{"id":592,"name":"","email":"","language_id":1,"permalink":"pol-bury","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":47,"date_of_birth":"1922-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"painting Sculpture","publishing_process_id":1,"can_log_in":false,"firstname":"Pol","lastname":"Bury","annotation":"\u003cp\u003ePol Bury (1922-2005) Untitled (two \u0026eacute;rectiles), s.d. (1962). Private collection, two moving reliefs, white and black painted wood, metal staves, electromotors, 121 x 20 x 10\u003c/p\u003e\r\n","url_2":"","url_3":"","cached_name":"Pol Bury","date_of_death":"2005-01-01T00:00:00.000+01:00","cached_name_asc":"Bury, Pol","stream_count_app":27,"gender":"other","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/300/large/bury.jpg?1336997979","poster_credits":null,"media_count":1,"items_count":2,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eAlready in his early geometric abstract work, Bury was clearly no follower of orthodoxy. And when, from 1953, he begins experimenting with movement, irony sneaks in as well. First with \u0026lsquo;plans mobiles,\u0026rsquo; paintings with moving parts, and then with \u0026lsquo;\u0026eacute;rectiles,\u0026rsquo; metal strips or nylon staves mounted on panels and set in motion via electromotors. Important is the relationship between artwork and viewer within a playful context, and how one\u0026rsquo;s attention is held by the irregular, slow movements. All the works that Bury shows in Antwerp in 1959 have been either destroyed or lost. The related work in the current exhibition was made by the artist as a wedding gift for friends, who named it \u0026lsquo;Monsieur et Madame\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eAl in zijn vroege geometrisch abstracte werk blijkt Bury niet de orthodoxe volgeling. Als hij vanaf 1953 met beweging begint te experimenteren, sluipt ook de ironie binnen. Eerst met \u0026lsquo;plans mobiles\u0026rsquo;, schilderijen met bewegende delen, en dan met \u0026lsquo;\u0026eacute;rectiles\u0026rsquo;, op panelen gemonteerde metalen stroken of nylon staafjes die door elektromotoren worden bewogen. Belangrijk is de verhouding tussen kunstwerk en kijker in een ludieke context, en hoe de aandacht vastgehouden wordt door de onregelmatige, trage beweging. Alle werken die Bury in Antwerpen toont in 1959 zijn vernietigd of verloren. Het verwante werk in de huidige tentoonstelling heeft de kunstenaar gemaakt als huwelijkscadeau voor een bevriend echtpaar, die het \u0026lsquo;Monsieur et Madame\u0026rsquo; hebben genoemd.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"","place":"Paris","category":{"en":"Died in","nl":"Overleden in","fr":"Décédé en"}},{"country":"","place":"Haine-Saint-Pierre","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}}]}