[{"id":573,"title":"Untitled","dimensions":"35,7 x 29,9 cm","date_begin":"1976-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"perforated paper. Perforation on the center line with medium interval (4 cm)","date_end":"1976-01-01","reference":"S0408_04","stream_count_app":22,"permalink":"untitled--105","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/427/large/heyv_muhka_34.jpg?1305900566","poster_credits":"(c)image: M HKA/CC","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":570,"title":"Untitled","dimensions":"35,7 x 29,9 cm","date_begin":"1976-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"Perforated paper. Perforation on the center line with large interval (3 cm)","date_end":"1976-01-01","reference":"S0408_01","stream_count_app":18,"permalink":"untitled--108","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/419/large/heyv_muhka_35.jpg?1305898993","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":571,"title":"Untitled","dimensions":"35.7 x 29.9 cm","date_begin":"1976-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"perforated paper. Perforation on the center line with small interval (1 cm)","date_end":"1976-01-01","reference":"S0408_02","stream_count_app":19,"permalink":"untitled--107","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/420/large/heyv_muhka_36.jpg?1305899154","poster_credits":"(c)image: M HKA/CC","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":572,"title":"Untitled","dimensions":"35,7 x 29,9 cm","date_begin":"1976-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"perforated paper. Perforation on the center line with large interval (8 cm)","date_end":"1976-01-01","reference":"S0408_03","stream_count_app":19,"permalink":"untitled--106","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/426/large/heyv_muhka_33.jpg?1305900462","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":576,"title":"Untitled","dimensions":"34.6 x 24.5 cm","date_begin":"1977-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eBraided paper. Black and white bars in the shape of a cross\u003c/p\u003e","date_end":"1978-01-01","reference":"S0408_07","stream_count_app":19,"permalink":"untitled--103","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/409/large/heyv_muhka_07.jpg?1305893329","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eRen\u0026eacute; Heyvaert worked as an architect in Ghent and the USA prior to the late-1960\u0026#39;s when starting to devote himself exclusively to visual art.\u0026nbsp; And it was only in the years after his death, in 1984, that his work became known to a wider circle of art lovers.\u003c/p\u003e\u003cp\u003eFor Heyvaert, the making of art was a way of escaping from physical and mental difficulties brought on by protracted illness.\u0026nbsp; On the one hand his work obsessively examines his own relationship to reality, while on the other hand we may also view his oeuvre as a kind of meditation.\u0026nbsp; Working slowly and precisely, the artist indeed comes to some manner of rest.\u003c/p\u003e\u003cp\u003eThe oeuvre of Ren\u0026eacute; Heyvaert is marked by a sober and minimalist visual language.\u0026nbsp; Whether it takes the form of colorful lines and geometric patterns on squared paper, pencil on paper, perforated or plaited paper, the work always communicates the \u0026#39;desperate\u0026#39; (trans)action in a direct way.\u0026nbsp; For him, this act is in itself of equal importance as the resulting artifact.\u0026nbsp;\u003c/p\u003e\u003cp\u003eThe unusual and deceptive simplicity of his work focuses attention on the material.\u0026nbsp; Using abstract, geometric forms and patterns, he makes collage-like paper braided works.\u0026nbsp; By this braiding process, Heyvaert indeed succeeds in making 3-dimensional works from paper.\u0026nbsp; In this way, he attempts to dissolve the border between drawing and object.\u0026nbsp; He sees drawings not just as objects but, conversely, he also sees objects as drawings in space.\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":582,"title":"Untitled","dimensions":"14.3 x 10.6 cm","date_begin":"1978-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eBraided paper (white honeycomb structure)\u003c/p\u003e","date_end":"1979-01-01","reference":"S0408_14","stream_count_app":19,"permalink":"untitled--97","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/424/large/heyv_muhka_18.jpg?1305899721","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":"\u003cp\u003eRen\u0026eacute; Heyvaert worked as an architect in Ghent and the USA prior to the late-1960\u0026#39;s when starting to devote himself exclusively to visual art.