Jef Verheyen - ARCHIVE
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This page offers a selective glimpse into the Jef Verheyen (1932-1984) archive, painting a picture of the artist’s practice and the nature of the archive. It is a snapshot, so to speak, of the international art scene of the latter half of the 20th century, a view illuminating the evolution of an artist exploring the frontier divide between modern painting and conceptual art.
Digitisation, entry, and description of the complete archive material began in 2019. For example, the database has been enhanced with over 1,300 archival items bequeathed by the artist. In addition to Verheyen’s works on paper (ca. 200), the archive mainly contains notebooks and sketchbooks (ca. 40), essay manuscripts (ca. 200), correspondence (ca. 400), photographs (ca. 1,700), posters (ca. 85), invitations (ca. 200), writings about the artist (ca. 50), press articles (ca. 300), publications (ca. 200), and official documents (ca. 40).
The newly accessible selection is intended to make the archive’s most representative pieces available for research and education. This page is continually updated with new material.
Items
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Jef Verheyen presents his...
Gerald Dauphin, Jef Verheyen, Jef Verheyen presents his sculpture 'Le Vide' up against the sky, 1965. Photography, photograph.
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Painting pot from the art...
Jef Verheyen, Painting pot from the artist’s studio. Ceramics, ceramics, paint.
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Survey by the artist, for...
Paul De Vree, Jef Verheyen, Survey by the artist, form with colour test completed by Paul De Vree, 1962. Text, ink on paper, 1 page.
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Jef Verheyen in front of ...
Gerald Dauphin, Jef Verheyen, Jef Verheyen in front of his series 'Hommage à Mondriaan – Monet' in his atelier on Hoogstraat, Antwerp, 1970. Photography, photograph.
Actors
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Guy Vaes
The French-language Antwerp author Guy Vaes (1927-2012) acquires fame in 1956 with his first novel Octobre long dimanche. Not just as author,
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Paul Klee
No description.
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Günther Uecker
On his participation-sheet for Vision in Motion, Uecker calls his works ‘Objecte’. The monochrome white and yellow canvases on panel, and a w
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Heinz Mack
Beginning in 1958 Heinz Mack publishes, along with Otto Piene, the review Zero (three issues). Zero will also serve as the collective name w
Ensembles
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Jef Verheyen - ZERO
No description.
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Jef Verheyen - Artist's W...
For Jef Verheyen, writing was nearly as critical as painting. He was a man of images but also of words and ideas. His art – painting – was ro
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Jef Verheyen - Travel Notes
Travel was inherently meaningful to Verheyen. He travelled to immerse himself in architecture’s form language and lose himself in the singula
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Jef Verheyen - Monographi...
Verheyen compiled his own exhibition catalogues just as he did with his posters. The archive’s myriad maquettes bear witness to this. This ov
