[{"id":184,"title":"Embedded Cities","dimensions":"11 x 11 x 4 cm","date_begin":"1958-01-01","material":"plexi","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"M HKA, Antwerp - Donation by the Artist, 2007","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eEN\u003c/p\u003e\u003cp\u003eWhile inspiration drawn from childhood dreams would be determinative for both artists – imaginary voyages and the fantasy of reaching the moon and exploring other planets – Van Hoeydonck does not build flying objects as does Panamarenko. His best works do not even have to move.\u003c/p\u003e\u003cp\u003e\u003ci\u003eEmbedded Cities\u003c/i\u003e\u0026nbsp;from 1958 is a transparent block where the color-planes seem to float. The work itself in no way moves, but it does elicit movement on the part of the viewer. It is simply irresistible not to circle around the sculpture and take it in from different angles, see different things. The art work remains unchanged, but its appearance does alter according the varying incidence of light and the perspective we approach it from. It exudes a mysterious atmosphere, it seems near-intangible. Van Hoeydonck strives to render the cosmos visual in a language that chimes with the human imagination, and he constantly also makes appeal to the imagination of those who view his works.\u003c/p\u003e\u003cp\u003eHis preference for geometrical order and austerity lead him to evolve towards abstraction. But in Van Hoeydonck’s work – which he himself describes as a challenge to a deliberately narrative artist – this abstraction has a clear aim. The representation gives way to pure images, images of the imagination. In other words, Van Hoeydonck consciously lets things remain open for viewers to themselves fill-in. This concept is eminently present in \u003ci\u003eEmbedded Cities\u003c/i\u003e. We are all set the challenge to explore and expose this embedded city.\u003c/p\u003e\u003cp\u003eNL\u003c/p\u003e\u003cp\u003eHoewel de inspiratie bij beide kunstenaars opwelt uit kinderdromen, imaginaire reizen en de fantasie om de maan te bereiken en andere planeten te onderzoeken, bouwt Van Hoeydonck geen vliegende objecten zoals Panamarenko. Zijn beste werken hebben niet eens behoefte aan beweging.\u003c/p\u003e\u003cp\u003e\u003ci\u003eEmbedded Cities\u003c/i\u003e\u0026nbsp;uit 1958 is een doorzichtige blok waarin kleurvlakken lijken te zweven. Het werk zelf beweegt geenszins, maar lokt beweging van de toeschouwer uit. Het is bijna onmogelijk om niet voortdurend rond het beeld heen te cirkelen en zo telkens een ander beeld te zien. Het kunstwerk zelf blijft onveranderlijk, maar verandert van uitzicht naargelang de lichtinval en de hoek van waaruit men kijkt. Hierdoor ademt het werk een mysterieuze sfeer uit, het lijkt haast ongrijpbaar. Van Hoeydonck is er op uit de kosmos te visualiseren in een taal aangepast aan de menselijke verbeelding. Tevens doet hij ook sterk beroep op de verbeelding van de toeschouwer.\u003c/p\u003e\u003cp\u003eZijn voorliefde voor geometrische ordening en versobering doen Van Hoeydonck evolueren in de richting van abstractie. Maar in het werk van Van Hoeydonck, die zichzelf als uitdaging een bewust verhalend kunstenaar noemt, heeft deze abstractie een duidelijk doel. De afbeelding maakt plaats voor zuivere beelden, de zuivere beelden voor verbeelding. Met andere woorden laat Van Hoeydonck bewust dingen open die door de toeschouwer kunnen worden ingevuld. Dit element is duidelijk aanwezig in \u003ci\u003eEmbedded Cities\u003c/i\u003e. De toeschouwer wordt uitgedaagd om op onderzoek te gaan en deze ingegraven stad bloot te leggen.\u003c/p\u003e","date_end":null,"reference":"S0377","stream_count_app":40,"permalink":"embedded-cities","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/508/large/Hoeydonck,%20Paul,%20Van,%20%20Embedded%20Cities,%201958%20photo%20clinckx_3.jpg?1308141347","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003ePaul Van Hoeydonck played a significant role within the post-war avant-garde in Antwerp and beyond. From the late 1950s onwards, his work reflects the fascination with the ‘space race' that gripped the world at the time. In works such as \u003ci\u003eEmbedded Cities\u003c/i\u003e, he sought to evoke the cosmos on a human scale. The movement and gaze of the viewer continually reveal new perspectives on a hidden, underlying world.