse and Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003e\"Eigenlijk gaat het om een bijzonder simpele uitvinding waarvan ge zoudt denken dat ze allang gerealiseerd zou moeten zijn, maar toch niet. Dat komt omdat de meeste minihelikopters in de praktijk super gevaarlijk zijn. Die hebben een grote rotor, maar daar kunt ge onmogelijk mee landen, want als ge een beetje voorover bukt of schuin hangt, dan slaat die rotor in de grand. Bovendien, als ge met zo 'n ding op uw rug tussen de mensen terechtkomt ...\" -\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eIn 1969 ontwerpt Panamarenko zijn eerste draagbare vliegapparaat, de \u003ci\u003ePortable Air Transport\u003c/i\u003e. Het idee om zich door middel van een motor en een schroef in het luchtruim te verheffen, duikt halfweg de jaren tachtig opnieuw op in het project \u003ci\u003eRucksackflug\u003c/i\u003e, dat uit tal van vliegende rugzakken bestaat. Hetzelfde thema resulteert in 1994 in \u003ci\u003ede Pepto Bismo\u003c/i\u003e, een performant en draagbaar vliegapparaat dat door de piloot op de rug wordt gedragen. De titel van het vliegapparaat is ontleend aan het Amerikaanse geneesmiddel \u003ci\u003ePepto Bismol\u003c/i\u003e. Door de laatste letter van de naam weg te laten, krijgt de nieuwe naam een beklijvend en tegelijk mythisch karakter.\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u0026nbsp;\u003c/i\u003eDe voortstuwing van de \u003ci\u003ePepto Bismo\u003c/i\u003e gebeurt niet door de luchtverplaatsing via een fan, zoals bij de rugzakken het geval is, maar door een reeks korte hefschroeven die aangedreven worden door kleine maar krachtige motoren. Het helikopterprincipe stelt de piloot in staat loodrecht op te stijgen terwijl de besturing volledig door de lichaamsbeweging gebeurt.\u003c/p\u003e\u003cp\u003eDe kledij van de \u003ci\u003ePepto Bismo\u003c/i\u003e komt uit Panamarenko's persoon­lijke garderobe.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003e\"\u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eDat is een lange Russische legerjas van wel vijf centimeter dik, die ik ooit gekocht heb bij de Brandenburger Tor in Berlijn. Nu kunt ge dat niet meer vinden, of het is namaak ...\" -\u0026nbsp;\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003ePanamarenko\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eIn 2003 laat galeriehouder Ronny Van de Velde zes bronzen vervaardigen van de \u003ci\u003ePepto Bismo II\u003c/i\u003e. Een ervan krijgt van de Stad Antwerpen een publieke plaats als monument op het Sint-Jansplein, centraal in de volkse wijk waar Panamarenko ruim dertig jaar heeft gewoond en gewerkt. Het beeld wordt ingewijd tijdens de Zomer van Panamarenko in 2003, wanneer de kunstenaar gevierd wordt met gelijktijdige tentoonstellingen van zijn werk in het Rubenshuis, het MUHKA en de Antwerpse Luchtschipbouw.\u003c/p\u003e\u003cp\u003e(bron: Hans Willemse en Paul Morrens, in:\u0026nbsp;\u003ci\u003e'Copyright Panamarenko'\u003c/i\u003e, 2005)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":36957,"title":"Pamflet: Reservaat","dimensions":"","date_begin":null,"material":"Reeks 3 kaders","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":4,"permalink":"pamflet-reservaat","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Luc Deleu,  Panamarenko","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]}]