{"id":3122,"name":"","email":"ensembles@muhka.be","language_id":1,"permalink":"takashi-murakami","deleted":false,"legal_status_id":null,"url_1":"","twitter":null,"category_id":47,"date_of_birth":"1962-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Takashi","lastname":"Murakami","annotation":"","url_2":"","url_3":"","cached_name":"Takashi Murakami","date_of_death":null,"cached_name_asc":"Murakami, Takashi","stream_count_app":15,"gender":"male","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/186/large/Takashi_Murakami_%282%29.jpg?1527593294","poster_credits":"Sodacan","media_count":1,"items_count":1,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eThe Japanese neo-pop art artist \u003cstrong\u003eTakashi Murakami \u003c/strong\u003e(b. 1962) grew up in Tokyo and developed a special interest in \u003ci\u003emanga\u003c/i\u003e (traditional Japanese comic drawings) and \u003ci\u003eanime\u003c/i\u003e (hand-drawn animated films). Out of dissatisfaction with the art market and the general cultural flattening, he develops a style that he cynically defines as \u003ci\u003eSuperflat\u003c/i\u003e. His art consists of large two-dimensional surfaces with uniform colours, filled with Japanese cartoon characters and recognisable icons from popular culture. These wall-filling compositions are accompanied by striking sculptures; sometimes with the same busy colour patterns, sometimes entirely different from them and evenly finished in gold or silver. In this way, Murakami creates a busy biotope that is seemingly teeming with vibrancy, but behind which lie emptiness, superficiality and nihilism. To emphasise this, he uses the commercial market principles of Pop Art and has his designs reproduced from his studio as a mass product. Luc Tuymans points to the extreme PR idea behind this process; a practice that was initiated by Rubens during the Baroque by working with assistants and executors in different workshops.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDe Japanse neo-popartkunstenaar \u003cstrong\u003eTakashi Murakami \u003c/strong\u003e(1962) groeit op in Tokio met een bijzondere interesse voor \u003cem\u003emanga\u003c/em\u003e (traditionele Japanse striptekeningen) en \u003cem\u003eanime\u003c/em\u003e (handgetekende animatiefilms). Uit onvrede met de kunstmarkt en de culturele vervlakking ontwikkelt hij een stijl die hij cynisch als \u003cem\u003esuperflat\u003c/em\u003e definieert. Het gaat om grote tweedimensionale vlakken met egale kleuren waarin Japanse stripfiguren en herkenbare iconen uit de populaire cultuur door elkaar zweven. Deze muurvullende composities worden vergezeld door opvallende sculpturen; soms met dezelfde drukke kleurpatronen, soms volstrekt afwijkend ervan door ze egaal in goud of zilver af te werken. Zo cre\u0026euml;ert Murakami een drukke biotoop die schijnbaar wemelt van de levendigheid, maar waarachter leegte, oppervlakkigheid en nihilisme schuilgaan. Om dit te benadrukken, hanteert hij de commerci\u0026euml;le marktprincipes van de popart en laat hij zijn ontwerpen vanuit zijn atelier eindeloos reproduceren als massaproduct.\u0026nbsp;Luc Tuymans duidt op de extreme PR-gedachte achter dit proces; een praktijk die tijdens de barok door Rubens op gang werd gebracht door te werken met assistenten en uitvoerders in verschillende ateliers.\u003c/p\u003e\r\n\r\n\u003cp\u003eTekst: Hans Willemse\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eL\u0026rsquo;artiste japonais n\u0026eacute;o-pop \u003cstrong\u003eTakashi Murakami\u003c/strong\u003e (\u0026deg;1962) a grandi \u0026agrave; Tokyo. Adolescent, il d\u0026eacute;veloppe une passion pour les \u003ci\u003emangas\u003c/i\u003e (les bandes dessin\u0026eacute;es traditionnelles japonaises) et les \u003ci\u003eanime\u003c/i\u003e (des films d\u0026rsquo;animation dessin\u0026eacute;s \u0026agrave; la main). En r\u0026eacute;action au march\u0026eacute; de l\u0026rsquo;art et au nivellement culturel, il \u0026eacute;labore un style qu\u0026rsquo;il qualifie, non sans cynisme, de \u003ci\u003esuperflat\u0026nbsp;\u003c/i\u003e: il s\u0026rsquo;agit de surfaces bidimensionnelles aux couleurs uniformes dans lesquelles se m\u0026ecirc;lent des personnages de manga et des ic\u0026ocirc;nes reconnaissables de la culture pop. Les compositions murales sont accompagn\u0026eacute;es de sculptures frappantes qui pr\u0026eacute;sentent parfois les m\u0026ecirc;mes couleurs vives ou s\u0026rsquo;en d\u0026eacute;marquent totalement par leur couleur dor\u0026eacute;e ou argent\u0026eacute;e uniforme. Murakami cr\u0026eacute;e ainsi un biotope turbulent qui d\u0026eacute;borde de vivacit\u0026eacute;, mais qui dissimule de la superficialit\u0026eacute;, du vide et du nihilisme. Pour le souligner, il applique les principes commerciaux du march\u0026eacute; du pop art et fait reproduire ses cr\u0026eacute;ations \u0026agrave; l\u0026rsquo;infini dans son atelier, comme un produit de masse. Luc Tuymans fait le parall\u0026egrave;le entre l\u0026rsquo;id\u0026eacute;e de relations publiques \u0026ndash; pouss\u0026eacute;e \u0026agrave; l\u0026rsquo;extr\u0026ecirc;me \u0026ndash; qui sous-tend ce processus et la pratique que Rubens a lanc\u0026eacute;e \u0026agrave; l\u0026rsquo;\u0026eacute;poque baroque en travaillant avec des assistants et des ex\u0026eacute;cutants dans plusieurs ateliers.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"JP","place":"Itabashi","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}}]}