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003ePaul Van Hoeydonck speelde een belangrijke rol binnen de naoorlogse avant-garde in Antwerpen en ver daarbuiten. In zijn werk vanaf het einde van de jaren 1950 resoneert de ‘space race’ die de wereld in die periode in de ban houdt. Met werken als \u003ci\u003eEmbedded Cities\u0026nbsp;\u003c/i\u003eprobeert hij de kosmos te verbeelden, maar dan op menselijke schaal. De beweging en de blik van de toeschouwer openen steeds nieuwe perspectieven op een verborgen wereld.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePaul Van Hoeydonck a joué un rôle important au sein de l'avant-garde d'après-guerre à Anvers et bien au-delà. Son œuvre, à partir de la fin des années 1950, fait écho à la « course à l'espace » qui captivait le monde à cette époque. Avec des œuvres telles que \u003ci\u003eEmbedded Cities\u003c/i\u003e, il tente de représenter le cosmos, mais à l'échelle humaine. Le mouvement et le regard du spectateur ouvrent sans cesse de nouvelles perspectives sur un monde caché.\u003c/p\u003e"}]},{"id":1079,"title":"Plexireliëf","dimensions":"43 x 22 x 4 cm","date_begin":"1960-01-01","material":"plexi","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1961-01-01","reference":"S0375","stream_count_app":14,"permalink":"plexi-relief--2","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/998/large/Paul_Van_Hoeydonck__3.jpg?1350899959","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003eDe leegte staat vaak centraal binnen het oeuvre van Paul Van Hoeydonck. In zijn vroege schilderijen vormt de lege wereld het onderwerp en de inspiratiebron. Geleidelijk reduceert Van Hoeydonck zijn taferelen van havens en architecturale projecten tot een maagdelijk vlak. In plaats van het te verstoren door symbolen, brengt hij het vlak, door het aanbrengen van glas en plexiglas, tot een autonome vorm van leven. Deze materialen zijn zeer belangrijk voor Van Hoeydonck, die er van houdt het beeld te laten opwellen uit de elementen waarmee hij werkt. De beweging van de toeschouwer en de plaatsing van een lamp bepalen het effect van de plexireli\u0026euml;fs. De werking van het licht is dus essentieel om de ruimtelijkheid te kunnen ervaren. Net zoals in het heelal, waar licht en duisternis naast elkaar heersen. Van Hoeydonck laat de compositie opdoemen uit een zero-punt: er is geen zwaartepunt, geen houvast, geen zekerheid. De onmetelijke ruimte wordt niet gesymboliseerd door het vlak, ze wordt er in geconcentreerd. Met zijn werk cre\u0026euml;ert Van Hoeydonck eerder een ruimte dan ze op te vullen. Hij wil een nieuwe realiteit laten ontstaan in het voelbaar maken van het immateri\u0026euml;le, het zichtbaar maken van het ruimtelijke. Fontana zei ooit tegen Van Hoeydonck: *\u0026lsquo;Ik maak openingen in de ruimte, jij toont wat er achter steekt\u0026#39;*.\u003c/p\u003e\r\n"},{"locale":"fr","description":""}]},{"id":3240,"title":"Compositie 888","dimensions":"125 x 184 cm","date_begin":"1957-01-01","material":"oil on canvas","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie Ronny en Jessy Van de Velde","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eRonny Van de Velde Cogels Osylei 34 2600 Berchem ronnyvandevelde @skynet.be\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":22,"permalink":"compositie-888","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/183/large/Van-Hoeydonck-888.jpg?1327505352","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eAs from 1955, Paul Hoeydonck is part of the geometric abstract environment. He is less cautious than the \u0026#39;academic\u0026#39; majority, opting for unusual formats, for wilful, restless compositions with irregularly coloured quadrilaterals that create even more of a dynamic. Compositie 888 - indeed, with 888 four-sided forms - shows how well he assumes the direction of kinetic art. As per the ubiquitous Vasarely, he responds to the ambiguity and instability of perception with an almost mechanical visual language, to ultimately create the illusion of motion.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003ePaul Van Hoeydonck maakt vanaf 1955 deel uit van het geometrisch abstracte milieu. Hij is minder voorzichtig dan de \u0026lsquo;academische\u0026rsquo; meerderheid, kiest voor ongebruikelijke formaten, voor opzettelijk onrustige composities met onregelmatige gekleurde vierhoeken die nog meer dynamiek oproepen. Compositie 888 \u0026ndash; met inderdaad 888 vakjes \u0026ndash; toont goed hoe hij de richting uitgaat van kinetische kunst. Zoals de alomtegenwoordige Vasarely speelt hij met een bijna mechanische beeldtaal in op de dubbelzinnigheid en instabiliteit van de waarneming om uiteindelijk de illusie van beweging te scheppen.