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Vic Gentils

Items (8)

IJzeren Kathedraal
Vic Gentils, IJzeren Kathedraal, 1959. Sculpture, fused. metal, 90 x 34 x 34 cm.
Anti-peinture II
Vic Gentils, Anti-peinture II, 1960. Painting, wood, 60 x 55 cm.
Anti-peinture I
Vic Gentils, Anti-peinture I, 1960. Painting, wood, 70 x 58 cm.
Vic Gentils and Jef Verhe...
Vic Gentils, Jef Verheyen, Raoul van den Boom, Vic Gentils and Jef Verheyen at the opening of 'Kontrasten 47/67', 1968. Photography, photograph.
Nieuwe Vlaamse School
Jef Verheyen, Nic van Bruggen, VECU, Bert De Leeuw, Mark Claus, Herman Denkens, Jan Dries, Vic Gentils, Jef Kersting, Nic Klerks, Guy Mees, Englebert Van Anderlecht, Guy Vandenbranden, Nieuwe Vlaamse School, 1961. Poster, ink on paper, 2 sides.
<< 10 >>
Francky Cane , Vic Gentils, << 10 >>, 1990. Invitation Card, print on paper, 21 x 15 cm.
'10'
Francky Cane , Vic Gentils, '10', 1990. Invitation Card, print on paper, 29,7 x 21 cm.
Jef Verheyen's Liber Amicis
Jef Verheyen, Hermann Goepfert, Serge Largot, Nanda Vigo, Raymond Dauphin, Rochus Kowallek, Lucio Fontana, Gotthard Graubner, Jan van der Borgt, Maria Mara, Paul Ibou, Jos Macken, Frank-Ivo van Damme, Piet Sterckx, Christian Megert, Galerie Edith Wahlandt, Dominique Stroobant, Guy Stern, Lotte Lenya, Leon In den Kleef, Madeleine Everaert, Marlborough Gallery, Hergé, Roger Nellens, Hugues C. Pernath, The Antwerp Gallery , Albert Szukalski, Anselm Thürwächter, Galerie Bernard, Ivo Michiels, Blinky Palermo, Gerhard Richter, Guy Vaes, Vic Gentils, Adam Seide, Günther Uecker, Piero Manzoni, Jef Verheyen's Liber Amicis, 1962-1984. Other, mixed media on bound paper.

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The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

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