[{"id":4506,"title":"Betonmolen [Cement Mixer]","dimensions":"128 x 155 x 92 cm","date_begin":"1993-01-01","material":"Wood, lacquer","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp / Collection Flemish Community ","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eTranslated title: La Betonneuse. Concrete-mixer in wood painted with Delftware motives.\u003c/p\u003e\r\n","date_end":"1993-01-01","reference":"BK6155_M135","stream_count_app":31,"permalink":"betonmolen-cement-mixer","description_ru":null,"description_de":null,"description_es":null,"description_el":"\u003cp style=\"text-align: justify;\"\u003e\u0026laquo;\u003ci\u003e\u0026Chi;\u0026rho;\u0026eta;\u0026sigma;\u0026iota;\u0026mu;\u0026omicron;\u0026pi;\u0026omicron;\u0026iota;ώ \u0026tau;\u0026omicron;\u0026nu; \u0026delta;\u0026iota;ά\u0026kappa;\u0026omicron;\u0026sigma;\u0026mu;\u0026omicron; \u0026ndash;\u0026mu;\u0026iota;\u0026alpha; \u0026delta;\u0026rho;\u0026alpha;\u0026sigma;\u0026tau;\u0026eta;\u0026rho;\u0026iota;ό\u0026tau;\u0026eta;\u0026tau;\u0026alpha; \u0026pi;\u0026omicron;\u0026upsilon; \u0026pi;\u0026rho;\u0026omicron;ϋ\u0026pi;ή\u0026rho;\u0026chi;\u0026epsilon; \u0026tau;\u0026omicron;\u0026upsilon; \u0026mu;\u0026omicron;\u0026nu;\u0026tau;\u0026epsilon;\u0026rho;\u0026nu;\u0026iota;\u0026sigma;\u0026mu;\u0026omicron;ύ\u0026ndash; \u0026alpha;\u0026lambda;\u0026lambda;ά \u0026sigma;\u0026upsilon;\u0026mu;\u0026phi;\u0026omega;\u0026nu;ώ \u0026mu;\u0026epsilon; \u0026tau;\u0026eta;\u0026nu; ά\u0026pi;\u0026omicron;\u0026psi;\u0026eta; ό\u0026tau;\u0026iota; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026kappa;\u0026alpha;\u0026kappa;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;\u0026eta;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;\u0026omicron;ύ \u0026chi;\u0026alpha;\u0026rho;\u0026alpha;\u0026kappa;\u0026tau;ή\u0026rho;\u0026alpha;. \u0026Kappa;\u0026alpha;\u0026iota; \u0026pi;\u0026omicron;\u0026nu;\u0026tau;ά\u0026rho;\u0026omega; \u0026sigma;\u0026tau;\u0026omicron; \u0026gamma;\u0026epsilon;\u0026gamma;\u0026omicron;\u0026nu;ό\u0026sigmaf; ό\u0026tau;\u0026iota; \u0026eta; \u0026chi;\u0026rho;ή\u0026sigma;\u0026eta; \u0026tau;\u0026omicron;\u0026upsilon; \u0026delta;\u0026iota;\u0026alpha;\u0026kappa;ό\u0026sigma;\u0026mu;\u0026omicron;\u0026upsilon; \u0026pi;\u0026omicron;\u0026upsilon; \u0026kappa;ά\u0026nu;\u0026omega; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026epsilon;\u0026gamma;\u0026kappa;\u0026lambda;\u0026eta;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ή. \u0026Epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026sigma;\u0026alpha;\u0026nu; \u0026tau;\u0026omicron; \u0026kappa;ά\u0026pi;\u0026nu;\u0026iota;\u0026sigma;\u0026mu;\u0026alpha; \u0026tau;ώ\u0026rho;\u0026alpha; \u0026pi;\u0026iota;\u0026alpha;. \u0026Delta;\u0026epsilon;\u0026nu; \u0026mu;\u0026pi;\u0026omicron;\u0026rho;\u0026epsilon;ί\u0026sigmaf; \u0026pi;\u0026iota;\u0026alpha; \u0026nu;\u0026alpha; \u0026kappa;\u0026alpha;\u0026pi;\u0026nu;ί\u0026zeta;\u0026epsilon;\u0026iota;\u0026sigmaf; \u0026alpha;\u0026theta;ώ\u0026alpha;. \u003c/i\u003e\u0026Xi;έ\u0026rho;\u0026epsilon;\u0026iota;\u0026sigmaf; ό\u0026tau;\u0026iota; \u0026delta;\u0026epsilon;\u0026nu; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026kappa;\u0026alpha;\u0026lambda;ό \u0026gamma;\u0026iota;\u0026alpha; \u0026tau;\u0026eta;\u0026nu; \u0026upsilon;\u0026gamma;\u0026epsilon;ί\u0026alpha;, \u0026alpha;\u0026lambda;\u0026lambda;ά \u0026tau;\u0026omicron; \u0026kappa;ά\u0026nu;\u0026epsilon;\u0026iota;\u0026sigmaf;.\u0026raquo; \u0026ndash; \u0026Beta;\u0026iota;\u0026mu; \u0026Nu;\u0026tau;\u0026epsilon;\u0026lambda;\u0026beta;\u0026omicron;\u0026upsilon;ά\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Tau;\u0026omicron; \u003ci\u003eBetonmolen [\u0026Alpha;\u0026nu;\u0026alpha;\u0026delta;\u0026epsilon;\u0026upsilon;\u0026tau;ή\u0026rho;\u0026alpha;\u0026sigmaf; \u0026tau;\u0026sigma;\u0026iota;\u0026mu;έ\u0026nu;\u0026tau;\u0026omicron;\u0026upsilon;]\u003c/i\u003e \u0026tau;\u0026omicron;\u0026upsilon; \u0026Beta;\u0026iota;\u0026mu; \u0026Nu;\u0026tau;\u0026epsilon;\u0026lambda;\u0026beta;\u0026omicron;\u0026upsilon;ά \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; \u0026phi;\u0026tau;\u0026iota;\u0026alpha;\u0026gamma;\u0026mu;έ\u0026nu;\u0026omicron; \u0026epsilon;\u0026xi;\u0026omicron;\u0026lambda;\u0026omicron;\u0026kappa;\u0026lambda;ή\u0026rho;\u0026omicron;\u0026upsilon; \u0026alpha;\u0026pi;ό \u0026xi;ύ\u0026lambda;\u0026omicron; \u0026kappa;\u0026alpha;\u0026iota; \u0026phi;έ\u0026rho;\u0026epsilon;\u0026iota; \u0026phi;\u0026upsilon;\u0026tau;\u0026iota;\u0026kappa;ό \u0026delta;\u0026iota;ά\u0026kappa;\u0026omicron;\u0026sigma;\u0026mu;\u0026omicron; \u0026lambda;\u0026epsilon;\u0026upsilon;\u0026kappa;\u0026omicron;ύ \u0026chi;\u0026rho;ώ\u0026mu;\u0026alpha;\u0026tau;\u0026omicron;\u0026sigmaf;, \u0026kappa;\u0026alpha;\u0026theta;ώ\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026iota; ά\u0026lambda;\u0026lambda;\u0026alpha; \u0026mu;\u0026omicron;\u0026tau;ί\u0026beta;\u0026alpha;. \u0026Epsilon;\u0026delta;ώ, \u0026omicron; \u0026Nu;\u0026tau;\u0026epsilon;\u0026lambda;\u0026beta;\u0026omicron;\u0026upsilon;ά \u0026epsilon;\u0026pi;\u0026iota;\u0026tau;\u0026upsilon;\u0026gamma;\u0026chi;ά\u0026nu;\u0026epsilon;\u0026iota; \u0026tau;\u0026eta; \u0026mu;\u0026epsilon;\u0026tau;\u0026alpha;\u0026mu;ό\u0026rho;\u0026phi;\u0026omega;\u0026sigma;\u0026eta; \u0026epsilon;\u0026nu;ό\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026theta;\u0026eta;\u0026mu;\u0026epsilon;\u0026rho;\u0026iota;\u0026nu;\u0026omicron;ύ \u0026alpha;\u0026nu;\u0026tau;\u0026iota;\u0026kappa;\u0026epsilon;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026epsilon; \u0026alpha;\u0026iota;\u0026nu;\u0026iota;\u0026gamma;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ό. \u0026Epsilon;\u0026kappa; \u0026pi;\u0026rho;ώ\u0026tau;\u0026eta;\u0026sigmaf; ό\u0026psi;\u0026epsilon;\u0026omega;\u0026sigmaf;, \u0026mu;\u0026omicron;\u0026iota;ά\u0026zeta;\u0026epsilon;\u0026iota; \u0026mu;\u0026epsilon; \u0026kappa;\u0026omicron;\u0026mu;\u0026mu;ά\u0026tau;\u0026iota; \u0026mu;\u0026pi;\u0026alpha;\u0026rho;ό\u0026kappa; \u0026epsilon;\u0026pi;ί\u0026pi;\u0026lambda;\u0026omega;\u0026sigma;\u0026eta;\u0026sigmaf; \u0026alpha;\u0026pi;ό \u0026mu;\u0026iota;\u0026alpha; \u0026mu;\u0026alpha;\u0026kappa;\u0026rho;\u0026iota;\u0026nu;ή \u0026epsilon;\u0026pi;\u0026omicron;\u0026chi;ή. \u0026Omicron; ό\u0026rho;\u0026omicron;\u0026sigmaf; \u0026laquo;\u0026mu;\u0026pi;\u0026alpha;\u0026rho;ό\u0026kappa;\u0026raquo; \u0026sigma;\u0026epsilon; \u0026alpha;\u0026upsilon;\u0026tau;ή \u0026tau;\u0026eta;\u0026nu; \u0026pi;\u0026epsilon;\u0026rho;ί\u0026pi;\u0026tau;\u0026omega;\u0026sigma;\u0026eta; \u0026alpha;\u0026nu;\u0026alpha;\u0026phi;έ\u0026rho;\u0026epsilon;\u0026tau;\u0026alpha;\u0026iota; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;\u0026sigma;\u0026sigma;ό\u0026tau;\u0026epsilon;\u0026rho;\u0026omicron; \u0026mu;\u0026epsilon; \u0026tau;\u0026eta;\u0026nu; \u0026alpha;\u0026rho;\u0026chi;\u0026iota;\u0026kappa;ή \u0026tau;\u0026omicron;\u0026upsilon; έ\u0026nu;\u0026nu;\u0026omicron;\u0026iota;\u0026alpha; \u0026ndash;\u0026tau;\u0026eta;\u0026sigmaf; \u0026iota;\u0026delta;\u0026iota;ό\u0026rho;\u0026rho;\u0026upsilon;\u0026theta;\u0026mu;\u0026eta;\u0026sigmaf; ή \u0026pi;\u0026alpha;\u0026rho;ά\u0026delta;\u0026omicron;\u0026xi;\u0026eta;\u0026sigmaf; \u0026delta;\u0026eta;\u0026mu;\u0026iota;\u0026omicron;\u0026upsilon;\u0026rho;\u0026gamma;ί\u0026alpha;\u0026sigmaf;\u0026ndash; \u0026pi;\u0026alpha;\u0026rho;ά \u0026omega;\u0026sigmaf; \u0026tau;\u0026omicron; \u0026omicron;\u0026mu;ώ\u0026nu;\u0026upsilon;\u0026mu;\u0026omicron; \u0026sigma;\u0026tau;\u0026upsilon;\u0026lambda; \u0026epsilon;\u0026pi;\u0026omicron;\u0026chi;ή\u0026sigmaf;. \u0026Alpha;\u0026nu;\u0026tau;ί \u0026nu;\u0026alpha; \u0026pi;\u0026rho;\u0026omicron;\u0026sigma;\u0026alpha;\u0026rho;\u0026mu;ό\u0026zeta;\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026sigma;\u0026tau;\u0026omicron;\u0026upsilon;\u0026sigmaf; \u0026kappa;\u0026alpha;\u0026nu;ό\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026epsilon;\u0026nu;ό\u0026sigmaf; \u0026sigma;\u0026upsilon;\u0026gamma;\u0026kappa;\u0026epsilon;\u0026kappa;\u0026rho;\u0026iota;\u0026mu;έ\u0026nu;\u0026omicron;\u0026upsilon; \u0026sigma;\u0026tau;\u0026upsilon;\u0026lambda;, \u0026omicron;\u0026iota; \u0026delta;\u0026iota;\u0026alpha;\u0026kappa;\u0026omicron;\u0026sigma;\u0026mu;\u0026eta;\u0026mu;έ\u0026nu;\u0026epsilon;\u0026sigmaf; \u0026mu;\u0026pi;\u0026epsilon;\u0026tau;\u0026omicron;\u0026nu;\u0026iota;έ\u0026rho;\u0026epsilon;\u0026sigmaf; \u0026tau;\u0026omicron;\u0026upsilon; \u0026Nu;\u0026tau;\u0026epsilon;\u0026lambda;\u0026beta;\u0026omicron;\u0026upsilon;ά \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota; έ\u0026nu;\u0026alpha; \u0026mu;ί\u0026gamma;\u0026mu;\u0026alpha; \u0026alpha;\u0026pi;ό \u0026sigma;\u0026tau;\u0026upsilon;\u0026lambda; \u0026delta;\u0026iota;\u0026alpha;\u0026phi;\u0026omicron;\u0026rho;\u0026epsilon;\u0026tau;\u0026iota;\u0026kappa;ώ\u0026nu; \u0026pi;\u0026epsilon;\u0026rho;\u0026iota;ό\u0026delta;\u0026omega;\u0026nu;. \u0026Alpha;\u0026nu; \u0026kappa;\u0026alpha;\u0026iota; \u0026epsilon;\u0026mu;\u0026phi;\u0026alpha;\u0026nu;ί\u0026zeta;\u0026omicron;\u0026nu;\u0026tau;\u0026alpha;\u0026iota; \u0026omega;\u0026sigmaf; \u0026kappa;ά\u0026tau;\u0026iota; \u0026alpha;\u0026pi;ό\u0026lambda;\u0026upsilon;\u0026tau;\u0026alpha; \u0026lambda;\u0026omicron;\u0026gamma;\u0026iota;\u0026kappa;ό, \u0026omicron;\u0026upsilon;\u0026sigma;\u0026iota;\u0026alpha;\u0026sigma;\u0026tau;\u0026iota;\u0026kappa;ά \u0026mu;ό\u0026nu;\u0026omicron; \u0026lambda;\u0026omicron;\u0026gamma;\u0026iota;\u0026kappa;ό \u0026delta;\u0026epsilon;\u0026nu; \u0026epsilon;ί\u0026nu;\u0026alpha;\u0026iota;. \u0026Mu;\u0026iota;\u0026alpha; \u0026mu;\u0026pi;\u0026epsilon;\u0026tau;\u0026omicron;\u0026nu;\u0026iota;έ\u0026rho;\u0026alpha; \u0026delta;\u0026epsilon;\u0026nu; έ\u0026chi;\u0026epsilon;\u0026iota; \u0026kappa;\u0026alpha;\u0026mu;ί\u0026alpha; \u0026sigma;\u0026chi;έ\u0026sigma;\u0026eta; \u0026mu;\u0026epsilon; \u0026tau;\u0026omicron; \u0026pi;\u0026alpha;\u0026rho;\u0026epsilon;\u0026lambda;\u0026theta;ό\u0026nu;· \u0026sigma;\u0026tau;\u0026eta;\u0026nu; \u0026pi;\u0026rho;\u0026alpha;\u0026gamma;\u0026mu;\u0026alpha;\u0026tau;\u0026iota;\u0026kappa;ό\u0026tau;\u0026eta;\u0026tau;\u0026alpha; \u0026alpha;\u0026pi;\u0026omicron;\u0026tau;\u0026epsilon;\u0026lambda;\u0026epsilon;ί \u0026mu;\u0026iota;\u0026alpha; \u0026epsilon;\u0026iota;\u0026kappa;ό\u0026nu;\u0026alpha; \u0026alpha;\u0026pi;ό\u0026lambda;\u0026upsilon;\u0026tau;\u0026alpha; \u0026sigma;\u0026upsilon;\u0026nu;\u0026delta;\u0026epsilon;\u0026delta;\u0026epsilon;\u0026mu;έ\u0026nu;\u0026eta; \u0026mu;\u0026epsilon; \u0026tau;\u0026eta; \u0026sigma;ύ\u0026gamma;\u0026chi;\u0026rho;\u0026omicron;\u0026nu;\u0026eta; \u0026kappa;\u0026omicron;\u0026iota;\u0026nu;\u0026omega;\u0026nu;ί\u0026alpha; \u0026mu;\u0026alpha;\u0026sigmaf;. \u0026Omicron; \u0026sigma;\u0026upsilon;\u0026nu;\u0026delta;\u0026upsilon;\u0026alpha;\u0026sigma;\u0026mu;ό\u0026sigmaf;, \u0026omega;\u0026sigma;\u0026tau;ό\u0026sigma;\u0026omicron;, \u0026upsilon;\u0026lambda;\u0026iota;\u0026kappa;\u0026omicron;ύ \u0026kappa;\u0026alpha;\u0026iota; \u0026epsilon;\u0026iota;\u0026kappa;\u0026omicron;\u0026nu;\u0026omicron;\u0026gamma;\u0026rho;\u0026alpha;\u0026phi;ί\u0026alpha;\u0026sigmaf; \u0026upsilon;\u0026pi;\u0026omicron;\u0026delta;\u0026eta;\u0026lambda;ώ\u0026nu;\u0026epsilon;\u0026iota; \u0026epsilon;\u0026pi;\u0026omicron;\u0026chi;έ\u0026sigmaf; \u0026pi;\u0026omicron;\u0026upsilon; έ\u0026chi;\u0026omicron;\u0026upsilon;\u0026nu; \u0026pi;\u0026rho;\u0026omicron; \u0026pi;\u0026omicron;\u0026lambda;\u0026lambda;\u0026omicron;ύ \u0026pi;\u0026alpha;\u0026rho;έ\u0026lambda;\u0026theta;\u0026epsilon;\u0026iota;.