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":3051,"title":"Fallen Astronaut","dimensions":"8.5 x 3 x 1 cm","date_begin":"1971-01-01","material":"aluminium","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":24,"platform_id":1,"deleted":false,"asset_count":6,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"object","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0456","stream_count_app":67,"permalink":"fallen-astronaut","description_ru":"","description_de":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eFallen Astronaut\u003c/i\u003e (dt. Gefallene(r) Astronaut(in)) des belgischen Künstlers Paul Van Hoeydonck ist das erste und vorläufig letzte Kunstwerk auf dem Mond. Es ist eine kleine, äuβerst stilistisch, aber wiedererkennbare, menschliche Figur (weder Mann, noch Frau), die auf die Frage des Astronauten, als Ehrenerweisung an in dem All gestorbene Kollegen, zu Fallen Astronaut umbenannt wird. Van Hoeydonck war immer schon interessiert am Universum und machte in den 60er und 70er Jahren Space Art.\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/478/medium_500/3051.jpg?1493149452","cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/478/large/3051.jpg?1493149452","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eFallen Astronaut \u003c/i\u003eby the Belgian artist Paul Van Hoeydonck is the first – and so far the only – artwork on the moon. It is a highly distilled but recognisable human figure (neither a man nor a woman) christened Fallen Astronaut, made at the request of astronauts as a tribute to all their colleagues who have died in space. The universe has always been a source of fascination for Van Hoeydonck, who was already creating Space Art in the 60s and 70s.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eFallen Astronaut, \u003c/i\u003evan de Belgische kunstenaar Paul Van Hoeydonck is het eerste en voorlopig enige kunstwerk op de maan. Het is een uiterst gestileerd, maar herkenbaar menselijk figuurtje (noch een man, noch een vrouw) dat op vraag van de astronauten, als eerbetoon aan in de ruimte omgekomen collega's, omgedoopt wordt tot Fallen Astronaut. Van Hoeydonck is steeds geïnteresseerd geweest in het universum en maakt in de jaren 60 en 70 Space Art.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp style=\"text-align:justify;\"\u003e\u003ci\u003eFallen Astronaut\u003c/i\u003e, de l’artiste belge Paul Van Hoeydonck, est jusqu’à présent la première et seule œuvre d’art sur la Lune. Il s’agit d’une figurine humaine très stylisée (ni femme ni homme), mais reconnaissable, réalisée à la demande des astronautes en tant qu’hommage aux confrères astronautes décédés. Les astronautes ont rebaptisé l’œuvre \u003ci\u003eFallen Astronaut\u003c/i\u003e. Van Hoeydonck s’est toujours intéressé à l’univers et a créé de l’art spatial dans les années\u0026nbsp;60 et 70.\u003c/p\u003e"}]},{"id":5017,"title":"Lichtwerk [Work of light]","dimensions":"40 x 194 cm","date_begin":"1958-01-01","material":"oil, panel","short_description":"","art_status_id":13,"legal_status_id":46,"category_id":79,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Ronny Van de Velde, Antwerp","cached_tag_list":"painting, assemblage","publishing_process_id":1,"annotation":"Belonging to Ronny Van de Velde: Cogels Osylei 34, 2000 Antwerpen ","date_end":null,"reference":"","stream_count_app":11,"permalink":"lichtwerk-work-of-light","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/306/large/pvh_lichtwerk.jpg?1337008638","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"Starting in 1959, Van Hoeydonck takes a big career step and stops with geometric abstract painting.  In the Brussels Saint Laurent Gallery he for the first time exhibits white-on-white paintings that create virtual movement; paintings that ‘change’ as a function of viewers’ movements.  He also participates in 'Vision in Motion', with this new work: long narrow panels, white-on-white, with spare color strokes in black or red. "},{"locale":"nl","description":"Begin 1959 zet Van Hoeydonck een grote stap in zijn carrière en stopt met geometrisch abstract te schilderen. In de Brusselse Galerie Saint Laurent toont hij voor het eerst wit-op-wit schilderijen die virtuele beweging creëren, die ‘veranderen’ naarmate de toeschouwer beweegt. Ook aan 'Vision in Motion' neemt hij deel met nieuw werk: lange smalle panelen, wit-op-wit, met spaarzame zwarte of rode kleurstroken."