Nour Shantout

Ensemble

Nour Shantout is a Syrian-Palestinian artist, researcher, and educator whose multidisciplinary practice spans embroidery, installation, text, and collaborative methods. Grounded in a deep engagement with Palestinian embroidery (tatreez), her work treats this traditional craft not merely as heritage, but as a living, resistant archive, one that embodies identity, counter-memory, and intergenerational knowledge.

Her research-based projects trace intimate personal narratives and collective histories, particularly within contexts of displacement and marginalization, such as the Shatila refugee camp in Lebanon. In Searching for the New Dress, Shantout reflects on the transmission of memory and the circulation of embroidered dresses between generations of women in exile, revealing how garments become vessels of everyday survival, counter-mapping, and cultural resilience.

From a postcolonial feminist perspective, Shantout examines the aesthetics of ethnographic display and the structures of institutional knowledge production. She questions how histories are told, who tells them, and through which media. Through layered narrative methodologies and community-based workshops, she cultivates alternative forms of archiving that are grounded in lived experience, embodied practices, and radical care.

Evidence responds to intensified censorship through the emergence of new visual codes. Artists and cultural workers often blur faces in online documentation—a protective gesture that transforms pixelated squares into subtle symbols of an era marked by constraint. This work reflects on the evolving relationship between language, medium, and temporality. As screenshots of social media posts are used to silence or undermine cultural voices, the exhibition space shifts from a mere site of display to one of negotiation, risk, and resistance. It invites us to consider how acts of refusal—of revealing less, of withholding faces—can paradoxically assert presence and agency.


we refuse_d is produced by Mathaf: Arab Museum of Modern Art, Doha, on the occasion of their 15th anniversary, and presented in partnership with M HKA.
Curated by Nadia Radwan and Vasıf Kortun.

About M HKA / Mission Statement

The M HKA is a museum for contemporary art, film and visual culture in its widest sense. It is an open place of encounter for art, artists and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp's avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection and presentation. Central here is the museum's collection with its ongoing acquisitions, as well as related areas of management and research.

About M HKA Ensembles

The M HKA Ensembles represent our first steps towards initiating the public to today's art-related digital landscape. With the help of these new media, our aim is to offer our artworks a better and fuller array of support for their presentation and public understanding.