\u003c/p\u003e\r\n","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/773/large/Delvoye__Wim__Betonmolen__1993collectie_M_HKA.jpg?1342179516","poster_credits":"(c)image:  M HKA","translations":[{"locale":"en","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cem\u003e\u0026ldquo;I use ornament \u0026ndash; a pre-modernist activity \u0026ndash; but I agree with the fact of its criminal character. And I count on the fact that my use of ornament is criminal. You can almost compare it to smoking now. You can\u0026rsquo;t naively smoke anymore. You know it\u0026rsquo;s not healthy, but you do it.\u0026rdquo;\u003c/em\u003e\u0026nbsp;- Wim Delvoye\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe cement mixer of Wim Delvoye is made completely from wood and decorated with white-painted foliage and other motifs. Here Delvoye conjures the transformation of an everyday object into an enigmatic one. On first sight it looks like a piece of baroque furniture from a far-off epoch. The term \u0026lsquo;baroque\u0026rsquo; in this case refers more to its original meaning \u0026ndash; namely capricious or bizarre forms of creation \u0026ndash; than to the style-period of that name. Stylistically seen, all of Delvoye\u0026rsquo;s decorated concrete mixers are indeed rather more a mixture of styles from different periods than beholden to the rules of any one particular style. As to form, the cement mixers look terribly logical, but not at all with respect to content. A cement mixer has nothing to do with the past; on the contrary, it is an icon of our contemporary society. But nonetheless, owing to the assemblage of materials and iconography, the object still harks back to bygone times.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cem\u003e\u0026ldquo;Ik gebruik het ornament \u0026ndash; wat een premodernistische bezigheid is \u0026ndash; maar ik ga akkoord met het misdadig karakter ervan. Ik reken er op dat mijn gebruik van het ornament misdadig is. Je kunt het bijna vergelijken met nu roken. Je kunt niet meer nai\u0026euml;f roken. Je weet dat het ongezond is maar je doet het.\u0026rdquo;\u003c/em\u003e\u0026nbsp;- Wim Delvoye\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDe betonmolen van Wim Delvoye is volledig uitgevoerd in hout, beschilderd in een felblauwe kleur en gedecoreerd met wit beschilderd loofwerk en andere motieven. Delvoye tovert hier een alledaags voorwerp om tot een mysterieus object. Op het eerste gezicht lijkt het wel een barok meubelstuk uit lang vervlogen tijden. De term barok refereert in dit geval wel eerder aan zijn oorspronkelijke betekenis, namelijk grillig gevormd of ook wel een bizarre creatie, dan aan de stijlperiode met die naam. Stilistisch gezien zijn al de gedecoreerde betonmolens van Delvoye immers eerder een stijlmix uit verschillende periodes dan dat ze zich houden aan de regels van \u0026eacute;\u0026eacute;n bepaalde stijl. Formeel oogt de betonmolen verschrikkelijk logisch, inhoudelijk echter helemaal niet. Een betonmolen heeft niets te maken met het verleden, is integendeel een icoon van onze hedendaagse maatschappij. Toch doet het object ons dankzij het samenbrengen van materialen en iconografie denken aan lang vervlogen tijden.