},{"locale":"fr","description":""}]},{"id":6074,"title":"Reliëf - Maanlandschap","dimensions":"","date_begin":"1962-01-01","material":"","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":79,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Paul De Vree Archive","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":7,"permalink":"relief-maanlandschap","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/843/large/Paul_Van_Hoeydonck__Relief_Maanlandschap__1962.JPG?1349343982","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":6104,"title":"Lichtwerk [Lightwork]","dimensions":"122 x 122 cm","date_begin":"1960-01-01","material":"plexi","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"assemblage","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":10,"permalink":"lichtwerk-lightwork","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/893/large/Paul_Van_Hoeydonck__Lightwork__1960__plexi_assemblage.jpg?1350045625","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eVan Hoeydonck works within the same perspective as Fontana, Yves Klein, the members of Zero and Nul, and other artists who through their art wish to closely ally themselves with the new era where the distinction between science fiction and everyday reality is becoming ever vaguer. Starting in 1958, Van Hoeydonck makes monochrome white-on-white paintings that under artificial light evoke cosmic depth \u0026ndash; something fitting for the cover of an astrophysics textbook! He seeks to attain a comparable effect with white-on-white reliefs, until he discovers the potential of ground plexiglas. Just like the great pioneer Georges Vantongerloo (who he looks up in Paris), Van Hoeydonck sees plexiglas as a less \u0026lsquo;material\u0026rsquo; medium. Using light\u0026rsquo;s refraction must evoke the intangibility of space in a truer and more \u0026lsquo;absolute\u0026rsquo; way than any color or non-color on no matter what support.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eVan Hoeydonck werkt in hetzelfde perspectief als Fontana, Yves Klein, de leden van Zero en Nul, en andere kunstenaars die met hun kunst nauw willen aansluiten bij de nieuwe tijd waarin het onderscheid tussen science fiction en dagelijkse werkelijkheid lijkt te vervagen. Van Hoeydonck maakt vanaf 1958 monochrome wit-op-wit schilderijen die onder kunstlicht kosmische diepte oproepen, die het omslag van een handboek astrofysica zouden kunnen illustreren. Een gelijkaardig effect poogt hij met wit-op-wit reli\u0026euml;fs te bereiken, tot hij de mogelijkheden van geslepen plexiglas ontdekt. Zoals de grote pionier Georges Vantongerloo die hij opzoekt in Parijs ontdekt Van Hoeydonck plexiglas als minder \u0026lsquo;stoffelijk\u0026rsquo; medium. Lichtbrekingen moeten de ongrijpbare ruimte getrouwer, \u0026lsquo;absoluter\u0026rsquo; evoceren dan welke kleur of niet-kleur op welke drager ook.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":1081,"title":"City of the Future","dimensions":"10 x 71.5 x 8 cm","date_begin":"1969-01-01","material":"plexi","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0376","stream_count_app":28,"permalink":"city-of-the-future","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/507/large/Hoeydonck,%20Paul,%20Van,%20%20City%20%20of%20the%20Future,%201969%20%20photo%20clinckx%20.jpg?1308141282","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eFor \u003ci\u003eCity of the future\u003c/i\u003e\u0026nbsp;from 1969, Van Hoeydonck exclusively uses glass and plexiglas. The work is composed of simple volumes strongly reminiscent of a set of ‘building blocks’. It is a purified maquette, devoid of all details, where people are conspicuous by their absence. In part owing to the use of clear materials, a white, immobile silence seems to hang over this still to be discovered city… a habitable strip awaiting inhabitants. In his cities of the future, Van Hoeydonck’s connection to architecture – something already manifestly present in his early paintings – comes to full expression. With his work, he wishes to bring order out of chaos, like an archeologist does with the past: Paul Van Hoeydonck as (urban) architect for the present... and the visual artist for the future.