\u0026nbsp; And it was only in the years after his death, in 1984, that his work became known to a wider circle of art lovers.\u003c/p\u003e\u003cp\u003eFor Heyvaert, the making of art was a way of escaping from physical and mental difficulties brought on by protracted illness.\u0026nbsp; On the one hand his work obsessively examines his own relationship to reality, while on the other hand we may also view his oeuvre as a kind of meditation.\u0026nbsp; Working slowly and precisely, the artist indeed comes to some manner of rest.\u003c/p\u003e\u003cp\u003eThe oeuvre of Ren\u0026eacute; Heyvaert is marked by a sober and minimalist visual language.\u0026nbsp; Whether it takes the form of colorful lines and geometric patterns on squared paper, pencil on paper, perforated or plaited paper, the work always communicates the \u0026#39;desperate\u0026#39; (trans)action in a direct way.\u0026nbsp; For him, this act is in itself of equal importance as the resulting artifact.\u0026nbsp;\u003c/p\u003e\u003cp\u003eThe unusual and deceptive simplicity of his work focuses attention on the material.\u0026nbsp; Using abstract, geometric forms and patterns, he makes collage-like paper braided works.\u0026nbsp; By this braiding process, Heyvaert indeed succeeds in making 3-dimensional works from paper.\u0026nbsp; In this way, he attempts to dissolve the border between drawing and object.\u0026nbsp; He sees drawings not just as objects but, conversely, he also sees objects as drawings in space.\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":583,"title":"Untitled","dimensions":"35,7 x 26,9 cm","date_begin":"1978-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"Two drawing sheets glued together","date_end":"1979-01-01","reference":"S0408_15","stream_count_app":21,"permalink":"untitled--96","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/417/large/heyv_muhka_41.jpg?1305897567","poster_credits":"(c)image: M HKA/CC","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":569,"title":"Zonder titel [Untitled]","dimensions":"42.1 x 33.1 cm","date_begin":"1974-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":20,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":"1975-01-01","reference":"S0392","stream_count_app":30,"permalink":"zonder-titel-untitled--94","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/425/large/heyv_muhka_02.jpg?1305900178","poster_credits":"(c)image: M HKA/CC","translations":[{"locale":"en","description":"\u003cp\u003eRen\u0026eacute; Heyvaert was restricted throughout his adult life by a digestive disease acquired in the Congo. The illness caused him bodily complaints, but also brought on an inner unrest, no doubt reinforced by his philosophizing, reflective mind. For Heyvaert, art was a way of escaping from his physical and mental problems. Using abstract geometric forms and pattern in different colors, he made a host of drawings and collage-like paper constructions and assemblages. Heyvaert found some calm in his slow and precise approach to the making of these sober, \u0026lsquo;modest\u0026rsquo; works. These works demonstrate the meditative side of Heyvaert\u0026rsquo;s art: in this case, his handling of the motif is more important than the resulting work.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eTijdens zijn leven werd Ren\u0026eacute; Heyvaert beperkt door een ziekte aan de spijsverteringsorganen, die hij had opgelopen in de Congo. De ziekte bezorgde hem lichamelijke klachten, maar ook een innerlijke onrust, ongetwijfeld versterkt door zijn filosoferende, reflecterende geest. Voor Heyvaert was de kunst een manier om te ontsnappen aan zijn lichamelijke en geestelijke problemen. Gebruik makend van abstracte geometrische vormen en patronen in verschillende kleuren, maakte hij tal van tekeningen en collage-achtige papieren vlechtwerken. Langzaam en precies werkend aan deze sobere, ingetogen werken kwam Heyvaert tot rust. Deze werken tonen het meditatieve aspect van Heyvaerts kunst: de handeling is in dit geval belangrijker dan het resulterende werk.