\u003c/p\u003e\r\n"},{"locale":"fr","description":null}]},{"id":13755,"title":"Wim Delvoye 'Cloaca'","dimensions":"26.5 x 19.5 cm, 135 p., language : Dutch, publisher : Museum van Hedendaagse Kunst Antwerpen \u0026 Ludion, Gent-Amsterdam, ISBN : 90-5544-301-8","date_begin":"2000-01-01","material":"Ink, paper","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp ","cached_tag_list":"Exhibition catalogue","publishing_process_id":1,"annotation":"","date_end":null,"reference":"B 1997/627","stream_count_app":7,"permalink":"wim-delvoye-cloaca","description_ru":null,"description_de":null,"description_es":null,"description_el":null,"short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/364/large/__Photo_M_HKA__38.jpg?1458565467","poster_credits":null,"translations":[{"locale":"en","description":"\u003cp\u003eForeword : Yonah Fonc\u0026eacute;, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Adrian Dannatt, Michel Onfray, Guido Ceronetti, Georges Perec, Piero Camporesi, Raymond Roussel, Milan Kundera, Peter Sloterdijk, John Berger \u0026amp; Georges Bataille.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSold out!\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eForeword : Yonah Fonc\u0026eacute;, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Adrian Dannatt, Michel Onfray, Guido Ceronetti, Georges Perec, Piero Camporesi, Raymond Roussel, Milan Kundera, Peter Sloterdijk, John Berger \u0026amp; Georges Bataille.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUitverkocht!\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eForeword : Yonah Fonc\u0026eacute;, Curator MuHKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eTexts : Adrian Dannatt, Michel Onfray, Guido Ceronetti, Georges Perec, Piero Camporesi, Raymond Roussel, Milan Kundera, Peter Sloterdijk, John Berger \u0026amp; Georges Bataille.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e\u0026Eacute;puis\u0026eacute;!\u003c/b\u003e\u003c/p\u003e\r\n"}]},{"id":4507,"title":"Twee Delftse Butaangasflessen [Two Delft Blue Butane Containers]","dimensions":"58 x 30 cm","date_begin":"1988-01-01","material":"butane bottles, enamel paint","short_description":"","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":5,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eAls je de butaangasflessen van Delvoye eenmaal hebt gezien, kan je geen gewone gasfles meer zien zonder er een Delftse vaas bij te denken. Het spel tussen drager en de inhoud sprak Fran\u0026ccedil;ois Van Roy aan. Hij trekt dit spel door in dit werk \u003cem\u003eUpside Down Thinking\u003c/em\u003e. Op het linnen zie je naast verf ook organische en keramische elementen die een krachtige beeldstructuur doen ontstaan. Door het samenbrengen van de twee realiteiten, het tweedimensionale doek en de driedimensionale structuur ontstaat er een nieuwe identiteit. Van Roy ziet dit werk als de aftakeling van mens en milieu: *\u0026#39;Gepakt, verarmd, onteerd en ziek gif penetreert het vruchtbare fijn stof op zoek naar longinhoud. Cellen worden aangetast en kansloos. Negeer het plaatje, verdraai het beeld en vlucht in abstractie. Voel wat er niet is, zie wat er niet staat.