[{"id":3250,"title":"IJzeren Kathedraal","dimensions":"90 x 34 x 34 cm","date_begin":"1959-01-01","material":"fused. metal","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collectie Ronny en Jessy Van de Velde","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eRonny Van de Velde, Cogels Osylei 34, 2600 Berchem ronnyvandevelde@skynet.be\u003c/p\u003e","date_end":null,"reference":"","stream_count_app":24,"permalink":"ijzeren-kathedraal","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/498/large/Vic%20Gentils,%20Ijzeren%20Kathedraal,%201959%20photo%20M%20HKAcc.jpg?1328193984","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","description":""},{"locale":"nl","description":"\u003cp\u003e\u0026lsquo;Een andere aanwinst voor de groep van G-58 vormt de overgang van Vic Gentils naar de metaalsculptuur. Uit al de, in de G-58 tentoonstelling, getoonde stukken spreekt een sterk en toch ook altijd speels blijvend gevoel voor de mogelijkheden, voor de eigen \u0026lsquo;taal\u0026rsquo; van het ijzer, gevoel dat zich soms bezwaart met een zekere overdadigheid, en zich dan nog niet helemaal losmaakt, maar elders tot volwaardige expressie leidt. Het dreigende en het olijke vallen dan op onverwachte manier samen.\u0026rsquo; (Marc Callewaert, Tweede Groepstentoonstelling G-58. Verruiming en verdieping, in: Gazet van Antwerpen, 24 november 1959)\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":6103,"title":"Anti-peinture II","dimensions":"60 x 55 cm","date_begin":"1960-01-01","material":"wood","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Private Collection, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":9,"permalink":"anti-peinture-ii","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/895/large/Vic_Gentils__Antipeinture_II.__1960__gebrande_lijstfragmenten__meubel_ornamenten__lijst_in_gips_en_hout.jpg?1350047487","poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":6102,"title":"Anti-peinture I","dimensions":"70 x 58 cm","date_begin":"1960-01-01","material":"wood","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection Ronny Van de Velde, Antwerp","cached_tag_list":"reliëf","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":10,"permalink":"anti-peinture-i","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/894/large/Vic_Gentils__Antipeinture_I.__1960__relief__houten_gebrande_lijstfragmenten_op_hout.jpg?1350045774","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eFollowing years of search and doubt during which Vic Gentils (1919-1997) assimilates expressionism and the ubiquitous Picasso and Klee, in 1955 he turns to abstract painting. And when that too seems inadequate, Gentils starts making his famous assemblages. These are indeed abstract compositions, from wood scraps \u0026ndash; usually frames from doors or windows \u0026ndash; that he combines with appropriated picture frames, thus also referring to the painting as \u0026lsquo;window on the world\u0026rsquo;. In this sense *Anti-peinture I* (1960) is not really an adieu to painting but rather an evocation of painting\u0026rsquo;s own shortcomings. Gentils makes art-historical art. With cast-off decorations once sold to nostalgic parochial folk, he forges a new patrimony. In the white modern spaces so desirous of being timeless, his assemblages function like alienating interventions, objects that underscore the historical nature of each object, each space. And perhaps the opting for dark tones was his way to escape from the shadow of expressionism, by ironic reference to that somber style sometimes drown in asphalt.\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eNa jaren van zoeken en twijfel waarin Vic Gentils (1919-1997) invloeden verwerkt van het expressionisme en van de alomtegenwoordige Picasso en Klee, gaat hij in 1955 abstract schilderen. En als dat ook ontoereikend blijkt gaat hij zijn beroemde assemblages maken. Het zijn wel abstracte composities, maar het wrakhout \u0026ndash; meestal omlijstingen van deuren en ramen - dat hij combineert met afgevoerde schilderijlijsten, verwijzen nog naar het schilderij als \u0026lsquo;venster op de wereld\u0026rsquo;. In die zin is *Anti-peinture I* (1960) niet echt een afscheid maar een evocatie van het schilderkunstig tekort. Gentils maakt kunsthistorische kunst. Met afgedankte versieringen die ooit massaal verkocht werden aan nostalgische kleinburgers, maakt hij nieuw patrimonium. In de witte moderne ruimten die zo graag tijdloos willen zijn, functioneren zijn assemblages als vervreemdende tussenkomsten, objecten die het historische karakter benadrukken van elk voorwerp, elke ruimte. En misschien is de keuze voor sombere tinten zijn manier geweest om aan de schaduw van het expressionisme te ontsnappen, door ironische verwijzing naar die sombere stijl die soms in bitumen verdronk.