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003ePendant sa vie, Ren\u0026eacute; Heyvaert a \u0026eacute;t\u0026eacute; limit\u0026eacute; par une maladie des organes digestifs qu\u0026#39;il a contract\u0026eacute;e au Congo. La maladie lui a caus\u0026eacute; des probl\u0026egrave;mes physiques mais \u0026eacute;galement une agitation int\u0026eacute;rieure, indubitablement renforc\u0026eacute;e par son esprit philosophique, r\u0026eacute;fl\u0026eacute;chi. Pour Heyvaert, l\u0026#39;art \u0026eacute;tait un moyen d\u0026#39;\u0026eacute;chapper \u0026agrave; ses probl\u0026egrave;mes physiques et psychologiques. En utilisant des formes et des mod\u0026egrave;les g\u0026eacute;om\u0026eacute;triques abstraits dans diff\u0026eacute;rentes couleurs, il a r\u0026eacute;alis\u0026eacute; de nombreux dessins et des travaux de nattage en papier de type collage. Travaillant lentement et pr\u0026eacute;cis\u0026eacute;ment \u0026agrave; ces \u0026oelig;uvres sobres, modestes, Heyvaert a trouv\u0026eacute; le calme. Ces \u0026oelig;uvres montrent l\u0026#39;aspect m\u0026eacute;ditatif de l\u0026#39;art de Heyvaert : dans ce cas, l\u0026#39;acte est plus important que l\u0026#39;\u0026oelig;uvre qui en r\u0026eacute;sulte.\u003c/p\u003e\r\n"}]},{"id":586,"title":"Untitled","dimensions":"34.6 x 24 cm","date_begin":"1977-01-01","material":"paper","short_description":"","art_status_id":13,"legal_status_id":12,"category_id":77,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"Braided paper.  Black and white bars in the shape of a square.","date_end":"1978-01-01","reference":"S0408_08","stream_count_app":24,"permalink":"untitled--93","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/418/large/heyv_muhka_05.jpg?1305899977","poster_credits":"(c)image: M HKA/CC","translations":[{"locale":"en","description":"This collage is part of the ephemeral oeuvre from artist and architect René Heyvaert.  A collection of these pieces consists of objects and drawings that are difficult to grasp, requiring the viewer to let them slowly seep in, like in a meditative process.  Formally, he balances his drawings between the constructivist aspect of his time and in-vogue minimalism, where the focus is on the creative process along with the inherent field of tension between idea and execution.\r\n\r\nHeyvaert's work is restrained and sober.  It may be described as a fundamental formalism that testifies to an unusual simplicity whereby the artist directs his attention towards the material that mirrors its position in real life.  The borders determine the form, the functionality, the beauty.  René Heyvaert aims to evoke an experience that is best described as 'being in the moment itself'.\r\n"},{"locale":"nl","description":"Deze papieren collage is onderdeel van het efemere oeuvre van de kunstenaar en architect René Heyvaert. Een bundel van werk bestaande uit objecten en tekeningen die moeilijk te grijpen zijn en zich traag op de toeschouwer laten inwerken als een meditatief proces. Vormelijk balanceren zijn tekeningen tussen het constructivistische van zijn tijd en het in zwang geraakte minimalisme, waarbij de focus lag op het creatieve proces en het daarbij horende spanningsveld tussen idee en uitvoering.\r\n\r\nHeyvaerts werk is ingetogen en sober. Het kan worden omschreven als een fundamenteel formalisme dat getuigt van een ongebruikelijke eenvoud waarmee de kunstenaar de aandacht vestigt op het materiaal waarmee hij  zijn positie in het leven weerspiegelt. De grenzen bepalen de vorm, de functionaliteit de schoonheid. René Heyvaert tracht een beleving op te roepen die het best te omschrijven is als *‘in het moment zelf zijn’*."},{"locale":"fr","description":""}]},{"id":54,"title":"Zonder titel (Broodkruis) [Untitled (Bread Cross)]","dimensions":"118 x 118 x 4 cm","date_begin":"1981-01-01","material":"bread, wood","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"Sculpture object","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0393","stream_count_app":49,"permalink":"zonder-titel-broodkruis-untitled-bread-cross","description_ru":"","description_de":"\u003cp\u003eViele der Werke von Ren\u0026eacute; Heyvaert behandeln die Konfrontation des Banalen und des Erhabenen, des Allt\u0026auml;glichen und des Besonderen. Einerseits behandelt er Motive oder Symbole, die das Besondere \u0026uuml;bersteigen, wie das Kreuz oder abstrakte Muster. Andererseits benutzt er allt\u0026auml;gliche, manchmal b\u0026uuml;rgerliche, oft