{"id":3121,"name":"","email":"ensembles@muhka.be","language_id":1,"permalink":"tobias-rehberger","deleted":false,"legal_status_id":null,"url_1":"","twitter":null,"category_id":47,"date_of_birth":"1966-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Tobias","lastname":"Rehberger","annotation":"","url_2":"","url_3":"","cached_name":"Tobias Rehberger","date_of_death":null,"cached_name_asc":"Rehberger, Tobias","stream_count_app":22,"gender":"male","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/178/large/Tobias_Rehberger_2017_%282%29.jpeg?1527512964","poster_credits":"Artmax","media_count":1,"items_count":4,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eThe multidisciplinary German artist \u003cstrong\u003eTobias Rehberger\u003c/strong\u003e (b. 1966) reinterprets spaces \u0026ndash; both museum and public spaces \u0026ndash; by means of geometric objects, recurring colour patterns and planes of shadow and light. His conceptual oeuvre is a combination of architecture, design and video art. \u0026nbsp;Using recurring geometric motifs and optical illusions, he not only decorates buildings and interiors, but also objects, wall papers and design furniture. Through his constant exploration of the boundary between the public and the private space \u0026ndash; primarily by emphasising it \u0026ndash; the artist shows the impact of a personal intervention. Or the other way around: he shows how an artistic addition can become public property. In the same way, he also seeks to erase the boundaries of authorship and copyright. Rehberger regards all culture as public property, and uses it to undermine its own so-called specificity. Its use becomes pointless, but the shape of the object acquires an artistic autonomy that refers to existing objects. The play of shadow and light around the object is created by means of film images that are projected on the wall. The reflection of the moving images brings together the formal and the artificial in a consistent formal language.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDe multidisciplinaire Duitse kunstenaar \u003cstrong\u003eTobias Rehberger\u003c/strong\u003e (1966) herinterpreteert ruimtes \u0026ndash; zowel museaal als openbaar \u0026ndash; aan de hand van geometrische objecten, weerkerende kleurpatronen en schaduw- en lichtvlakken. Zijn conceptueel oeuvre is een combinatie van architectuur, design en videokunst. Met weerkerende geometrische motieven en optische illusies decoreert hij niet alleen gebouwen en interieurs, maar ook objecten, behangpapier en designmeubelen. Door telkens de grens op te zoeken tussen de publieke en de private ruimte \u0026ndash; door die te benadrukken \u0026ndash; toont de kunstenaar de impact van een persoonlijke ingreep. Of andersom: hij toont hoe een artistieke toevoeging publiek bezit wordt. In dezelfde geest tracht hij ook de grenzen op te heffen van het auteurschap en copyright. Rehberger beschouwt alle cultuur als publiek bezit, en maakt daar dankbaar gebruik van om de zogenaamde eigenheid ervan te ondermijnen. Het gebruik wordt zinloos, maar de vorm van het object krijgt een artistieke autonomie die refereert aan bestaande objecten. Het schaduw- en lichtspel rondom het object wordt gecre\u0026euml;erd door filmbeelden die tegen de muur geprojecteerd worden. Door de weerkaatsing van bewegend beeld komt het formele en het gekunstelde samen in een consistente vormentaal.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eL\u0026rsquo;artiste multidisciplinaire allemand \u003cstrong\u003eTobias Rehberger\u003c/strong\u003e (\u0026deg;1966) r\u0026eacute;interpr\u0026egrave;te des espaces \u0026ndash; aussi bien mus\u0026eacute;aux que publics \u0026ndash; \u0026agrave; la faveur d\u0026rsquo;objets g\u0026eacute;om\u0026eacute;triques, de motifs color\u0026eacute;s r\u0026eacute;currents, de surfaces d\u0026rsquo;ombres et de lumi\u0026egrave;re. Son \u0026oelig;uvre conceptuelle marie architecture, design et art vid\u0026eacute;o. Rehberger ne cr\u0026eacute;e pas seulement des motifs g\u0026eacute;om\u0026eacute;triques r\u0026eacute;p\u0026eacute;t\u0026eacute;s et les illusions d\u0026rsquo;optique qui d\u0026eacute;corent des immeubles et des int\u0026eacute;rieurs, mais aussi des objets, du papier peint et des meubles design. En recherchant chaque fois la fronti\u0026egrave;re entre espace public et priv\u0026eacute; et en l\u0026rsquo;accentuant, l\u0026rsquo;artiste montre l\u0026rsquo;impact d\u0026rsquo;une intervention personnelle. Ou inversement\u0026nbsp;: il montre la fa\u0026ccedil;on dont un ajout artistique devient propri\u0026eacute;t\u0026eacute; publique. Dans le m\u0026ecirc;me esprit, il tente d\u0026rsquo;\u0026eacute;liminer les limites qui s\u0026eacute;parent la paternit\u0026eacute; d\u0026rsquo;une \u0026oelig;uvre et les droits d\u0026rsquo;auteur. Rehberger con\u0026ccedil;oit toute culture comme un bien commun et n\u0026rsquo;h\u0026eacute;site pas \u0026agrave; en saper ladite originalit\u0026eacute; ou singularit\u0026eacute;. L\u0026rsquo;usage devient absurde, mais la forme de l\u0026rsquo;objet obtient une autonomie artistique qui fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; des objets existants. Le jeu d\u0026rsquo;ombre et de lumi\u0026egrave;re autour de l\u0026rsquo;objet est cr\u0026eacute;\u0026eacute; par des images de film projet\u0026eacute;es contre un mur. \u0026Agrave; travers le reflet de l\u0026rsquo;image en mouvement, le formel et l\u0026rsquo;artificiel convergent dans un langage de formes coh\u0026eacute;rent.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"DE","place":"Berlin","category":{"en":"Works in","nl":"Werkt in ","fr":"Travaille à"}},{"country":"DE","place":"Frankfurt","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}},{"country":"DE","place":"Esslingen am Neckar","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}}]}