\u003c/p\u003e"},{"locale":"fr","description":""}]},{"id":31511,"title":"Vic Gentils and Jef Verheyen at the opening of 'Kontrasten 47/67'","dimensions":"","date_begin":"1968-01-01","material":"Photograph","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Kontrasten KMSKA Vic Gentils Karel J Geirlandt Raoul Van den Boom","publishing_process_id":1,"annotation":"\u003cp\u003e---------------------------------------------------------------------------\u003cbr /\u003e\r\nPhotographer: Raoul van den Boom\u003cbr /\u003e\r\nPhotographer\u0026#39;s stamp on the back\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":21,"permalink":"vic-gentils-and-jef-verheyen-at-the-opening-of-kontrasten-47-67","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/043/medium_500/JV_04_03_42_b.jpg?1639125282","cached_actor_names":"Vic Gentils, Jef Verheyen, Raoul van den Boom","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":31429,"title":"Nieuwe Vlaamse School","dimensions":"2 sides","date_begin":"1961-01-01","material":"Ink on paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":126,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Nieuwe Vlaamse School VECU V.E.C.U. Breugelmans Bert De Leeuw Jan Dries Vic Gentils Englebert Van Anderlecht Guy Vandenbranden Paul Van Hoeydonck Nic Van Bruggen","publishing_process_id":1,"annotation":"\u003cp\u003e---------------------------------------------------------------------------\u003c/p\u003e\r\n\r\n\u003cp\u003ePamphlet was printed before, not as exhibition poster.\u003c/p\u003e\r\n","date_end":null,"reference":"JV_53_01","stream_count_app":32,"permalink":"nieuwe-vlaamse-school","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/075/817/medium_500/JV_38_01_a.jpg?1637844264","cached_actor_names":"Guy Vandenbranden, Englebert Van Anderlecht, Guy Mees, Nic Klerks, Jef Kersting, Vic Gentils, Jan Dries, Herman  Denkens, Mark Claus, Bert De Leeuw, VECU, Nic van Bruggen, Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003e\u003cstrong\u003eNieuwe Vlaamse School\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eerkent in zichzelf DEZE vlaamse traditie, dat het universele van de moderniteit in de eigen aard, d.i. de vlaamse, vervat ligt;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003eis zich bewust dat onze oudere vlaamse schildersscholen hun eigen aard door vergelijking met de buitenlandse, d.w.z. andere schilderscholen, vonden en opdrongen;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003eis de overtuiging toegedaan dat de autentieke schilderkunst in wezen nooit formeel of modieus is geweest, maar uiteraard alleen essenti\u0026euml;l, waardoor zij verstaat de essentie niet te verwarren met de tijdelijke mededeling der vroegere meesters;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003ezij erkent derhalve alleen de OVERSCHRIJDENDE instelling van het individu als bepalend voor het avant-gardisme;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003ezij keert zich af van de in Belgi\u0026euml; en in het buitenland opgeldmakende opvatting als zou er een \u0026ldquo;Belgische\u0026rdquo; schilderschool bestaan, een opvatting die een contradictio in terminis insluit;\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003evermits Belgisch niet met het Vlaamse autochtone samenvalt \u0026ndash; en die zich wil staande houden door een kultus van formalismen.\u003cbr /\u003e\r\n\t\u0026nbsp;\u003c/li\u003e\r\n\t\u003cli\u003ezij wenst in de zin van HAAR BEGINSELEN effektief tegen deze laatste opvatting te handelen, door zich openlijk af te scheiden en zich als de \u0026ldquo;nieuwe vlaamse school\u0026rdquo; te bekennen.\u003c/li\u003e\r\n\u003c/ul\u003e\r\n\r\n\u003cp\u003eMARK CLAUS\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; JEF KERSTING\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; ENG. VAN ANDERLECHT\u003cbr /\u003e\r\nHERMAN DENKENS\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; NIC KLERKS \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; GUY VANDENBRANDE\u003cbr /\u003e\r\nJAN DRIES\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; GUY MEES\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; WIM VAN DE VELDE\u003cbr /\u003e\r\nVIC GENTILS\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; JEF VERHEYEN\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cbr /\u003e\r\n\u003cstrong\u003eLigt de universaliteit in de traditie?