\u0026#39;\u003c/p\u003e\r\n","date_end":"1988-01-01","reference":"BK5588","stream_count_app":62,"permalink":"twee-delftse-butaangasflessen-two-delft-blue-butane-containers","description_ru":"","description_de":"","description_es":"","description_el":"","short_description_du":null,"short_description_fr":null,"short_description_ru":null,"short_description_de":null,"short_description_es":null,"short_description_el":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/228/large/Delvoye_Wim_Twee_Delftse_butaanflessen_1988___foto_SyblS.jpg?1465900262","poster_credits":"(c)image: Syb'l S'Pictures","translations":[{"locale":"en","description":"\u003cp\u003eWim Delvoye\u0026rsquo;s sculptures enchant us by their accessibility and conviviality. That holds as well for these \u003cem\u003eTwo Delft Blue Butane Containers\u003c/em\u003e, painted in Delft motifs. The windmills and landscapes are typical of Dutch home-, garden- and kitchen style. These gas containers are formally quite logical, but not contentually. The Delft part is a vase; on the other hand, the butane container is a gross, dangerous thing. So here we have cosiness and domesticity combined with danger and aggression. As a viewer, one now becomes even more aware of the fragility of the porcelain and the raw, industrial character of the gas container. Nonetheless, it all seems so natural. The everyday utilitarian object and the decoration meld into a new whole. The banal and the elevated take each other\u0026rsquo;s form and become mutually exchangeable.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn his objects these two worlds tilt into each other without cancelling one another out. This is what makes for a strong image, and an interchange between the iconography and the support is created. Delvoye\u0026rsquo;s art studies the relationship that exists between the image and its material support. At first, the gas container seems like the support for the painting, but the painting is also a support for the container. Delvoye\u0026rsquo;s decoration is so subversive because it pops-up precisely where we least expect it. Once you\u0026rsquo;ve seen Delvoye\u0026rsquo;s gas containers, you can never again look at a \u0026lsquo;regular\u0026rsquo; example without having thoughts turn to a Delft vase.\u003c/p\u003e\r\n"},{"locale":"nl","description":"\u003cp\u003eWim Delvoyes beelden verleiden door hun toegankelijkheid en gemoedelijkheid. Dat geldt ook voor deze \u003cem\u003eTwee Delftse Butaangasflessen\u003c/em\u003e, beschilderd met Delftse motieven. De windmolens en landschappen zijn typisch voor de Hollandse huis-, tuin- en keukenstijl. Formeel ogen deze gasflessen heel logisch, inhoudelijk niet. Het Delftse deel is een vaas, de butaangasfles daarentegen is een lomp, gevaarlijk ding. Gezelligheid en huiselijkheid worden hier gecombineerd met gevaar en agressie. Als toeschouwer word je je nu meer bewust van het fragiele van het porselein en het brute, industri\u0026euml;le van de gasfles. Toch oogt het allemaal heel natuurlijk. Het dagelijkse gebruiksvoorwerp en de decoratie versmelten tot een nieuw geheel. Het banale en het verhevene nemen elkanders gedaante aan en worden onderling verwisselbaar.