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eVoor \u003ci\u003eCity of the future\u003c/i\u003e\u0026nbsp;uit 1969 gebruikt Van Hoeydonck uitsluitend glas en plexiglas. Het werk is opgebouwd uit eenvoudige volumes die sterk doen denken aan deze uit een blokkendoos. Het is een uitgepuurde maquette, ontdaan van alle details, waarin de mens schittert door zijn afwezigheid. Mede door het gebruik van doorzichtige materialen lijkt er een witte, onbeweeglijke stilte te hangen over deze nog te ontdekken stad... Een leefbare strook die op bewoners wacht. In zijn steden uit de toekomst komt Van Hoeydoncks verbondenheid met architectuur, die reeds in zijn vroege schilderijen duidelijk aanwezig is, volledig tot uiting. Met zijn werk wil hij chaos herschikken tot een leefbare orde, zoals een archeoloog dat doet voor het verleden, een (stedenbouwkundig) architect voor het heden en de beeldende kunstenaar voor de toekomst.\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePour \u003ci\u003eCity of the future\u003c/i\u003e\u0026nbsp;de 1969, Van Hoeydonck utilise exclusivement du verre et du plexiglas. Cette œuvre est constituée de volumes simples qui font fortement penser à ceux d'un jeu de construction. C'est une maquette épurée, débarrassée de tous les détails, où l'homme brille par son absence. En partie grâce à l'utilisation de matériaux transparents, un calme blanc, immobile semble flotter au-dessus de cette ville qui reste encore à découvrir... Un endroit vivable qui attend ses habitants. Dans ses villes de l'avenir, le lien de Van Hoeydoncks avec l'architecture, déjà clairement présent dans ses précédentes peintures, s'exprime pleinement. Avec son œuvre, il veut transformer le chaos en ordre vivable, comme un archéologue le fait pour le passé, un architecte (d'urbanisme) pour le présent et l'artiste des Beaux-Arts pour l'avenir.\u003c/p\u003e"}]},{"id":28484,"title":"Fallen Astronaut","dimensions":"30.5 x 43 cm","date_begin":"2006-01-01","material":"","short_description":"\u003cp\u003eIngekaderde lithografie \u003ci\u003eFallen astronaut\u003c/i\u003e, gesigneerd en gedateerd 2006, genummerd 20/50\u003c/p\u003e","art_status_id":13,"legal_status_id":46,"category_id":118,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"M HKA, Antwerp","cached_tag_list":"lithografie","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0614_09","stream_count_app":12,"permalink":"fallen-astronaut-91968cf3-66c0-4fc6-8c36-feff38d05017","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/503/medium_500/S0614_35_F001.jpg?1753367273","cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/503/large/S0614_35_F001.jpg?1753367273","poster_credits":"©M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":33098,"title":"Initiatieven","dimensions":"1/4 page","date_begin":"1958-01-01","material":"Ink on newspaper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":112,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen G58 Hessenhuis Craeybeckx Middelheim Rubensstraat Galerie Aksent Galerie Accent Atelier 14 Guy Vandenbranden Paul Van Hoeydonck","publishing_process_id":1,"annotation":"\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThis article is enclosed in one of the artist\u0026#39;s notebooks (see linked item). The article is about the start of G 58 as well as the new gallery space in Rubensstraat, above the\u0026nbsp;Atelier 14 workshop, shared by 4 artists or as stated\u0026nbsp;\u0026quot;two cold\u0026nbsp;artists and two warm artists\u0026quot;: Guy Vandenbranden and Paul Van Hoeydonck, Jef Verheyen and Bert De Leeuw.\u0026nbsp;\u003c/p\u003e\r\n","date_end":null,"reference":"JV_08_37","stream_count_app":23,"permalink":"initiatieven","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/752/medium_500/JV_08_37_c.jpg?1662985862","cached_actor_names":"Jef Verheyen, Guy Vandenbranden, Paul Van Hoeydonck, Bert De Leeuw, Galerie Accent (Antwerpen)","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/752/large/JV_08_37_c.jpg?1662985862","poster_credits":"(c) Scan: CKV, 2022 - Jef Verheyen Archive","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":35009,"title":" Vision in Motion / Motion in Vision","dimensions":"21 x 21 cm","date_begin":"1959-01-01","material":"42pp. illustraties in zwart wit en kleur.","short_description":"\u003cp\u003eCatalog of the legendary exhibition with participation by Breer, Pol Bury, Yves Klein, Heinz Mack, Mari, Bruno Munari, Necker, Diet Rot, Soto, Daniel Spoerri, Jean Tinguely, and Paul Van Hoeydonck. G-58 Hessenhuis, March 21-May 3, 1959.