{"id":15988,"title":"Ongoing","date_begin":null,"date_end":null,"location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/945/large/Kinoshita__0007_Suchan__Pijlen_still1.jpg?1780486172","poster_credits":"©Suchan Kinoshita"},"translations":[{"locale":"en","name":"Ongoing","short_description":"","description":"\u003cblockquote\u003e\u003cp\u003eThe fact that man is capable of action means that the unexpected can be expected from him [...].\u0026nbsp;\u003cbr\u003eHannah Arendt\u0026nbsp;\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eExpectations, positions and structures within society seem to be constantly shifting. This can evoke feelings of uncertainty and fear. Often, one then falls back on ideas such as safety, control, and uniformity, unambiguity. But what if we instead make room for chance, contradiction, and polyphony? Ongoing is about what it means for artists to keep working when certainty is lacking. Not as a message, not as an answer, but as an attitude. Acting without guarantee also means acting in the moment, without knowing where it will lead exactly. It\u0026nbsp;touches upon ideas such as freedom, spontaneity, and the risk of failure. In this respect, it stands in contrast to goal-oriented acting where the result is central. The works in the collection show different ways of artistic action. Sometimes this is exploratory: artists revisit their work, try again, and feel out possibilities. Sometimes that acting takes on a different form and seems to almost fall silent or withdraw. In\u0026nbsp;doing so, humour and seriousness, philosophy and absurdity\u0026nbsp;alternate. In dialogue with permanent presentation The Situation is Fluid, which questions the changeability of the world, Ongoing focuses on which forms of action remain possible within that situation. Not because change is guaranteed. But because stopping is not an option.\u003c/p\u003e"},{"locale":"nl","name":"Doorgaan","short_description":"","description":"\u003cblockquote\u003e\u003cp\u003eHet feit dat mensen tot handelen in staat zijn, betekent\u0026nbsp;dat men het onverwachte kan\u0026nbsp;verwachten [...].\u003cbr\u003eHannah Arendt\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eVerwachtingen, posities en structuren binnen de maatschappij lijken voortdurend te verschuiven. Dat\u0026nbsp;kan gevoelens van onzekerheid en angst oproepen. Vaak wordt dan teruggegrepen naar ideeën als veiligheid, controle en eenduidigheid. Maar wat als we net ruimte maken voor toeval, contradictie en meerstemmigheid? Doorgaan gaat over wat het betekent als kunstenaars blijven werken wanneer zekerheid ontbreekt. Niet als boodschap, niet als antwoord, maar als houding. Handelen zonder garantie betekent ook handelen in het moment, zonder te weten waar het precies toe zal leiden. Het raakt aan ideeën zoals vrijheid, spontaniteit en het risico op mislukking. Daarmee staat het tegenover doelgericht handelen, waarbij het resultaat centraal staat. De werken uit de collectie tonen verschillende manieren van artistiek handelen. Soms is dat zoekend: kunstenaars hernemen hun werk, proberen opnieuw en tasten mogelijkheden\u0026nbsp;af. Soms krijgt dat handelen een andere vorm en lijkt het bijna stil te vallen of zich terug te trekken. Humor en ernst, filosofie en absurditeit wisselen elkaar\u0026nbsp;daarbij\u0026nbsp;af. In dialoog met de vaste presentatie De toestand is vloeibaar, die de veranderlijkheid van de wereld bevraagt, richt Doorgaan zich op welke vormen van handelen daarbinnen mogelijk blijven. Niet omdat verandering gegarandeerd is. Maar omdat stoppen geen optie is.\u003c/p\u003e"},{"locale":"fr","name":"Poursuivre","short_description":"","description":"\u003cblockquote\u003e\u003cp\u003eLe fait que les êtres humains soient capables d’agir signifie que l’on peut s’attendre à l’inattendu.\u003cbr\u003eHannah Arendt\u0026nbsp;\u003c/p\u003e\u003c/blockquote\u003e\u003cp\u003eIl semblerait que les attentes, les positions et les structures de la société évoluent en permanence. Cela\u0026nbsp;peut susciter des sentiments d’incertitude et de peur. Souvent, on s’accroche alors à des notions telles que la sécurité, le contrôle et l’uniformité. Et si on laissait plutôt de la latitude au hasard, à la contradiction et à la pluralité des voix ? Poursuivre explore ce que signifie pour des artistes le fait de poursuivre la création en l’absence de certitude. Non pas comme message, ni comme réponse, mais comme attitude. Agir sans garantie, c’est aussi agir dans l’instant présent, sans savoir précisément où cela mènera. Cela touche à des notions telles que la liberté, la spontanéité et le risque d’échec. Ce qui l’oppose à l’action ciblée, qui se focalise résolument sur le résultat. Les œuvres de la collection montrent différentes modes d’actions artistiques. Parfois, des artistes adoptent le mode de la recherche : ils et elles reprennent, réessaient, explorent des possibilités. D’autres fois, des artistes empruntent des voies différentes et semblent presque renoncer ou se retirer. Humour et sérieux, philosophie et absurdité s’y\u0026nbsp;alternent. En dialogue avec l’exposition permanente La situation est fluide, qui interroge la mutabilité du monde, Poursuivre se concentre sur les formes d’action qui demeurent possibles dans ce contexte. Non pas parce que le changement est garanti. Mais parce que s’arrêter n’est pas une option\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":52,"name":"Robert Filliou","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/742/large/Filliou__0045_Robert__from_Political_to_Political__Breakfasting_together_if_you_wish_still_disc2.jpg?1366810746","poster_credits":"(c)image: M HKA"}},{"id":59,"name":"Anatoly Osmolovsky","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/015/220/large/438px-Osmolovsky.jpg?1363013544","poster_credits":null}},{"id":79,"name":"Hamlet 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Posenenske","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/683/large/posenenske_charlotte_1967_bearb.jpg?1662622336","poster_credits":"​​​​​​​© Dr. Burkhard Brunn, Ffm."}},{"id":2749,"name":"Taus Makhacheva","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/912/large/Taus-Makhacheva-portrait.jpg?1444653716","poster_credits":null}},{"id":4449,"name":"Chris Reinecke","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/837/large/1970_Mietersolidarit%C3%A4t_Mommartz6.jpg?1643886577","poster_credits":null}},{"id":5889,"name":"Liesbet Grupping","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/848/large/Liesbet_Grupping_by_Emily_O'hara_zww.jpeg?1778074200","poster_credits":"© the artist — photo: Emily O’Hara, 2024"}}],"items":[{"id":76,"title":"Yawning","date_begin":"1975-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/231/large/262Hamlet%20Hovsepian,%20Yawning,1975%20%20photo%20M%20HKAclinckx.jpg?1298290530","poster_credits":"(c)image: M HKA","actors":"Hamlet Hovsepian"},{"id":77,"title":"Untitled","date_begin":"1976-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/228/large/295Hovsepian,%20Hamlet,%20Untitled,%201976%20video%20still1.jpg?1298290313","poster_credits":"(c)image: M HKA","actors":"Hamlet Hovsepian"},{"id":103,"title":"Dusty Phrases / Пыльные фразы ","date_begin":"2003-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/085/811/large/2021_EURAZIE___photo_M_HKAclinckx__29.jpg?1661259659","poster_credits":"© Anatoly Osmolovsky. 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