\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eIs het niet juist door het feit dat hij zijn aard bepaalt dat de mens eerbied voor de dingen krijgt, en aldus de kennis verwerft, of het bewustzijn, dat alle dingen de delen zijn die de samenleving, kosmos of\u0026nbsp; eenheid vormen? Is zelfbewust worden niet het verschil tussen het ik en het andere opmerken?\u003c/p\u003e\r\n\r\n\u003cp\u003eAls men het eigenaard-ige van zichzelf kent weet men dat het iets is dat de anderen niet bepaald hebben, en dat al wat de anderen bezitten dat is wat men zelf niet heeft. Hieruit vloeit voort dat men eerst het andere moet kennen om de eigen aard te herkennen. De vlaamse traditie kan men slechts herkennen wanneer men de andere tradities aanneemt, vermits het aannemen het begin der kennis is.\u003c/p\u003e\r\n\r\n\u003cp\u003eAls men het ene ziet, ziet men automatisch het andere, en als men het andere aanneemt neemt men het ene aan. Hier is van keuze geen sprake: ofwel eerbiedigt en ziet men het andere en wordt men bewust, of men ziet niets anders waardoor men niet bestaat.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet is gemakkelijk te zeggen dat men in Belgi\u0026euml; internationaal wil worden of universeel wil erkend zijn, maar het is zeker dat hij, die bij geen enkele traditie wil aansluiten, tot niets zal behoren, daar hij geen bepaling zal geven en aldus de anderen hem aan niets bepaald zullen herkennen.\u003c/p\u003e\r\n\r\n\u003cp\u003eWas het de schuld van Van Eyck, Memling, Metsijs, Bosch, Dirc Bouts e.a. dat zij vlaams waren en schilderden? Als Rik Wouters, Ensor, Brusselmans, van den Berghe, Permeke, door dat zij vlaams voelden, bij hun traditie aansloten, kan men hen dat nog minder verwijten.\u003c/p\u003e\r\n\r\n\u003cp\u003eAls nu de Belgische offici\u0026euml;le instanties die Vlaamse schilderkunst als Belgisch willen tonen wordt dit even moeilijk als appelen voor citroenen verkopen.\u003c/p\u003e\r\n\r\n\u003cp\u003eVermits wij nooit voor de Belgische staat als autonoom zullen aangenomen worden zal geen Vlaams schilder een kans krijgen om zich officieel als aanhanger of voortzetter der Vlaamse traditie te manifesteren. Nooit zal men in Belgi\u0026euml; schilders, die bewust tot de Vlaamse traditie behoren, kunnen propageren of verdedigen.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn wezen is pikturaliteit zonder grenzen, van het ogenblik dat de mens deze voorstelt wordt het een produkt\u0026nbsp; van die mens plus zijn omgeving. Als iemand schilder is kan die niets anders dan een produkt van zijn gemeenschap zijn en zijn productie ook, een produktie die tot het progressiefste zal uitgroeien en tot de avantgarde moet behoren, vermits het nieuwe altijd uit het oude geboren wordt.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDrukkerij M. VAN HAVER, St. Niklaas\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e[French version t.b.c.]\u003c/p\u003e\r\n"},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":34113,"title":"\u003c\u003c 10 \u003e\u003e","dimensions":"21 x 15 cm","date_begin":"1990-01-01","material":"Print on paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":218,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collectie M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":12,"permalink":"10","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/571/medium_500/199010_001.jpg?1680095459","cached_actor_names":"Vic Gentils, Francky Cane ","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/571/large/199010_001.jpg?1680095459","poster_credits":"Scan: CKV","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":34114,"title":"'10'","dimensions":"29,7 x 21 cm","date_begin":"1990-01-01","material":"Print on paper","short_description":"","art_status_id":48,"legal_status_id":47,"category_id":218,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":16,"permalink":"10-5171630f-1e63-49c0-9771-93d46dce63ac","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/573/medium_500/199012_001.jpg?1680096768","cached_actor_names":"Vic Gentils, Francky Cane ","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/573/large/199012_001.jpg?1680096768","poster_credits":"Scan: CKV","translations":[{"locale":"en","description":""},{"locale":"nl","description":""},{"locale":"fr","description":""}]},{"id":32278,"title":"Jef Verheyen's Liber Amicis","dimensions":"","date_begin":"1962-01-01","material":"mixed