\u003c/p\u003e\r\n\r\n\u003cp\u003eAbout \u0026#39;Vision in Motion/ Motion in vision\u0026#39; Daniel Spoerri writes to Dieter Roth in New York, early 1959: \u0026lsquo;On March 2nd there is a huge amusement-park exhibition of 2000 square metres in Antwerp where anybody who\u0026#39;s interested in the movement in any form should, can and may contribute... you\u0026#39;re invited too.\u0026rsquo;About \u0026#39;Vision in Motion/ Motion in vision\u0026#39; Daniel Spoerri writes to Dieter Roth in New York, early 1959: \u0026lsquo;On March 2nd there is a huge amusement-park exhibition of 2000 square metres in Antwerp where anybody who\u0026#39;s interested in the movement in any form should, can and may contribute... you\u0026#39;re invited too.\u0026rsquo;\u003c/p\u003e\r\n","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collectie M HKA, Antwerpen","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"M00174","stream_count_app":15,"permalink":"vision-in-motion-motion-in-vision","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"\u003cp\u003eCatalogus van de legendarische tentoonstelling met deelname van Breer, Pol Bury, Yves Klein, Heinz Mack, Mari, Bruno Munari, Necker, Diet Rot, Soto, Daniel Spoerri, Jean Tinguely, and Paul Van Hoeydonck. G-58 Hessenhuis, 21 maart - 3 mei 1959.\u003c/p\u003e\r\n\r\n\u003cp\u003eOver \u0026#39;Vision in Motion/ Motion in vision\u0026#39; schrijft Daniel Spoerri aan Dieter Roth in New York, begin 1959: \u0026#39;Op 2 maart is er een enorme pretparktentoonstelling van 2000 vierkante meter in Antwerpen waar iedereen die ge\u0026iuml;nteresseerd is in beweging in welke vorm dan ook aan moet, kan en mag bijdragen... jij bent ook uitgenodigd.\u0026#39;\u003c/p\u003e\r\n","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/127/medium_500/Vision_in_Motion.jpg?1694689753","cached_actor_names":"Paul Van Hoeydonck, Jean Tinguely, Jesús Rafael Soto, Dieter Roth, Bruno  Munari, Heinz Mack, Yves Klein, Pol Bury, Robert  Breer, Daniel Spoerri","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/127/large/Vision_in_Motion.jpg?1694689753","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":36861,"title":"Nebulus [Nebuleuse]","dimensions":"60 x 60 cm","date_begin":"1960-01-01","material":"Lak op een paneel","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":16,"permalink":"nebulus-nebuleuse","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/511/medium_500/Paul_Van_Hoeydonck.jpg?1753447885","cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/511/large/Paul_Van_Hoeydonck.jpg?1753447885","poster_credits":"©photo: Steven Decroos","translations":[{"locale":"en","description":"\u003cblockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\"White on white has always since fifty years been my principal direct preoccupation for realising my work.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eAfter temporary sidesteps I have always rejoined my central mailstream, a white on white illustration of what I call «Spaceart» which illustrates the presence of man based on this small planet in the vast universe; the «spaceship» called «Earth». It is the physical and spiritual interactions of light, the color White and deap space which has always been up to know my biggest passion and preoccupation.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eMy first monochrome works date from 1954, they are mostly in English and American collections.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eI hope entering the 21 st century with new works out of my world of Spaceart.\"\u003c/p\u003e\u003c/blockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003ePaul Van Hoeydonck, June 1999\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(35,35,35);\"\u003e— \u003c/span\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,29,53);\"\u003e\u003ci\u003eHalf a Century - White on White\u003c/i\u003e, Orion Art Gallery, Brussel, 1999\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cblockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\"Monochroom wit is steeds als een leiddraad sedert bijna vijftig jaar aanwezig geweest in rechte lin in mijn werk.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eSoms zijn er zijwegen ingeslagen om daarna terug te leiden naar mijn witte wereld, een wereld waar het mysterie van het licht en de kleur «wit» centraal staat, vervoegd met een wereld van ruimte en ruimtevaart, de tegenwoordigheid van de mens in het heelal vanop zijn ruiteschip Aarde. Het in elkaar versmelten van licht, de witte kleur en ruimte, zowel fysisch als geestelijk, dat mij steeds tot op vandaag gepassioneerd heeft.