Window on Infinity - Room 04
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Non-plastic painting
Jef Verheyen explores the canvas as an experience space. He describes his style as ‘non-plastic painting’. Thanks to the translucent layers of paint he applies one above the other, it is as if he is painting with air. The brushstrokes are barely visible in his atmospheric landscapes. In these dark, hazy environments, a cosmic silence predominates. Vibrations seem to set the spaces in static motion. Verheyen’s technique of building up paint in translucent layers is centuries old. Jan van Eyck applied it in in his oil paintings in the fifteenth century. Le Peintre Flamant aims to refine the technique in dematerialised ‘portraits’ of dark and light.
‘When I first exhibited in Milan and told visitors that I came from the same country as Van Eyck, Memling, Van der Weyden, Van der Goes and Rubens, they were astonished. To my Italian friends and acquaintances I was instantly Jef Verheyen, “un giovane pittore fiammingo”. In my work they recognised the continuation of what they find typical of la pittura fiamminga: light and space.’
Jef Verheyen, ca. 1970
Items
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Copy of Philosophes taoïs...
Jef Verheyen, Copy of Philosophes taoïstes (ed. Gallimard, 1980) from the artist’s library, 1980. Book, ink on paper.
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Notes about the etymology...
Jef Verheyen, Notes about the etymology of Le Peintre Flamant, the selfappointed nickname of Jef Verheyen. Text, ink on paper, 5 sides.
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Postcard from Lucio Fonta...
Jef Verheyen, Lucio Fontana, Postcard from Lucio Fontana in Paris to Jef Verheyen, 1959. Letter, ink on postcard.
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Ad Reinhardt, Francesco L...
Jef Verheyen, Francesco Lo Savio, Ad Reinhardt, Ad Reinhardt, Francesco Lo Savio, Jef Verheyen, 1961. Book, ink on paper.
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Paul De Vree
Paul De Vree was a pioneer of European concrete poetry and a visual artist. He founded literary journals such as 'De Tafel Ronde' in Belgium
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Guy Mees
Guy Mees (1935-2003) emerges as a painter in Antwerp in the late fifties, when post-war avant-garde art from the US was just beginning to fin
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Frank Philippi
After studying at the Royal Academy of Fine Arts in Antwerp, Frank Philippi choses photography over painting. It was his greatest hobby, but
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Filip Tas
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