media on bound paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":57,"stream_count":0,"collection":"Jef Verheyen Archive","cached_tag_list":"Jef Verheyen Liber Amicis Liber Amicorum Vriendenboek Jef Verheyen and Friends","publishing_process_id":1,"annotation":"","date_end":"1984-01-01","reference":"","stream_count_app":265,"permalink":"liber-amicis","description_ru":"","description_de":"\u003cp\u003eVerheyen war mehr als nur ein Maler, er war ein uneingeschränkter Modernist, ein später \u003ci\u003eHomo Universalis\u003c/i\u003e genannter Internationalist, dessen Bedeutung als Bindeglied zwischen der belgischen und der internationalen Kunstwelt kaum hoch genug eingeschätzt werden kann. Letzteres beweist sicherlich der im Archiv aufbewahrte und bisher nie zugänglich gemachte \u003ci\u003eLiber Amicis\u003c/i\u003e, in dem Jef Verheyen seinem Freundeskreis aus dem In- und Ausland Gelegenheit zu Wort gab. Der \u003ci\u003eLiber Amicis\u003c/i\u003e enthält unter anderem Beiträge von Piero Manzoni, Gotthard Graubner, Günther Uecker und Christian Megert.\u003c/p\u003e\u003cp\u003e(ADT)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e","description_es":"","description_el":"","short_description_du":"","short_description_fr":"","short_description_ru":"","short_description_de":"","short_description_es":"","short_description_el":"","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/084/079/medium_500/LA1.jpg?1653640801","cached_actor_names":"Jef Verheyen, Hermann Goepfert, Serge Largot, Nanda Vigo, Raymond Dauphin, Rochus Kowallek, Lucio Fontana, Gotthard Graubner, Jan van der Borgt, Maria Mara, Paul Ibou, Jos Macken, Frank-Ivo van Damme, Piet Sterckx, Christian Megert, Galerie Edith Wahlandt, Dominique Stroobant, Guy Stern, Lotte Lenya, Leon In den Kleef, Madeleine Everaert, Marlborough Gallery, Hergé, Roger Nellens, Hugues C. Pernath, The Antwerp Gallery , Albert  Szukalski, Anselm Thürwächter, Galerie Bernard, Ivo Michiels, Blinky Palermo, Gerhard Richter, Guy Vaes, Vic Gentils, Adam Seide, Günther Uecker, Piero Manzoni","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/084/079/large/LA1.jpg?1653640801","poster_credits":"(c) Scan: CKV, 2019 - Jef Verheyen Archive","translations":[{"locale":"en","description":"\u003cp\u003eMore than just a painter. Verheyen was an unfettered modernist, a late-called \u003ci\u003ehomo universalis\u003c/i\u003e and internationalist whose importance as a link between the Belgian and international art worlds can hardly be overestimated. The latter is certainly evidenced by the \u003ci\u003eLiber Amicis\u003c/i\u003e, preserved in the archives and thus far never made available, in which Jef Verheyen gave his network of friends from home and abroad the opportunity to speak. The \u003ci\u003eLiber Amicis\u003c/i\u003e has contributions from Piero Manzoni, Gotthard Graubner, Günther Uecker and Christian Megert, among others.\u003c/p\u003e\u003cp\u003e(ADT)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","description":"\u003cp\u003eMeer dan een schilder alleen was Verheyen een ongebonden modernist, een laatgeroepen\u0026nbsp;\u003ci\u003ehomo universalis \u003c/i\u003een internationalist waarvan het belang als schakel tussen de Belgische en de internationale kunstwereld moeilijk overschat kan worden. Van dat laatste getuigt alleszins de in het archief bewaarde en tot dusver nooit ontsloten\u0026nbsp;\u003ci\u003eLiber Amicis\u0026nbsp; \u003c/i\u003ewaarin\u003ci\u003e\u0026nbsp;\u003c/i\u003eJef Verheyen zijn bevriende netwerk uit binnen- en buitenland aan het woord liet. Het \u003ci\u003eLiber Amicis\u003c/i\u003e heeft bijdragen van onder meer Piero Manzoni, Gotthard Graubner, Günther Uecker en Christian Megert.\u003c/p\u003e\u003cp\u003e(ADT)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","description":"\u003cp\u003ePlus qu'un simple peintre, Verheyen était un moderniste sans entrave, un \u003ci\u003ehomo universalis\u003c/i\u003e et un internationaliste dont l'importance en tant que lien entre le monde de l'art belge et international ne peut guère être surestimée. En témoigne certainement le \u003ci\u003eLiber Amicis\u003c/i\u003e, conservé dans les archives et jusqu'à présent jamais rendu public, dans lequel Jef Verheyen a donné la parole à son réseau d'amis nationaux et étrangers. Le \u003ci\u003eLiber Amicis\u003c/i\u003e compte notamment sur les contributions de Piero Manzoni, Gotthard Graubner, Günther Uecker et Christian Megert.\u003c/p\u003e\u003cp\u003e(ADT)\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"}]}]