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eMij eerste monochrome werken, daterend uit 1954 zijn niet aanwezig op deze expositie, ze bevinden zich hoofdza-kelijk in engelse en amerikaanse verzamelingen.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eIk hoop de 21 ste Eeuw te mogen binnentreden met een nieuwe reeks verwezenlikingen van mijn «witte 'Spaceart» wereld.\"\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003ePaul Van Hoeydonck, Juni 1999\u003c/p\u003e\u003c/blockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(35,35,35);\"\u003e— \u003c/span\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,29,53);\"\u003e\u003ci\u003eHalf a Century - White on White\u003c/i\u003e, Orion Art Gallery, Brussel, 1999\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cblockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\"Le blanc monochrome a toujours constitué pour moi depuis près de cinquante ans un leitmotiv présent en ligne droite dans toutes mes oeuvres. Parfois il y a eu des explorations menant de cette ligne droite vers d'autres horizons, mais toujours suis-je retourné vers ce monde blanc qui est le mien, un monde où le mystère de la lumière et du blanc a une place centrale, conjugué avec celui de l'espace et sa conquête, la présence de l'homme dans les cieux, à partir de son astronef «la terre». Il s'agit d'une émulsion physique et spirituelle entre la lumière, la couleur blanche et l'espace, qui a toujours été au centre de mes préoccupations. \u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eMes premières oeuvres monochromes datent de 1954 mais ne sont toutefois pas présentes à l'exposition, se trouvant toutes dans des collections anglaises et américaines.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eJ'espère pouvoir entrer dans le 2 lième siècle avec une nouvelle série de réalisations de mon monde «Spaceart».\"\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003ePaul Van Hoeydonck, Juin 1999\u003c/p\u003e\u003c/blockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(35,35,35);\"\u003e— \u003c/span\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,29,53);\"\u003e\u003ci\u003eHalf a Century - White on White\u003c/i\u003e, Orion Art Gallery, Brussel, 1999\u003c/span\u003e\u003c/p\u003e"}]},{"id":36862,"title":"Spaceman","dimensions":"103 x 67 cm","date_begin":"1965-01-01","material":"Mixed media op een paneel","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":79,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"spaceman","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/512/medium_500/BR_VAN_Hoeydonck_2.jpeg?1753447952","cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/512/large/BR_VAN_Hoeydonck_2.jpeg?1753447952","poster_credits":"©photo: Steven Decroos","translations":[{"locale":"en","description":"\u003cblockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\"White on white has always since fifty years been my principal direct preoccupation for realising my work.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eAfter temporary sidesteps I have always rejoined my central mailstream, a white on white illustration of what I call «Spaceart» which illustrates the presence of man based on this small planet in the vast universe; the «spaceship» called «Earth». It is the physical and spiritual interactions of light, the color White and deap space which has always been up to know my biggest passion and preoccupation.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eMy first monochrome works date from 1954, they are mostly in English and American collections.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eI hope entering the 21 st century with new works out of my world of Spaceart.\"\u003c/p\u003e\u003c/blockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003ePaul Van Hoeydonck, June 1999\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(35,35,35);\"\u003e— \u003c/span\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,29,53);\"\u003e\u003ci\u003eHalf a Century - White on White\u003c/i\u003e, Orion Art Gallery, Brussel, 1999\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","description":"\u003cblockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\"Monochroom wit is steeds als een leiddraad sedert bijna vijftig jaar aanwezig geweest in rechte lin in mijn werk.