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn zijn objecten kantelen deze twee werelden in elkaar zonder dat ze elkaar ooit opheffen. Zo wordt een sterk beeld gemaakt en ontstaat er een wisselwerking tussen de iconografie en haar drager. Delvoyes kunst bestudeert de relatie die er bestaat tussen het beeld en zijn materi\u0026euml;le drager. Aanvankelijk lijkt de gasfles de drager voor de beschildering, maar die beschildering is ook wel een drager voor de fles. De kunstmatige scheiding tussen decoratie en object wordt doorbroken. De decoratie bij Wim Delvoye is zo subversief, omdat ze juist daar verschijnt waar we ze het minst verwachten.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","description":"\u003cp\u003eLes \u0026oelig;uvres de Wim Delvoye s\u0026eacute;duisent par leur accessibilit\u0026eacute; et leur bonhomie. Il en va de m\u0026ecirc;me pour les \u003cem\u003eDeux bouteilles de butane aux motifs de fa\u0026iuml;ence de Delft\u003c/em\u003e. Les moulins \u0026agrave; vent et les paysages sont typiques du style des int\u0026eacute;rieurs, des cuisines et des jardins hollandais. Sur le plan formel, les bouteilles paraissent parfaitement logiques, mais en mati\u0026egrave;re de teneur, ce n\u0026rsquo;est pas le cas. La partie r\u0026eacute;f\u0026eacute;rant \u0026agrave; la fa\u0026iuml;ence de Delft est un vase, une bouteille de butane est en revanche un objet assez grossier et dangereux. Convivialit\u0026eacute; et intimit\u0026eacute; familiale se marient ici avec danger et agression. En tant que spectateur, on prend conscience de la fragilit\u0026eacute; de la porcelaine et de l\u0026rsquo;aspect brut et industriel d\u0026rsquo;une bouteille de gaz. N\u0026eacute;anmoins, l\u0026rsquo;ensemble para\u0026icirc;t tout \u0026agrave; fait naturel. L\u0026rsquo;objet d\u0026rsquo;utilit\u0026eacute; quotidienne et l\u0026rsquo;\u0026eacute;l\u0026eacute;ment d\u0026eacute;coratif se fondent parfaitement en une nouvelle entit\u0026eacute; harmonieuse. La banalit\u0026eacute; et le raffinement s\u0026rsquo;intervertissent et deviennent interchangeables.\u003c/p\u003e\r\n\r\n\u003cp\u003eDans ces objets, les deux mondes basculent l\u0026rsquo;un dans l\u0026rsquo;autre sans jamais s\u0026rsquo;annuler mutuellement. Ainsi, l\u0026rsquo;artiste cr\u0026eacute;e une image forte et une interaction \u0026eacute;merge entre l\u0026rsquo;iconographie et son support. L\u0026rsquo;art de Delvoye \u0026eacute;tudie la relation entre l\u0026rsquo;image et son support mat\u0026eacute;riel. Initialement, la bouteille de gaz semble le support des motifs peints, mais ceux-ci sont aussi le support de la bouteille. La s\u0026eacute;paration artificielle entre objet et d\u0026eacute;coration est rompue. Chez Wim Delvoye, la d\u0026eacute;coration est tellement subversive, pr\u0026eacute;cis\u0026eacute;ment parce qu\u0026rsquo;elle appara\u0026icirc;t l\u0026agrave; o\u0026ugrave; l\u0026rsquo;attend le moins.\u003c/p\u003e\r\n"}]}]