organische Stoffe, die er um sich herum fand und sammelte, wie zum Beispiel Schuhe, Tischw\u0026auml;sche und farbenfrohe Tapete, um diese Motive und Symbole auszudr\u0026uuml;cken. Durch die Konfrontation zwischen beiden Seiten wird sowohl die Eigenheit des Materials, als auch der geistliche, mathematische Eingriff des Menschen unterstrichen. So entstehen n\u0026uuml;chterne, besinnliche Werke, die gleichzeitig ein subversives Element enthalten. \u003cem\u003eOhne Titel (Brotkreuz\u003cem\u003e)\u003c/em\u003e\u003c/em\u003e\u0026nbsp;ist so ein Werk: das beladene Symbol des Kreuzes (\u0026uuml;brigens auch ein mathematisches Symbol!) wird hier durch so etwas wie unser t\u0026auml;gliches Brot geformt.\u003c/p\u003e\r\n","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"René Heyvaert","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/030/large/Heyvaert,%20Ren%C3%A9,%20Untitled,%201988%20photo%20clinckx.jpg?1296656974","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003eMuch of the work of Ren\u0026eacute; Heyvaert revolves around a confrontation of the banal and the elevated, of the everyday and the exceptional. On the one hand he treats motifs or symbols that surpass the particular, like the cross or abstract patterns. On the other hand, he gives expression using ordinary, household items or organic materials that he finds around him and collects, like shoes, tablecloths and colorful wallpaper, for instance. By confronting these two, both the specificity of the materials is emphasised, as the mental and mathematical human intervention.\u0026nbsp;This leads to the creation of\u0026nbsp;sober, modest works, which at the same time contain a subversive element. \u003cem\u003eUntitled (Bread Cross)\u003c/em\u003e\u0026nbsp;is such a work: the loaded symbol of the cross (for that matter, also a mathematical symbol!) is here formed by something as simple as our daily bread.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003eVeel werk van Ren\u0026eacute; Heyvaert draait om een confrontatie van het banale en het verhevene, van het alledaagse en het bijzondere. Enerzijds behandelde hij motieven of symbolen die het particuliere overstijgen, zoals het kruis of abstracte patronen. Anderzijds gebruikte hij alledaagse, soms burgerlijke, vaak organische materialen die hij om zich heen vond en verzamelde, bijvoorbeeld schoenen, tafelkleden en kleurrijk behangpapier, om deze motieven en symbolen uit te drukken. Door de confrontatie tussen die twee wordt zowel de eigenheid van het materiaal benadrukt, als de geestelijke, wiskundige ingreep van de mens. Zo ontstonden sobere, ingetogen werken, die tegelijkertijd een subversief element bevatten. \u003cem\u003eZonder titel (Broodkruis)\u003c/em\u003e\u0026nbsp;is zo\u0026#39;n werk: het beladen symbool van het kruis (overigens tevens een wiskundig symbool!) wordt hier gevormd door zoiets gewoons als ons dagelijks brood.\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp style=\"text-align: justify;\"\u003eDe nombreuses \u0026oelig;uvres de Ren\u0026eacute; Heyvaert s\u0026#39;articulent autour d\u0026#39;une confrontation entre le banal et le noble, le quotidien et l\u0026#39;extraordinaire. D\u0026#39;une part, il a travaill\u0026eacute; des motifs ou symboles \u0026nbsp;qui transcendent le particulier, comme la croix ou des formes abstraites. D\u0026#39;autre part, il utilise des mat\u0026eacute;riaux quotidiens, parfois bourgeois, souvent organiques, qu\u0026rsquo;il trouve dans son entourage et qu\u0026rsquo;il r\u0026eacute;cup\u0026egrave;re, comme des chaussures, des nappes et du papier peint color\u0026eacute;, afin d\u0026rsquo;exprimer ces motifs et symboles. Leur confrontation permet \u0026agrave; la fois d\u0026rsquo;accentuer la particularit\u0026eacute; du mat\u0026eacute;riau et l\u0026rsquo;intervention spirituelle, math\u0026eacute;matique de l\u0026rsquo;homme. Il a ainsi cr\u0026eacute;\u0026eacute; des \u0026oelig;uvres sobres et aust\u0026egrave;res, mais contenant \u0026eacute;galement une part de subversion. \u003cem\u003eSans titre (Croix en pain)\u003c/em\u003es\u0026#39;inscrit dans cette veine : le symbole charg\u0026eacute; de sens de la croix (qui est par ailleurs aussi un symbole math\u0026eacute;matique !) se trouve transform\u0026eacute; en quelque chose d\u0026#39;aussi banal que notre pain quotidien.\u003c/p\u003e\r\n"}]}]