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eSoms zijn er zijwegen ingeslagen om daarna terug te leiden naar mijn witte wereld, een wereld waar het mysterie van het licht en de kleur «wit» centraal staat, vervoegd met een wereld van ruimte en ruimtevaart, de tegenwoordigheid van de mens in het heelal vanop zijn ruiteschip Aarde. Het in elkaar versmelten van licht, de witte kleur en ruimte, zowel fysisch als geestelijk, dat mij steeds tot op vandaag gepassioneerd heeft.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eMij eerste monochrome werken, daterend uit 1954 zijn niet aanwezig op deze expositie, ze bevinden zich hoofdza-kelijk in engelse en amerikaanse verzamelingen.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eIk hoop de 21 ste Eeuw te mogen binnentreden met een nieuwe reeks verwezenlikingen van mijn «witte 'Spaceart» wereld.\"\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003ePaul Van Hoeydonck, Juni 1999\u003c/p\u003e\u003c/blockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(35,35,35);\"\u003e— \u003c/span\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,29,53);\"\u003e\u003ci\u003eHalf a Century - White on White\u003c/i\u003e, Orion Art Gallery, Brussel, 1999\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","description":"\u003cblockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\"Le blanc monochrome a toujours constitué pour moi depuis près de cinquante ans un leitmotiv présent en ligne droite dans toutes mes oeuvres. Parfois il y a eu des explorations menant de cette ligne droite vers d'autres horizons, mais toujours suis-je retourné vers ce monde blanc qui est le mien, un monde où le mystère de la lumière et du blanc a une place centrale, conjugué avec celui de l'espace et sa conquête, la présence de l'homme dans les cieux, à partir de son astronef «la terre». Il s'agit d'une émulsion physique et spirituelle entre la lumière, la couleur blanche et l'espace, qui a toujours été au centre de mes préoccupations.\u0026nbsp;\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eMes premières oeuvres monochromes datent de 1954 mais ne sont toutefois pas présentes à l'exposition, se trouvant toutes dans des collections anglaises et américaines.\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003eJ'espère pouvoir entrer dans le 2 lième siècle avec une nouvelle série de réalisations de mon monde «Spaceart».\"\u003c/p\u003e\u003cp style=\"margin-left:0cm;\"\u003ePaul Van Hoeydonck, Juin 1999\u003c/p\u003e\u003c/blockquote\u003e\u003cp style=\"margin-left:0cm;\"\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(35,35,35);\"\u003e— \u003c/span\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(0,29,53);\"\u003e\u003ci\u003eHalf a Century - White on White\u003c/i\u003e, Orion Art Gallery, Brussel, 1999\u003c/span\u003e\u003c/p\u003e"}]},{"id":36865,"title":"Kunst op de Campus #7: Paul Van Hoeydonck \u0026 Ernest Van Buynder","dimensions":"","date_begin":null,"material":"","short_description":"","art_status_id":220,"legal_status_id":47,"category_id":21,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":34,"permalink":"kunst-op-de-campus-7-paul-van-hoeydonck-ernest-van-buynder","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"/files/medium_500/missing.png","cached_actor_names":"Paul Van Hoeydonck","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":"","short_description_tr":"","mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/496/large/Kunst_op_de_Campus.jpg?1753351297","poster_credits":"©Sofie Gheysens \u0026 Bas De Caluwé","translations":[{"locale":"en","description":"\u003cp\u003e\u003ci\u003eKunst op de Campus\u003c/i\u003e in de kijker: Ernest Van Buynder gaat in gesprek met kunstenaar Paul Van Hoeydonck\u003c/p\u003e\u003cp\u003eCredits: Sofie Gheysens \u0026amp; Bas De Caluwé. Alle rechten voorbehouden.\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003e\u003ci\u003eKunst op de Campus\u003c/i\u003e in de kijker: Ernest Van Buynder gaat in gesprek met kunstenaar Paul Van Hoeydonck\u003c/p\u003e\u003cp\u003eCredits: Sofie Gheysens \u0026amp; Bas De Caluwé. Alle rechten voorbehouden.\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003e\u003ci\u003eKunst op de Campus\u003c/i\u003e in de kijker: Ernest Van Buynder gaat in gesprek met kunstenaar Paul Van Hoeydonck\u003c/p\u003e\u003cp\u003eCredits: Sofie Gheysens \u0026amp; Bas De Caluwé. Alle rechten voorbehouden.\u0026nbsp;\u003c/p\u003e"}]}]