M HKA gaat digitaal

Met M HKA Ensembles zetten we onze eerste échte stappen in het digitale landschap. Ons doel is met behulp van nieuwe media de kunstwerken nog beter te kaderen dan we tot nu toe hebben kunnen doen.

We geven momenteel prioriteit aan smartphones en tablets, m.a.w. de in-museum-ervaring. Maar we zijn evenzeer hard aan het werk aan een veelzijdige desktop-versie. Tot het zover is vind je hier deze tussenversie.

M HKA goes digital

Embracing the possibilities of new media, M HKA is making a particular effort to share its knowledge and give art the framework it deserves.

We are currently focusing on the experience in the museum with this application for smartphones and tablets. In the future this will also lead to a versatile desktop version, which is now still in its construction phase.

Ensemble: Chapter 3: Question, 1969–1977, Brussels-Mönchengladbach-New York / Hoofdstuk 3: Vraag / Chapitre 3: Question

©image: M HKA

In the early 1970s, Byars’s overriding interest was the idea of the question. As he wrote in a letter to Isi Fiszman: ‘If the critical questions were gathered would you then have a picture of the contemporary problems of earth people?’

Byars launched this quest during his exhibition at Wide White Space Gallery in 1969, when he went to Oxford to meet a Wittgenstein expert and collect questions. Soon afterwards he was artist-in-residence at the Hudson Institute, a politically conservative American think tank. Since travelling to institutions of knowledge in search for questions was not economically feasible, Byars established his own World Question Center operating by telephone.

Also in 1969, Byars organised a live broadcast in collaboration with Belgian Radio and Television. Together with a circle of 30 students from the University of Brussels (among them were also Marcel Broodthaers and the collector Hubert Peeters), he realised The World Question Center by telephoning illustrious thinkers all over the world.

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Works

>James Lee Byars, Letter to Jef Cornelis, Walter Van Dyck and Ludo Bekkers, 1969.Letter, pink silk paper, 9 x (51 x 70.5 cm).

>James Lee Byars, I’m collecting questions. Please list yours and send to Byars (Temp. Art. in Res.) Hud. Inst. Croton, N.Y. 10520, 1969.Other, paper, 43.2 x 28 cm.

>James Lee Byars, 5 in a Dress, 1969.Installation, pink silk, 200 x 500 cm.

>Jef Cornelis, James Lee Byars, The World Question Center, 1969.Film, single-channel video, b/w, sound, 01:02:06.

>James Lee Byars, Releasing 'O?', 1972.Letter, envelope and typewritten on transparent paper, 3.8 x 8.5 cm, 2.5 x 2.5 cm.

>James Lee Byars, TH FI TO IN PH, 1975.Object, wooden toothpick, 5.6 x 0.2 cm.

>James Lee Byars, Hear TH FI TO IN PH Around This Chair, 1977.Installation, chair, carpets, black silk tent, 357 x 355 x 366 cm.

>James Lee Byars, Q, 1980.Other, small paper confetti, ⌀ 1.5 cm.

>James Lee Byars, The Chair of the Artist at Harvard, 1980.Other, paper confetti, ⌀ 1.5 cm.

>James Lee Byars, The Letter Reading Society of James Lee Byars, 1987.Installation, two 17th century chairs and framed title in gold pencil on black silk paper, 18 x 353 cm.